{"id":51506,"date":"2025-01-09T16:16:54","date_gmt":"2025-01-09T15:16:54","guid":{"rendered":"http:\/\/aa61a078-954b-430f-8f8a-af88b68b2f47"},"modified":"2025-01-09T17:09:22","modified_gmt":"2025-01-09T16:09:22","slug":"lesser-known-piano-concertos-11-great-works-for-soloist-and-orchestra-you-might-not-know","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/lesser-known-piano-concertos-11-great-works-for-soloist-and-orchestra-you-might-not-know\/","title":{"rendered":"Lesser known piano concertos: 11 great works for soloist and orchestra you might not know"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Thursday, 09 January 2025 at 15:16 PM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html> <head\/> <body> <p>Since the <a href=\"https:\/\/www.classical-music.com\/features\/articles\/who-invented-the-piano\/\"><strong>invention of the piano<\/strong><\/a> in the late 17th century, composers have pitted the instrument against the might of the orchestra to create some of music\u2019s greatest works. Piano concertos by <a href=\"https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\"><strong>Beethoven<\/strong><\/a>, <a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-rachmaninov\"><strong>Rachmaninov<\/strong><\/a> and <a href=\"https:\/\/www.classical-music.com\/features\/composers\/mozart\"><strong>Mozart<\/strong><\/a> are heard in concert halls around the world every day, but in among the big names lurk some less familiar faces &#8211; the likes of <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/malcolm-arnold-the-best-recordings\">Malcolm Arnold<\/a><\/strong>, Alexander Glazunov and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/witold-lutoslawski\">Witold Lutos\u0142awski<\/a><\/strong> to name but three\u2026<\/p> <p>How many other neglected masterpieces are there in the piano concerto repertoire? We ask ten of today\u2019s top pianists which <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-concerto\">concerto<\/a><\/strong> they think has been undeservedly overlooked. And if you&#8217;re looking for a list of the truly <a class=\"standard-card-new__article-title\" href=\"https:\/\/www.classical-music.com\/features\/works\/greatest-piano-concertos-all-time\/\"><strong>greatest piano concertos of all time<\/strong><\/a>, those pianistic masterpieces that need no introduction, we&#8217;ve also got you covered.<\/p> <ul class=\"wp-block-list\"\/> <h2 class=\"wp-block-heading\">Lesser known piano concertos<\/h2> <h3 class=\"wp-block-heading\" id=\"h-chisholm-piano-concerto-no-2\">Chisholm: Piano Concerto No. 2<\/h3> <p>Also called the \u2018Hindustani\u2019 Concerto, Erik Chisholm\u2019s Piano Concerto No. 2 (1949) is a unique work in the repertoire. Chisholm, a Scot who travelled the world, was a fine composer and wonderful pianist who really understood the instrument. His Concerto is like a distillation of his vast world musical knowledge \u2013 it uses Indian <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-scale-in-music\">scales<\/a><\/strong> and rhythms as its building blocks, but the end result is something all his own.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Erik Chisholm\u2014Piano Concertos\u2014Danny Driver (piano), BBC Scottish Symphony Orchestra, Rory Macdonald\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/8t1KxFdqDBo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>It\u2019s strikingly original: it is very well written for the piano and the orchestration is colourful and vibrant while also being well balanced against the solo instrument. The narrative is also effective \u2013 the whole piece has a wonderful shape to it.<\/p> <p><em>Chosen by pianist Danny Driver<\/em><\/p> <ul class=\"wp-block-list\"> <li><a href=\"http:\/\/www.classical-music.com\/article\/5-best-pieces-piano-left-hand\"><strong>Five of the best pieces for Piano Left Hand<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-saint-saens-piano-concerto-no-4\">Saint-Sa\u00ebns: Piano Concerto No. 4<\/h3> <p>There are two works in the French repertory for which I have a weak spot. One is <a href=\"https:\/\/www.classical-music.com\/features\/composers\/camille-saint-saens\"><strong>Saint-Sa\u00ebns<\/strong><\/a>\u2019s Piano Concerto No. 4 in C minor, the other is <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/cesar-franck\">C\u00e9sar Franck<\/a><\/strong>\u2019s Symphonic Variations for piano and <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-instruments-make-up-an-orchestra\">orchestra<\/a><\/strong>. Both have quite banal tunes in them (at least at face value), but treated as they are by their respective composers, they are original and beautiful.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-french-composers-ever\">The greatest French composers of all time<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/saint-saens-5-piano-concertos\">How Saint-Sa\u00ebns\u2019s piano concertos helped revolutionise the genre<\/a><\/strong><\/li> <\/ul> <p>The coda of the first movement of the Saint-Sa\u00ebns Concerto is in particular one of those passages that haunts you, especially in the right hands (and no one played it better than Alfred Cortot many years ago).<\/p> <p><em>Chosen by pianist Imogen Cooper<\/em><\/p> <p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/gjUuri84-jk?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\"\/><\/p> <ul class=\"wp-block-list\"\/> <h3 class=\"wp-block-heading\" id=\"h-medtner-piano-concerto-no-2\">Medtner: Piano Concerto No. 2<\/h3> <p>A contemporary of Rachmaninov and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/alexander-scriabin\">Scriabin<\/a><\/strong>, the Russian composer <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/medtner-nikolai\">Nikolai Medtner<\/a><\/strong> wrote three concertos, the second of which is my favourite. What is immediately striking about Medtner\u2019s music is the way he takes a <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-melody\">melody<\/a><\/strong> and develops it carefully throughout a piece. The Second Concerto is an energetic and entrancing work. The outer movements are ebullient and very rhythmic, and the slow movement is wonderfully lyrical.<\/p> <ul class=\"wp-block-list\"> <li><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/best-recordings-rachmaninovs-piano-concerto-no-2\/\"><strong>The best recordings of Rachmaninov&#8217;s Piano Concerto No. 2<\/strong><\/a><\/li> <\/ul> <p>Medtner was a pianist himself, so his music fits under the fingers. It\u2019s enjoyable to perform because it sounds a lot more difficult than it really is! I think it is fair to say that Medtner\u2019s music does not always make its strongest appeal at first, but once you get to know it, it is guaranteed to take hold of you.<\/p> <p><em>Chosen by pianist Marc-Andr\u00e9 Hamelin<\/em><\/p> <p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/BL1FOEJcw-U?rel=0\" width=\"560\" height=\"430\" frameborder=\"0\"\/><\/p> <h3 class=\"wp-block-heading\" id=\"h-kabalevsky-piano-concerto-no-2\">Kabalevsky: Piano Concerto No. 2<\/h3> <p>The composer and <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-does-a-conductor-do\">conductor<\/a><\/strong> Dmitri Kabalevsky (1904-87) wrote four piano concertos but I think the one that really stands out is his Second. It\u2019s a large-scale virtuosic work, and it&#8217;s really quite dark. There are strong references to <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/sergey-prokofiev\">Prokofiev<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/dmitri-shostakovich\">Shostakovich<\/a><\/strong> \u2013 it has that irony, that slightly sardonic quality to it.<\/p> <p>I\u2019ve recorded all four Kabalevsky Concertos but nobody has ever asked me to play them and I\u2019ve never seen the Second Piano Concerto programmed. And there\u2019s no really good reason why. Kabalevsky wrote lots of things for children \u2013 I remember playing on of his pieces when I was six and he felt very strongly about music education.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/classical-music-for-kids\">The best classical music for children<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/music-toys\">Musical toys for kids: 10 brilliant music toys from toddler to teen<\/a><\/strong><\/li> <\/ul> <p>So it\u2019s possible that people have grown up with an image of Kabalevsky as a slightly lightweight composer and haven\u2019t been exposed to other things he\u2019s written, which is a great shame. This would be a fantastic work for a young person really getting going on their first virtuosic concerto.<\/p> <p><em>Chosen by pianist Kathryn Stott<\/em><\/p> <p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Jg9sEiFVcWA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\"\/><\/p> <ul class=\"wp-block-list\"> <li><a href=\"http:\/\/www.classical-music.com\/article\/six-best-pieces-prepared-piano\"><strong>Six of the best pieces for prepared piano<\/strong><\/a><\/li> <\/ul> <h3 class=\"wp-block-heading\" id=\"h-saeverud-piano-concerto\">S\u00e6verud: Piano Concerto<\/h3> <p>I\u2019ve played some very alternative-sounding concertos in my time, but the first that really springs to mind is the 1950 Concerto by the Norwegian composer Harald S\u00e6verud. When I first saw the music of this piece, however, I couldn\u2019t get the hang of it. It was only when I went to Norway and was taken to see the fjords one autumn evening that I suddenly got it.<\/p> <p>The scenery of this Concerto changes very dramatically, just like Norwegian scenery \u2013 sometimes it is very gentle water flowing through and then suddenly rocks are coming down and the rhythms become very awkward, almost deformed. And then you have an almost tearful melody, followed by a very dark passage in which you can almost see the mountain trolls. S\u00e6verud is very Norwegian \u2013 although his music is atonal, his melodies are quite simple to understand.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Saeverud - Piano Concerto Op.31 (II)\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/gLxZ2vHUP28?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p><em>Chosen by pianist Noriko Ogawa<\/em><\/p> <ul class=\"wp-block-list\"> <li><a href=\"http:\/\/www.classical-music.com\/article\/20-greatest-pianists-all-time\"><strong>The 20 Greatest Pianists of all time<\/strong><\/a><\/li> <\/ul> <h2 class=\"wp-block-heading\">More wonderful but lesser known piano concertos<\/h2> <h3 class=\"wp-block-heading\" id=\"h-zelenski-piano-concerto\">\u017bele\u0144ski: Piano Concerto (1903)<\/h3> <p>W\u0142adys\u0142aw \u017bele\u0144ski\u2019s only Piano Concerto has everything: big sweeping melodies that are also really quite haunting, lots of bravura piano writing \u2013 including double octaves and a very impressive <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-cadenza\">cadenza<\/a><\/strong> in the first movement \u2013 and some interesting parts for the orchestra as well. It\u2019s not just a vehicle for the soloist to show off.<\/p> <p>It\u2019s hugely Romantic \u2013 I would say it\u2019s primarily quite <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/johannes-brahms\">Brahmsian<\/a><\/strong>, but with some touches of <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/frederic-chopin\">Chopinesque<\/a><\/strong> filigree writing \u2013 and some of the themes also have a very Slavic feel. It is a very well orchestrated piece too. There are some concertos where the pianist has fistfuls of notes and is banging away at <em>fff<\/em>, but you can\u2019t even hear the instrument above the big melody in the orchestra. Here, in contrast, you can almost always hear the soloist.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-romantic-composers\">The best Romantic composers, from Beethoven to Rachmaninov<\/a><\/strong><\/li> <\/ul> <p><em>Chosen by pianist Jonathan Plowright<\/em><\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"\u017bele\u0144ski: Piano Concerto in E-Flat Major, Op. 60: I. Allegro maestoso\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/f8-0QGADb04?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\" id=\"h-medtner-piano-concerto-no-1\">Medtner: Piano Concerto No. 1<\/h3> <p>I\u2019m surprised that Medtner\u2019s Piano Concerto No. 1 is so seldom played. It was <strong><a href=\"https:\/\/www.britannica.com\/biography\/Vladimir-Horowitz\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Vladimir Horowitz<\/a><\/strong>\u2019s favourite Medtner piano concerto and he even contemplated recording it \u2013 had he done so, I have no doubt his works would be among the piano mainstream repertoire.<\/p> <p>And, as Rachmaninov said to Medtner: \u2018You are, in my opinion, the greatest composer of our time.\u2019 So why is it so rarely performed? The trouble is, as with all Medtner\u2019s music, is that it hits one only after repeated listening, as the melodies are complex and the textures are dense \u2013 it takes time for the ear and mind to adjust and appreciate all the subtleties the music has to offer.<\/p> <p>From both pianistic and the listener\u2019s points of view, the Concerto offers everything one can hope for: sweeping melodies, drama, virtuosity, introspective moments, rich orchestration and vivid interaction between soloist and orchestra. If only it wasn\u2019t so incredibly difficult to play\u2026<\/p> <p><em>Chosen by pianist Yevgeny Sudbin<\/em><\/p> <p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/tY2hopcDpGc?rel=0\" width=\"560\" height=\"430\" frameborder=\"0\"\/><\/p> <h3 class=\"wp-block-heading\" id=\"h-bliss-piano-concerto\">Bliss: Piano Concerto<\/h3> <p>Arthur Bliss as a composer is worthy of more recognition generally, but I genuinely don\u2019t understand why his Piano Concerto isn\u2019t played more often. It\u2019s a massive work in three huge movements in the grand 19th-century tradition of very big rhetorical gestures &#8211; but it has an acerbity all its own.<\/p> <p>The work was written in that period just before the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-happened-to-classical-musicians-during-world-war-2\">Second World War<\/a><\/strong> and it\u2019s always struck me that it deserves better than its almost complete neglect. I recorded it for my British Piano Concertos series and of the works included, I think it\u2019s my favourite. It opens with a grand flourish in the orchestra followed by a huge cadenza before the main tutti.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-british-composers\">The 25 greatest British composers<\/a><\/strong><\/li> <\/ul> <p>Harmonically, it reminds me of that 20th-century Russian acerbity that you find in Prokofiev. The final movement has a very difficult <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-toccata\">Toccata<\/a><\/strong> for the piano and orchestra together and the excitement of it is phenomenal. I think Bliss is at his very best in the Piano Concerto.<\/p> <p><em>Chosen by pianist Peter Donohoe <\/em><\/p> <h3 class=\"wp-block-heading\" id=\"h-busoni-piano-concerto\">Busoni: Piano Concerto<\/h3> <p>It was a huge thrill to perform Busoni\u2019s Piano Concerto at <strong><a href=\"http:\/\/www.carnegiehall.org\" target=\"_blank\" rel=\"noreferrer noopener\">Carnegie Hall<\/a><\/strong> in December 2012. It is a huge piece that Alfred Brendel once described as \u2018monstrously overwritten\u2019. It has everything imaginable \u2013 a tremendous nobility and dignity while remaining brilliantly fun. It\u2019s like the native Italian and German-influenced sides of Busoni have combined.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-italian-composers-of-all-time\">The greatest Italian composers of all time<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-german-composers\">From Bach to Hans Zimmer: the 20 best German composers<\/a><\/strong><\/li> <\/ul> <p>He created a pictorial representation of the concerto that shows the movements as three temples (first, third and fifth), an exotic bird (second), and the eruption of Vesuvius (fourth). But while it\u2019s vast, the Busoni Piano Concerto is also a very modest piece. So much of the piano line remains hidden as part of the orchestral texture.<\/p> <p>Edward Dent once said of it that, \u2018the piano part is like Busoni sitting at the piano, listening, commenting, decorating and dreaming.\u2019 The thrill comes from the sheer scale of it, and from how utterly sincere and heartfelt it is.<\/p> <p><em>Chosen by pianist Piers Lane <\/em><\/p> <p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ohPzurDZzZ4?rel=0\" width=\"560\" height=\"430\" frameborder=\"0\"\/><\/p> <ul class=\"wp-block-list\"\/> <h3 class=\"wp-block-heading\" id=\"h-hiller-piano-concerto-no-2\">Hiller: Piano Concerto No. 2<\/h3> <p>I can wholeheartedly recommend the Second Piano Concerto of Ferdinand Hiller. Written at around the same time as the great concertos by <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/robert-schumann\">Schumann<\/a><\/strong> and <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/edvard-grieg\">Grieg<\/a><\/strong>, it\u2019s a confident and taut work that fulfils all one expects of a Romantic piano concerto \u2013 a heroic quality, a balance of virtuosity and soulful writing, the dramatic integration of piano and orchestra, tunefulness, passion and repose.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/schumann-violin-concerto\">Schumann Violin Concerto: a bizarre tale of ouija boards, witch-hunts and Nazi propaganda<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/five-essential-works-grieg\">Grieg: five essential works<\/a><\/strong><\/li> <\/ul> <p><em>Chosen by pianist Howard Shelley<\/em><\/p> <h3 class=\"wp-block-heading\">Scott: Piano Concerto No. 1<\/h3> <p>Moving into the 20th century, while considering Kenneth Leighton\u2019s Third or <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/herbert-howells\">Herbert Howells<\/a><\/strong>\u2019s First Concerto, I\u2019d like to suggest the impressionistically beautiful Piano Concerto No. 1 by Cyril Scott. A Liverpudlian who studied in Frankfurt from the age of 12, Scott\u2019s very successful early career as a composer was interrupted by the <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-was-impact-world-war-one-music\">First World War<\/a><\/strong>, and a series of engagements across Europe where he would have premiered this work were cancelled.<\/p> <p><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/claude-debussy\">Debussy<\/a><\/strong> was a great admirer, and there are times listening to this work when you feel that it\u2019s a work he could have written. It\u2019s a fabulous work of great sensuousness, drama and charm.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-of-debussy-2\">Best of Debussy: nine inspirational works<\/a><\/strong><\/li> <\/ul> <p><em>Chosen by pianist Howard Shelley<\/em><\/p> <p><em>This article originally appeared in the <a href=\"https:\/\/www.classical-music.com\/magazine\/issues\/july-2013\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>July 2013<\/strong><\/a> issue of BBC Music Magazine<\/em><\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Thursday, 09 January 2025 at 15:16 PM Since the invention of the piano in the late 17th century, composers have pitted the instrument against the might of the orchestra to create some of music\u2019s greatest works. Piano concertos by Beethoven, Rachmaninov and Mozart are heard in concert halls around the world every day, [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":51507,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"9"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/lesser-known-piano-concertos-11-great-works-for-soloist-and-orchestra-you-might-not-know.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/lesser-known-piano-concertos-11-great-works-for-soloist-and-orchestra-you-might-not-know-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/lesser-known-piano-concertos-11-great-works-for-soloist-and-orchestra-you-might-not-know-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/lesser-known-piano-concertos-11-great-works-for-soloist-and-orchestra-you-might-not-know-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/lesser-known-piano-concertos-11-great-works-for-soloist-and-orchestra-you-might-not-know-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/lesser-known-piano-concertos-11-great-works-for-soloist-and-orchestra-you-might-not-know.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/lesser-known-piano-concertos-11-great-works-for-soloist-and-orchestra-you-might-not-know.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Thursday, 09 January 2025 at 15:16 PM Since the invention of the piano in the late 17th century, composers have pitted the instrument against the might of the orchestra to create some of music\u2019s greatest works. Piano concertos by Beethoven, Rachmaninov and Mozart are heard in concert halls around the world every day,&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/51506"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/51507"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=51506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=51506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}