{"id":50095,"date":"2024-11-22T17:38:50","date_gmt":"2024-11-22T16:38:50","guid":{"rendered":"http:\/\/4fefd975-d4ee-4d3b-8bc3-9cdc4deccdbe"},"modified":"2024-11-22T18:09:22","modified_gmt":"2024-11-22T17:09:22","slug":"dinu-lipatti-an-awesomely-talented-pianist-we-lost-far-too-soon","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/dinu-lipatti-an-awesomely-talented-pianist-we-lost-far-too-soon\/","title":{"rendered":"Dinu Lipatti: an awesomely talented pianist we lost far too soon"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Friday, 22 November 2024 at 16:38 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html> <head\/> <body> <p><strong>\u2018Those whom the gods love,\u2019 wrote the Ancient Greek playwright Menander, \u2018die young.\u2019 Whether or not his gods passed that habit on to those operating in the Christian era, who knows? <\/strong><\/p> <p>But many musicians at least do seem to reserve a special place in their hearts for <strong><a href=\"https:\/\/www.classical-music.com\/composers\/composers-who-died-before-40\/\">composers who died before their 40th birthday<\/a><\/strong>. The likes of <strong><a href=\"https:\/\/www.classical-music.com\/composers\/henry-purcell\/\">Purcell<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/franz-schubert\/\">Schubert<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/frederic-chopin\/\">Chopin<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/composers\/felix-mendelssohn\/\">Mendelssohn<\/a><\/strong> and of course <strong><a href=\"https:\/\/www.classical-music.com\/composers\/mozart\/\">Mozart<\/a><\/strong> all passed away in their thirties, and an atmosphere of lost genius, of what else might have been, still attaches to them all.<\/p> <div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"> <div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-pianists-all-time\/\">The 20 Greatest Pianists of all time<\/a><\/strong><\/li> <\/ul> <\/div> <\/div> <p>Performers may find it harder to make a lasting mark so young, but I can name two exceptions: <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/yehudi-menuhins-finest-moments\/\">Yehudi Menuhin<\/a><\/strong>, for whom an early death might have left his legacy more secure; and Dinu Lipatti, who was born on 19 March 1917 and died on 2 December 1950.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dinu Lipatti plays Bach-Hess Chorale &quot;Jesu Joy of Man's Desiring&quot;, rarer 1947 version\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/k7PNFDrcqmY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h2 class=\"wp-block-heading\">Where was Dinu Lipatti born?<\/h2> <p>Dinu Lipatti was born in Bucharest, Romania in 1917. Heavenly powers smiled on Lipatti\u2019s boyhood. His father Theodor was a violinist who had studied with Carl Flesch in Bucharest and then with the great Pablo de Sarasate in Paris. Alongside this, his mother Anna was an accomplished pianist, and his godfather was another great Romanian, the violinist and composer <strong><a href=\"https:\/\/www.classical-music.com\/composers\/george-enescu\/\">George Enescu<\/a><\/strong>.<\/p> <h2 class=\"wp-block-heading\">When did Dinu Lipatti start learning the piano?<\/h2> <p>At an early age Dinu clapped rhythms and imitated sounds to the delight of all, and even played on the piano a representation of a parental argument.<\/p> <p>He also composed. But his health had always been delicate and his parents waited until he was eight before letting him have piano lessons with Mihail Jora. Three years later he entered the Bucharest Royal Academy of Music to study under <a href=\"https:\/\/en.wikipedia.org\/wiki\/Florica_Musicescu\"><strong>Florica Musicescu<\/strong><\/a> to whom he remained devoted until his death. From here on, progress was swift.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dinu Lipatti plays Schubert Impromptu in G-Flat Major (with preluding)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/9tjstsWoQiw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>In each of the three years 1931-33 Dinu Lipatti performed a <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-concerto\/\">concerto<\/a><\/strong>: first came the <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/edvard-grieg\">Grieg<\/a><\/strong>, then the Chopin E minor, and finally the <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/franz-liszt\">Liszt<\/a><\/strong> E flat, all of which he would later record. In 1934 he entered the Vienna International Piano Competition and was placed second \u2013 to the disgust of juror Alfred Cortot who promptly resigned.<\/p> <h2 class=\"wp-block-heading\">Paris &#8211; and lessons from a great composer<\/h2> <p>Offers of concerts flooded in, but were mostly refused. Instead, his mother Anna harboured the idea that Dinu should go to Paris. She sold their Bucharest house without Theodor\u2019s knowledge and bought a Paris apartment.<\/p> <p>So to Paris they went and Lipatti entered the Ecole Normale de Musique, which the great French pianist Alfred Cortot had founded and where he taught. <strong><a href=\"https:\/\/www.classical-music.com\/articles\/dukas-revealed\">Paul Dukas<\/a><\/strong> gave Lipatti composition lessons and had a high opinion of his abilities and, when Dukas died in 1935 and his funeral coincided with a Lipatti recital, the pianist paid tribute by opening with <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/myra-hess-how-the-pianist-became-a-wartime-hero-during-the-blitz\/\">Myra Hess<\/a><\/strong>\u2019s transcription of <i>Jesu, Joy<\/i> which was to become a talismanic piece for him. For Cortot, the 18-year-old Lipatti was now no longer a student and he duly enrolled him on the school\u2019s jury for its Diploma of Virtuosity.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dinu Lipatti plays Mozart Sonata in A Minor, K310, at his last recital\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/_2UvDOGo3qI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h2 class=\"wp-block-heading\">What did Lipatti do during the Second World War?<\/h2> <p>Another teacher at the Ecole Normale who became a close friend was Nadia Boulanger, one of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/five-music-teachers-who-changed-the-face-of-western-classical-music\">most influential teachers in the history of classical music<\/a><\/strong>. With his concert work now growing apace, in 1938 Lipatti recorded, with Boulanger, a selection of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/johannes-brahms\">Brahms <\/a><\/strong>Waltzes for piano duet. In July 1939, with war threatening, the family moved back to Bucharest, but Lipatti toured widely during the war and played in a number of German cities without, apparently, incurring blame either then or afterwards.<\/p> <p>Lovers of <strong><a href=\"https:\/\/www.classical-music.com\/composers\/maurice-ravel\/\">Ravel<\/a> <\/strong>can only drool inwardly on reading that in a performance of <i>Le Tombeau de Couperin<\/i>\u2004the <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-toccata\">Toccata<\/a><\/strong> was \u2018splendidly rendered by Lipatti\u2019s prodigious technique, and a crystal-clear and incisive playing with fine tonal range and full of brio\u2019. Not everyone, though, was thrilled by his interpretations.<\/p> <p>A Stockholm critic in 1943 reviled him as having \u2018nothing of the thinker, no refinement of nuances nor any of the mysterious subtleties of musical expression\u2019 and, in Chopin\u2019s B minor Sonata, of \u2018hurling himself at the keyboard and playing with the fury of a machine-gun salvo.\u2019 But then, said critic was a Vladimir Horowitz fan. More positive were Lipatti\u2019s relations with the pianist Edwin Fischer, whose playing of <strong><a href=\"https:\/\/www.classical-music.com\/composers\/franz-schubert\/\">Schubert<\/a> <\/strong>reduced him to tears.<\/p> <h2 class=\"wp-block-heading\">1943: tragedy strikes<\/h2> <p>The heavenly powers, however, had a terrible and, as it turned out, fatal blow in store for Dinu Lipatti. At the end of 1943, shortly after he moved to Geneva, he ran a fever, but the tests showed nothing abnormal. Concerts had to be postponed or cancelled and money was low.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dinu Lipatti plays Chopin Sonata No. 3 in B Minor Op. 58\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/6Sv_zPdEaSc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Then in April 1944 he was appointed as professor of the \u2018Virtuosity Course\u2019 at the Geneva Conservatoire, a post he held for five years. This gave his life stability, but Swiss musical politics (Lipatti refers in inverted commas to his \u2018dear colleagues\u2019) did their best to scupper things until the post was finalised.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/swiss-alps-inspired-music\">How the Swiss Alps inspired composers and their music<\/a><\/strong><\/li> <\/ul> <p>The last six years of Lipatti\u2019s life saw a battle against what was finally diagnosed as Hodgkin lymphoma, with his doctors\u2019 warnings against over-exertion on one side, and Lipatti\u2019s duty to his audiences on the other.<\/p> <h2 class=\"wp-block-heading\">The Toscanini effect<\/h2> <p>Clearly, the anticipated US tour was no longer a possibility, but at least Lipatti had the good fortune to make a friend of <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/arturo-toscaninis-beaten-up\/\">Arturo Toscanini<\/a><\/strong>. The conductor let it be known that for him Enescu was \u2018Europe\u2019s greatest musician\u2019, and then went on to allow Lipatti the unique privilege of sitting in on his rehearsals; even if the last of these was, in Lipatti\u2019s words, \u2018a stormy one<br\/> with scores thrown about, shouts, insults, threats, until we didn\u2019t know where to hide ourselves\u2019, he admitted to learning a great deal.<\/p> <p>For us today, the most wonderful and exciting products of these years were his recordings, notably those made with producer Walter Legge. But even these were often stressful, his 1947 recording of the Chopin B minor Sonata being stretched over two whole days.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dinu Lipatti - Barcarolle for piano in F sharp Major op 60\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/QG5nREXB3ag?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>His last recordings, made in the months before his death in Geneva, are a testament to his unflinching honesty and determination to serve the music he played. Nor, for him, was death the end. His beloved Madeleine, whom he could marry only as late as 1949 when her husband, who had refused a divorce, finally died, recorded his last words: \u2018If we suffer here below, it is to prepare for ourselves a better life.\u2019<\/p> <p\/> <h2 class=\"wp-block-heading\">Dinu Lipatti best recordings<\/h2> <h3 class=\"wp-block-heading\"><strong>Chopin Waltzes<\/strong><\/h3> <p><strong>Dinu Lipatti (piano)<\/strong><\/p> <p>Lipatti sent his Waltzes recording to Nadia Boulanger who, in all 14, could only question the accentuation of one note.<\/p> <h3 class=\"wp-block-heading\"><strong>Immortal Dinu Lipatti<\/strong>: <strong>Works by JS Bach, Chopin, Mozart, Ravel and Schubert<\/strong><\/h3> <p><strong>Dinu Lipatti (piano)<\/strong><\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dinu Lipatti in Zurich in 1950: 3 solo works by Chopin\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Nj-lyQqyNtk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\"><strong>Dinu Lipatti: The Last Recital (Bach, Mozart, Schubert, Chopin)<\/strong><\/h3> <p>Hear Lipatti\u2019s last recital, recorded in Besan\u00e7on in 1950, including the two Schubert Impromptus, and a second recording of 13 of the 14 Waltzes \u2013 he was too ill to play No. 2.<\/p> <h2 class=\"wp-block-heading\">How good a pianist was Lipatti?<\/h2> <p>Walter<b> <\/b>Legge pronounced two illuminating truths about Dinu Lipatti: that he was \u2018the \u201ccleanest\u201d player I have ever worked with\u2019; and that he was \u2018unable, in showing a pupil how <i>not<\/i> to phrase, even of imitating bad taste\u2019.<\/p> <p>If these two judgements risk making Lipatti sound antiseptic, nothing could be further from the truth. Certainly the Stockholm critic was in a minority of perhaps one in accusing him of being a machine gunner. But bland he was not \u2013 a verdict backed up by talking to a number of today\u2019s leading players.<\/p> <p>\u2018When I want access to fresh ideas,\u2019 says Matthew Schellhorn, \u2018or to be reminded of why I love a certain piece, I go to Lipatti\u2019s playing\u2019. Elsewhere, <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/stephen-hough-2\">Stephen Hough<\/a><\/strong> confirms that \u2018apart from the sheer polish of Lipatti\u2019s playing (all the perfectly-sewn seams hidden under the cloth), I love the way he is able to combine elegance with passion, and humility with a deep individuality.\u2019<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/stephen-hough-the-best-recordings-by-the-british-pianist\">Stephen Hough: the British pianist&#8217;s finest recordings<\/a><\/strong><\/li> <\/ul> <p>On the technical front, Lipatti was a perfectionist. Asked how he learnt the fiendish Chopin Etude in thirds, he replied, \u2018Practising it an hour every day for six months\u2019. He was not hindered by the fact that he could stretch a 12th and, when his health allowed, his octave playing evinced absolute command. On a narrower level, too, his repeated notes in Ravel\u2019s \u2018Alborada del gracioso\u2019 are breathtaking.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dinu Lipatti plays Ravel - Miroirs, &quot;Alborada del Gracioso&quot; [Audio + Score]\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/MfypT_q6EUk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h2 class=\"wp-block-heading\">He rescued the Grieg Concerto from the shadows<\/h2> <p>But much of the power and grace of his playing came from deep thinking. Steven Osborne admires his \u2018remarkable way of bringing meaning to the smallest detail of the music while never losing sight of the bigger picture\u2019.<\/p> <p>In his recording of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/busoni-ferruccio\">Busoni<\/a><\/strong>\u2019s arrangement of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/johann-sebastian-bach\">Bach<\/a><\/strong>\u2019s chorale prelude <i>Nun komm, der Heiden Heiland<\/i>, not only does each of the three strands have its own shape, but so does the piece as a whole, while, as Charles Owen says, he \u2018allows the listener to relish all the voices without any intrusive point making\u2019.<\/p> <p>Dinu Lipatti also makes a perfect shape of Liszt\u2019s <i>Petrarch Sonnet 104<\/i>\u2004and likewise makes a strong musical statement out of the Grieg Concerto. Indeed, he was widely felt to have rescued this particular piece from the shadows. Speaking of it, he said, \u2018Only those players who have a superficial grasp of the work are in danger of slipping into cheap dilettantism, and to belittle it is proof of their lack of understanding.\u2019<\/p> <ul class=\"wp-block-list\"> <li><strong>Grieg&#8217;s concerto features in our list of the<\/strong> <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/greatest-piano-concertos-all-time\">greatest piano concertos of all time<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dinu Lipatti plays Grieg Concerto in A minor Op. 16\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/_uRFCECOnA8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h2 class=\"wp-block-heading\">He raged against bunglers and narcissists<\/h2> <p>For Charles Owen, one of the qualities that strikes him in Lipatti\u2019s Chopin \u2018is how very \u201cmodern\u201d he sounds. By this, I mean a real simplicity \u2013 in the best sense of the word \u2013 of style with a sound so translucent and polished with judicious, minimal <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/discovering-music-rubato\">rubato <\/a><\/strong>and a complete absence of desynchronisation between the hands\u2026 Surely Michelangeli and Pollini would not have sounded as they do without the influence of Lipatti?\u2019<\/p> <p>One aspect of this modernism, in the sense of a total respect for the composer\u2019s text, came out in what a colleague remembered as \u2018his holy rages against bunglers, blockheads and narcissists\u2019. Without actually accusing Horowitz of being any of those things, he did note in a review how, in Chopin\u2019s E major <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-scherzo\">Scherzo<\/a><\/strong>, the pianist happily \u2018forgot he was Horowitz and returned to being a simple musician\u2019. Angela Brownridge touches on this: \u2018It\u2019s the poetical element that I love in his playing. He was never out to prove anything, no ego to distort the music he so obviously loved\u2026 a sublime pianist I never tire of listening to\u2019.<\/p> <h2 class=\"wp-block-heading\">Lipatti and Karajan: awkward moments<\/h2> <p>It\u2019s not entirely surprising that his collaborations with <strong><a href=\"https:\/\/www.classical-music.com\/articles\/trouble-karajan\">Herbert von Karajan<\/a><\/strong> had their awkward moments. Although their recording of the <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/robert-schumann\">Schumann <\/a><\/strong>Concerto is admired, Lipatti complained in a letter to Floria Musicescu of the \u2018remarkable but superclassical conductor who, instead of helping my timid romantic <i>\u00e9lan<\/i>, put a brake on my good intentions.\u2019<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/controversy-karajan-eight-quotes\">The controversial Karajan, in eight quotes<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Schumann: Piano Concerto, Lipatti &amp; Karajan (1948) \u30b7\u30e5\u30fc\u30de\u30f3 \u30d4\u30a2\u30ce\u5354\u594f\u66f2 \u30ea\u30d1\u30c3\u30c6\u30a3\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Oh80hY2xhTY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>As for their recording of Mozart\u2019s Concerto, K467, there is little \u2018refinement of nuances\u2019, though perhaps his ill health should take some of the blame. He, however, would make no such excuses. In an attitude that takes us back to the Ancient Greeks, who knew the concept of <i>pathei mathos <\/i>(learning through suffering), he said his illness had taught him to play better.<\/p> <h2 class=\"wp-block-heading\">Dinu Lipatti: one of the supreme musicians<\/h2> <p>The Chopin <i>Barcarolle,<\/i> two recordings of the Waltzes, <i>Jesu, Joy<\/i>, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/bela-bartok\">Bart\u00f3k<\/a><\/strong>\u2019s Piano Concerto No. 3 and\u2026 Not enough, really, for a man whom Steven Osborne calls \u2018one of the supreme musicians among pianists\u2019. But let\u2019s be grateful for what we have, and savour Jean-Efflam Bavouzet\u2019s heartfelt exclamation: \u2018Mon Dieu, qu\u2019il jouait bien!\u2019<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Friday, 22 November 2024 at 16:38 PM \u2018Those whom the gods love,\u2019 wrote the Ancient Greek playwright Menander, \u2018die young.\u2019 Whether or not his gods passed that habit on to those operating in the Christian era, who knows? But many musicians at least do seem to reserve a special place in their hearts [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":50096,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"9"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/dinu-lipatti-an-awesomely-talented-pianist-we-lost-far-too-soon.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/dinu-lipatti-an-awesomely-talented-pianist-we-lost-far-too-soon-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/dinu-lipatti-an-awesomely-talented-pianist-we-lost-far-too-soon-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/dinu-lipatti-an-awesomely-talented-pianist-we-lost-far-too-soon-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/dinu-lipatti-an-awesomely-talented-pianist-we-lost-far-too-soon-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/dinu-lipatti-an-awesomely-talented-pianist-we-lost-far-too-soon.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/11\/dinu-lipatti-an-awesomely-talented-pianist-we-lost-far-too-soon.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Friday, 22 November 2024 at 16:38 PM \u2018Those whom the gods love,\u2019 wrote the Ancient Greek playwright Menander, \u2018die young.\u2019 Whether or not his gods passed that habit on to those operating in the Christian era, who knows? But many musicians at least do seem to reserve a special place in their hearts&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/50095"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/50096"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=50095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=50095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}