{"id":50156,"date":"2024-11-26T12:20:04","date_gmt":"2024-11-26T11:20:04","guid":{"rendered":"http:\/\/c78dce25-0a83-4778-a041-d2baf2f90d6a"},"modified":"2024-12-03T13:09:23","modified_gmt":"2024-12-03T12:09:23","slug":"rebuild-slide-action-review","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/rebuild-slide-action-review\/","title":{"rendered":"Re:Build (Slide Action) (Review)"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Tuesday, 26 November 2024 at 11:20 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html> <head\/> <body> <p>Re:Build<br\/> Ryan Latimer: C. Exigua;\u00a0\u00a0Laura Jurd: Swamped; Emily Hall: Close Palms; Alex Paxton: Hairy Pony Estampie; Joanna Ward: Playing Frisbee May 2022; plus works by Matthew Locke, Benny Vernon et al<br\/> Slide Action<br\/><em>NMC NMC D289\u00a0\u00a0\u00a051:14 mins<\/em><\/p> <figure class=\"wp-block-audio\"> <audio controls=\"\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/ROTM-Alex-Paxton-Hairy-Pony-Estampie.mp3\"\/> <\/figure> <h6 class=\"wp-block-heading has-text-align-center\">Clip: Alex Paxton &#8211; Hairy Pony Estampie (Slide Action)<\/h6> <p>The future of brass ensemble playing is \u2013 as yet \u2013 a relatively untapped area for contemporary composers. Brass bands, 20th-century big bands and some orchestral playing has certainly made in-roads, but the real development of this soundworld is surely yet to come \u2013 and if any group is likely to move this on in leaps and bounds it is \u2018Slide Action.\u2019<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/articles\/the-history-of-the-brass-band-how-brass-bands-began-and-why-they-remain-popular\">The history of the brass band<\/a><\/li> <li><a href=\"https:\/\/www.classical-music.com\/features\/artists\/best-jazz-band-leaders-of-all-time\">Best jazz band leaders of all time<\/a><\/li> <\/ul> <p>The album commissions composers and arrangers (including significant contributions from the group themselves) to harness the great harmonic, rhythmic and melodic timbres offered from a <a href=\"https:\/\/www.classical-music.com\/features\/instruments\/trombone\">trombone<\/a> quartet, and creators have gleefully leapt on these possibilities. Through live performance the group have developed a concept of composing or arranging \u2018Interludes\u2019 to sit between new pieces, exposing the audience to connecting incidental music, like scene changes in a theatrical production. These interludes coalesce their shouldering pieces in different ways: A simple element such as pitch, or something more abstract like a theme, vibe or fragment. From the opening arrangement of <a href=\"https:\/\/www.classical-music.com\/features\/composers\/henry-purcell\">Purcell<\/a>\u2019s \u2018March\u2019 from\u00a0<em>Music for the Funeral of Queen Mary<\/em>\u00a0to the funky, quirky, gospel grooves of Laura Jurd\u2019s\u00a0<em>Swamped<\/em>, the ideas are in abundance \u2013 and beautifully executed.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-contemporary-female-composers\">9 of the best contemporary women composers<\/a><\/li> <\/ul> <p>For range and and original concepts, Jamie Tweed\u2019s\u00a0<em>Smooth Place, Cool Drink (Interlude I)<\/em>\u00a0enters an intriguing soundworld reminiscent of a floating 1940s dream, producing otherworldly sounds based on Jimmy Van Heusen\u2019s standard \u2018Here\u2019s That Rainy Day.\u2019 A second Interlude \u2013\u00a0<em>Sit<\/em>\u00a0by Benny Vernon literally creates sound whilst the group are changing their playing position. Beginning with a timbre reminiscent of a South American rainmaker instrument \u2013 but actually created from sampled recordings of the quartet playing on chairs with random objects, the sound transitions into a harmonically static, meditative mood. The particular strengths of trombones in this are deeply explored; deliberate sliding around with the tuning and a big, fat sound at the bottom end.<\/p> <p>Deliberate and fresh exploration unique to this set of instruments is what this ensemble is all about \u2013 producing uncompromising and outstandingly mastered dynamics, slide control, multiphonics and, at times, outrageously comical moments. The music unashamedly takes the listener through a kaleidoscope of circus tricks and sleights of hand, drawing on influences reminiscent of Gabrieli right up to contemporary composers.<\/p> <p>If only one thing is listened to on this recording, however, then it must surely be the ingenious\u00a0<em>Hairy Pony Estampie<\/em>\u00a0by Alex Paxton. For virtuosity alone this is a piece to entertain audiences of any age, but there is so much more to it than that. Sounding as if it has been inspired by Bob Mintzer, the piece starts with a great big band template, but then progresses through a seemingly impossible ten-minute rollercoaster ride of sounds \u2013 including screamingly funny bombast, horse whinnying, vocals and such warm harmony. The scope of this creativity leads one to conclude that the answer to the group\u2019s final rhetorical question \u2018where are we going next?\u2019 is an exhilarating and thrilling ride. What a blast.\u00a0<em>Anne Templer<\/em><\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Emily Hall Close Palms (Performed by Slide Action)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/8ytAheIqgaE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <figcaption class=\"wp-element-caption\"> Clip: Emily Hall &#8211; Close Palms (Slide Action) <\/figcaption> <\/figure> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Tuesday, 26 November 2024 at 11:20 AM Re:Build Ryan Latimer: C. Exigua;\u00a0\u00a0Laura Jurd: Swamped; Emily Hall: Close Palms; Alex Paxton: Hairy Pony Estampie; Joanna Ward: Playing Frisbee May 2022; plus works by Matthew Locke, Benny Vernon et al Slide ActionNMC NMC D289\u00a0\u00a0\u00a051:14 mins Clip: Alex Paxton &#8211; Hairy Pony Estampie (Slide Action) The [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":50157,"template":"","categories":[1,83,19],"acf":{"readingTimeMinutes":"3"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/rebuild-slide-action-review.jpg",900,900,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/rebuild-slide-action-review-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/rebuild-slide-action-review-300x300.jpg",300,300,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/rebuild-slide-action-review-768x768.jpg",768,768,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/rebuild-slide-action-review.jpg",800,800,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/rebuild-slide-action-review.jpg",900,900,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/rebuild-slide-action-review.jpg",900,900,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Tuesday, 26 November 2024 at 11:20 AM Re:Build Ryan Latimer: C. Exigua;\u00a0\u00a0Laura Jurd: Swamped; Emily Hall: Close Palms; Alex Paxton: Hairy Pony Estampie; Joanna Ward: Playing Frisbee May 2022; plus works by Matthew Locke, Benny Vernon et al Slide ActionNMC NMC D289\u00a0\u00a0\u00a051:14 mins Clip: Alex Paxton &#8211; Hairy Pony Estampie (Slide Action) The&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/50156"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/50157"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=50156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=50156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}