{"id":48866,"date":"2024-10-20T11:26:17","date_gmt":"2024-10-20T09:26:17","guid":{"rendered":"http:\/\/94dba388-e9ba-46c4-86f4-c9e079ebfdf1"},"modified":"2024-10-20T12:07:18","modified_gmt":"2024-10-20T10:07:18","slug":"best-movie-scores-of-all-time-our-top-20-memorable-film-scores","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/best-movie-scores-of-all-time-our-top-20-memorable-film-scores\/","title":{"rendered":"Best movie scores of all time: our top 20 memorable film scores"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Sunday, 20 October 2024 at 09:26 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Music and film have had something of a symbiotic relationship since the dawn of cinema, but the film score as we know it today was really born in 1933. There have been some pretty memorable musical scores written for the movies over the last 90 years, but here&#8217;s our ranking of the 20 best movie scores of all time&#8230; <\/p><h2 class=\"wp-block-heading\">Contents<\/h2><ul><li><strong><a href=\"#20-16\">Best movie scores of all time: 20 to 16<\/a><\/strong><\/li><li><strong><a href=\"#15-11\">15 to 11<\/a><\/strong><\/li><li><strong><a href=\"#10-6\">10 to 6<\/a><\/strong><\/li><li><strong><a href=\"#topfive\">The top five<\/a><\/strong><\/li><li><strong><a href=\"#bestmoviescore\">And the greatest movie score of all time is&#8230;<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"20-16\">Best movie scores of all time: 20 to 16<\/h2><h3 class=\"wp-block-heading\" id=\"h-henry-v-by-william-walton-1944\">20. <em>Henry V<\/em> by William Walton (1944)<\/h3><p>The actor Laurence Olivier and composer <strong><a href=\"https:\/\/www.classical-music.com\/composers\/walton-william\/\">William Walton<\/a><\/strong> worked together on several Shakespearean films, including <em>Hamlet<\/em> and <em>Richard III<\/em>. <em>Henry V<\/em>, a film that was commissioned by the Ministry of Information to help the war effort and was shot in Technicolor, remains one of the finest that they collaborated on and its score received an Oscar nomination.<\/p><p>The stirring film gradually leads the audience from the confines of the Globe Theatre out to the fields of the Battle of Agincourt where Henry (Olivier) triumphs. The score has plenty of period feel, from brass <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/fanfare-meaning\">fanfares<\/a><\/strong>, drumming and unusual modal harmonies. Walton even drew upon Auvergne folksongs for his theme for the French princess, Katharine. Walton told Olivier that the film would have been \u2018terribly dull\u2019 without the music.<\/p><p><strong>Essential Recording:<\/strong> <em>Henry V \u2013 Suite<\/em> Philharmonia Orchestra\/William Walton <em>Warner Classics<\/em><\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/walton-henry-v-scenes-from-the-film-and-other-film-music\/691316978\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Battle of Agincourt from Olivier's Henry V\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/7XPQuThLlso?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/six-best-classical-pieces-film\"><strong>Six of the best classical pieces on film<\/strong><\/a><\/li><li><a href=\"http:\/\/www.classical-music.com\/article\/10-best-films-made-about-composers\"><strong>10 of the best (and worst) films about composers<\/strong><\/a><\/li><\/ul><h3 class=\"wp-block-heading\">19. <em>Mary Poppins<\/em> by Richard M Sherman and Robert B Sherman (1964)<\/h3><p>Loved by children and families around the world, <em>Mary Poppins <\/em>is packed full of brilliant songs by the Sherman brothers. From the exuberant tongue-twister \u2018Supercalifragilisticexpialidocious\u2019 to the catchy dance number \u2018Step in time!\u2019, there\u2019s plenty of scope for orchestral fun. And of course <em>Mary Poppins <\/em>includes one of the great Disney songs, the heartfelt \u2018Feed the Birds\u2019, with its stirring strings and choir. <\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/mary-poppins-original-motion-picture-soundtrack\/1440796512\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\">18.\u00a0<em>The Pink Panther<\/em>\u00a0by Henry Mancini (1963)<\/h3><p>Hollywood went \u2018Pop\u2019 in the 1960s, directors and producers turning their backs on the traditional sound of the studio orchestra. Out were the lush strings, and ballsy brass, in were rock and roll, rhythm and song. One composer who capitalised on this shift was <a href=\"https:\/\/www.classical-music.com\/features\/composers\/henry-mancini\"><strong>Henry Mancini<\/strong><\/a>, a great dramatic composer but one who could really \u2018groove\u2019. His style, a mix of big band, pop, jazz and orchestral saw him create some of the most colourful scores of the era. <\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/the-pink-panther-music-from-the-film-score\/310724834\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><p>Not least of all was this immortal score, for director Blake Edwards\u2019s first\u00a0<em>Pink Panther<\/em>\u00a0film. The sultry saxophone became a movie star and an iconic theme was born. The Pink Panther in question? Not a big cat at all, but a big rock\u2026 a rare diamond that has caught the eye of a surprising thief. The hapless Inspector Clouseau (Peter Sellars) is on the case, and probably falling over it.<\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/saxophone\"><strong>The saxophone&#8230; the essential jazz instrument<\/strong><\/a><\/li><li><a href=\"https:\/\/www.classical-music.com\/articles\/saxophone-invention\"><strong>When was the saxophone invented?<\/strong><\/a><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"The Pink Panther \/\/ The Danish National Symphony Orchestra feat. Hans Ulrik (Live)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/3roQbeRyme4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\">17.\u00a0<em>Rocky<\/em>\u00a0by Bill Conti (1976)<\/h3><p>The sequence is iconic: Rocky Balboa, a down on his luck boxer with a dream, is out on the streets of Philadelphia, training. Each time he runs up the 72 steps of the Philadelphia Museum of Art, and each time, with perseverance it gets easier and easier. <\/p><p>Bill Conti\u2019s music is with him all the way, and when he makes it to the top, triumphantly punching the air, we\u2019re all punching it with him. This film, written by and starring Sylvester Stallone, is a classic; it was made on a shoestring and won three Oscars. Conti\u2019s song\u2019 Gonna Fly Now\u2019 was nominated, but his contribution pop-orchestral contribution to the film remains iconic.\u00a0<\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/rocky-original-motion-picture-score\/1440832384\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\">16. <em>The English Patient<\/em> by Gabriel Yared (1996)<\/h3><p>Gabriel Yared\u2019s score to Anthony Minghella\u2019s 1996 epic brilliantly combines the influences of <a href=\"https:\/\/www.classical-music.com\/features\/composers\/johann-sebastian-bach\"><strong>JS Bach<\/strong><\/a> and Middle Eastern music to magnificent effect. At its heart, Yared places a stunning piece of faux Bach, a stirring yet texturally simple three-part piano solo that utterly defines the tenor of the film.<\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/the-english-patient-original-soundtrack-recording\/1569203729\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"15-11\">Best movie scores of all time: 15 to 11<\/h2><h3 class=\"wp-block-heading\">15.\u00a0<em>Edward Scissorhands<\/em>\u00a0by Danny Elfman (1990)<\/h3><p>Tim Burton\u2019s modern fairytale inspired <a href=\"https:\/\/www.classical-music.com\/features\/composers\/who-is-danny-elfman-the-composer-behind-the-simpsons\"><strong>Danny Elfman<\/strong><\/a> to dig deep. A mechanical man with scissors for hands is taken in by a suburban family. He\u2019s the talk of the town, but soon he is turned upon. Being so different is too much for some of the community, and it\u2019s not long before poor Edward is run out of town. That\u2019s not before he has captured the heart of the family\u2019s daughter, Kim.<\/p><ul><li><strong><a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/articles\/what-is-the-difference-between-a-film-score-and-film-soundtrack\/\">What is the difference between a film score and film soundtrack?<\/a><\/strong><\/li><li><a href=\"http:\/\/www.classical-music.com\/article\/12-best-imaginary-composers\"><strong>12 of the best fictional composers<\/strong><\/a><\/li><\/ul><p>It\u2019s a fantastic tale, hugely comedic and achingly romantic. Danny Elfman, Burton\u2019s go-to composer, created a sweet, luscious and occasionally humourous underscore for the film. Choir, orchestra, celesta, and some great violin solos, all make for one of the composer\u2019s greatest ever works. Enough to melt the hardest of hearts. It\u2019s one of Elfman\u2019s personal favourites, too.<\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/edward-scissorhands-music-from-the-motion-picture\/1440789927\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Edward Scissorhands (1990) Trailer #1 | Movieclips Classic Trailers\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/TBHIO60whNw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-the-mission-by-ennio-morricone-1986\">14. <em>The Mission<\/em> by Ennio Morricone (1986)<\/h3><p><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ennio-morricone-the-italian-film-composer-on-his-favourite-film-themes-misassigned-oscar-categories-and-being-typecast-as-a-cowboy-film-composer\"><strong>Ennio Morricone<\/strong><\/a> is one of the most prolific film composers of all time, with several hundred film soundtracks under his belt, including iconic 1960s Spaghetti Westerns like <em>The Good, The Bad and the Ugly. <\/em><\/p><p>Among Morricone\u2019s finest soundtracks is the Oscar-nominated score to Roland Joffe\u2019s 1986 film <em>The Mission <\/em>about a Jesuit priest&#8217;s attempt to try and convert a South American tribe. The famous \u2018Gabriel\u2019s Oboe\u2019 theme appears when Father Gabriel (Jeremy Irons) tentatively plays a tune to befriend members of the Guaran\u00ed tribe.<\/p><p>The composer apparently took inspiration from actor Jeremy Irons\u2019s random finger placements on the oboe. The subsequent uplifting theme, with its string accompaniment, has become famous in its own right.<\/p><p><strong>Essential Recording:<\/strong> <em>The Mission \u2013 Original Motion Picture Soundtrack<\/em> London Philharmonic Orchestra\/Ennio Morricone <em>Virgin CDV-2402<\/em><\/p><h3 class=\"wp-block-heading\" id=\"h-planet-of-the-apes-by-jerry-goldsmith-1968\">13. <em>Planet of the Apes<\/em> by Jerry Goldsmith (1968)<\/h3><p>Jerry Goldsmith (1929-2004) was one of Hollywood&#8217;s most versatile composers. His music, fuelled by imaginative orchestrations, great energy and fine melodies, graced some of the big (and small) screen&#8217;s most memorable titles. <em>The Waltons<\/em>,<em> Dr. Kildare,<\/em> <em>The Omen, Star Trek: The Motion Picture, Alien, Gremlins, Basic Instinct<\/em>, and so much more besides, were each elevated by Goldsmith&#8217;s art.<\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/from-twisters-to-alien-romulus-meet-the-hollywood-composer-who-hails-from-one-of-classical-musics-greatest-dynasties\"><strong>Composer Benjamin Wallfisch on his music for <em>Alien: Romulus<\/em><\/strong><\/a><\/li><li><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/the-alien-soundtracks-ranked-worst-to-best\"><strong>Ranked: the <em>Alien<\/em> soundtracks<\/strong> <\/a><\/li><\/ul><p>While he could match John Williams in terms of orchestral heft and romantic sweep, he was also brilliantly skilled in creating unusual, avant-garde sonorities. A standout score in that regard is <em>Planet of the Apes<\/em>, the film that sees an astronaut stranded on a planet ruled by intelligent apes, only to discover he has stumbled into Earth&#8217;s distant future. <\/p><p>The score sees Goldsmith unpack all manner of unusual percussive and tonal sounds, sitting within the more traditional brass, strings and piano of the Fox Orchestra; together they chop, saw, bang and hoot their way through what is a truly evocative piece of 12-tone composition.<\/p><p><strong>Essential Recording:<\/strong> <em>Planet of the Apes \u2013 Original Motion Picture Soundtrack<\/em> Studio Orchestra\/Jerry Goldsmith Var\u00e8se Sarabande VSD-5848 (1997)<\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/planet-of-the-apes-original-motion-picture-soundtrack\/1443095001\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Planet of the Apes (1\/5) Movie CLIP - The Human Hunt (1968) HD\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/DruCG3LJiiU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-gone-with-the-wind-by-max-steiner-1939\">12. <em>Gone With the Wind<\/em> by Max Steiner (1939)<\/h3><p>Steiner was only given three months to compose what ended up being his most famous work, and when the film was released it was the longest-ever film score, at almost three hours. Steiner sometimes worked for 20 hours at a time and it took five orchestrators to help produce the score.<\/p><p>Each character was given its own musical motif with \u2018Tara\u2019s Theme\u2019 being the most famous, representing the Georgia plantation. The theme has a rich Romantic quality. In a key scene it is used as Scarlett (Vivien Leigh) is seen in silhouette with her father, a foreboding sunset in the background.<\/p><p><script src=\"https:\/\/cdn.jwplayer.com\/players\/JV0xiD1r-lqFafnwo.js\"\/><\/p><p>Although the film won ten Oscars, Steiner missed out on getting one for the score, despite a nomination. He was beaten by <em>The Wizard of Oz<\/em> composer Herbert Stothart.<\/p><p><strong>Essential Recording:<\/strong> <em>Gone with the Wind \u2013 Original Motion Picture Soundtrack<\/em> MGM Studio Orchestra\/Max Steiner Sony 88697638242<\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/gone-with-the-wind-original-motion-picture-soundtrack\/1454324875\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-king-kong-by-max-steiner-1933\">11. <em>King Kong<\/em> by Max Steiner (1933)<\/h3><p>Often referred to as the \u2018father of film music\u2019, Austrian-born composer Max Steiner moved to Hollywood in 1929, becoming one of the first composers to craft narrative music for film in a way still done to this day. Among his many successful film scores are <em>The Searchers<\/em> and <em>Casablanca<\/em>, with the most famous being <em>Gone With the Wind<\/em> (1939, see below).<\/p><p>One of his earliest original scores was for RKO's thrilling <em>King Kong<\/em>, a film seemingly ahead of its time in terms of its visual effects. The big-screen adventures allowed Steiner to flex his muscles and show just exactly what a fully synchronised dramatic score could achieve. The result was ear-opening indeed, Steiner unleashing a battery of brass, percussion and thrilling\/soaring strings to create a sense of the sheer scale of the giant Ape, the mysterious fog-bound Skull Island and the most unlikely of love stories.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"King Kong (1933) - Beauty Killed the Beast Scene (10\/10) | Movieclips\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/MMNICLfHE3M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><p><strong>Essential Recording:<\/strong><br\/><em>King Kong \u2013 The Complete 1933 Film Score by Max Steiner<\/em><br\/>Moscow Symphony Orchestra\/William Stromberg<br\/>Naxos 8.557700 (2005)<\/p><ul><li><strong><a href=\"https:\/\/www.amazon.co.uk\/King-Kong-Complete-Score-2005-02-22\/dp\/B01M7VA7YK\/ref=sr_1_1?\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy from Amazon<\/a><\/strong> <\/li><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/king-kong-original-1933-motion-picture-soundtrack\/534335036\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"10-6\">Best movie scores of all time: 10 to 6<\/h2><h3 class=\"wp-block-heading\" id=\"h-interstellar-by-hans-zimmer-2014\">10. <em>Interstellar<\/em> by Hans Zimmer (2014)<\/h3><p>Christopher Nolan's film about a former NASA pilot-cum-Farmer who finds himself leading an expedition into the farthest reaches of space to find a habitable planet is mind-bending and brilliant. It's science-fiction... or is it? Science-<em>fact<\/em>ion perhaps, given the level of research and detail that went into every inch of celluloid.<\/p><p>Nolan turned to his regular composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/hans-zimmer\">Hans Zimmer<\/a><\/strong> for the music, and the Hollywood titan birthed what is probably the best things he has ever written... so far. Okay, he won as Oscar for <em>Dune<\/em>, but he <em>should<\/em> have won for this. The score is expansive, occasionally quiet to the point of inaudibility, but with a meditative tranquility that enraptures the listener.<\/p><ul><li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-hans-zimmer-film-scores\">The best Hans Zimmer film scores<\/a><\/strong><\/li><\/ul><p>Zimmer creates an unusual soundscape, but populates it with traditional orchestral elements and his trumpt card: a ver real pipe organ - performed by Roger Sayer in London's Temple Church. This is epic music and occasionally so transportive you think you, too, have travelled to another world.<\/p><p><strong>Essential Recording:<\/strong> <em>Interstellar \u2013 Original Motion Picture Soundtrack<\/em> Roger Sayer (organ); London Voices; Studio Orchestra et al <em>Sony Classical 88875048122<\/em><\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/interstellar-original-motion-picture-soundtrack-expanded\/1533983552\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Interstellar (2014) - Into the Wormhole Scene (1\/10) | Movieclips\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/UlBIWvojCBI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\">9. <em>Merry Christmas, Mr Lawrence<\/em> by Ryuichi Sakamoto (1983)<\/h3><p>How many film composers can boast that they have both written the soundtrack for a film and also played one of the major roles on screen? Such is the case with <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ryuichi-sakamoto-a-film-composing-master-and-japanese-synthpop-pioneer\">Ryuichi Sakamoto<\/a><\/strong>, whose portrayal of the complex character of Captain Yonoi in <em>Merry Christmas, Mr Lawrence<\/em> is accompanied by his own music.<\/p><p>That score \u2013 a masterpiece of early electronic music \u2013 blends classical and oriental influences as it brilliantly conveys the stifling heat and oppression of the prisoner-of-war camp in which the likes of Major Jack Celliers (David Bowie) and Lieutenant Colonel John Lawrence (Tom Conti) are held. Crowned by the gorgeous \u2018Forbidden Colours\u2019 theme tune, it deservedly won Sakamoto a BAFTA.<\/p><p>We included <em>Merry Christmas, Mr Lawrence <\/em>in our round-up of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/ryuichi-sakamoto-the-best-recordings\">best Ryuichi Sakamoto recordings<\/a><\/strong>.<\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/merry-christmas-mr-lawrence\/1500818100\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\" id=\"h-lawrence-of-arabia-by-maurice-jarre-1962\">8. <em>Lawrence of Arabia<\/em> by Maurice Jarre (1962)<\/h3><p>French composer Maurice Jarre rose to international attention with his score for David Lean\u2019s epic film <em>Lawrence of Arabia <\/em>(1962), the story of how an Englishman helped the arabs fight against the Ottoman Empire during World War One.<\/p><p>Although the film\u2019s soundtrack won Jarre an Oscar, the credit might have gone elsewhere. He was commissioned after both Walton and Malcolm Arnold were unavailable. And he was initially asked to contribute music alongside Britten and Khachaturian, who both dropped out. It was left to Jarre to compose two hours of music in just six weeks. He took a large-scale approach with a 104-piece orchestra, including 11 percussionists.<\/p><ul><li><a href=\"http:\/\/www.classical-music.com\/article\/six-best-classical-music-film-cameos\"><strong>Six of the best classical music film cameos<\/strong><\/a><\/li><li><a href=\"http:\/\/www.classical-music.com\/article\/best-film-soundtracks-our-top-picks\"><strong>The best film soundtracks: our top picks<\/strong><\/a><\/li><\/ul><p>The exotic score included three ondes martenots and a <em>cithara<\/em>. For one of the film\u2019s most iconic scenes, when Sherif Ali (Omar Sharif) appears from the shimmering distance in the desert, Lean opts for just natural sounds, including wind, giving a beautiful contrast to Jarre\u2019s immense score.<\/p><p><strong>Essential Recording:<\/strong><br\/><em>Lawrence of Arabia \u2013 Original Motion Picture Soundtrack<\/em><br\/>London Philharmonic Orchestra\/Maurice Jarre <\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/lawrence-of-arabia-original-film-soundtrack\/710474335\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\">7.\u00a0<em>Titanic<\/em>\u00a0by James Horner (1997)<\/h3><p>There\u2019s no ignoring James Cameron\u2019s\u00a0<em>Titanic<\/em>, one of the most successful films of all time at the box office. The original soundtrack album, too, broke records selling over 27 million copies upon release. American composer <a href=\"https:\/\/www.classical-music.com\/news\/james-horner-1953-2015\">James Horner<\/a> had worked with Cameron on\u00a0<em>Aliens<\/em>\u00a0(1986) and while that wasn\u2019t the happiest of experiences for Horner, this story was too great to ignore. <\/p><ul><li><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/the-alien-soundtracks-ranked-worst-to-best\"><strong>The <em>Alien<\/em> soundtracks ranked<\/strong><\/a><\/li><\/ul><p>The epic film is a disaster film of course, but one with a love story at its heart. Horner delivered a rich tapestry, leaning into the doomed ship\u2019s Irish roots with celtic instrumentation and melody. For the lovers, one of the composer\u2019s most familiar tunes; it was turned into the No. 1 hit \u2018My Heart Will Go On\u2019. <\/p><p>Cameron didn\u2019t want a song in his film, but Horner secretly recorded a demo with Celine Dion. He got his way, and that demo was the version heard in the film, it was that good. Beyond the romance, Horner lays on brilliantly dramatic music for their fate. His music for the sinking is some of the most thrilling music written for the screen.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Titanic | #TBT Trailer | 20th Century FOX\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/CHekzSiZjrY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-the-godfather-by-nino-rota-1972\">6. <em>The Godfather<\/em> by Nino Rota (1972)<\/h3><p>An iconic film, with an iconic score. The first part of Francis Ford Coppola's epic Corleone saga is one of the most quoted\/referenced of all time, lines of dialogue and full scenes etched into audience memories. The music is by Italian composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/rota-nino\">Nino Rota<\/a><\/strong> (1911-79), who had created a lasting artistic partnership with legendary director Federico Fellini in their home country.<\/p><p>For this relatively rare Hollywood venture, Rota turned in a relatively sparse, but vital dramatic accompaniment and some killer themes. At the heart of the score is 'The Godfather Waltz', a now iconic melody for lone, foreboding trumpet, and the grandiose 'Love Theme from The Godfather', synonymous now with all things mafia. For the latter, Rota actually re-used a theme he'd written for a 1958 Italian film called <em>Fortunella<\/em> (albeit with a different rhythm and colouring), and it's for that reason his music for <strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/why-was-nino-rotas-score-for-the-godfather-disqualified-from-the-1972-oscars\"><em>The Godfather<\/em> wasn't eligible for an Original Score Oscar nomination<\/a><\/strong>.<\/p><p><strong>Essential Recording:<\/strong> <em>The Godfather \u2013 Original Motion Picture Soundtrack<\/em> Studio Orchestra\/Nino Rota; Carmine Coppola Var\u00e8se Sarabande VSD-5848 (1997) <\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/the-godfather-soundtrack-from-the-motion-picture\/1440844661\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"topfive\">Best movie scores of all time: the top five<\/h2><h3 class=\"wp-block-heading\" id=\"h-star-wars-episode-iv-a-new-hope-by-john-williams-1977\">5. <em>Star Wars: Episode IV, A New Hope<\/em> by John Williams (1977)<\/h3><p>It's hard to imagine a time before <em>Star Wars<\/em>, writer\/director George Lucas's homage to the Saturday morning serials of his youth, not to mention all manner of mythical tropes and samurai films. This adventure 'in a galaxy far, far away' went on to spawn eight more instalments over an impressive 42 years.<\/p><p>Given Lucas's desire to conjure a bygone era of storytelling, it makes sense that the music should do the same and so composer John Williams - fresh from his Oscar for <em>Jaws<\/em>, set about creating his own love letter to the past, in music. Williams's score is knowing in its references, whether it's ceremonial Walton, rollicking Holst or thrilling film scores by Korngold.<\/p><p>It all makes for a great old-fashioned narrative thrillride, with memorable leitfmotifs for key characters, places and things, not to mention some edge-of-your seat orchestral set pieces as the Rebellion fights the evil Galactic Empire.<\/p><p>It went in so small way in whetting a renewed appetite for symphonic film scoring in Hollywood, the London Symphony Orchestra finding itself in demand for years to come. Oh, and it won Williams another Oscar.<\/p><p><strong>Essential Recording:<\/strong> <em>Star Wars: Episode IV, A New Hope \u2013 Original Motion Picture Soundtrack<\/em> London Symphony Orchestra\/John Williams <em>Walt Disney Records D002585302<\/em><\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/star-wars-a-new-hope-original-motion-picture-score\/1375814280\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><p><strong>We ranked John Williams's <a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/best-star-wars-music-theme-tunes\">best <em>Star Wars <\/em>film scores<\/a>, worst to best. Do you agree with our choices?<\/strong><\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"STAR WARS: A NEW HOPE Clip - &quot;Destroying The Death Star&quot; (1977)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/6H0vFP_jXN4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/><\/div><\/figure><h3 class=\"wp-block-heading\" id=\"h-jaws-1975\">4. <em>Jaws<\/em> (1975)<\/h3><p><strong><a href=\"https:\/\/www.classical-music.com\/composers\/williams-john\/\">John Williams<\/a><\/strong> has written some of the most memorable film music of all time, including <em>Indiana Jones<\/em> and<em> ET<\/em>. But the soundtrack to Steven Spielberg\u2019s <em>Jaws <\/em>is the one that really established him. This got him noticed by George Lucas, leading to the collaboration on <strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/best-star-wars-music-theme-tunes\/\"><em>Star Wars<\/em><\/a><\/strong> in 1977.<\/p><p>With <em>Jaws<\/em>, Williams undertook the challenge of portraying an animal that lives underwater with music rather than sound effects. Spielberg recalls fondly how Williams first introduced him to the <em>Jaws <\/em>theme, playing it on a piano. \u2018What he played\u2026 with two fingers on the lower keys was dun, dun, dun-dun, dun-dun, dun-dun\u2026 sometimes the best ideas are the most simple ones and John [Williams] had found a signature for the entire score.\u2019<\/p><p>Williams\u2019s brief rhythmic theme consisted of three repeated bass notes. \u2018I thought that altering the speed and volume of the theme, from very slow to very fast, from very soft to very loud, would indicate the mindless attacks of the shark,\u2019 he recalls. At this year\u2019s Oscars, Williams has a nomination for his score to <em>Star Wars:<\/em> <em>The Force Awakens<\/em>.<\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/jaws-the-collectors-edition-soundtrack\/1440752827\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><p><strong>Essential Recording:<\/strong> <em>Jaws \u2013 The 25th anniversary edition<\/em> Music composed and conducted by John Williams <em>Decca 467 0452<\/em><\/p><h3 class=\"wp-block-heading\" id=\"h-psycho-by-bernard-herrmann-1960\">3. <em>Psycho<\/em> by Bernard Herrmann (1960)<\/h3><p>Alfred Hitchcock\u2019s suspense thriller <em>Psycho <\/em>(1960) turned narrative convention on its head by bumping off the main character half way through. The famous shower murder, when serial killer Norman Bates (Anthony Perkins), dressed as his mother, stabs his victim Marion Crane (Janet Leigh), is accompanied by the unforgettable screeching stabs of high-pitched strings.<\/p><p>This music exists, thanks to the persistence of composer Bernard Herrmann, who resisted the director\u2019s initial requests for the scene to be silent. From the outset Herrmann was determined to only use strings for the whole score, which he thought would complement the starkness of Hitchcock\u2019s black and white photography.<\/p><p>The feeling of impending disaster pervades the soundtrack: as Marion\u2019s sister, Lila, arrives at Bates Motel to investigate her disappearance, the lower strings ominously creep up while the violins slide down.<\/p><p><strong>Essential Recording:<\/strong><br\/><em>Psycho \u2013 The Complete Original Motion Picture Score<\/em><br\/>Royal Scottish National Orchestral\/Joel McNeely<br\/><em>Vars\u00e8se Sarabande VSD-5765<\/em><\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/psycho-the-complete-original-motion-picture-score\/1440795706\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h3 class=\"wp-block-heading\">2.\u00a0<em>Vertigo<\/em>\u00a0by Bernard Herrmann (1958)<\/h3><p>Unlike\u00a0<em>Psycho<\/em>, the score for Alfred Hitchcock\u2019s romantic thriller\u00a0<em>Vertigo<\/em>\u00a0is both thrilling and luscious. <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/bernard-herrmann\">Bernard Herrmann<\/a><\/strong> leaned into his romantic side (for he was a romantic at heart) for his fourth collaboration with the director.<\/p><p>That said,\u00a0<em>Vertigo<\/em>\u00a0features just the kind of knotty, disorienting musical machinations Herrmann is known and loved for. The main theme is a kaleidoscopic masterpiece, and Herrmann used the rhythm of the Haba\u00f1era to great effect. \u2018The Nightmare\u2019 is another classic cue, supporting brilliantly conceived visuals by Hitchcock and designer Saul Bass.\u00a0<\/p><p>The crowning glory of the score, though, is the \u2018Scene d\u2019Amour\u2019. Written for a key scene in which Scotty (Jimmy Stewart) transforms his new love into the woman of his dreams, it remains one of Herrmann\u2019s greatest works.<\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/vertigo-original-motion-picture-score\/1444009433\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><h2 class=\"wp-block-heading\" id=\"bestmoviescore\">Best movie scores: and the greatest film score of all time is...<\/h2><h3 class=\"wp-block-heading\">1. <em>E.T. the Extra-Terrestrial <\/em>by John Williams (1982)<\/h3><p>Beyond that iconic main theme, Williams\u2019s <strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/all-the-oscar-winners-and-nominees-for-best-original-score\">Oscar-winning original score<\/a><\/strong> for Steven Spielberg\u2019s classic film is a triumph. There\u2019s magic, mystery, heartbreak and the thrill of the chase; the final 15 minutes of music truly lead the action and take centre stage. It's a real emotional rollercoaster, the finale leaving most audience members in a puddle of tears.<\/p><p>If the history books are to be believed, Spielberg turned off the projector on the recording stage during those final 15 minutes and let Williams simply conduct without having to meet the constraints of the edited film. In a rare move, he then went back to the edit suite and re-cut the sequence to the music. History made.<\/p><ul><li><strong><a href=\"https:\/\/music.apple.com\/gb\/album\/e-t-the-extra-terrestrial-the-20th-anniversary\/1440497170\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Stream on Apple Music<\/a><\/strong><\/li><\/ul><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"><iframe loading=\"lazy\" title=\"Steven Spielberg och John Williams skapar ledmotivet till E.T. The Extra-Terrestrial\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/EDC_fppZ1Kg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/><\/div><\/figure><p><strong>Essential recording:<\/strong> <em>E.T. The Extra-Terrestrial, Music from the Original Motion Picture Soundtrack <\/em>Studio Orchestra\/John Williams (MCA Records\/MCAD-11494)<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Sunday, 20 October 2024 at 09:26 AM Music and film have had something of a symbiotic relationship since the dawn of cinema, but the film score as we know it today was really born in 1933. There have been some pretty memorable musical scores written for the movies over the last 90 years, [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":48867,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"15"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/best-movie-scores-of-all-time-our-top-20-memorable-film-scores.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/best-movie-scores-of-all-time-our-top-20-memorable-film-scores-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/best-movie-scores-of-all-time-our-top-20-memorable-film-scores-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/best-movie-scores-of-all-time-our-top-20-memorable-film-scores-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/best-movie-scores-of-all-time-our-top-20-memorable-film-scores-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/best-movie-scores-of-all-time-our-top-20-memorable-film-scores.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/best-movie-scores-of-all-time-our-top-20-memorable-film-scores.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Sunday, 20 October 2024 at 09:26 AM Music and film have had something of a symbiotic relationship since the dawn of cinema, but the film score as we know it today was really born in 1933. There have been some pretty memorable musical scores written for the movies over the last 90 years,&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/48866"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/48867"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=48866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=48866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}