{"id":49096,"date":"2024-10-31T18:46:07","date_gmt":"2024-10-31T17:46:07","guid":{"rendered":"http:\/\/527f88b9-991b-45d7-893b-b6de036a3145"},"modified":"2024-10-31T20:07:15","modified_gmt":"2024-10-31T19:07:15","slug":"opera-does-horror-scarily-well-here-are-six-of-the-most-terrifying-moments-in-opera-history","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/opera-does-horror-scarily-well-here-are-six-of-the-most-terrifying-moments-in-opera-history\/","title":{"rendered":"Opera does horror scarily well. Here are six of the most terrifying moments in opera history"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Thursday, 31 October 2024 at 17:46 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html> <head\/> <body> <p>When <strong><a href=\"https:\/\/www.classical-music.com\/news\/sancta-florentina-holzinger\">Florentina Holzinger\u2019s opera <em>Sancta<\/em> was staged in Stuttgart recently<\/a><\/strong>, chaos ensued. Based on Hindemith\u2019s 1921 opera <em>Sancta Susanna<\/em>, Holzinger\u2019s new work featured unsimulated lesbian sex, naked roller-skating nuns and real blood, triggering outrage. Staff at Staatsoper\u00a0Stuttgart reported that no fewer than 18 audience members had to be offered medical assistance for nausea and shock during the first two performances.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/opera-censorship\">Sex, violence, racism, misogyny: just how offensive to modern tastes are the great operas?<\/a><\/strong><\/li> <\/ul> <p>Holzinger herself has something of a reputation as an <em>enfant terrible<\/em>, but shocking scenes at the opera are nothing new. Right from <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-was-the-first-opera-ever-written\">the birth of the artform<\/a><\/strong> at the beginning of the 17th century, opera has had the power to disturb, disgust, terrify and unnerve in equal measure. Here are six of the best examples.<\/p> <h2 class=\"wp-block-heading\">Scariest moments in opera<\/h2> <h3 class=\"wp-block-heading\">Weber <em>Der Freisch\u00fctz<\/em> (1821)<\/h3> <p>Any opera that involves characters selling their souls to the Devil is likely to be a little unsettling, and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/carl-maria-von-weber\">Carl Maria von Weber<\/a><\/strong> takes this sinister theme to the max in the famous \u2018Wolf\u2019s Glen Scene\u2019 in Act II of <em>Der Freisch\u00fctz<\/em> from 1821. Tolling bells and hooting owls introduce us to the mysterious and moonlit craggy glen that is the location for a midnight meeting between Kaspar, who has already done his dark Demonic deal, and Max, who is being unwittingly tricked by Kaspar into doing so.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Wolf Glen's Scene from Der Freischutz by Carl Maria Von Weber\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/rdUdnDpnqFQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>As the pair forge seven magic bullets in preparation for a shooting match the following day, they are surrounded by a succession of supernatural phenomena \u2013 storms, evil birds, apparitions, the ride of the Wild Hunt \u2013 culminating in the appearance of the Devil (Samiel) himself. Be very afraid.<\/p> <h3 class=\"wp-block-heading\">Britten <em>The Turn of the Screw<\/em> (1954)<\/h3> <p>More supernatural goings-on in <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/benjamin-britten-composer\">Benjamin Britten<\/a><\/strong>\u2019s Henry James-inspired 1954 opera. The British composer had already proved himself a master manipulator of the mind in his previous operas <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/peter-grimes-britten\">Peter Grimes<\/a><\/strong><\/em> and <em>Billy Budd<\/em>, and here added ghosts to the equation, as a Governess is sent to Bly, a large, shadowy country house, to look after two children.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/benjamin-britten-best-works\">The best works by Benjamin Britten<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"The Turn of the Screw: 'Miles!' | Glyndebourne\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/k9aS4s7VD6Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>While there is a sense of lingering unease throughout, it is the moment where the Governess sees the face of an unknown man looking in at her through the window that really sends shivers down the spine. That it happens just after the children have been indulging in a jolly rendition of \u2018Tom, Tom, the Piper\u2019s son\u2019 in the same room somehow makes the moment even creepier \u2013 it\u2019s that feeling of being watched. At this stage, no-one other than her is aware of the ghostly presence, and we share in her fear.<\/p> <h3 class=\"wp-block-heading\">Richard Strauss <em>Salome<\/em> (1905)<\/h3> <p>The bible has more than its fair share of horrifying incidents, and it is one of these, by way of Oscar Wilde\u2019s play of the same name, that <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/richard-strauss\">Richard Strauss<\/a><\/strong> drew on for <em>Salome <\/em>in 1905. In some productions, the title character\u2019s garment-divesting Dance of the Seven Veils may already be sufficient to raise eyebrows (and pulses), but it is what follows that really has the capacity to shock.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/guide-strausss-also-sprach-zarathustra\"><em>Also Sprach Zarathustra<\/em>: a guide to Strauss&#8217;s spectacular tone poem<\/a><\/strong><\/li> <\/ul> <p>Rewarded for her efforts with the severed head of Jokanaan (John the Baptist) on a plate, Salom\u00e9 proceeds to serenade it and kiss it on the lips. The moment proves too much for her father Herod, who orders her execution, and the whole opera fell foul of the censors in various countries at the time of its premiere.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Salome (Richard Strauss) - Jochanaan's head\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/OXpwl1VG10w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Strauss himself was not too worried, however, later pointing out that the success of his boundary-pushing masterpiece had enabled him to buy his large house in the Alps.<\/p> <h2 class=\"wp-block-heading\">Three more scariest moments in opera<\/h2> <h3 class=\"wp-block-heading\">Poulenc <em>Les dialogues des Carm\u00e9lites<\/em> (1956)<\/h3> <p>Naked roller-skating aside, nuns don\u2019t tend to fare too well in opera. <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/giacomo-puccini\">Puccini<\/a><\/strong>\u2019s Suor Angelica, for instance, puts an end to her years of misery by poisoning herself, while in the shocking conclusion to <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-prokofiev\">Prokofiev<\/a><\/strong>\u2019s <em>The Fiery Angel<\/em> (1927), Renata is burned at the stake, accused of corrupting the convent with her deluded visions.<\/p> <p>And then there is the horrifying fate of Blanche and her fellow sisters at the Compi\u00e8gne convent in <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/francis-poulenc\">Francis Poulenc<\/a><\/strong>\u2019s <em>Les dialogues des Carm\u00e9lites<\/em>. Amid the bloodthirstiness of The Terror following the French Revolution, the convent is declared unlawful and the nuns are sentenced to death, which they accept with characteristic stoicism.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-french-composers-ever\">The greatest French composers of all time<\/a><\/strong><\/li> <\/ul> <p>Though they themselves are unshakeable in their religious belief, singing a hymn as they file one-by-one towards the guillotine, the sound of the blade repeatedly dropping is nonetheless deeply disturbing.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dialogues Des Carmelites (final scene \/ Salve Regina) F. Poulenc\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Cd9EFJaURmI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\">Wagner <em>G\u00f6tterd\u00e4mmerung<\/em><\/h3> <p>Horror film writers and directors are well aware that nothing freaks viewers out more effectively that having the hand of a theoretically deceased character suddenly sticking out from beyond the grave \u2013 check out <em>Carrie<\/em> or <em>Nightmare on Elm Street<\/em>, for instance.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/six-best-horror-film-scores\">The 13 most terrifying horror film scores of all time<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/the-13-greatest-horror-film-composers-of-all-time\">Greatest horror film composers<\/a><\/strong><\/li> <\/ul> <p>More than a century before that, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/richard-wagner\">Richard Wagner<\/a><\/strong> worked the same trick towards the end of <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-wagners-gotterdammerung\">G\u00f6tterd\u00e4mmerung<\/a><\/strong><\/em>, the fourth and final opera from his monumental <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/wagner-ring-cycle\">Ring Cycle<\/a><\/strong>. Having literally stabbed Siegfried in the back, the unlovable Hagen makes his move to steal the Ring from his corpse \u2013 only for the former\u2019s arm to raise up menacingly and prevent him.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Wagner-Gotterdammerung-Third Act, Scene 3\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/qD4IiJu66_M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>By this stage in the <em>Ring<\/em>, Wagner has already put his audience through the emotional wringer with more that 14 hours\u2019 worth of heroism, treachery, death, destruction and much besides. So, why not leave them traumatised too?<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/songs-about-death\">Songs about death: 10 of the most powerful melodies on mortality<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/most-famous-requiems\">Great Requiems: how composers have portrayed death and the afterlife<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\">Hal\u00e9vy <em>La Juive<\/em><\/h3> <p>Over its 400-year history, opera has come up with many varied and imaginative ways to kill off its characters. Being dropped into a cauldron of boiling water in front of a baying crowd, as happens to the goldsmith El\u00e9azar and his daughter Rachel at the end of Hal\u00e9vy\u2019s 1835 grand opera <em>La Juive<\/em> (The Jewess), is one of the more gruesome examples.<\/p> <p>As in several other operas, their grim fate comes as a result of its victims refusal to recant their religious beliefs \u2013 though in this instance, a startling last-minute twist in the plot turns the whole premise of <em>La Juive<\/em> on its head\u2026<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Maria Jos\u00e8 Siri e Neil Shicoff - La Juive (Finale)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/rRCekD7KC8Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Thursday, 31 October 2024 at 17:46 PM When Florentina Holzinger\u2019s opera Sancta was staged in Stuttgart recently, chaos ensued. Based on Hindemith\u2019s 1921 opera Sancta Susanna, Holzinger\u2019s new work featured unsimulated lesbian sex, naked roller-skating nuns and real blood, triggering outrage. Staff at Staatsoper\u00a0Stuttgart reported that no fewer than 18 audience members had [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":49097,"template":"","categories":[1],"acf":{"readingTimeMinutes":"5"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/opera-does-horror-scarily-well-here-are-six-of-the-most-terrifying-moments-in-opera-history.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/opera-does-horror-scarily-well-here-are-six-of-the-most-terrifying-moments-in-opera-history-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/opera-does-horror-scarily-well-here-are-six-of-the-most-terrifying-moments-in-opera-history-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/opera-does-horror-scarily-well-here-are-six-of-the-most-terrifying-moments-in-opera-history-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/opera-does-horror-scarily-well-here-are-six-of-the-most-terrifying-moments-in-opera-history-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/opera-does-horror-scarily-well-here-are-six-of-the-most-terrifying-moments-in-opera-history.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/10\/opera-does-horror-scarily-well-here-are-six-of-the-most-terrifying-moments-in-opera-history.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Thursday, 31 October 2024 at 17:46 PM When Florentina Holzinger\u2019s opera Sancta was staged in Stuttgart recently, chaos ensued. Based on Hindemith\u2019s 1921 opera Sancta Susanna, Holzinger\u2019s new work featured unsimulated lesbian sex, naked roller-skating nuns and real blood, triggering outrage. Staff at Staatsoper\u00a0Stuttgart reported that no fewer than 18 audience members had&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/49096"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/49097"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=49096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=49096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}