{"id":50206,"date":"2024-12-07T16:39:40","date_gmt":"2024-12-07T15:39:40","guid":{"rendered":"http:\/\/164f1af7-26e7-4c15-8ac0-4bc33ed040c5"},"modified":"2024-12-07T17:09:19","modified_gmt":"2024-12-07T16:09:19","slug":"operas-greatest-death-scenes-six-unforgettable-operatic-demises","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/operas-greatest-death-scenes-six-unforgettable-operatic-demises\/","title":{"rendered":"Opera&#8217;s greatest death scenes: six unforgettable operatic demises"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Saturday, 07 December 2024 at 15:39 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html> <head\/> <body> <p>In opera\u2019s primary-coloured world, when characters aren\u2019t falling in love they are dying with enthusiastic regularity. We take a look through some of opera&#8217;s most notorious crime scenes \u2013 from the bloodiest to the most emotive, not to mention to the most bizarre\u2026<\/p> <h2 class=\"wp-block-heading\">Great opera death scenes<\/h2> <h3 class=\"wp-block-heading\">1. <strong>Don Giovanni<\/strong> in Mozart&#8217;s<em> Don Giovanni<\/em><\/h3> <p>One of the greatest anti-heroes of opera, <a href=\"https:\/\/www.classical-music.com\/features\/composers\/mozart\"><strong>Mozart<\/strong><\/a>\u2019s <em>Don Giovanni<\/em> is the man whom generations of opera-goers have loved to hate. Following his amorous exploits, his climatic demise at the hands of the ghostly Commendatore provided both a dramatic <em>coup de gr\u00e2ce<\/em> and a justificatory moral conclusion for the opera&#8217;s 18th-century audience.<\/p> <p>The Don&#8217;s death is all the more striking for being oblique; not for him the banal swords of man, but instead a literal descent into hell amid flames.<\/p> <p>While Mozart\u2019s original moralizing epilogue has a distinctly disquieting effect, it&#8217;s the revised version of the opera that packs the real punch, with the curtains boldly closing on the moment of death itself.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/mozarts-don-giovanni-best-recordings\"><em>Don Giovanni<\/em>: the greatest recordings<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Don Giovanni - Commendatore Scene - EN Sub (Better Quality)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/Ioc9shJa_lI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\">2. <strong>Silvio and Nedda<\/strong> in Leoncavallo&#8217;s<em> Pagliacci<\/em><\/h3> <p>The moment at which a bedroom farce becomes a tragedy yields one of the most swiftly brutal death scenes in opera. In <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/leoncavallo-ruggero\">Ruggero Leoncavallo<\/a><\/strong>&#8216;s one-act opera, premiered in 1893, the actor-hero Canio is desperate to discover the identity of his wife Nedda&#8217;s lover.<\/p> <p>Failing to find the answer before the opera&#8217;s play-within-a-play begins, he finally finds it during the &#8216;fictional&#8217; play in the form of his co-star and friend Silvio. Tearing off his mask and forgetting his theatrical role he stabs them both, proclaiming \u2018La commedia e finita\u2019 \u2013 both the play and the fiction are well and truly over.<\/p> <ul class=\"wp-block-list\"\/> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Lyric Opera of Kansas City Presents: Pagliacci - La comedia \u00e8 finita!\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/HQfIiv4gbU8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\">3. <strong>Violetta<\/strong> in Verdi&#8217;s<em> La traviata<\/em><\/h3> <p>Among the litany of consumptive heroines who hack and faint their way through the operatic canon, it is perhaps Violetta from <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/giuseppe-verdi\">Verdi<\/a><\/strong>&#8216;s <em>La traviata<\/em> who makes the most moving \u2013 and unashamedly protracted \u2013 of exits.<\/p> <p>Imperfectly human in a way that the saintly Mimi in <a href=\"https:\/\/www.classical-music.com\/features\/composers\/giacomo-puccini\"><strong>Puccini<\/strong><\/a>&#8216;s <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/la-boheme-best-recordings\">La boh\u00e8me<\/a><\/strong><\/em> never truly is, Violetta\u2019s passionate strength of character really raises the stakes on her fight for life. Rarely succumbing to weakness, the passive fragility of her death scene, \u2018Addio del passato\u2019, is exquisitely painful, heightened further by Alfredo\u2019s wishful hopes for their future.<\/p> <p>Unlike Mimi\u2019s quiet \u2013 initially unnoticed \u2013 slip into death, Violetta\u2019s final rallying moments command all attention in the closing tableau. She&#8217;s left framed in the arms of her lover \u2013 as all Romantic heroines should be.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"La traviata - Morte di Violetta - Violetta's death\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/FCu1bMe8P78?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\">4. <strong>Tosca<\/strong> in Puccini&#8217;s<em> Tosca<\/em><\/h3> <p>When Floria Tosca hurled herself from the battlements of Rome\u2019s Castel Sant\u2019Angelo at the eponymous opera&#8217;s premiere in 1900, critics were swift to claim it as the end not only of the heroine, but also of opera as an art form. But like <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/puccinis-tosca-guide\">Tosca<\/a><\/strong><\/em> itself, the genre has proved remarkably resilient \u2013 living to die on many other occasions.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/the-best-recordings-of-puccinis-tosca\"><em>Tosca<\/em>: the best recordings<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-italian-operas\">Five great operas to explore after <em>Tosca<\/em><\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Angela Gheorghiu - TOSCA final scene\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/n6kTmWYIAcw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Tosca\u2019s death is a moment not so much of tragedy but of victory. With a <em>forte<\/em> reprise of Cavaradossi\u2019s \u2018E lucevan le stelle\u2019 running beneath, Tosca is able to transform his \u2018hopeless\u2019 death into her triumphant one, defying and defeating the evil Scarpia in a single gesture.<\/p> <h3 class=\"wp-block-heading\">5. <strong>The Carmelite nuns<\/strong> in Poulenc&#8217;s <em>Dialogues des Carmelites<\/em><\/h3> <p>Few operas can claim either the body count or the chilling impact of <a href=\"https:\/\/www.classical-music.com\/features\/composers\/francis-poulenc\"><strong>Poulenc<\/strong><\/a>\u2019s <em>Dialogues des Carmelites<\/em>. Operatic death \u2013 so often the province of melodrama \u2013 here becomes an event of terrifyingly understated intensity.<\/p> <p>Based on the true story of a convent of Carmelite nuns during the French Revolution, the opera\u2019s closing scene forces us to witness the execution of the entire order \u2013 martyrs for their faith. As, one by one, they walk to the guillotine, the nuns sing a Salve Regina, until reduced to a single solo voice. Cut brutally short by the blow of the guillotine, the hymn finishes mid-phrase, its unfulfilled resolution hanging ghost-like in the air.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Dialogues Des Carmelites (final scene \/ Salve Regina) F. Poulenc\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Cd9EFJaURmI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\">6. <strong>Mescalina<\/strong> in Ligeti&#8217;s<em> Le Grand Macabre<\/em><\/h3> <p>Described by the composer himself as an \u2018anti-anti-opera\u2019, <a href=\"https:\/\/www.classical-music.com\/features\/composers\/gyorgy-ligeti\"><strong>Ligeti<\/strong><\/a>\u2019s gloriously anarchic <em>Le Grand Macabre<\/em> simultaneously mocks and embraces operatic conventions \u2013 including, of course, the death scene.<\/p> <p>We first encounter the voracious Mescalina indulging in sadistic sexual games with her meekly subservient husband Astradamors. Unsatisfied, and demanding a \u2018well-hung\u2019 lover, she is delighted by the arrival of Nekrotzar (Death); the two proceed to engage in vigorous sex until, with a single bite to the neck, Mescalina is killed.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/news\/sancta-florentina-holzinger\">The opera with live sex and body piercing that has audiences vomiting in the aisles<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/opera-censorship\">Sex, violence, racism, misogyny: just how offensive to modern tastes are the great operas?<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Le grand Macabre Ligeti Nekrotzars Aria\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/if1iP479FVQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Yet as with so much else in this work, even death is not all it appears. At the close of the opera Nekrotzar is exposed: not Death after all, but a charlatan. To the distress of the newly-freed Astradamors, his wife is returned to him. Unharmed.<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Saturday, 07 December 2024 at 15:39 PM In opera\u2019s primary-coloured world, when characters aren\u2019t falling in love they are dying with enthusiastic regularity. We take a look through some of opera&#8217;s most notorious crime scenes \u2013 from the bloodiest to the most emotive, not to mention to the most bizarre\u2026 Great opera death [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":50207,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"4"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/operas-greatest-death-scenes-six-unforgettable-operatic-demises.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/operas-greatest-death-scenes-six-unforgettable-operatic-demises-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/operas-greatest-death-scenes-six-unforgettable-operatic-demises-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/operas-greatest-death-scenes-six-unforgettable-operatic-demises-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/operas-greatest-death-scenes-six-unforgettable-operatic-demises-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/operas-greatest-death-scenes-six-unforgettable-operatic-demises.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/operas-greatest-death-scenes-six-unforgettable-operatic-demises.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Saturday, 07 December 2024 at 15:39 PM In opera\u2019s primary-coloured world, when characters aren\u2019t falling in love they are dying with enthusiastic regularity. We take a look through some of opera&#8217;s most notorious crime scenes \u2013 from the bloodiest to the most emotive, not to mention to the most bizarre\u2026 Great opera death&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/50206"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/50207"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=50206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=50206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}