{"id":50160,"date":"2024-11-26T13:12:26","date_gmt":"2024-11-26T12:12:26","guid":{"rendered":"http:\/\/686c9759-eb7c-43a2-ba58-8071db7dbf61"},"modified":"2024-12-03T14:10:46","modified_gmt":"2024-12-03T13:10:46","slug":"schumann-viola-maxim-rysanov-review","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/schumann-viola-maxim-rysanov-review\/","title":{"rendered":"Schumann \u2013 Viola (Maxim Rysanov) (Review)"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Tuesday, 26 November 2024 at 12:12 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html> <head\/> <body> <p><strong>Schumann<\/strong><br\/> Fantasiest\u00fccke, Op.73; Adagio und Allegro; M\u00e4rchenerz\u00e4hlungen, Op. 132 etc<br\/> Maxim Rysanov (viola), Julian Bliss (clarinet), Dasol Kim (piano)<br\/><em>Onyx ONYX4245\u00a0\u00a0\u00a057:26 mins\u00a0<\/em><\/p> <figure class=\"wp-block-audio\"> <audio controls=\"\" src=\"https:\/\/c02.purpledshub.com\/uploads\/sites\/43\/2024\/12\/CHAMBER-CHOICE-Brahms-2-Sonatas-Op.-120-No.-1-in-F-Minor-III.-Allegretto-grazioso.mp3\"\/> <\/figure> <h6 class=\"wp-block-heading has-text-align-center\">Clip: Brahms \u2013 2 Sonatas Op. 120, No. 1 in F Minor III. Allegretto (Maxim Rysanov\/Onyx)<\/h6> <p>Please don\u2019t fall for the old chestnut that <a href=\"https:\/\/www.classical-music.com\/features\/composers\/robert-schumann\">Robert Schumann<\/a>\u2019s late works were of inferior quality because he was mentally ill. Among Rysanov, Kim and Bliss\u2019s achievements is to prove \u2013 if it is necessary \u2013 that these pieces can reach an emotional space subtler and even richer than the heady passion of Schumann\u2019s early piano works.<\/p> <p>The\u00a0<em>M\u00e4rchenerz\u00e4hlungen<\/em>, Op. 132 for viola, clarinet and piano are positively heavenly and the group makes the best possible case for them. These rare pieces date from that crucial month of October 1853, when the Schumanns first met the young Brahms, and are thus contemporaneous with, for instance, the Violin Concerto\u2019s finale. Rysanov, Bliss and Kim capture the knife edge of heightened awareness upon which Schumann balances between love and its potential loss (in his case, all too imminent). The performance feels as if they are cherishing every note.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-viola-music\">12 of the best viola works<\/a><\/li> <li><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/what-difference-between-violin-and-viola\">What&#8217;s the difference between a violin and viola<\/a>?<\/li> <\/ul> <p>Rysanov and Kim offer technically immaculate, expressive and intimate performances of the viola and piano works, plus a selection of songs from the cycles\u00a0<em>Dichterliebe<\/em>\u00a0and\u00a0<em>Liederkreis<\/em>, which they successfully transform into rewarding instrumental pieces. Rysanov\u2019s nuanced phrasing and excellent variety of tone colour would present a challenge for some actual singers to match, and Kim\u2019s piano playing is a special joy. The best Lieder pianists can establish a magical atmosphere of raptness and longing from the very first note of\u00a0<em>Dichterliebe<\/em>, and he is to the manner born.\u00a0<\/p> <p>It\u2019s wonderful to find a recording like this: one that, as soon as it finishes, you want to start it all over again.\u00a0<em>Jessica Duchen<\/em><\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Simon Trp\u010deski, Maxim Rysanov - Schumann - 3 Fantasiestucke op.73\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/-XDxW2r3WV0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <figcaption class=\"wp-element-caption\"> Clip: Schumann &#8211; Fantasiest\u00fccke, Op. 73 (Maxim Rysanov et al) <\/figcaption> <\/figure> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Tuesday, 26 November 2024 at 12:12 PM Schumann Fantasiest\u00fccke, Op.73; Adagio und Allegro; M\u00e4rchenerz\u00e4hlungen, Op. 132 etc Maxim Rysanov (viola), Julian Bliss (clarinet), Dasol Kim (piano)Onyx ONYX4245\u00a0\u00a0\u00a057:26 mins\u00a0 Clip: Brahms \u2013 2 Sonatas Op. 120, No. 1 in F Minor III. Allegretto (Maxim Rysanov\/Onyx) Please don\u2019t fall for the old chestnut that Robert [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":50161,"template":"","categories":[1,83,19],"acf":{"readingTimeMinutes":"2"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/schumann-viola-maxim-rysanov-review.jpg",900,900,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/schumann-viola-maxim-rysanov-review-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/schumann-viola-maxim-rysanov-review-300x300.jpg",300,300,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/schumann-viola-maxim-rysanov-review-768x768.jpg",768,768,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/schumann-viola-maxim-rysanov-review.jpg",800,800,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/schumann-viola-maxim-rysanov-review.jpg",900,900,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/schumann-viola-maxim-rysanov-review.jpg",900,900,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Tuesday, 26 November 2024 at 12:12 PM Schumann Fantasiest\u00fccke, Op.73; Adagio und Allegro; M\u00e4rchenerz\u00e4hlungen, Op. 132 etc Maxim Rysanov (viola), Julian Bliss (clarinet), Dasol Kim (piano)Onyx ONYX4245\u00a0\u00a0\u00a057:26 mins\u00a0 Clip: Brahms \u2013 2 Sonatas Op. 120, No. 1 in F Minor III. Allegretto (Maxim Rysanov\/Onyx) Please don\u2019t fall for the old chestnut that Robert&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/50160"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/50161"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=50160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=50160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}