{"id":50906,"date":"2024-12-16T13:30:40","date_gmt":"2024-12-16T12:30:40","guid":{"rendered":"http:\/\/65a1bfda-24aa-4e7d-a851-84f859693ea1"},"modified":"2024-12-16T14:09:22","modified_gmt":"2024-12-16T13:09:22","slug":"beethoven-timeline-21-key-dates-from-the-life-of-one-of-musics-most-iconic-figures","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/beethoven-timeline-21-key-dates-from-the-life-of-one-of-musics-most-iconic-figures\/","title":{"rendered":"Beethoven timeline: 21 key dates from the life of one of music&#8217;s most iconic figures"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Monday, 16 December 2024 at 12:30 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html> <head\/> <body> <p><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\">Ludwig van Beethoven<\/a><\/strong> (1770\u20131827) is widely considered one of the greatest composers in Western music history. His life and works mark a critical bridge between the Classical and Romantic eras. Displaying talent from a young age, Beethoven was pushed hard by his father, who hoped he had a child prodidy in the Mozart vein on his hands. As a young man, Beethoven moved to Vienna to study under Haydn: by his late 20s, though, the young composer began losing his hearing, a devastating blow.<\/p> <p>Despite this, Beethoven now entered his &#8216;heroic&#8217; period, producing bold and innovative works like the Third Symphony (<strong><em><a href=\"https:\/\/www.classical-music.com\/features\/works\/eroica\">Eroica<\/a><\/em><\/strong>), the iconic and gripping <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/beethoven-fifth-symphony\">Fifth Symphony<\/a><\/strong>, Piano Concertos Nos. 4 and 5, and the Appassionata Sonata. His music during this time reflected personal struggle and triumph, embodying ideals of heroism and humanity.<\/p> <p>Beethoven&#8217;s later music grew in profundity: works such as the Ninth Symphony (Choral Symphony), with its famous &#8216;<strong><a href=\"https:\/\/www.classical-music.com\/articles\/ode-to-joy-lyrics\">Ode to Joy<\/a><\/strong>&#8216;, the Missa Solemnis, and his late <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-string-quartet\">string quartets<\/a><\/strong>, were revolutionary in both their structure and the depth of emotion they conveyed.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Zimerman - Beethoven, Piano Concerto No. 5 - II Adagio\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/cd9rg9v25bo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Beethoven left behind a body of work that has inspired countless musicians and composers. His innovations in <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/symphony\">symphonic<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/chamber-music\">chamber<\/a><\/strong>, and solo instrumental music continue to define the Western classical tradition. His life exemplifies resilience and creativity in the face of adversity, making him a towering figure in music history.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/top-20-beethoven-works\"><strong>The top 20 Beethoven works<\/strong><\/a><\/li> <\/ul> <h2 class=\"wp-block-heading\" id=\"h-beethoven-timeline-the-early-years\"><strong>Beethoven timeline: the early years<\/strong><\/h2> <h3 class=\"wp-block-heading\" id=\"h-1-16-december-1770-the-beethoven-story-begins\">1. 16 December 1770: <strong>the Beethoven story begins<\/strong><\/h3> <p>Ludwig van Beethoven was born in Bonn, to Johann and Maria van Beethoven. Johann was a singer and instrumentalist at the court of Clemens-August, Archbishop-Elector of Cologne, where his father had been a respected Kapellmeister.<\/p> <p>Ludwig\u2019s talent was evident early on \u2013 Johann attempted with limited success to turn him into a performing prodigy \u2013 and by the age of ten he began to study composition with Christian Gottlob Neefe.<\/p> <p>The Elector Maximilian Friedrich expressed interest and funded his musical studies. Beethoven\u2019s first publication, a set of piano variations (<em>Dressler Variations<\/em> WoO 63), emerged when he was 12. By 14 he was a working musician at the court chapel.<\/p> <ul class=\"wp-block-list\"\/> <h3 class=\"wp-block-heading\" id=\"h-2-april-1787-a-meeting-with-mozart\">2. April 1787: <strong>a meeting with Mozart<\/strong><\/h3> <p>The 16-year-old Beethoven departed for Vienna in early 1787. There, he auditioned for <a href=\"https:\/\/www.classical-music.com\/features\/composers\/mozart\"><strong>Mozart<\/strong><\/a>, whom he revered and who agreed to accept him as a pupil. But news reached the young musician that his mother was gravely ill, so he quickly returned to Bonn. She died soon afterwards, after which Johann succumbed to alcoholism, rendering Ludwig responsible for his two younger brothers.<\/p> <p>By the time he made it back to Vienna, five years had elapsed and Mozart, too, had died. Beethoven was now due to study with <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/joseph-haydn\">Haydn<\/a><\/strong>. Count Waldstein, an early patron and supporter, sent him a farewell note: \u2018Through uninterrupted diligence, you will receive the spirit of Mozart from the hands of Haydn.\u2019<\/p> <h3 class=\"wp-block-heading\" id=\"h-3-august-1795-beethoven-at-odds-with-haydn\">3. August 1795: <strong>Beethoven at odds with Haydn<\/strong><\/h3> <p>Late summer saw the first performance of Beethoven\u2019s Op. 1 Piano Trios at the home of Prince Lichnowsky, the patron to whom Count Waldstein had introduced Beethoven and with whom he lodged upon arrival in Vienna. The <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-trio\">trios<\/a><\/strong> were published by Artaria on a subscription basis. Haydn, who had recently returned from London, was in the audience and praised the first two trios, but was perturbed by the third, which happened to be Beethoven\u2019s favourite.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"ATOS Trio: Beethoven Piano Trio op.1 no.2 in G-Major - live\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/vaddjS0EZTM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Beethoven was champing at the bit in general against Haydn, and later reported that he learned nothing from him. By the time Haydn died in 1809, however, the mature Beethoven had fully acknowledged his mentorship.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/10-beethoven-s-close-acquaintances-and-friends\"><strong>10 of Beethoven&#8217;s close acquaintances and friends<\/strong><\/a><\/li> <\/ul> <h2 class=\"wp-block-heading\" id=\"h-beethoven-timeline-getting-underway\"><strong>Beethoven timeline: getting underway<\/strong><\/h2> <h3 class=\"wp-block-heading\" id=\"h-4-2-april-1800-a-successful-symphonic-start\">4. 2 April 1800: <strong>a successful symphonic start<\/strong><\/h3> <p>The premiere of Beethoven\u2019s <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/guide-beethovens-symphony-no-1\">Symphony No. 1<\/a><\/strong> at Vienna\u2019s Burgtheater was described by one reviewer as \u2018the most interesting concert in a long time\u2019. Beethoven was fast becoming the most sought-after young musician in Vienna, admired for his remarkable piano playing and, in particular, his improvisations.<\/p> <p>He was ambitious, organised and canny, working hard to produce saleable works. He was also at ease in the city\u2019s aristocratic salons and mixed in princely circles, some of whom believed that his \u2018van\u2019 indicated he was of noble extraction. Among his pupils was the young Countess Josephine Deym, n\u00e9e Brunsvik.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/10-best-quotes-about-beethoven\"><strong>Ten of the best quotes about Beethoven<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-5-6-october-1802-a-painful-realisation\">5.<em> <\/em>6 October 1802: <strong>a painful realisation<\/strong><\/h3> <p>Beethoven retreated in the summer of 1802 to the village of Heiligenstadt, lodging behind the bakery. His stay was eventful partly for a fallout with his brother <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-drove-beethovens-nephew-to-attempt-suicide\">Karl<\/a><\/strong>, his business manager \u2013 they ended up fighting in the street \u2013 but chiefly because he was facing a crisis. It was evident, after years of increasing anxiety and visits to doctors, that he was losing his hearing.<\/p> <p>At the beginning of October, he wrote a will of sorts \u2013 in fact a long letter to his brothers \u2013 known today as the <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/heiligenstadt-testament\">Heiligenstadt Testament<\/a><\/strong><\/em>. In it, he revealed he considered suicide, but was held back by a sense of responsibility to his art: he couldn\u2019t leave the world until he had brought forth everything that was within him.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/10-best-recordings-released-celebration-beethoven-s-250th-anniversary\/\"><strong>10 of the best recordings released in Beethoven&#8217;s 250th anniversary year<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-6-9-june-1804-t-he-eroica-marks-a-turning-point\">6. 9 June 1804: t<strong>he &#8216;Eroica&#8217; marks a turning point<\/strong><\/h3> <p>The private premiere of Symphony No.3, the <em>Eroica<\/em>, took place at Prince Lobkowitz\u2019s palace in Vienna. It represented a vital turning point. Having told his friend Franz Wegeler he intended to \u2018seize fate by the throat\u2019, Beethoven was determined to put his old life and methods behind him and find a \u2018new path\u2019.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Beethoven: 3. Sinfonie (\u00bbEroica\u00ab) \u2219 hr-Sinfonieorchester \u2219 Andr\u00e9s Orozco-Estrada\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/fhHcty9OM-0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>The <em>Eroica<\/em> was originally intended as a programmatic symphony entitled \u2018Bonaparte\u2019, though Beethoven\u2019s personal admiration of Napoleon as a self-made hero did not go down that well in the heart of the Holy Roman Empire.<\/p> <ul class=\"wp-block-list\"> <li><strong>The <em>Eroica<\/em> finished strongly in our list of the 20 <a href=\"https:\/\/www.classical-music.com\/features\/works\/20-greatest-symphonies-all-time\">greatest symphonies of all time<\/a><\/strong><\/li> <\/ul> <p>When Napoleon declared himself emperor of France, Beethoven was bitterly disillusioned. He destroyed the dedication and instead wrote: \u2018Composed to celebrate the memory of a great man\u2019.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/articles\/beethoven-revealed\"><strong>Five of the best lesser-known Beethoven works to discover<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-7-20-november-1805-fidelio-stumbles-on-its-first-night\">7.<em> <\/em>20 November 1805: &#8216;<strong>Fidelio&#8217; stumbles on its first night<\/strong><\/h3> <p>Circumstances could not have been less auspicious for the first performance of Beethoven\u2019s opera <em>Leonore <\/em>at the Theater an der Wien, where he was composer in (literal) residence. Following Napoleon\u2019s first invasion of Vienna, most of the likely audience had fled the city, so the premiere was attended by French soldiers and a handful of other observers. The response was not enthusiastic.<\/p> <p>In the following days, some of Beethoven\u2019s friends pleaded with him to revise the work, with Prince Lichnowsky\u2019s mother even going down on bended knee to persuade him. Eventually, he agreed. A run of this revised version in 1806 ended abruptly, though, when Beethoven became convinced the theatre was swindling him, and he snatched back the score. The opera didn\u2019t reach its final form, now retitled <em>Fidelio<\/em>, until 1814.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/10-composers-who-were-inspired-beethoven\"><strong>Ten composers who were inspired by Beethoven<\/strong><\/a><\/li> <\/ul> <h2 class=\"wp-block-heading\" id=\"h-beethoven-timeline-problems-and-breakthroughs\"><strong>Beethoven timeline: problems&#8230; and breakthroughs<\/strong><\/h2> <h3 class=\"wp-block-heading\" id=\"h-8-october-1806-falling-out-with-a-royal-patron\">8.<em> <\/em>October 1806: <strong>falling out with a royal patron<\/strong><\/h3> <p>Despite his financial dependence on princely patrons, Beethoven took exception at being asked to perform at their social functions. Towards the end of a stay at Prince Lichnowsky\u2019s country palace in Silesia, his host tried to force him to perform to a social gathering, possibly including French military personnel. Beethoven stormed out, walked for hours in the pouring rain and did not go back.<\/p> <p>He had with him the manuscript of the <em>Appassionata<\/em> Sonata (which still bears the water stains). \u2018There are many princes; there is only one Beethoven,\u2019 he later wrote. Their relationship never mended \u2013 but later Lichnowsky would often go to sit outside Beethoven&#8217;s apartment door unobserved, listening to him at work.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Barennboim on Beethoven &quot;Appassionata&quot; 1st Movement\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/yPR3pkcNbKI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <ul class=\"wp-block-list\"\/> <h3 class=\"wp-block-heading\" id=\"h-9-february-1807-a-composer-s-overtures-are-rejected\">9. February 1807: <strong>a<\/strong> <strong>composer\u2019s overtures are rejected<\/strong><\/h3> <p>Four months after that rain-drenched walk in Silesia, the <em>Appassionata<\/em> Sonata was sent to the publishers. It was dedicated to Count Franz Brunsvik, a close friend of Beethoven\u2019s and the brother of Josephine Deym. In 1804 Josephine was widowed aged 25, with four small children. Beethoven had been paying intense court to her, writing a series of impassioned love letters.<\/p> <p>He may have composed the three Op. 31 piano sonatas for her, as well as the <em>Andante favori<\/em>. Eventually she rejected him, fearing she would lose custody of her children by marrying a commoner. These dedications may have been farewell gifts.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/five-best-recordings-beethovens-sonata-cycles\"><strong>Five of the best recordings of Beethoven&#8217;s sonata cycles<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-10-22-december-1808-four-five-six-and-more-besides\">10.<em> <\/em>22 December 1808: <strong>Four, Five, Six\u2026 and more besides<\/strong><\/h3> <p>Why stage just the one premiere when you can have four? Over the course of a benefit concert in the Theater an der Wien, Beethoven conducted the world premieres of Symphony No. 5, its successor <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-beethovens-symphony-no-6-pastoral\">Symphony No. 6 (the &#8216;Pastoral&#8217;)<\/a><\/strong>, plus the Piano Concerto No. 4 (performing as the soloist) and the Choral Fantasia. The programme also included parts of his Mass in C, the concert <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-aria\">aria<\/a><\/strong> &#8216;Ah, perfido&#8217; and some piano improvisations. It was a very cold night, the concert lasted more than four hours and by the end most of the audience had left.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/greatest-piano-concertos-all-time\">The greatest piano concertos of all time<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/beethoven-symphonies-best-recordings\">The best recording of each Beethoven symphony<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Mitsuko Uchida - Beethoven - Piano Concerto No 4 in G major, Op 58\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/6lvBQJjxw4c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Not long afterwards, however, the Fifth Symphony attracted the attention of the author ETA Hoffmann, who wrote: \u2018Beethoven\u2019s music moves the lever controlling horror, fear, dread, pain and awakens that infinite longing that is the essence of Romanticism.\u2019<\/p> <ul class=\"wp-block-list\"\/> <h3 class=\"wp-block-heading\" id=\"h-11-10-may-1809-t-he-return-of-napoleon\">11. 10 May 1809: t<strong>he return of Napoleon<\/strong><\/h3> <p>Napoleon\u2019s second invasion of Vienna saw his army laying siege to the city with howitzers; Beethoven, who lived beside the city walls in an apartment block called the Pasqualatihaus, took shelter in his brother Johann\u2019s cellar, pressing pillows to his ears to protect what remained of his hearing.<\/p> <p>Soon after Napoleon\u2019s victory at Austerlitz in 1805, the Holy Roman Empire had been dissolved and the Austrian currency collapsed in the wake of the Napoleonic wars. Beethoven was seriously affected; for several years he had depended on a stipend provided by a consortium of princes, some of whom now defaulted on payments and one of whom, Prince Kinsky, died after a riding accident.<\/p> <ul class=\"wp-block-list\"\/> <h2 class=\"wp-block-heading\" id=\"h-beethoven-timeline-affairs-of-the-heart\"><strong>Beethoven timeline: affairs of the heart<\/strong><\/h2> <h3 class=\"wp-block-heading\" id=\"h-12-6-july-1812-beethoven-pours-his-heart-out\">12. 6 July 1812: <strong>Beethoven pours his heart out<\/strong><\/h3> <p>Beethoven\u2019s \u2018Letter to the Immortal Beloved\u2019 was evidently written after an affair, but seemingly never sent. Passionate and intimate, it was penned in Teplitz after a visit to Prague, where Beethoven cancelled an evening appointment at short notice, possibly because of a surprise encounter. He named no intended recipient. Proof of the woman\u2019s identity has since proved impossible, probably because Beethoven was careful to protect her.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/20-best-beethoven-recordings-all-time\/\"><strong>20 of the best Beethoven recordings of all time<\/strong><\/a><\/li> <\/ul> <p>Over the years impassioned cases have been made for several individuals, chiefly Josephine Deym (Baroness Stackelberg after remarrying in 1810) and Antonie Brentano (whose husband, however, was a close friend of Beethoven\u2019s). Complicating matters, Antonie gave birth in March 1813; and in early April, so did Josephine.<\/p> <h3 class=\"wp-block-heading\" id=\"h-13-8-december-1813-the-triumph-of-the-seventh\">13.<em> <\/em>8 December 1813: <strong>the triumph of the Seventh<\/strong><\/h3> <p>At a giant concert at Vienna University, Beethoven conducted the world premieres of his <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/guide-beethovens-symphony-no-7\">Symphony No. 7<\/a><\/strong> and the <em>Battle Symphony<\/em> (or <em>Wellington\u2019s Victory<\/em>), which celebrated the British defeat of Napoleon at the Battle of Vitoria. Raising money for soldiers wounded at the Battle of Hanau, the concert was one of his most successful.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Beethoven: Symphony No. 7, 2nd movement | Paavo J\u00e4rvi and the Deutsche Kammerphilharmonie Bremen\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/sv2QnrCJNk0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>In rehearsal, the orchestra grumbled that the music was difficult to play. Beethoven made the audacious suggestion that they take their parts home to practise. They did, with splendid results. Among the players were numerous superstar musicians, including Ignaz Schuppanzigh (leading the orchestra), Louis Spohr (violin) and Domenico Dragonetti (leading the double basses), while Johann Nepomuk Hummel and Giacomo Meyerbeer turned their skills to the drums. Both symphonies were later performed during the Congress of Vienna.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/how-many-symphonies-did-beethoven-write\"><strong>How many symphonies did Beethoven write?<\/strong><\/a><\/li> <li><a href=\"https:\/\/www.classical-music.com\/article\/10-best-arrangements-beethoven-s-music\"><strong>10 of the best arrangements of Beethoven&#8217;s music<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-14-15-november-1815-the-struggle-for-custody\">14.<em> <\/em>15 November 1815: <strong>the struggle for custody<\/strong><\/h3> <p>Dying of tuberculosis, Beethoven\u2019s brother Kaspar Karl van Beethoven named the composer in his will as joint guardian of his son \u2013 also named Karl \u2013 together with Karl\u2019s mother, Johanna. Beethoven detested Johanna, who had been tried, convicted and imprisoned for embezzlement and calumny in 1811. He therefore attempted from the start to gain sole custody of his nephew.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/10-beethovens-family-members\"><strong>Meet ten of Beethoven&#8217;s family members<\/strong><\/a><\/li> <\/ul> <p>At first he succeeded, but the ensuing legal tug-of-war continued for five years, causing all involved considerable suffering. During the course of it, in 1818, Beethoven \u2013 who had taken the case to the Landrechte, the aristocratic court \u2013 accidentally let slip that his family were not of noble birth. The case was transferred to the commoners\u2019 Vienna Magistracy.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/10-beethoven-references-popular-culture\"><strong>10 of the best Beethoven references in contemporary culture<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-15-27-december-1817-a-welcome-arrival-from-england\">15.<em> <\/em>27 December 1817: <strong>A welcome arrival from England<\/strong><\/h3> <p>When, at the end of 1817, John Broadwood of London sent Beethoven a new fortepiano, the largest and strongest instrument he had yet owned, it provided a crucial spur for him to finish his largest piano work to date: the Sonata in B flat, Op. 106, the <em><strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-beethovens-hammerklavier-sonata\">Hammerklavier<\/a><\/strong><\/em>.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Beethoven Sonata #29 Op. 106 &quot;Hammerklavier&quot; Valentina Lisitsa\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/ETjfAIHpJjY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Beethoven had been suffering bouts of ill health, as well as emotional distress caused by the ongoing situation over Karl and possibly the final collapse of the relationship with the \u2018Immortal Beloved\u2019; his rate of composition suffered badly. This mighty sonata, lasting some 50 minutes, seemed to rejuvenate him, breaking new ground and pointing the way forward into his \u2018late\u2019 works. He was by now <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/beethoven-deaf\">stone deaf<\/a><\/strong>.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/10-best-beethoven-quotes\"><strong>10 of the best Beethoven quotes<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-16-autumn-1821-arrested-and-unrecognisable\">16.<em> <\/em>Autumn 1821: <strong>arrested and unrecognisable<\/strong><\/h3> <p>Commissioned to write three piano sonatas, Beethoven had already completed the first, Op. 109, but then faced a fresh crisis of ill health and depression during the course of 1821 which held up Opp. 110 and 111. He composed little for the rest of the year. One autumn day he set out for a walk along the Danube Canal, lost track of time and found himself far from home after dark, hungry and tired.<\/p> <p>Local residents complained that a dissolute-looking stranger had been peering in through their windows and the police duly arrested him as a tramp. They refused to believe that he really was Ludwig van Beethoven until a university professor was summoned from a nearby tavern to identify him.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/10-best-books-about-beethoven\"><strong>Ten of the best books about Beethoven<\/strong><\/a><\/li> <\/ul> <h2 class=\"wp-block-heading\" id=\"h-beethoven-timeline-late-masterpieces\"><strong>Beethoven timeline: late masterpieces<\/strong><\/h2> <h3 class=\"wp-block-heading\" id=\"h-17-7-april-1824-beethoven-s-choral-masterpieces\">17.<em> <\/em>7 April 1824: <strong>Beethoven&#8217;s choral masterpieces<\/strong><\/h3> <p>The <em>Missa Solemnis<\/em>, Beethoven\u2019s most ambitious choral work, was premiered just before Easter in St Petersburg, Russia, under the auspices of his patron Prince Galitzin. Its composition had occupied much of Beethoven\u2019s time from 1819-23 and it showed him, as ever, somewhat unwilling to compromise on his immense demands upon the singers.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Beethoven - GLORIA from the Missa Solemnis - Nikolaus Harnoncourt, Royal Concertgebouw Orchestra\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/MOjOCVzABZs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>One month later, on 7 May, the premiere of his \u2018Choral\u2019 <strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/beethoven-ninth-symphony\">Symphony No. 9<\/a><\/strong> took place at the Theater am K\u00e4rntnertor, Vienna. The composer was supposedly conducting, but could not hear the performers in front of him and continued to conduct after they had finished. The contralto soloist, Caroline Unger, gently turned him round so that he could see the wild ovation taking place in the auditorium.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/article\/five-unfinished-masterpieces-beethoven\"><strong>Five unfinished masterpieces by Beethoven<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-18-march-1825-a-fugue-too-far\">18.<em> <\/em>March 1825: <strong>a fugue too far<\/strong><\/h3> <p>Premiered by the Schuppanzigh Quartet, Beethoven\u2019s String Quartet in B flat major Op. 130 \u2013 the second of his final five \u2013 was rounded off by a gigantic <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/fugue\">fugue<\/a><\/strong>. The work was reasonably well received, but the fugue was deemed by one critic \u2018incomprehensible, like Chinese\u2019. See what you think, below&#8230;<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Juilliard String Quartet - Beethoven Grosse Fuge in B-flat Major, Opus 133\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/j5XAdttmOLo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Karl Holz, the second violinist of the Schuppanzigh Quartet, told Beethoven that the two central movements were encored whereas the fugue was not; Beethoven reacted angrily, pronouncing his listeners \u2018Cattle! Asses!\u2019.<\/p> <p>Subsequently the publisher Artaria asked Holz to persuade the composer to write a more user-friendly last movement. Extraordinarily, Beethoven agreed to this the next day, perhaps because Holz assured him he would receive handsome financial recompense. The<em> Grosse Fuge<\/em> was published separately as Op. 133.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/composers\/10-famous-beethoven-fans\/\"><strong>Ten famous Beethoven fans<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\">19. 1825: <strong>New emotional depths: the late Quartets<\/strong><\/h3> <p>From 1824 to 1826 Beethoven embarked on his last major composing enterprise: the five string quartets that round off his 16 quartets, and which together are known as the Late Quartets. These remarkable pieces are among the most profound and innovative works in the chamber music repertoire.<\/p> <p>They reflect Beethoven&#8217;s introspective nature during the final years of his life, as he grappled with complete deafness and personal struggles. They are celebrated for their emotional depth, structural complexity, and daring harmonic innovations.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Beethoven: Cavatina from String Quartet No.13\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/8VHldgzW60I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\" id=\"h-19-29-july-1826-karl-tries-to-end-it-all\">20.<em> <\/em>29 July 1826: <strong>Karl tries to end it all<\/strong><\/h3> <p>On reaching university age, Beethoven\u2019s nephew Karl revealed that he wished to go into the military instead. Beethoven was horrified by this choice, and a massive row ensued between the two. After enduring many years of strife over his custody, Karl could take no more. From the resort of Baden a little way outside Vienna, he walked along the beautiful Helenental to the ruined castle of Rauhenstein and there <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-drove-beethovens-nephew-to-attempt-suicide\">attempted to shoot himself<\/a><\/strong>.<\/p> <p>He was not killed, but injured; and when he was found by the police he asked to be taken not to Beethoven\u2019s home, but to his mother, Johanna. Questioned about his actions, he placed the blame squarely upon his uncle for having pushed him too far. This was devastating to Beethoven, whose health was already seriously declining.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/artists\/10-great-beethoven-performers\/\"><strong>Ten great Beethoven performers<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-20-26-march-1827-farewell\">21.<em> <\/em>26 March 1827: <strong>Farewell<\/strong><\/h3> <p>Beethoven died after a long illness, probably sclerosis of the liver, at the last of his many homes in Vienna, the Schwarzspanierhaus. Among the various accounts of his death, perhaps the most convincing is that in which news arrived that the publishers Schott\u2019s of Mainz had sent him a case of the Rhineland wine he loved: \u2018Too late,\u2019 he lamented.<\/p> <p><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/beethoven-funeral\">Beethoven&#8217;s funeral<\/a><\/strong> attracted crowds of 20,000, and among the pallbearers was <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/franz-schubert\">Franz Schubert<\/a><\/strong>. Have a listen below, to &#8216;Auf dem Strom&#8217; (&#8216;On the River&#8217;), a moving song for tenor horn and piano that Schubert composed for the first anniversary of Beethoven&#8217;s death:<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Schubert: \u201cAuf dem Strom\u201d for Tenor, Horn, and Piano, D. 943, Op. 119\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/HdYR7iCEymo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>After Beethoven\u2019s death his former secretary, Anton Schindler, and his friends Stephan von Breuning and Karl Holz searched in his apartment for the bank bonds he bequeathed to Karl. While doing so, they discovered a drawer containing miniature portraits of two unknown women, the <em>Heiligenstadt Testament <\/em>and the \u2018Letter to the Immortal Beloved\u2019.<\/p> <p>We hope you&#8217;ve enjoyed this Beethoven timeline. You can also <a href=\"https:\/\/www.classical-music.com\/tag\/beethoven-reviews\/\"><strong>read reviews of the latest Beethoven recordings.<\/strong><\/a><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Monday, 16 December 2024 at 12:30 PM Ludwig van Beethoven (1770\u20131827) is widely considered one of the greatest composers in Western music history. His life and works mark a critical bridge between the Classical and Romantic eras. Displaying talent from a young age, Beethoven was pushed hard by his father, who hoped he [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":50907,"template":"","categories":[1],"acf":{"readingTimeMinutes":"14"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/beethoven-timeline-21-key-dates-from-the-life-of-one-of-musics-most-iconic-figures.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/beethoven-timeline-21-key-dates-from-the-life-of-one-of-musics-most-iconic-figures-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/beethoven-timeline-21-key-dates-from-the-life-of-one-of-musics-most-iconic-figures-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/beethoven-timeline-21-key-dates-from-the-life-of-one-of-musics-most-iconic-figures-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/beethoven-timeline-21-key-dates-from-the-life-of-one-of-musics-most-iconic-figures-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/beethoven-timeline-21-key-dates-from-the-life-of-one-of-musics-most-iconic-figures.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2024\/12\/beethoven-timeline-21-key-dates-from-the-life-of-one-of-musics-most-iconic-figures.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Monday, 16 December 2024 at 12:30 PM Ludwig van Beethoven (1770\u20131827) is widely considered one of the greatest composers in Western music history. His life and works mark a critical bridge between the Classical and Romantic eras. Displaying talent from a young age, Beethoven was pushed hard by his father, who hoped he&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/50906"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/50907"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=50906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=50906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}