{"id":50158,"date":"2024-12-03T12:57:35","date_gmt":"2024-12-03T11:57:35","guid":{"rendered":"http:\/\/730c0aa1-37ad-4a05-929f-0f2cffa79e73"},"modified":"2024-12-03T14:09:26","modified_gmt":"2024-12-03T13:09:26","slug":"best-jazz-pianists-15-of-the-greatest-piano-players-in-the-history-of-jazz","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/best-jazz-pianists-15-of-the-greatest-piano-players-in-the-history-of-jazz\/","title":{"rendered":"Best jazz pianists: 15 of the greatest piano players in the history of jazz"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Tuesday, 03 December 2024 at 11:57 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html> <head\/> <body> <p>The piano has been central to the development of <strong><a href=\"https:\/\/www.classical-music.com\/features\/jazz\/what-is-jazz\">jazz music<\/a><\/strong>, but just who are the best jazz pianists of all time? Here are, or what we think are, the greatest jazz pianists ever, but have we ever missed your favourite?<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-pianists-all-time\">The 20 Greatest Pianists of all time<\/a><\/strong><\/li> <\/ul> <h2 class=\"wp-block-heading\">Best jazz pianists: the top 15<\/h2> <h3 class=\"wp-block-heading\" id=\"h-dave-brubeck-1920-2012\">15. Dave Brubeck (1920-2012)<\/h3> <p><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/dave-brubeck-2\">Dave Brubeck<\/a><\/strong> was incredibly well known for most of his career. His early success with college audiences \u2013 the Brubeck Quartet virtually invented the campus circuit \u2013 catapulted him on to the cover of <i>Time<\/i> magazine in 1954. (The pianist\u2019s reaction was embarrassment: he felt Duke Ellington deserved the honour.)<\/p> <p>In 1960 his star status increased with the album <i>Time Out<\/i>. Brubeck\u2019s mixture of asymmetrical rhythms and catchy tunes won international renown, though the disc\u2019s biggest hit, the sinuous \u2018Take Five\u2019, was written by the quartet\u2019s alto saxophonist Paul Desmond, with some structural advice from his boss.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/five-of-the-best-albums-by-jazz-pianist-dave-brubeck\/\">Dave Brubeck: five best albums<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-image size-full\">  <figcaption class=\"wp-element-caption\"> Photo by Michael Ochs Archives\/Getty Images &#8211; Photo by Michael Ochs Archives\/Getty Images <\/figcaption> <\/figure> <p>But, as all too often in jazz, popular celebrity inspired critical condescension. He was slated for his \u2018academic\u2019 approach \u2013 he had studied with Darius Milhaud, classical composer and member of the French collective <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/les-six-composers\">Les Six<\/a><\/strong> \u2013 his use of such classical devices as counterpoint and polytonality, his sometimes thunderous keyboard attack and disinclination to swing in a conventional manner.<\/p> <p>Critics damned his lyricism with faint praise and dismissed him from the jazz tradition. However, over the years, as the idea of a monolithic tradition has become suspect, Brubeck has come to be seen as a remarkable, original talent.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dave Brubeck - Take Five\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/vmDDOFXSgAs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Far from being some kind of uptight academic, he had trouble reading music and was one of the most purely intuitive pianists jazz has produced. His style was founded completely on a commitment to musical expression, fuelled by a belief that, as he once put it, \u2018jazz should have the right to take big chances\u2019 \u2013 even going beyond what has been considered jazz.<\/p> <h4 class=\"wp-block-heading\">Where to start with Dave Brubeck<\/h4> <p>A handsome survey is contained in <i>The Essential Dave Brubeck<\/i>, a two-CD set selected by the pianist, ranging from a freewheeling trio in 1949 to the recent quartet. Particularly impressive is his partnership with Paul Desmond, whose wit, swing and invention provided a lucid foil for Brubeck\u2019s experimental ardour. The classic quartet, with Desmond and super- drummer Joe Morello, is well represented, including tracks from <i>Time Out<\/i> and <i>Time Further Out<\/i>.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00008NGAF\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <i>The Essential Dave Brubeck<\/i> on Amazon<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-chick-corea-1941-2021\">14. Chick Corea (1941-2021)<\/h3> <p>Acoustic, electric, latin, free \u2013 <strong><a href=\"https:\/\/www.classical-music.com\/news\/chick-corea-obituary\/\">Chick Corea<\/a><\/strong>\u2019s career seems to have touched all the bases in today\u2019s jazz scene. Yet that variety is firmly centred in some abiding principles: a passion for music, the piano, and performance. They were a kind of birthright.<\/p> <p>The son of a professional musician, Corea grew up surrounded by music. Piano lessons instilled his well-grounded technique and love of the classical tradition. At the same time, he got into jazz, particularly the hard bop attack of pianist Horace Silver.<\/p> <p>Formal education frustrated Chick Corea. After a few weeks first at Columbia University, then at Juilliard, where he\u2019d been accepted to major in the piano, he left to commit himself to jazz. Working with all kinds of bands, and absorbing all kinds of styles \u2013 with a special fondness for fiery Latin rhythms \u2013 Corea built a reputation as composer and player, confirmed in such albums as <i>Now He Sings, Now He Sobs<\/i>, with bassist Miroslav Vitous and master-drummer Roy Haynes.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/chick-corea-the-music-that-changed-me\/\">Chick Corea: the music that changed me<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"658\" height=\"542\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T202339.290.jpg\" alt=\"Chick Corea\" class=\"wp-image-216827\"\/> <figcaption class=\"wp-element-caption\"> Photo by Echoes\/Redferns &#8211; Photo by Echoes\/Redferns <\/figcaption> <\/figure> <p>In 1968, Corea&#8217;s career took a leap with a call from Miles Davis. Corea\u2019s tenure with Davis included the epoch-making <i>Bitches Brew<\/i>, but he found the electronic ambience too fragmented, lacking \u2018romance or drama\u2019. He sought those qualities in solo improvisations and with Circle, a free-form trio, then subsequently formed the quintet Return to Forever in 1972.<\/p> <p>The latter featured electric instruments, a vocalist and such exuberant originals as \u2018La Fiesta\u2019. But Corea still found drama in acoustic music \u2013 scintillating duets with vibes <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/greatest-virtuosos-all-time\">virtuoso<\/a><\/strong> Gary Burton and his reconstituted trio with Miroslav Vitous and Roy Haynes.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Chick Corea - Sometime Ago - La Fiesta W\/Lyrics\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/qAYUfuJW18U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h4 class=\"wp-block-heading\">Where to start with Chick Corea<\/h4> <p>For the last 20 years Corea has followed his instincts in multiple directions, touring solo, and with both \u2018Elektric\u2019 and \u2018Akoustic\u2019 bands. Corea once said he sought to combine \u2018the discipline and beauty of the classical composers with the rhythmic dancing quality of jazz\u2019 \u2013 which is an apt description of the recordings in his personal ECM compilation <em>Crystal Silence<\/em>.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/50-greatest-composers-all-time\">The greatest classical composers of all time<\/a><\/strong><\/li> <\/ul> <p>Ranging from Return to Forever\u2019s joyously lyrical \u2018La Fiesta\u2019 to the extraordinary trios with Vitous and Haynes, their impassioned creativity continues to inspire to this day.<\/p> <h3 class=\"wp-block-heading\" id=\"h-cecil-taylor-1929-2018\">13. Cecil Taylor (1929- 2018)<\/h3> <p>It might seem odd to include an entry for a musician whom a fair number of critics don\u2019t consider a jazz musician at all. But in a way, that\u2019s jazz \u2013 a question-begging activity, defying easy categories with the force of its energy and excitement.<\/p> <p>And even listeners who dispute Cecil Taylor\u2019s jazz credentials wouldn\u2019t deny his creative intensity. They\u2019d just protest that his furious, free-form piano improvisations, pummelling the keyboard with fingers, fists and forearms, bearing no relation to metre or <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-melody\">melody<\/a><\/strong> and often lasting well over an hour, belong to the European <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/avant-garde-music\">avant-garde<\/a><\/strong>, not African-American tradition.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/stockhausen-5\">Karlheinz Stockhausen: avant-garde visionary<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/african-american-classical-music-pioneers\">Five African-American pioneers<\/a><\/strong><\/li> <\/ul> <p>But Taylor himself has always disagreed. Though conservatory-trained and possessing a virtuoso technique, he regards jazz as black music, his way, he once said, \u2018of holding on to Negro culture\u2019. His fascination with the rhythmic and harmonic abstractions of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/igor-stravinsky\/\">Stravinsky<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/bela-bartok\/\">Bart\u00f3k<\/a><\/strong>, Dave Brubeck and Lennie Tristano gave way to the potency of African-American pianists: Ellington, Monk, Horace Silver.<\/p> <p>Revelling in what he called \u2018the physicality, the filth, the movement in the attack\u2019, the young Taylor made it his own. He viewed the piano as percussive \u2013 \u201888 tuned drums\u2019, his style an amalgam he dubbed \u2018rhythm-sound-energy\u2019.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"732\" height=\"540\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T201606.884.jpg\" alt=\"Cecil Taylor\" class=\"wp-image-216825\"\/> <figcaption class=\"wp-element-caption\"> Photo by Andrew Putler\/Redferns via Getty Images &#8211; Photo by Andrew Putler\/Redferns <\/figcaption> <\/figure> <p>His ultimate inspiration was the very force of nature: \u2018music is as close as I can become to a mountain, tree or river\u2019. Though that kind of mysticism may seem a long way from <strong><a href=\"https:\/\/www.classical-music.com\/articles\/blues-music\">blues<\/a><\/strong> and swing, Taylor\u2019s work has its own intoxication. And in his debut album, <i>Jazz Advance<\/i>, from 1956, blues and swing are still manifest \u2013 his trio and quartet, with soprano <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/saxophone\">saxophonist<\/a><\/strong> Steve Lacy, tackle a programme by Taylor himself, Monk, Ellington, even Cole Porter.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/best-blues-singers\">Ten of the greatest blues singers<\/a><\/strong><\/li> <\/ul> <h4 class=\"wp-block-heading\">Where to start with Ceil Taylor<\/h4> <p>But Taylor\u2019s approach is already breathtakingly unique. Every tune becomes a Taylor original, recreated by the pianist\u2019s knack for generating new shapes, solos which follow their own motivic logic, oblique, asymmetrical, framed by rhythmic precision and the clarity of his touch.<\/p> <p>His coherence is not about spinning out licks or getting in a groove. He hollows out his own musical dimension, startling and exhilarating. <i>Jazz Advance<\/i> is an ideal introduction, a prelude to the torrential flights which have made Taylor legendary.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00IE8BNIS\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>Jazz Advance<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Cecil Taylor\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/cP5L8tjnB6w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\" id=\"h-best-jazz-pianists-w\">12. Jelly Roll Morton (1890-1941)<\/h3> <p>As a matter of right, Jelly Roll Morton would have assumed that any jazz starter collection would begin with him. After all, he once proudly proclaimed, \u2018I myself invented jazz in the year of 1902\u2019. Grandiosity was his lifelong style: pianist, composer, leader; pool-shark, pimp and hustler \u2013 there was something mythic about Jelly, right down \u2013 or up \u2013 to the glittering diamond in one of his front teeth.<\/p> <p>People resented his arrogance, but as one of his musicians put it, \u2018Sure he bragged, but he could back up everything he said.\u2019 And while he may not have invented jazz, he was arguably the first great jazz composer, the man who proved it was possible to realise both a compelling structure and spontaneous excitement.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"604\" height=\"536\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T201310.468.jpg\" alt=\"Jelly Roll Morton\" class=\"wp-image-216822\"\/> <figcaption class=\"wp-element-caption\"> Photo by Michael Ochs Archives\/Getty Images &#8211; Photo by Michael Ochs Archives\/Getty Images <\/figcaption> <\/figure> <p>The key to his achievement was a many-sided and acute musical imagination, steeped in the cultural melting pot of New Orleans. Morton absorbed all the riches the Crescent City had to offer \u2013 blues, <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-ragtime\">ragtime<\/a><\/strong>, marches, grand opera, quadrilles and the \u2018Spanish tinge\u2019 he maintained was essential to jazz. His piano style displays all these influences, at once refined and raffish, encompassing elegant turns and trills, barrelhouse chords and a strain of melancholy lyricism.<\/p> <p>The same qualities suffuse his <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-instruments-make-up-an-orchestra\">orchestral<\/a><\/strong> works. Morton first formed the band he called Red Hot Peppers in Chicago in 1926, and their recordings will come as a revelation to anyone who thinks of early jazz as raucous and one-dimensional. Morton\u2019s men were all masters of the vibrant New Orleans style, and gave his compositions just the right interpretative and improvisatory gusto.<\/p> <p>The pieces themselves are at once joyful and subtle, strutting and sonorous, demonstrating Morton\u2019s instinct for structure, detail, colour and dynamics. \u2018Black Bottom Stomp\u2019 or \u2018Grandpa\u2019s Spells\u2019 provide textbook examples of a superbly crafted sequence of instrumental effects and combinations, building to an exuberant climax.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Black Bottom Stomp - Jelly Roll Morton's Red Hot Peppers (1926)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/LnFUZHY6HOU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h4 class=\"wp-block-heading\">Where to start with Jelly Roll Morton<\/h4> <p>The whole of Morton\u2019s recorded output from 1926 to 1930 is available on a five-CD set from JSP. In it, Jelly stakes his claim not only to be \u2018Dr Jazz\u2019 (as he crows on one of his most famous discs), but the creator of a unique corner of 20th-century music.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00004WK09\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>Jelly Roll Morton &#8211; Complete Recorded Work, 1926-1930<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-fats-waller-1904-1943\">11. Fats Waller (1904-1943)<\/h3> <p>Depending on his mood, Fats Waller could be \u2018the cheerful little earful\u2019 or \u2018the harmful little armful\u2019. Usually, he was both, winning a huge following in the 1930s and \u201940s with his high-spirited, satirical takes on run-of-the-mill popular songs. He transformed his material with a sense of humour, ebullient vocal style and the infectious swing enshrined in the name of his jumping sextet: Fats Waller and His Rhythm.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/joseph-haydn\">Joseph Haydn: ushering in the Classical era with humour and style<\/a><\/strong><\/li> <\/ul> <p>But jazz fans and musicians prized Waller&#8217;s glittering piano style. He was a product of the demanding school of New York stride players, whose formidable technique was matched by competitive zest. They challenged each other wherever there was a piano and Waller often prevailed with his sparkling invention and the dexterity, power and finesse you might expect from a sometime pupil of <strong><a href=\"https:\/\/www.britannica.com\/biography\/Leopold-Godowsky\" target=\"_blank\" rel=\"noreferrer noopener\">Leopold Godowsky<\/a><\/strong>. Waller\u2019s taste for classical music was as natural to him as his genius for swing.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"550\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T200852.103.jpg\" alt=\"Fats Waller\" class=\"wp-image-216820\"\/> <figcaption class=\"wp-element-caption\"> Pic: Michael Ochs \/ Getty Images &#8211; Michael Ochs \/ Getty Images <\/figcaption> <\/figure> <p>He rated <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/johann-sebastian-bach\">JS Bach<\/a><\/strong> the third greatest man in history (after Abraham Lincoln and Franklin D Roosevelt) and performed his works on an organ at home. And his own evergreen compositions \u2013 such as \u2018Honeysuckle Rose\u2019 and \u2018Ain\u2019t Misbehavin\u2019\u2019 \u2013 exhibit the same kind of refinement as his piano touch. Some of his colleagues believed that his subtler side was frustrated by the non-stop levity that his popular reputation required.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/bach-for-beginners\">Bach for beginners: the recordings to help you discover the master<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/why-did-bach-go-to-prison\">Why did Bach go to prison?<\/a><\/strong><\/li> <\/ul> <p>That frustration may have fuelled the heavy drinking which, along with his exhausting routine, led to his death at 39 in 1943. But his many recordings display all the facets of a unique personality, from his demolition of woeful tunes like \u2018The Curse of an Aching Heart\u2019 to such famous taglines as \u2018One never knows, do one?\u2019, which crowns \u2018Your Feet\u2019s Too Big\u2019, to the sheer rampaging abandon of \u2018Shortnin\u2019 Bread\u2019.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Fats Waller - Ain't Misbehavin' - Stormy Weather (1943)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/PSNPpssruFY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h4 class=\"wp-block-heading\">Where to start with Fats Waller<\/h4> <p>All these gifts from the Waller legacy are included in a selection called<i> Ain\u2019t Misbehavin\u2019<\/i>, with sterling performances of \u2018Blue Turnin\u2019 Grey Over You\u2019 and \u2018Jitterbug Waltz\u2019, which features Waller on organ. And gleaming everywhere are the delights of his playing, which set a standard for those he inspired. As the greatest of jazz keyboard virtuosos Art Tatum once put it when asked about his influences, \u2018Fats, man, that\u2019s where I come from. Quite a place to come from.\u2019<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000001HIV\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>Ain&#8217;t Misbehavin&#8217;<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <h2 class=\"wp-block-heading\">Best jazz pianists: the top 10<\/h2> <h3 class=\"wp-block-heading\">10. Count Basie (1904-1984)<\/h3> <p>Count Basie\u2019s name brings to mind associations that might seem contradictory: a famously minimalist piano style and the celebrated big band he led for 50 years. In fact, the two were perfect complements. The Basie band took much of its character from the subtle way the Count\u2019s pithy, elliptical attack framed his shouting brass and saxes. More crucially, Basie\u2019s touch set the tone for the band\u2019s rhythm section; the light, insistent pulse that generated the irresistible current of swing that lifted soloists and ensemble to heights of inspired excitement.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"622\" height=\"540\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T200535.512.jpg\" alt=\"Count Basie\" class=\"wp-image-216817\"\/> <figcaption class=\"wp-element-caption\"> Pic: Getty Images &#8211; Getty Images <\/figcaption> <\/figure> <p>That excitement hit the big time beginning in 1936, when the Basie crew came east from Kansas City (KC). Their success was based on a simple formula of creating in an ensemble the spontaneity and fire of small-group jazz. The key was the band\u2019s line-up of great soloists, including tenor saxophonists Lester Young and Herschel Evans and trumpeters Buck Clayton and Harry Edison.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/greatest-jazz-saxophonists-ever\/\">The 25 greatest jazz saxophonists of all time<\/a><\/strong><\/li> <\/ul> <p>Original tunes, uncomplicated but driving, provided a jumping-off point for solos backed by riffs which seemed a corporate extension of the solos themselves. And underpinning the whole was Basie and his floating, insinuating rhythm. The results can be heard in any number of records, including Basie\u2019s famous \u2018One O\u2019Clock Jump\u2019, a string of solo choruses building to a churning climax. But that unique sound depended on the strength of its components.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"One O'Clock Jump - Count Basie\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/g3JyQnYPkZk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>When his stars departed, and the swing era waned, Basie changed tack. While the Basie band of the \u201950s boasted first-rate players, it emphasised power, precision and well-crafted arrangements. The Count\u2019s deft piano still produced an infectious rolling swing, but many jazz fans felt this sleek unit was a different creature from the lean, mean cat from KC.<\/p> <p>But the latter group had some appealing hits, including \u2018April in Paris\u2019, with Basie\u2019s \u2018one more time\u2019 tag, and the languid arrangement by Neal Hefti, \u2018Li\u2019l Darlin\u2019\u2019.<\/p> <h3 class=\"wp-block-heading\">9. Earl Hines (1903-1983)<\/h3> <p>A few years ago a correspondent to Radio 3\u2019s <i>Jazz Record Requests<\/i> described Earl Hines as \u2018underplayed, largely unavailable and probably underestimated\u2019. It\u2019s a fair summary of a situation that, in the 1930s, would have been unthinkable.<br\/> Then, Hines was riding high, the king of the keyboard, a byword for invention, technique, daring and dazzlement \u2013 the man who turned piano playing into a kind of Olympic event, inspiring a whole generation.<\/p> <p>A groundbreaking series of recordings, both solo and with his fellow trailblazer, Louis Armstrong, catapulted him to fame in the \u201920s. Through the \u201930s and \u201940s, Hines led a big band, which, in its latter days, included such bebop pioneers as Charlie Parker and Dizzy Gillespie. In 1948, he joined forces with Armstrong again, as a member of Louis\u2019s All-Stars, and then in the \u201950s he went off on his own.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"610\" height=\"552\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T200054.497.jpg\" alt=\"Earl Hines\" class=\"wp-image-216816\"\/> <figcaption class=\"wp-element-caption\"> Pic: Getty Images &#8211; Getty Images <\/figcaption> <\/figure> <p>Musical fashion restricted Hines to the well-trodden paths of Dixieland, and by 1960, he was thinking of retiring. But in 1964, a sensational set of solo concerts in New York put him back on top, where he stayed, playing with authority until his death in 1983, short of his 80th birthday.<\/p> <h4 class=\"wp-block-heading\">Where to start with Earl Hines<\/h4> <p>Naxos\u2019s compilation, <i>The Earl<\/i>, presents a vintage selection of performances from 1928 to 1941, showcasing his trademarks \u2013 the \u2018trumpet-style\u2019 right hand, which projected melodies with the bright, attacking power of a lead instrument, cascading, asymmetrical forays which could start and stop anywhere, overturning metre and <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-harmony-in-music\">harmony<\/a><\/strong>, and a left hand which seemed to operate independently, launching off-beat chords and chromatic runs.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Memories of you - Earl Hines.1965\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/CcHz_cjeqRU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>It was exhilarating, as though the oom-pah rhythms of stride and ragtime had gone cubist. Hines loved the sense of drama palpable on \u2018Weather Bird\u2019, his duet with Armstrong. As the pianist once put it, \u2018I go out in deep water and I always try to get back\u2019. He always did, with every wrong-footing flourish finding its way home.<\/p> <p>The Naxos disc includes tracks by his big band but I prefer his solo piano magic, which abounds in the set he made in the \u201970s devoted to Duke Ellington. A blend of audacity and majesty, exuberance and meditation, it\u2019s a monument to the legacy of Hines.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00000J39U\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>Earl Hines plays Duke Ellington<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\">8. Art Tatum (1909-1956)<\/h3> <p>There was something almost mythic about Art Tatum from the beginning. Pianists hearing his first solo recordings in 1933 assumed there had to be more than one person playing: such terrifying virtuosity could not come from a single pair of hands.<\/p> <p>And yet the amiable prodigy from Ohio \u2013 virtually blind from birth \u2013 soon became a familiar if still incredible presence on New York\u2019s scene and beyond. Though his style was based on the high-powered facility of such stride masters as Fats Waller, Tatum took their keyboard feats to another level, not just in digital dexterity but in a harmonic and rhythmic command which produced spontaneous transformations of standard tunes.<\/p> <p>Dazzling sequences of new chords and <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/musical-keys-explained\">keys<\/a><\/strong> defied the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/why-do-we-have-barlines\">barlines<\/a><\/strong> before returning, with nonchalant precision, to the original structure. Tatum\u2019s mastery was universally acknowledged. When he entered a club where Fats Waller was playing Waller announced, \u2018I play piano, but God is in the house tonight.\u2019 And his reputation extended beyond jazz: experiencing Tatum in a 52nd Street club, Vladimir Horowitz exclaimed, \u2018I don\u2019t believe my eyes and ears.\u2019<\/p> <ul class=\"wp-block-list\"> <li><strong>Vladimir Horowitz finished high in our list of the <a href=\"https:\/\/www.classical-music.com\/features\/artists\/20-greatest-pianists-all-time\">greatest pianists of all time<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Art Tatum - Yesterdays 1954\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/q0QD558TWSQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Tatum was essentially a jazz musician, relishing musical immediacy. He loved to hang out in after-hours clubs, seeming to take delight in coaxing wonders out of clapped-out pianos, transcending their stuck keys and dodgy tuning till they glittered like concert grands.<\/p> <h4 class=\"wp-block-heading\">Where to start with Art Tatum<\/h4> <p>Toward the end of his life \u2013 which came prematurely in 1956 at the age of 47 \u2013 Tatum was recorded at length in scrupulous studio conditions. But a pair of happy sessions from the same period occurred at the home of a Hollywood music director and Tatum devotee. Issued as a two-CD set on Verve, the occasions were an informal homage.<\/p> <p>The sound is good and the atmosphere makes up for the few blemishes inevitable in live recording. One gem succeeds another: the likes of \u2018Tenderly\u2019, \u2018Too Marvellous for Words\u2019, and \u2018Body and Soul\u2019 shine with the pianist\u2019s brilliance. They leave you awestruck, shaking your head and inclined to agree with the critic who declared, \u2018Ask ten pianists to name the greatest jazz pianist ever and eight will tell you Art Tatum. The other two are wrong.\u2019<\/p> <h3 class=\"wp-block-heading\">7. Oscar Peterson (1925-2007)<\/h3> <p>When Oscar Peterson died, he received the kind of multi-column obituaries that are usually reserved for star entertainers, not jazz musicians. But he was a special sort of jazzman, a pianistic phenomenon who spent his long career bestriding mainstream culture, equally at home in a club as the Albert Hall.<\/p> <p>The most obvious key to his renown was his amazing technique, an awesome facility rare in jazz, but which Peterson simply regarded as a measure of sincerity. As he once put it, \u2018the whole idea of jazz is that if you think of a phrase, you should be able to play it\u2019. He had no patience with half-articulated fumbling, and his racing mind was matched by his flying fingers.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"840\" height=\"562\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T195652.612.jpg\" alt=\"Oscar Peterson\" class=\"wp-image-216813\"\/> <figcaption class=\"wp-element-caption\"> Pic: FPG\/Getty Images &#8211; FPG\/Getty Images <\/figcaption> <\/figure> <p>Classical lessons began early in his native Montreal, with a teacher who had studied with a pupil of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/franz-liszt\">Liszt<\/a><\/strong>, to whom he saw a resemblance in the young Peterson. In 1949, at the age of 24, Peterson made a sensational US debut, bringing the house down at a Jazz at the Philharmonic concert (JATP) in New York.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/five-essential-works-liszt\">Franz Liszt: five essential works<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/who-invented-the-piano-recital\">How Liszt invented the piano recital and became a 19th-century pin-up<\/a><\/strong><\/li> <\/ul> <p>The JATP\u2019s founder, Norman Granz, became his mentor, and the star\u2019s career took off, accompanying a host of jazz legends and leading his own groups. He expanded his partnership with the bassist Ray Brown to create two trios, the first with guitarist Herb Ellis, who was replaced in 1958 by drummer Ed Thigpen.<\/p> <h6 class=\"wp-block-heading\">&#8216;This might just be the way Liszt would play jazz\u2019<\/h6> <p>But the pianist did have his detractors, who resented his accomplishment: for some, his cascades of notes seemed superficial, compared to the craggy directness of, say, Thelonious Monk. But his accomplishment was real, an authentic expression of his love of jazz and performance. He was a great communicator, and his sense of joy as well as his gifts earned him an audience of millions, and the respect and admiration of his peers.<\/p> <h4 class=\"wp-block-heading\">Where to start with Oscar Peterson<\/h4> <p>Though bad health \u2013 including a stroke in 1993 \u2013 slowed him down, he continued to delight his fans until close to his death, aged 83. And there is plenty of delight in such recordings as <i>Night Train<\/i>, a 1960s array of blues and standards. As Peterson shakes the piano with a chorus of thundering, double-fisted <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-tremolo\">tremolos<\/a><\/strong>, you may think, \u2018well yes, this might just be the way Liszt would play jazz\u2019.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00AKV1I6O\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>Night Train<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Oscar Peterson - C Jam Blues\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/NTJhHn-TuDY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\" id=\"h-erroll-garner-1921-1977\">6. Erroll Garner (1921-1977)<\/h3> <p>Since Erroll Garner left the scene nearly 50 years ago in 1977, it\u2019s hard to convey what a phenomenon he really was. Without making any conscious attempt at celebrity, the elfin pianist became that rare thing: a jazz musician who was also a household name. He attracted a huge audience solely by exuberant improvisation, love of good tunes and utterly infectious swing.<\/p> <p>Garner&#8217;s talent for giving musical pleasure appeared early. From the age of ten, in his native Pittsburgh, he was a radio star, building a daunting reputation in local jazz circles during the 1930s. When an aspiring pianist named Art Blakey came up against Garner at a jam session, he decided he\u2019d better switch to drums.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Erroll Garner - Lullaby of Birdland (Audio)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/rxVGzuopnow?list=PLd06FP4HjGQWM3aMic-OdKsMQ5Je5YDYW\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>In 1944, Garner made his move to New York, impressing contemporaries with an originality that, in its wit, drive and virtuosity, harked back to giants such as Fats Waller and Earl Hines. Yet his quick-silver harmonic sense and twisting, questing lines struck a chord with the young lions of bebop. Indeed, some critics dubbed Garner a \u2018disciple\u2019 of bop\u2019s chief keyboard luminary, Bud Powell.<\/p> <p>But at a private piano conclave, Bud hid in the kitchen after Garner played, to avoid following him. Finally, the young pianist sounded like nobody but himself, and assumed top-rank status, performing with the likes of Charlie Parker.<\/p> <h4 class=\"wp-block-heading\">Where to start with Erroll Garner<\/h4> <p>Even more remarkably, he became popular with the mainstream public, winning a devoted following in person, on records and TV. That quality of sheer delight informs every moment of Erroll\u2019s celebrated <i>Concert by the Sea<\/i>, recorded live in California with a trio in 1955. Here are all the Garner trademarks \u2013 the impish, stalking introduction to \u2018I Remember April\u2019 which segues into feather-light melody, driven along by the pianist\u2019s pulsating four-to-the-bar left hand; the shifts in dynamics, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-romantic-composers\">Romantic<\/a><\/strong> flourishes, plunging asymmetrical <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/octave-meaning\">octaves<\/a><\/strong>; dancing, blues-inflected lines that sweep forward to a chordal climax.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00ZJ5QXDO\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>Concert by the Sea<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <p>And the hushed, spellbinding ballads that conjure <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/claude-debussy\/\">Debussy<\/a><\/strong> one minute, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-rachmaninov\/\">Rachmaninov<\/a><\/strong> the next. Outside of the music, all we hear is Garner\u2019s occasional guttural rasps and the palpable rapture of the audience which, even today, I\u2019m sure you\u2019ll share.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-of-debussy-2\">Nine of the most inspirational Debussy works<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-of-rachmaninov\">Best of Rachmaninov: seven gateway works<\/a><\/strong><\/li> <\/ul> <h2 class=\"wp-block-heading\">Best jazz pianists: the top five<\/h2> <h3 class=\"wp-block-heading\">5. Keith Jarrett (b. 1945)<\/h3> <p>Depending on your view, Keith Jarrett\u2019s status is either problematic or exalted. Is he a pianist whose gifts are compromised by grandiose flights of whimsy or, as a critic put it, one who \u2018uniquely connects to a type of universal\/musical consciousness\u2019? For Jarrett, jazz is not a tradition or a vocabulary, but a spiritual process that involves opening yourself to true creativity; \u2018an attempt,\u2019 he said once, \u2018over and over again, to reveal the heart of things.\u2019<\/p> <p>When I first encountered Keith Jarrett at a Stan Kenton music camp in 1961, he was a bright 16 year-old who could play brilliantly in any style, jazz or classical, not to mention his own. No surprise that he became a star with the <strong><a href=\"https:\/\/www.classical-music.com\/features\/jazz\/charles-lloyd\">Charles Lloyd<\/a><\/strong> Quartet, from 1967-70, whose flower-power ethos suited him perfectly. Subsequently, he led his own groups, but it was with his solo concerts from 1972 that he reached cult celebrity.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"544\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T195024.050.jpg\" alt=\"Keith Jarrett\" class=\"wp-image-216809\"\/> <figcaption class=\"wp-element-caption\"> Photo by Frank Driggs Collection\/Archive Photos\/Getty Images) &#8211; Photo by Frank Driggs Collection\/Archive Photos\/Getty Images) <\/figcaption> <\/figure> <p>Jarrett\u2019s free-form improvisations would start with no prior theme or direction and cover all manner of idioms, from <strong><a href=\"https:\/\/www.classical-music.com\/articles\/gospel-music-guide\">gospel<\/a><\/strong> vamps to Romantic <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-rhapsody\">rhapsodies<\/a><\/strong>, propelled for up to an hour by an intense lyricism. Just as intense was his manner \u2013 flailing, moaning and gasping. The heady atmosphere came through on record: his 1975 <i>K\u00f6ln Concert<\/i> sold over a million.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/rhapsody-in-blue\"><em>Rhapsody in Blue<\/em>: Gershwin&#8217;s jazz-classical marvel &#8211; and the 5 great recordings you need<\/a><\/strong><\/li> <\/ul> <p>Solo improvisation continued to be central to Jarrett\u2019s work. Besides piano, he\u2019s recorded on clavichord, pipe organ and soprano sax, plus \u2013 on the home-made multi-tracked project<i> Spirits<\/i> \u2013 ethnic <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/flute\">flutes<\/a><\/strong> and percussion.<\/p> <h4 class=\"wp-block-heading\">Where to start with Keith Jarrett<\/h4> <p>Revealingly, such tracks comprise the bulk of the material Keith Jarrett selected for his 2-CD retrospective in ECM\u2019s :rarum series. But there are also examples of his ensemble partnerships with saxophonist Jan Garbarek, and the Standards <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-trio\">trio<\/a><\/strong>, which Jarrett formed in 1983 with his fellow virtuosos, bassist Gary Peacock and drummer Jack DeJohnette.<\/p> <p>The Standards trio has become the pianist\u2019s regular touring group, exploring tunes from the treasure trove of <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-american-folk-songs\">American popular songs<\/a><\/strong> and classic jazz themes as well as originals. On albums such as <i>Up for It<\/i>, the results are sublime: focused and intelligent, spontaneous and inspired, joyful and swinging. Whether you accept all Jarrett\u2019s views on jazz, this music is the real thing.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00008ZPBU\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>Up for It<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Keith Jarrett - If I Were a Bell\u2502Tokyo '93.\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Mr42YR4rHbE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\">4. Duke Ellington (1899-1974)<\/h3> <p>Since jazz is usually celebrated as an improvisor\u2019s art, it may seem paradoxical that one of its major figures was a composer. Though Duke Ellington was a notable pianist, he declared, \u2018My band is my instrument,\u2019 and for over half a century he made it the medium of a peerless body of work.<\/p> <p>For Ellington, composition was never an abstract process, but a direct response to people and situations. He once said, \u2018I see something and want to make a tone parallel,\u2019 and the titles of his works are a catalogue of incidents, encounters and atmospheres. \u2018Haunted Nights\u2019, \u2018The Mooche\u2019, \u2018Daybreak Express\u2019, \u2018Black, Brown and Beige\u2019 \u2013 every Ellington piece enshrines a life in motion, pursued with spontaneity.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"850\" height=\"800\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T194730.140.jpg\" alt=\"Duke Ellington\" class=\"wp-image-216808\"\/> <figcaption class=\"wp-element-caption\"> Photo by Lipnitzki\/Roger Viollet\/Getty Images &#8211; Photo by Lipnitzki\/Roger Viollet\/Getty Images <\/figcaption> <\/figure> <p>And Ellington\u2019s lifelong companions were the members of his band \u2013 among them the gutbucket growls of <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/famous-trumpet-players\">trumpeters<\/a><\/strong> Bubber Miley and Cootie Williams, the arching sensuousness of altoist Johnny Hodges and the rumbling majesty of Harry Carney\u2019s baritone. As individual and sometimes contrary a set of virtuosos as ever shared a bandstand, he composed with these sounds and personalities in his head, writing specifically for them.<\/p> <p>And they provided the raw material for his astonishing originality in harmony and orchestration. To many, Ellington may have been known for such lush popular hits as \u2018Sophisticated Lady\u2019, but his colleagues recognised an attainment of another order. As Miles Davis put it, \u2018Some day all the jazz musicians should get together in one place and go down on their knees and thank Duke.\u2019<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Duke Ellington - It don't mean a thing (1943)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/qDQpZT3GhDg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h4 class=\"wp-block-heading\">Where to start with Duke Ellington<\/h4> <p>Many critics think Ellington\u2019s finest period was 1940-42, and <i>The Blanton-Webster Band <\/i>offers a complete chronicle of magnificent music, a sequence of three-minute masterpieces which still dazzle by their variety, daring and sheer creative brilliance.<\/p> <p>But for a single-disc overview of the ducal experience, try a compilation which was linked to Ken Burns\u2019s BBC documentary from 2000. <i>Jazz<\/i>: <i>The Definitive Duke Ellington<\/i> includes masterpieces from 1927 to 1960, featuring the major Ellington voices and providing a compelling cross-section of an extraordinary accomplishment.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000055WWN\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>The Definitive Duke Ellington<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\">3. Bud Powell (1924-66)<\/h3> <p>All too often, the begetters of bebop confirmed F. Scott Fitzgerald\u2019s dictum that there are no second acts in American lives. Many, such as Charlie Parker, died young, burned out by the music\u2019s drug-ridden lifestyle. But the fate of Bud Powell, who had as revolutionary an impact on the piano as Parker did on the saxophone, may be more poignant.<\/p> <p>A shy, reclusive personality, Powell\u2019s career was blighted by a police beating, periods in mental institutions, alcoholism and TB. During his last decade, his playing veered between flickers of brilliance and painful, fumbling approximation, until his death in 1966 aged 41. There wasn\u2019t a single jazz pianist who didn\u2019t bear the imprint of his fiery creativity. He set both the terms for the modern keyboard style and, in his heyday, an almost terrifying standard of performance.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"558\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T194139.131.jpg\" alt=\"Bud Powell\" class=\"wp-image-216807\"\/> <figcaption class=\"wp-element-caption\"> Photo by JP Jazz Archive \/Redferns &#8211; JP Jazz Archive \/Redferns <\/figcaption> <\/figure> <p>A Powell piano solo wasn\u2019t so much played as unleashed, its momentum combining dazzling imagination and uncanny technical lucidity. His up-tempo feats were astonishing, as his right hand sent lines spinning over the keyboard, with riffs and bursts of melody punctuated by his left. That non-stop linear virtuosity became the hallmark of bebop piano, but what made him unique was his variety of accent and nuance. This was no mechanical stream of quavers, but a torrent of ideas \u2013 accompanied by the pianist\u2019s groans, as if reflecting the intensity of his inspiration.<\/p> <h4 class=\"wp-block-heading\">Where to start with Bud Powell<\/h4> <p>And his ballads were no less highly charged, if more lush and rhapsodic, conveying a trance-like immersion in his instrument. All those qualities illuminate <i>Tempus Fugue-It<\/i>, a Properbox chockful of vintage Powell. Even early on he is centre of attention, and his later work with Charlie Parker and Sonny Rollins does justice to his gifts. His invention is exemplified in two takes of \u2018Fine and Dandy\u2019 made within minutes of each other, pairing Powell and tenor saxist Sonny Stitt. Unfazed by the lightning tempo, Powell comes up with equally amazing solos each time.<\/p> <h6 class=\"wp-block-heading\">A Powell piano solo wasn\u2019t so much played as unleashed<\/h6> <p>His trio performances are more remarkable, turning hoary standards like \u2018Indiana\u2019 into blazing revelations. Such achievements are what Bill Evans, one of his heirs, had in mind when he declared that Powell\u2019s \u2018insight and talent were unmatched in hard-core, true jazz\u2019.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00005CBXV\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>Tempus Fugue-It<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Bud Powell Lives!\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/NkZ182gMnhg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\" id=\"h-bill-evans-1929-1980\">2. Bill Evans (1929-1980)<\/h3> <p>In the rakish, outsider\u2019s world of jazz, Bill Evans seemed an anomaly. Bespectacled and unassuming, he had a clerical air which prompted a bandleader to nickname him \u2018the minister\u2019. Yet at the piano \u2013 head bent over the keys, eyes closed \u2013 he was the image of intensity, spinning out the luminous, questing lines Miles Davis likened to \u2018quiet fire\u2019.<\/p> <p>It was his tenure with Davis\u2019s legendary 1958 sextet that made Evans a star, particularly his crucial role in the perennially best-selling album <i>Kind of Blue<\/i>, recorded the following year. Davis brought the pianist back into the band for this project, knowing his touch would be ideal for its open-ended, modal lyricism. In a series of recordings made mostly with trios, Evans\u2019s unique style won him a celebrity status of his own.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"632\" height=\"558\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T193810.091.jpg\" alt=\"Bill Evans\" class=\"wp-image-216806\"\/> <figcaption class=\"wp-element-caption\"> Bill Evans. Photo by David Redfern\/Redferns &#8211; David Redfern\/Redferns <\/figcaption> <\/figure> <p>His purity of sound, and genius for harmonies and voicings, earned him a reputation as \u2018the Chopin of jazz\u2019. Indeed, Bill Evans knew much of the classical repertoire: he\u2019d performed <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\">Beethoven<\/a><\/strong>\u2019s Third Piano Concerto at college and regularly practised Bach.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/top-20-beethoven-works\">Best of Beethoven: top 20 works<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/beethoven-symphonies-best-recordings\">The best recording of each Beethoven symphony<\/a><\/strong><\/li> <\/ul> <p>But his devotion to jazz was primary, as was his conviction that its essence was emotion. Though he took a rigorous view of what he called \u2018the extremely severe and unique disciplines\u2019 of jazz, and disparaged wild-eyed abandon, he regarded feeling as the \u2018generating force\u2019. That quality of feeling informs the trio recordings he made live at the Village Vanguard in 1961.<\/p> <p>Evans\u2019s group marked a revolution in trio-playing: the pianist encouraged virtuoso bassist Scott LaFaro not simply to lay down a beat, but to engage in dialogue. Their subtle interplay, with drummer Paul Motian, illuminates such tunes as Evans\u2019s lilting \u2018Waltz for Debby\u2019 and LaFaro\u2019s brooding \u2018Jade Visions\u2019.<\/p> <h4 class=\"wp-block-heading\">Where to start with Bill Evans<\/h4> <p>Though some critics found Evans\u2019s art too inward-looking, he could swing too. <i>Everybody Digs Bill Evans<\/i> is a case in point, with the pianist\u2019s bright, sharp-angled attack supported by the straight-ahead drive of bassist Sam Jones and drummer Philly Joe Jones.<\/p> <p>Yet the disc also features spellbinding ballads and Evans\u2019s solo classic \u2018Peace Piece\u2019. Derived from <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/frederic-chopin\/\">Chopin<\/a><\/strong>\u2019s Op. 57 Berceuse, it\u2019s a mesmerising demonstration of why Bill Evans influenced every jazz pianist who followed him.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B00J2AY9HO\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>Everybody Digs Bill Evans<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Bill Evans-My Foolish Heart\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/a2LFVWBmoiw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h2 class=\"wp-block-heading\" id=\"h-jessica-williams-b-1948\">And the greatest jazz pianist of all time is&#8230;<\/h2> <h3 class=\"wp-block-heading\">1. Thelonious Monk (1917-1982)<\/h3> <p>Even people who don\u2019t know much about jazz are aware that jazz musicians are meant to be \u2018characters\u2019 \u2013 free-spirited types whose absorption in music generates bizarre behaviour. Though this hipster mythology is exaggerated, it seemed made for Thelonious Monk.<\/p> <p>His mystique was compounded by his unforgettable name (albeit the same as his father\u2019s), his taste for exotic headgear, a penchant for breaking into impromptu dances on the bandstand and a jabbing, idiosyncratic piano style punctuated by the silences which also marked his everyday demeanour. But Monk\u2019s media status as the \u2018high priest of bebop\u2019 obscured the real nature of his achievement.<\/p> <figure class=\"wp-block-image size-full\"> <img loading=\"lazy\" decoding=\"async\" width=\"924\" height=\"826\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/Untitled-design-2024-12-02T193141.919.jpg\" alt=\"Thelonious Monk\" class=\"wp-image-216805\"\/> <figcaption class=\"wp-element-caption\"> Thelonious Monk. Photo by Michael Ochs Archives\/Getty Images &#8211; Michael Ochs Archives\/Getty Images <\/figcaption> <\/figure> <p>At a time when modern jazz was dominated by harmonic legerdemain and omnivorous technique, he showed that a deep-rooted personal vision was still possible. Monk\u2019s compositions were unlike anyone else\u2019s, full of curiously stretched and sharply angled chords, wrong-footing rhythms, melodies that could be gnomic, rich or grainily lyrical.<\/p> <p>He defied facility. When you played Monk, you played him on his terms, and his best interpreter was probably himself. His approach to the piano could seem splayed and halting \u2013 one fleet-fingered rival dismissed him as \u2018hamstrung\u2019 \u2013 but he could produce marvellous, probing colours, somehow getting in between the keys to make the piano seem the ultimate blues instrument.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Thelonious Monk - 'round Midnight\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/IKayR1oqC7w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>And he swung enormously, with spikey accents and clangorous, tumbling runs. As a soloist or accompanist, his timing was perfect, and he could galvanise a rhythm section by knowing exactly when and when not to play. Listening to Monk can easily become a lifelong habit, since what he has to offer is unavailable anywhere else.<\/p> <h4 class=\"wp-block-heading\">Where to start with Thelonious Monk<\/h4> <p>Perhaps the best place to start is with the Blue Note compilation <i>Thelonious Monk \u2013 Finest in Jazz<\/i>, a collection of classics (\u2018Round Midnight\u2019, \u2018Misterioso\u2019, \u2018Straight No Chaser\u2019) imbued with his quirky magic. By now the cult of his supposed eccentricity has waned. Like all the best jazz, Monk\u2019s music is a permanent presence.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.amazon.co.uk\/dp\/B000OYCN8Y\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Buy <em>Thelonious Monk \u2013 Finest in Jazz<\/em> on Amazon<\/a><\/strong><\/li> <\/ul> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Tuesday, 03 December 2024 at 11:57 AM The piano has been central to the development of jazz music, but just who are the best jazz pianists of all time? Here are, or what we think are, the greatest jazz pianists ever, but have we ever missed your favourite? The 20 Greatest Pianists of [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":50159,"template":"","categories":[1,17,23],"acf":{"readingTimeMinutes":"28"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/best-jazz-pianists-15-of-the-greatest-piano-players-in-the-history-of-jazz.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/best-jazz-pianists-15-of-the-greatest-piano-players-in-the-history-of-jazz-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/best-jazz-pianists-15-of-the-greatest-piano-players-in-the-history-of-jazz-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/best-jazz-pianists-15-of-the-greatest-piano-players-in-the-history-of-jazz-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/best-jazz-pianists-15-of-the-greatest-piano-players-in-the-history-of-jazz-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/best-jazz-pianists-15-of-the-greatest-piano-players-in-the-history-of-jazz.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/best-jazz-pianists-15-of-the-greatest-piano-players-in-the-history-of-jazz.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Tuesday, 03 December 2024 at 11:57 AM The piano has been central to the development of jazz music, but just who are the best jazz pianists of all time? Here are, or what we think are, the greatest jazz pianists ever, but have we ever missed your favourite? The 20 Greatest Pianists of&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/50158"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/50159"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=50158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=50158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}