{"id":49279,"date":"2024-11-10T19:02:00","date_gmt":"2024-11-10T18:02:00","guid":{"rendered":"http:\/\/36c53b27-33c7-4ea4-a68d-1b9d4216eeb5"},"modified":"2024-11-10T20:07:14","modified_gmt":"2024-11-10T19:07:14","slug":"henry-viii-a-brutal-and-tyrannical-king-but-did-he-write-any-good-music","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/henry-viii-a-brutal-and-tyrannical-king-but-did-he-write-any-good-music\/","title":{"rendered":"Henry VIII: a brutal and tyrannical king, but did he write any good music?"},"content":{"rendered":"

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By <\/p>

Published: Sunday, 10 November 2024 at 18:02 PM<\/p>

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Let\u2019s clear one thing up first of all: Henry VIII did not compose \u2018Greensleeves\u2019<\/strong><\/a>. Italian in form with an Elizabethan text, this is one piece that must be struck from the list of works by this most musical of monarchs.<\/p>

<\/div> <\/figure> <p>He certainly composed, however, and many believe he composed well. Though not a requirement of any intended heir to the throne, music for a number of reasons came naturally to Henry, and he remained a fanatical musician throughout his reign. This, at least, is one aspect of this king\u2019s colourful and changing character that remained consistent.<\/p> <h2 class=\"wp-block-heading\">Henry VIII: a very mixed musical legacy<\/h2> <p>Fired by his desire to secure the Tudor dynasty, Henry\u2019s religious reforms of the 1530s and 1540s \u2013 a political revolution initially set up to secure his divorce with Catherine of Aragon \u2013 were to change the face of the English church forever, severing centuries of unbroken musical and religious traditions. Indeed, the break with the Catholic Church and closure of hundreds of monastic and collegiate houses sent a great number of musicians to wretched poverty and composers into confusion.<\/p> <p>Nevertheless, we can credit Henry in his later years with one last positive gesture towards England\u2019s musical heritage: he would go on to found or re-found two of England\u2019s greatest musical institutions that still exist today \u2013 Christ Church, Oxford, and Trinity College, Cambridge \u2013 as well as finishing King\u2019s College Chapel, that grand project started in 1441 by the teenage Henry VI. And without Henry\u2019s reforms and the mid-16th-century reformations that followed, England would never have reached its musical renaissance as so exquisitely captured in the music of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/thomas-tallis\">Thomas Tallis <\/a><\/strong>and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/william-byrd\">William Byrd<\/a><\/strong>. So in the end, despite his reforms, Henry remained music\u2019s champion.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/quick-guide-talliss-spem-alium\">Tallis’s majestic <em>Spem in Alium<\/em>: a quick guide<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/william-byrd-guide-best-works-and-recordings\">William Byrd: greatest works, best recordings<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Spem In Alium (Thomas Tallis) - Tallis Scholars\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/iT-ZAAi4UQQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>It was on 24 June 1509 that Henry was crowned king of England, just shy of his 18th birthday. His early reign was seen as a new Golden Age, full of opulence, splendour, majesty and concord. But Henry, of course, was not originally destined to be king.<\/p> <h3 class=\"wp-block-heading\">Songs of youth, hunting… and love<\/h3> <p>As the second son of Henry VII, he was raised in the manner of any European prince and received a sound education, with original hopes, it seems, for high places in the Church. Henry excelled at languages, literature, theology, sport and, famously, music. Little is known of his early musical tuition, but it\u2019s likely that he would have benefited from contact with musicians attached to his father\u2019s court, such as William Cornysh and William Newarke.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"William Cornysh [1465-1523] - Woefully Arrayed | Stile Antico\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/15YOCI2XzbM?list=PL7vlJ7DMkL-GKcaD94Oaar1MUHnGnDUyb\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>His musically formative years doubtlessly took place while a boy at Eltham Palace, where he must have had exposure to many musical instruments; one can imagine him singing songs of youth, songs of hunting and <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-love-songs\">songs of love<\/a><\/strong>, the things he excelled at so well as a young man. The untimely death in 1502 of his older brother Arthur, however, thrust the young Duke of York into the limelight. When Henry VIII came to the throne, he cut a very different figure to that most famously depicted by Hans Holbein in 1537.<\/p> <p>During his early years the court abounded with cultural activity \u2013 indeed, the number of full-time musicians employed in his household increased from around a half dozen to 58. He also kept his own private household chapel choir in addition to his Chapel Royal, containing the finest musicians in the land, which was a regular part of his retinue.<\/p> <figure class=\"wp-block-image size-full\"> <figcaption class=\"wp-element-caption\"> Portrait of Henry VIII, engraving by W. T. Fry (1789 – 1843) after a painting by Hans Holbein the Younger (1497 – 1543). Pic: Getty Images – Getty Images <\/figcaption> <\/figure> <h3 class=\"wp-block-heading\">A royal choir book<\/h3> <p>This love of music made gift-giving easy for those hoping to gain his favour. One famous example is a royal choir book gifted to Henry VIII and Catherine of Aragon in around 1516, now in the British Library (the nucleus of which was formed from Henry\u2019s own personal library). A number of scholars have tackled the historical and musical nature of this beautifully illustrated book, though still relatively little concrete information is known of its origin and function.<\/p> <p>The frontispiece contains a tribute to Henry VIII which is set among Tudor roses and a fortified island representing England. The text \u2018Psallite felices\u2019 (Sing, fortunate ones) is set by the German composer \u2018Sampson\u2019 about whom little is known, though a number of his works appear in Continental printed sources \u2013 he is probably also the composer of the famous \u2018Rose Canon\u2019 Salve radix (Hail, root). The remainder of the book carries themes of eroticism and child bearing (Henry and Catherine were at this time trying to conceive an heir).<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"THE KING'S SINGERS Henry VIII - Pastime with good company\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/6YcDFOu6qWw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>From England itself, however, few tributes to Henry have come down to us. There is the Mass \u2018God Save King Henry\u2019 by Thomas Ashwell, of which only two of five parts survive. Earlier still is Robert Fayrfax\u2019s setting of <em>Lauda vivi alpha et oo<\/em> (Praise, most exalted daughter of the living Alpha and Omega), a devotion to the Virgin Mary with an embedded prayer to the king, probably composed soon after Henry came to the throne in 1509.<\/p> <p>And then there is John Taverner\u2019s <em>O Christe Jesu, pastor bone<\/em> (O Jesus Christ, good shepherd), which began life with a prayer to Henry\u2019s chief minister, Cardinal Thomas Wolsey, but was then adapted in praise of the king when the cardinal fell in 1530. Typical of the great pre-Reformation votive antiphon in its vast musical architecture, it was to be the great musical art forms such as this, forged from a long tradition, that would be swept away by Henry\u2019s reforms.<\/p> <ul class=\"wp-block-list\"> <li><strong>We named John Taverner as one of the very <a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-renaissance-composers\">greatest Renaissance composers<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Christe Jesu pastor bone (John Taverner) [OLD] - Guildford Cathedral Choir (Barry Rose)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/UsRS5uRcmmk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\">An accomplished composer and an eager singer<\/h3> <p>But what of Henry\u2019s own music-making? It is well known that he was a competent player of a variety of keyboard, <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/string-instruments\">string<\/a><\/strong>, and wind instruments and there is even an image of him playing his <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/what-is-a-harp\">harp<\/a><\/strong> in the so-called Henry VIII Psalter<em>. <\/em>According to Sir Peter Carew, a Gentleman of Henry\u2019s Privy Chamber, the king was also \u2018much delighted to sing\u2019. We learn, too, from the chronicler Edward Halle that Henry was an accomplished composer, having set at least two masses in five parts which \u2018were song oftentimes in hys chapel, and afterwardes in diverse other places\u2019.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/medieval-musical-instruments\">Ten medieval musical instruments<\/a><\/strong><\/li> <\/ul> <p>The main testament to his compositional skill, however, is the so-called Henry VIII Manuscript, which contains 109 songs and instrumental pieces by composers attached to the court as well as some by foreign musicians. No fewer than 33 of the compositions, nearly a third of the entire collection, are ascribed to \u2018the kyng h.viii\u2019.<\/p> <p>Music scholars often bash Henry\u2019s compositions. True, several are weak: open chords, parallel <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-circle-of-fifths\">fifths<\/a><\/strong> and other schoolboy errors abound. But all of his surviving works would have been composed when he was in his early twenties, teens or even earlier. If only those five-part Mass settings had survived, we would then have some measure of Henry as a serious composer.<\/p> <h3 class=\"wp-block-heading\">His compositions vividly reveal a young king in love<\/h3> <p>One can imagine that he gained advice from composers and musicians attached to his chapel and court, but these early errors seem to show that much of what survives is the king\u2019s own. Of the 13 untexted works, <em>Tandernaken<\/em> is arguably his most accomplished, but there are other gems.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"King Henry VIII Tandernaken\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/TPaodffR9_Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Most famous in the collection, <a href=\"https:\/\/www.youtube.com\/watch?v=6YcDFOu6qWw\"><strong><em>Pastyme with good companye<\/em> <\/strong><\/a>is similar to <a href=\"http:\/\/www.youtube.com\/watch?v=GAmO7udLXHc\"><strong><em>Though some saith<\/em><\/strong><\/a> in which he proclaims \u2018I hurt no man, I do no wrong; I love true where I did marry.\u2019 Other compositions, such as <em>Adieu madame<\/em> and <em>O my heart<\/em>, seem, meanwhile, to have been conjured from the depths of Henry\u2019s emotions and vividly reveal a young king in love. Now this is good stuff.<\/p> <p>In celebration of 500 years since Henry came to the throne, perhaps it is time to give his musical side another chance, remembering that without Henry\u2019s actions (good or bad) England\u2019s musical heritage would most likely be different to that which we enjoy today.<\/p> <p><em>This article was first published in the August 2009 issue of BBC Music Magazin<\/em>e. <em>We were inspired to revisit it by <strong>The Mirror and the Light<\/strong>, the new series of the brilliant TV adaptation of Hilary Mantel’s <strong><a href=\"https:\/\/www.classical-music.com\/features\/tv-and-film-music\/return-to-wolf-hall-creating-some-of-tvs-most-riveting-music\">Wolf Hall<\/a><\/strong><\/em> <em>novels about the life of Henry VIII’s long-time fixer, Thomas Cromwell. <strong>The Mirror and the Light<\/strong> begins on BBC 1 on Sunday 10 November 2024.<\/em><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Sunday, 10 November 2024 at 18:02 PM Let\u2019s clear one thing up first of all: Henry VIII did not compose \u2018Greensleeves\u2019. Italian in form with an Elizabethan text, this is one piece that must be struck from the list of works by this most musical of monarchs. He certainly composed, however, and many […]<\/p>\n","protected":false},"author":24,"featured_media":49280,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"7"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/henry-viii-a-brutal-and-tyrannical-king-but-did-he-write-any-good-music.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/henry-viii-a-brutal-and-tyrannical-king-but-did-he-write-any-good-music-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/henry-viii-a-brutal-and-tyrannical-king-but-did-he-write-any-good-music-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/henry-viii-a-brutal-and-tyrannical-king-but-did-he-write-any-good-music-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/henry-viii-a-brutal-and-tyrannical-king-but-did-he-write-any-good-music-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/henry-viii-a-brutal-and-tyrannical-king-but-did-he-write-any-good-music.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/henry-viii-a-brutal-and-tyrannical-king-but-did-he-write-any-good-music.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Sunday, 10 November 2024 at 18:02 PM Let\u2019s clear one thing up first of all: Henry VIII did not compose \u2018Greensleeves\u2019. Italian in form with an Elizabethan text, this is one piece that must be struck from the list of works by this most musical of monarchs. He certainly composed, however, and many…","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/49279"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/49280"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=49279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=49279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}