{"id":50093,"date":"2024-11-22T10:30:00","date_gmt":"2024-11-22T09:30:00","guid":{"rendered":"http:\/\/111212d3-8ca1-444c-8c5b-464856f9bb61"},"modified":"2024-11-22T12:10:37","modified_gmt":"2024-11-22T11:10:37","slug":"fingers-and-nerves-of-steel-the-12-hardest-pieces-of-music-to-play","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/fingers-and-nerves-of-steel-the-12-hardest-pieces-of-music-to-play\/","title":{"rendered":"Fingers and nerves of steel: the 12 hardest pieces of music to play"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Friday, 22 November 2024 at 09:30 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html> <head\/> <body> <p>Any piece of music is hard until you&#8217;ve learnt it of course. But there are some works that seem to rest outside the scope of human capability, whose hurdles give even the most experienced of musicians the willies. Here are ten of the hardest pieces of music to play.<\/p> <h2 class=\"wp-block-heading\" id=\"h-hardest-pieces-of-music-to-play\">Hardest pieces of music to play<\/h2> <h3 class=\"wp-block-heading\">12. Ferruccio Busoni&#8217;s Piano Concerto in C<\/h3> <p>This gargantuan work must surely be one of the most daunting piano concertos in the repertoire. And no wonder, as its composer, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/busoni-ferruccio\">Ferruccio Busoni<\/a><\/strong> was one of the greatest pianists the world has known. At over 70 minutes, the work is more symphony than <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-concerto\">concerto<\/a><\/strong>, and features a full male chorus in the final movement (there are five in total). And though the solo part is fiendishly difficult, the pianist also has to perform more as an equal collaborator with the orchestra than as soloist with accompaniment. Busoni was, after all, trying to rise above showy virtuosity and create something of artistic value.\u00a0<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-pianists-all-time\">20 greatest pianists of all time<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Busoni, Piano Concerto in C Major Op. 39\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/ohPzurDZzZ4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\">11. Tom Johnson&#8217;s <em>Failing: A Very Difficult Piece For String Bass<\/em><\/h3> <p><em>Failing<\/em>, a piece for solo <strong><a href=\"https:\/\/www.classical-music.com\/articles\/double-bass-guide\">double bass<\/a><\/strong> and the human voice says it all in the title \u2013 it\u2019s so difficult to play that the performer is almost guaranteed to fail. Indeed, the piece\u2019s monologue is all about how difficult the music is to play! And no wonder \u2013 balancing a difficult solo line and tricky monologue is no easy feat. Add to that the work\u2019s knowing, comic element and the soloist has to be musician, actor and comedian all in one.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/best-classical-double-bass-players\">10 of the best classical double bass players<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Failing - A very difficult piece for solo string bass\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/9P8C6-XqaNs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\" id=\"h-10-j-s-bach-s-chaconne-in-d-minor\">10. J.S Bach\u2019s Chaconne in D minor<\/h3> <p>Violinists don&#8217;t embark lightly on learning this piece \u2013 for good reason. The articulation is difficult, the phrasing is a life\u2019s work, and let\u2019s not get started on the difficulty of playing the wretched thing in tune. In short, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/johann-sebastian-bach\">Bach<\/a><\/strong>\u2019s Chaconne in D minor is booby-trapped to the hilt; few solo violin pieces contain more technical pitfalls. Its main demands, however, are musical, not least that of following a seamless melodic line through a thicket of cramp-inducing chords.<\/p> <p>And here\u2019s the really fun part: it gives the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-violinists-ever\">violinist<\/a><\/strong> nowhere to hide; even the tiniest blemishes are impossible to conceal. I would call it the Everest of the violin repertoire, but even Everest has its summit, whereas I\u2019m not sure anyone can ever say that they\u2019ve fully conquered Bach\u2019s Chaconne in D minor.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Jascha Heifetz - Chaconne (Bach)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/vhOaS_Cy8_8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\" id=\"h-9-berio-s-sequenzas\">9. Berio&#8217;s Sequenzas<\/h3> <p>I\u2019m lumping all of Berio\u2019s Sequenzas together, but actually each of these 14 compositions for solo instruments presents a unique cocktail of challenges. Written as a \u2018love letter\u2019 to each instrument\u2019s technical and expressive possibilities, they demand the utmost from their performers, both in terms of stamina and technical resources. In fact, at certain points you feel as though you\u2019re listening to an ensemble of musicians, rather than just the one.<\/p> <p>Best known among them is probably the Sequenza III, for a virtuoso singing actress, whose list of extended techniques includes \u2018teeth-chattering\u2019, \u2018tongue-<strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-atrill\">trill<\/a><\/strong> against the upper lip,\u2019 and \u2018salvoes of laughter.\u2019 But all 14 works are equally exhilarating and eccentric in their own way.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/hardest-songs-to-sing\">The hardest songs to sing<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-8-liszt-s-la-campanella\">8. Liszt&#8217;s <em>La Campanella<\/em><\/h3> <p>Written to mimic the tinkling of a little bell, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/franz-liszt\">Liszt<\/a><\/strong>&#8216;s <em>La Campanella<\/em> is one of those annoying pieces that needs to sound easy, while being anything but. Its mile-long list of technical hurdles includes enormous leaps, ridiculously rapid chords, blazing chromatics, as well as a particularly nasty little technique whereby the thumb plays a melody under a sustained trill from the fourth and fifth fingers of the same hand. You could call it a pianistic bleep test; it\u2019s certainly one of the most technically ferocious works in the piano repertoire \u2013 a fact that, I only hope, makes it all the more satisfying to master.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Lang Lang Franz Liszt - La Campanella 2012\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/cIxGUAnj46U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"> <div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/articles\/15-weirdest-works-classical-music\"><b>The 15 weirdest and strangest pieces of classical music<\/b><\/a><\/li> <li><a href=\"https:\/\/www.classical-music.com\/features\/works\/what-are-the-saddest-pieces-of-classical-music\"><b>What are the saddest pieces of classical music?<\/b><\/a><\/li> <li><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-classical-music-for-children\"><b>14 pieces of classical music for children<\/b><\/a><\/li> <\/ul> <\/div> <\/div> <h3 class=\"wp-block-heading\" id=\"h-7-nancarrow-s-studies-for-player-piano\">7. Nancarrow&#8217;s Studies for Player Piano<\/h3> <p>In a sense, these pieces don\u2019t count as hard in the full sense of the word, given that they\u2019re not actually intended to be played by human beings. But the reason is that no human being could play them: Nancarrow wrote them to explore rhythmic variations beyond the ability of any pianist. What emerged was a testament to his imagination: a series of 49 etudes which achieves unprecedented levels of speed, as well as textural and rhythmic complexity.<\/p> <h3 class=\"wp-block-heading\" id=\"h-6-von-hensel-s-piano-concerto-op-16\">6. Von Hensel&#8217;s Piano Concerto Op. 16<\/h3> <p>The German 19th century composer Adolf von Henselt only ever wrote one <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/greatest-piano-concertos-all-time\">Piano Concerto<\/a><\/strong>. But he made it count. It\u2019s a work full of drama, that manages to unite a delicate, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/frederic-chopin\">Chopin<\/a><\/strong>-esque Romanticism with an epic scale and sweep worthy of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-rachmaninov\">Rachmaninov<\/a><\/strong>. So it\u2019s a shame, in a way, that he made it too hard for most mortals to perform. In fact, so colossal were its technical demands, so anti-idiomatic its pianistic writing that even the legendary pianist Anton Rubinstein declared that trying to learn it was \u2018a waste of time, for [it] was based on an abnormal formation of the hand.\u2019 In this respect, Rubinstein concluded, \u2018Henselt, like Paganini, was a freak.\u2019<\/p> <h3 class=\"wp-block-heading\" id=\"h-5-ernst-s-variations-on-the-last-rose-of-summer\">5. Ernst&#8217;s Variations on \u2018The Last Rose of Summer\u2019<\/h3> <p>We don\u2019t tend to hear much about the Moravian-Jewish 19th century composer Heinrich Wilhelm Ernst. But his <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-are-variations\">Variations<\/a><\/strong> on \u2018The Last Rose of Summer\u2019 are infamous for being impossible to play. In fact, this piece, which effectively lumbers its performer with the job of two violinists, is so difficult that only a few brave souls have recorded it, among them the American violinist Hilary Hahn.<\/p> <div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"> <div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/easiest-instruments-play\"><b>10 easiest instruments to play<\/b><\/a><\/li> <li><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/hardest-instruments-to-play\"><b>11 hardest instruments to play<\/b><\/a><\/li> <li><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/childrens-musical-instruments\"><b>Musical instruments for children: 10 of the best<\/b><\/a><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Hilary Hahn : Ernst - Last Rose of Summer\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/rpss7GsCj7A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <\/div> <\/div> <h3 class=\"wp-block-heading\" id=\"h-4-paganini-caprices\">4. Paganini Caprices<\/h3> <p><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/niccolo-paganini\">Paganini<\/a><\/strong>, as the story goes, was someone of such dazzling virtuosity and showmanship that he would chop off three of his own violin strings mid-performance, only to amaze his audiences with an array of variations on the one remaining string. So it\u2019s not surprising that his Caprices are notorious for pushing violinists to their limits (and often beyond).<\/p> <p>Crammed with punishing techniques, from left hand <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-pizzicato\">pizzicato<\/a><\/strong> to blisteringly fast scales, they function not only as a training exercise, but as a kind of rite of passage: you know you can call yourself a violinist when you\u2019ve emerged from Caprice No. 24 with your dignity intact.<\/p> <p>Find out what we chose as the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/six-best-works-paganini\">best pieces by Paganini<\/a><\/strong>.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Maxim Vengerov - Caprice N\u00b0 24 - Paganini\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/hsJdLv38fy8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\" id=\"h-3-stravinsky-s-rite-of-spring\">3. Stravinsky\u2019s <i>Rite of Spring<\/i><\/h3> <p>Talking of rites, <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/stravinskys-rite-spring-guide-and-best-recordings\/\">Rite of Spring<\/a><\/strong><\/em> is no walk in the park either. In fact, such is its rhythmic complexity that <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/igor-stravinsky\">Stravinsky<\/a><\/strong> himself found it difficult to notate. Dancers have missed their cues trying to perform the work\u2019s accompanying choreography (pictured). Orchestral players, meanwhile, have been driven to distraction in the attempt to stay on top of the strange syncopations. And that\u2019s to say nothing of the sheer amount of energy and stamina you need to get through this visceral, elemental work, which famously provoked rioting at its controversial 1913 premiere.<\/p> <h3 class=\"wp-block-heading\" id=\"h-2-mahler-s-symphony-no-8-symphony-of-a-thousand\">2. Mahler\u2019s Symphony No 8 (\u2018Symphony of a Thousand&#8217;)<\/h3> <p>Just putting together the vocal and orchestral forces that this work demands is enough of a feat, even before you begin to consider the difficulties of performing it. And they are pretty considerable in <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/mahler8\/\">Mahler&#8217;s Eighth Symphony<\/a><\/strong>. For one thing, the choir is put under almost as much strain in Part 1 as in the finale of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\">Beethoven<\/a><\/strong>\u2019s Ninth Symphony. For another, it is one of the most contrapuntally ambitious works that Mahler, or for that matter, anybody, ever wrote, integrating aspects of <strong><a href=\"https:\/\/www.classical-music.com\/articles\/baroque-music-guide\">Baroque<\/a><\/strong> oratorio into a symphonic landscape.<\/p> <p>It presents the huge challenge of fusing its various, disparate styles into a unified whole for the conductor. As for the audience, they\u2019ve got their own work cut out for them, processing something of such extreme size, complexity and volume.<\/p> <p>Yet, for <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/gustav-mahler\">Mahler<\/a><\/strong> himself, it seemed to have caused remarkably few birthing pains: \u2018I don\u2019t think that I have ever worked under such a feeling of compulsion,\u2019 said Mahler. \u2018It was like a lightning vision. I saw the whole piece immediately before my eyes and only needed to write it down, as though it were being dictated to me.\u2019 Which seems a little unfair.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Mahler: Symphony No. 8 - Rattle &amp; NYOGB [BBC Proms 2002]\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/LKof4e_7cYA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"> <div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/works\/five-essential-works-liszt\/\"><b>5 essential works by Liszt<\/b><\/a><\/li> <li><a href=\"https:\/\/www.classical-music.com\/features\/articles\/six-best-works-stravinsky\/\"><b>Which are Stravinsky&#8217;s best pieces of music?<\/b><\/a><\/li> <li><a href=\"https:\/\/www.classical-music.com\/features\/works\/which-is-the-best-mahler-symphony\/\"><b>Which is the best Mahler symphony?<\/b><\/a><\/li> <\/ul> <\/div> <\/div> <h3 class=\"wp-block-heading\" id=\"h-01-scriabin-s-mysterium\">01. Scriabin\u2019s Mysterium<\/h3> <p>And finally, in top place, comes <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/alexander-scriabin\">Scriabin<\/a><\/strong>\u2019s unfinished orchestral evocation of the end of the world that was intended to be performed in the foothills of the Himalayas, to last for up to a week, and to finish with the end of the world and the replacement of the human race with \u2018nobler beings\u2019.<\/p> <p>This was the composer\u2019s vision, in his own words: \u2018There will not be a single spectator. All will be participants. The work requires special people, special artists and a completely new culture. The cast of performers includes an orchestra, a large mixed choir, an instrument with visual effects, dancers, a procession, incense, and rhythmic textural articulation. The cathedral in which it will take place will not be of one single type of stone but will continually change with the atmosphere and motion of the Mysterium. This will be done with the aid of mists and lights, which will modify the architectural contours.\u2019<\/p> <p>Now that I come to think of it, Mahler&#8217;s Symphony of a Thousand is looking quite easy\u2026<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Scriabin\/Nemtin, Mysterium. Prefatory Action (Ashkenazy)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/V4YSysUn-Bk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Friday, 22 November 2024 at 09:30 AM Any piece of music is hard until you&#8217;ve learnt it of course. But there are some works that seem to rest outside the scope of human capability, whose hurdles give even the most experienced of musicians the willies. Here are ten of the hardest pieces of [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":50094,"template":"","categories":[1],"acf":{"readingTimeMinutes":"8"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/fingers-and-nerves-of-steel-the-12-hardest-pieces-of-music-to-play.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/fingers-and-nerves-of-steel-the-12-hardest-pieces-of-music-to-play-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/fingers-and-nerves-of-steel-the-12-hardest-pieces-of-music-to-play-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/fingers-and-nerves-of-steel-the-12-hardest-pieces-of-music-to-play-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/fingers-and-nerves-of-steel-the-12-hardest-pieces-of-music-to-play-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/fingers-and-nerves-of-steel-the-12-hardest-pieces-of-music-to-play.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/fingers-and-nerves-of-steel-the-12-hardest-pieces-of-music-to-play.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Friday, 22 November 2024 at 09:30 AM Any piece of music is hard until you&#8217;ve learnt it of course. But there are some works that seem to rest outside the scope of human capability, whose hurdles give even the most experienced of musicians the willies. Here are ten of the hardest pieces of&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/50093"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/50094"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=50093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=50093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}