{"id":50015,"date":"2024-11-18T12:32:44","date_gmt":"2024-11-18T11:32:44","guid":{"rendered":"http:\/\/de8e709a-22ea-4f21-a2b5-2e5ae4a39227"},"modified":"2024-11-18T14:09:21","modified_gmt":"2024-11-18T13:09:21","slug":"bumblebee-princes-murderous-genies-and-singing-dragons-15-forgotten-operas-ripe-for-rediscovery","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/bumblebee-princes-murderous-genies-and-singing-dragons-15-forgotten-operas-ripe-for-rediscovery\/","title":{"rendered":"Bumblebee princes, murderous genies and singing dragons: 15 forgotten operas ripe for rediscovery"},"content":{"rendered":"

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By <\/p>

Published: Monday, 18 November 2024 at 11:32 AM<\/p>

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Read on to discover the fantastic plots and marvellous music from 15 forgotten operas ripe for rediscovery…<\/strong><\/p>

Here\u2019s a mystery: if there are 1,800 individual works worth an entry in the Grove Dictionary of Opera<\/em>, how come everyone just wants to see Carmen<\/a><\/strong><\/em>, La boh\u00e8me<\/em> and La traviata<\/em> all the time? Why are we fixated on watching the same few unlucky girls hurrying to their early graves, when there exist so many more imaginative ways to slaughter your heroines?<\/p>

Best operas for beginners: 5 operas newbies will love<\/a><\/strong><\/li> <\/ul>
Galloping to the rescue, repeatedly, comes record label Opera Rara<\/strong><\/a>, whose multiple recordings of forgotten opera<\/a><\/strong>s show that there are loads of exciting ways for your heroine to snuff it: we discover Gabriella di Vergy keeling over from shock when presented with the still-warm heart of her beloved; Rosmonda being poshly stabbed to death by Eleanor of Aquitaine; and Maria Padilla dying out of \u2018a surfeit of joy\u2019. The company has been ahead of the game in restoring Donizetti<\/a><\/strong> and Rossini<\/a>\u2019<\/strong>s overlooked works, so here are a few more suggestions for the next decades\u2026<\/p>

These are the 20 best operas of all time – and the revelatory recordings you need<\/a><\/strong><\/li> <\/ul>
Forgotten operas ripe for rediscovery…<\/h3>
1. Tsar Saltan <\/em>\u2013 Nikolay Rimsky-Korsakov, 1900<\/h2> Where to start? How about here, with Rimsky-Korsakov<\/a><\/strong>, the most prolific opera composer to be almost completely ignored (outside Russia, at any rate). Prince Gvidon turns into a bumblebee in the score\u2019s only well-known bit. The reason? Well, he needs to get a message to his father in the royal court and deliver a couple of well-aimed stings to his horrid aunts there too. There\u2019s also a squirrel with golden nuts. It\u2019s an enchanting fairy-tale opera, and the orchestra makes the most amazing sounds.<\/p>

<\/div> <figcaption class=\"wp-element-caption\"> Highlights from <em>Tsar Saltan<\/em> performed by Mariinsky Opera <\/figcaption> <\/figure> <h2 class=\"wp-block-heading\">2. <em>Iris<\/em> \u2013 Pietro Mascagni, 1898<\/h2> <p><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/pietro-mascagni\">Mascagni<\/a><\/strong> spent his whole life trying to recreate the success of his first smash-hit opera, <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/cavalleria-rusticana-best-recordings\">Cavalleria rusticana<\/a><\/strong><\/em>, written when he was 26. It never really worked out, but he was a talented and versatile composer. Two years before <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/giacomo-puccini\">Puccini<\/a><\/strong>\u2019s <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/what-happened-at-the-premiere-of-madame-butterfly\">Madam Butterfly<\/a><\/strong><\/em> \u2013 and not so long after <strong><a href=\"https:\/\/www.classical-music.com\/articles\/why-are-gilbert-and-sullivan-operas-so-popular\">Gilbert & Sullivan<\/a><\/strong>\u2019s <em>The Mikado<\/em> \u2013 he discovered the joys of turning Japanese. Osaka fancies Iris so, obviously, he kidnaps her. But alas, she doesn\u2019t fancy him, so he hands her over to his mate Kyoto to put in his brothel. Iris objects to this and drowns herself in a sewer.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-gilbert-and-sullivan-operettas\">Top 10 Gilbert and Sullivan operettas, ranked and rated<\/a><\/strong><\/li> <\/ul> <h2 class=\"wp-block-heading\">3. <em>The Dragon of Wantley<\/em> \u2013<strong> <\/strong>John Frederick Lampe, 1737<\/h2> <p>Without doubt the greatest opera ever written, and the smash hit of 1737 London. Henry Carey and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/george-frideric-handel\">Handel<\/a><\/strong>\u2019s <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/the-bassoon-a-guide-to-the-orchestras-largest-wind-instrument\">bassoon<\/a><\/strong>ist John Frederick Lampe decided Italian opera had really gone too far when the Meister\u2019s 1736 opera <em>Giustino<\/em> included the hero Justin beating up a preposterous \u2018Sea-monster\u2019. So they came up with a singing dragon in Yorkshire, a debauched hero (\u2018Moore of Moore Hall\u2019) who imitates the castrato Farinelli and is squabbled over by the love-interests Margery and Mauxalinda. The dragon, vulnerable only in its \u2018arse-gut\u2019, is finally dispatched by Moore using a special pair of winklepickers. Handel thought it was great and went to see it every night.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Haymarket Opera Company - "The Dragon of Wantley" Highlights\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/DZrpr5BR4lE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <figcaption class=\"wp-element-caption\"> Highlights from <em>The Dragon of Wantley<\/em> performed by Haymarket Opera Company <\/figcaption> <\/figure> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/six-best-opera-baddies\">6 of the best opera baddies<\/a><\/strong><\/li> <\/ul> <h2 class=\"wp-block-heading\">4. <em>Ivan IV<strong> <\/strong>\u2013 <\/em>Georges Bizet, 1863<\/h2> <p>Known as \u2018The Terrible\u2019, of course. The Tsar, that is, not the opera. And with such a subject how could you go wrong? As it happens, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/georges-bizet\">Bizet<\/a><\/strong>, one of the unluckiest composers of all time, found a way, by peevishly withdrawing it from one theatre and offering it to the way posher Paris Op\u00e9ra, who summarily rejected it. The opera was finally premiered in 1946, over 70 years after his death. This <em>grand op\u00e9ra<\/em> has the usual big-chorus turbulence of the genre, plus all the fun aspects of Russian barbarism: mass executions, rape, assassination, madness. Bizet couldn\u2019t write a dull note.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/the-greatest-opera-composers-of-all-time\">The greatest opera composers of all time<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\">More forgotten operas ripe for rediscovery…<\/h3> <h2 class=\"wp-block-heading\">5. <em>Acante et C\u00e9phise<strong> <\/strong><\/em>\u2013 Jean-Philippe Rameau, 1751<\/h2> <p>Bodged up by <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/jean-philippe-rameau\">Rameau<\/a><\/strong> to celebrate the birth of Louis XVI\u2019s short-lived (luckily for him!) elder brother. In a plot described as \u2018the most puerile that Rameau set\u2019, two lovers are separated by an evil genie who tries to variously kill and rape them, before they are rescued by a good fairy who luckily has amazing superpowers on this auspicious day. While separated, the pair get bracelets that work like walkie-talkies, allowing them to keep in touch emotionally. Rameau makes the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-instruments-make-up-an-orchestra\">orchestra<\/a><\/strong> sound wild and fantastic, and his dance and descriptive music is the top of the Baroques.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Rameau "Acanthe et Ce\u0301phise" Ouverture\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/CpcbM_C5OM8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <figcaption class=\"wp-element-caption\"> Sim\u00f3n Bol\u00edvar Orchestra performs the Overture from <em>Acanthe et C\u00e9phise<\/em> <\/figcaption> <\/figure> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/classical-music-inspired-by-fairy-tales\">6 pieces of music inspired by fairytales<\/a><\/strong><\/li> <\/ul> <h2 class=\"wp-block-heading\">6. <em>Undine \u2013 <\/em>Ernst Theodor Amadeus Hoffmann, 1815<\/h2> <p>Mermaid operas \u2013 and their subset, snowgirl-operas \u2013 are great because they yield amusing deaths like Rimsky-Korsakov\u2019s Snegurochka melting into a dirty puddle. Following the standard pattern, fish-girl Undine forfeits her soggy life for love, which means on the plus side she gets a soul but with certain minuses, like misery and death. ETA Hoffmann is better known as a writer of uncanny German Romanticism but thought of himself as a composer, and this piece really founded a new tradition in German opera which led through <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/carl-maria-von-weber\">Weber<\/a><\/strong> to <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/richard-wagner\">Wagner<\/a><\/strong>.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/hans-christian-andersen-how-did-his-tales-inspire-composers\">Hans Christian Andersen: how did his tales inspire composers?<\/a><\/strong><\/li> <\/ul> <h2 class=\"wp-block-heading\">7. <em>Die Rheinnixen<strong> <\/strong><\/em>\u2013 Jacques Offenbach, 1864<\/h2> <p>It was <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/jacques-offenbach\">Offenbach<\/a><\/strong> who immortalised Hoffmann operatically, and he also had a crack at some mermaids (or \u2018nixies\u2019 as they are never known in English). The opera features one case of \u2018war-related head injury amnesia\u2019 (according to German Wikipedia) and one long-term coma on the part of the heroine, which is mistaken by the other characters for death, with confusing consequences. Basically, the Rhine-spirits intervene in a good way to resolve some vexed love issues and put paid to a gang of mercenaries who are ravaging the country. The well-known Barcarolle (from <em>The Tales of Hoffmann<\/em>) made its first appearance here, and the piece is full of the dreamy German Romanticism that was what Offenbach really wanted to write.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/wagner-why-the-music-of-the-brilliant-german-composer-is-often-misunderstood-and-considered-difficult\">Wagner: why the music of the brilliant German composer is often misunderstood and considered difficult<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\">More forgotten operas ripe for rediscovery…<\/h3> <h2 class=\"wp-block-heading\">8. <em>Die Loreley<strong> <\/strong><\/em>\u2013 Max Bruch, 1863<\/h2> <p>Our last water-borne heroine. We are in medieval Germany so the <em>dramatis personae<\/em> enjoy names like Bertha and Hubert. The drama revolves around the dumped peasant Lenore who finds herself pouring wine at her ex-lover\u2019s wedding, so she does a quick deal with the river spirits: her soul in exchange for instant nuclear-sex-appeal surgery. It all ends very badly. <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/max-bruch\">Bruch<\/a><\/strong> read the libretto in 1860 and was so enchanted he started work immediately. But he got himself sued by the writer Emanuel Geiber for breach of copyright. Geiber eventually relented and let Bruch get on with it. The result is very tuneful and atmospheric, almost a symphonic poem, with debts to <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\">Beethoven<\/a><\/strong> and Spohr.<\/p> <h2 class=\"wp-block-heading\">9. <em>Le roi d\u2019Ys<\/em><strong><em> <\/em><\/strong>\u2013 Edouard Lalo, 1875<\/h2> <p><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/edouard-lalo\">Edouard Lalo<\/a><\/strong> was another Frenchman who, like Bizet and Berlioz, suffered from his countrymen\u2019s appalling taste, ignorance and snobbery. His first opera <em>Fiesque<\/em> was refused performance, and likewise this one, his second; it was finally put on at the Op\u00e9ra-Comique in 1888. It concerns the need to think seriously about coastal defences if you live by the sea. Two daughters of the King of the Breton city of Ys are in love with the same guy. This causes one of them to break off her engagement with another guy who then basically knocks a hole in the dam which keeps the water out. The city is drowned. This has a claim to be the great forgotten French national opera.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-french-composers-ever\"><strong>French composers: 26 of the greatest composers France has ever produced<\/strong><\/a><\/li> <\/ul> <h2 class=\"wp-block-heading\">10. <em>The Wreckers<b> <\/b><\/em>\u2013<strong> <\/strong>Ethel Smyth, 1906<\/h2> <p><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/who-was-ethel-smyth\">Ethel Smyth<\/a><\/strong> \u2013 suffragette, lesbian, eccentric and all-round good egg \u2013 is one of England\u2019s unsung musical glories, and naturally her flouting of all Victorian conventions meant her work was scorned here and better appreciated in Germany. This Wagnerian <em>tour de force<\/em> paved the way for <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/benjamin-britten-composer\">Britten<\/a><\/strong>\u2019s <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/peter-grimes-britten\">Peter Grimes<\/a><\/strong><\/em>, and not only in its seaside setting. A Cornish village makes its tawdry living by luring ships onto the rocks, but the local Methodist preacher\u2019s wife and her lover try to warn the ships off. For their pains they are walled up in a sea cave and left to drown. There is great sea music and muscular characterisation of the village.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"The Wreckers | Official trailer | Glyndebourne\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/KZQyEeWIZ7U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <figcaption class=\"wp-element-caption\"> Glyndebourne’s production of Ethel Smyth’s <em>The Wreckers<\/em> <\/figcaption> <\/figure> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-british-composers\">Best British composers: ranking Britain’s 25 greatest composers (and where to start with each)<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\">More forgotten operas ripe for rediscovery…<\/h3> <h2 class=\"wp-block-heading\">11. <em>La giovent\u00f9 di Enrico V<\/em><strong> <\/strong>\u2013<strong> <\/strong>Saverio Mercadante, 1834<\/h2> <p>So Lord Harcourt, keen for his sister to become queen, has to stop her eloping with Arturo di Northumberland, who is disguised as a cab driver. At one point Miss Harcourt\u2019s Garter (the order, not the garment) is chucked through the window of the Palace of Westminster to land at the Prince\u2019s feet as he enters the Abbey for his Coronation. Yes, this Enrico V turns out to be our very own Prince Hal, not some Kafkaesque Italian, seen through the eyes of the 19th-century librettist Felice Romani. Mercadante is the missing link between Donizetti and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/giuseppe-verdi\">Verdi<\/a><\/strong> \u2013 prime Opera Rara label territory.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/classical-music-inspired-shakespeare\">These 11 Shakespeare plays have inspired some of the greatest music ever written<\/a><\/strong><\/li> <\/ul> <h2 class=\"wp-block-heading\">12. <em>Gli<\/em> <em>equivoci<\/em> \u2013 Stephen Storace, 1786<\/h2> <p>Shakespeare\u2019s mistaken-identity knockabout <em>The Comedy of Errors <\/em>apparently wasn\u2019t complicated enough for the taste of librettist Lorenzo da Ponte, who introduced a wife for one of the Dromios to perk things up. Englishman Stephen Storace was <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/mozart\">Mozart<\/a><\/strong>\u2019s friend and pupil, and it shows in his deft and delicate scoring for the wind band and extended ensemble finales. This is a fabulous, varied score which is up there with the output of Italian opera composers like Cimarosa.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-italian-composers-of-all-time\">The best Italian composers of all time<\/a><\/strong><\/li> <\/ul> <h2 class=\"wp-block-heading\">13. <em>Salvator Rosa<\/em> – Carlos Gomes, 1874<\/h2> <p>The expatriate Brazilian composer Gomes was one of 26 children and was briefly nurtured as a possible successor to Verdi. The story concerns the proto-Romantic eponymous artist\u2019s apocryphal involvement with the 1647 uprising in Naples against Spanish rule. None of this actually happened, and the rest is the usual stuff of Italian opera: thwarted love, treacherous rulers, murder, suicide, heartbreak and despair.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/brazil-music\">The best Brazilian classical music<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\">More forgotten operas ripe for rediscovery…<\/h3> <h2 class=\"wp-block-heading\">1\u200b4. <em>La libert\u00e0 contenta – <\/em>Agostino Steffani, 1693<\/h2> <p>The future King George I had this opera made as a yellow card to his gadabout wife Sophie: that must be one of the plusses of being king. The message is that marital fidelity is fun, or at least more fun than getting your head chopped off. In the event it was Sophie\u2019s fancy man who got arrested and \u2018disappeared\u2019 after the couple failed to heed the warning. Agostino Steffani was an astonishing man: priest, spy\u2026 and Handel\u2019s musical mentor. His free-flowing idiom mixes jaunty 17th-century Venetian opera with the new <em>opera seria<\/em> in a rich musical stew of great beauty.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-italian-operas\">Italian operas: 5 of the best to explore after <em>Tosca<\/em><\/a><\/strong><\/li> <\/ul> <h2 class=\"wp-block-heading\">15. <em>Maddalena <\/em>\u2013 Sergei Prokofiev, 1911<\/h2> <p>Teatime turns sour when artist Genaro realises that his ugly friend and guest Stenio is also his wife\u2019s lover. It\u2019s all a bit uncomfortable since, weirdly, Stenio didn\u2019t realise that the woman he\u2019d been having it off with was his friend\u2019s wife. They both decide that Maddalena deserves to die, but things go a bit wrong and they kill each other instead. Maddalena looks at their corpses and is puzzled about who she loved anyway. <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-prokofiev\">Prokofiev<\/a><\/strong>\u2019s first mature opera is in the turbid style of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/richard-strauss\">Richard Strauss<\/a><\/strong>, with admixtures of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/alexander-scriabin\">Scriabin<\/a><\/strong>\u2019s heavy <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-chromatic-scale\">chromatic<\/a><\/strong>ism \u2013 a very bracing and effective one-acter.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"S. Prokofiev - Scena from opera "Maddalena"\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/H1AFJ-1q5og?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <figcaption class=\"wp-element-caption\"> <em>Maddalena<\/em> from Rostov-on-Don State Musical Theatre <\/figcaption> <\/figure> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-christmas-operas\">The best Christmas operas of all time<\/a><\/strong><\/li> <\/ul> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Monday, 18 November 2024 at 11:32 AM Read on to discover the fantastic plots and marvellous music from 15 forgotten operas ripe for rediscovery… Here\u2019s a mystery: if there are 1,800 individual works worth an entry in the Grove Dictionary of Opera, how come everyone just wants to see Carmen, La boh\u00e8me and […]<\/p>\n","protected":false},"author":24,"featured_media":50016,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"10"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/bumblebee-princes-murderous-genies-and-singing-dragons-15-forgotten-operas-ripe-for-rediscovery.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/bumblebee-princes-murderous-genies-and-singing-dragons-15-forgotten-operas-ripe-for-rediscovery-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/bumblebee-princes-murderous-genies-and-singing-dragons-15-forgotten-operas-ripe-for-rediscovery-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/bumblebee-princes-murderous-genies-and-singing-dragons-15-forgotten-operas-ripe-for-rediscovery-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/bumblebee-princes-murderous-genies-and-singing-dragons-15-forgotten-operas-ripe-for-rediscovery-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/bumblebee-princes-murderous-genies-and-singing-dragons-15-forgotten-operas-ripe-for-rediscovery.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/bumblebee-princes-murderous-genies-and-singing-dragons-15-forgotten-operas-ripe-for-rediscovery.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Monday, 18 November 2024 at 11:32 AM Read on to discover the fantastic plots and marvellous music from 15 forgotten operas ripe for rediscovery… Here\u2019s a mystery: if there are 1,800 individual works worth an entry in the Grove Dictionary of Opera, how come everyone just wants to see Carmen, La boh\u00e8me and…","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/50015"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/50016"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=50015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=50015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}