{"id":51508,"date":"2025-01-10T10:40:22","date_gmt":"2025-01-10T09:40:22","guid":{"rendered":"http:\/\/c8ddd44a-4e94-48bb-a22f-f13479a2c681"},"modified":"2025-01-10T11:09:20","modified_gmt":"2025-01-10T10:09:20","slug":"the-reformation-the-seismic-event-that-brought-vivid-colours-to-church-music","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/the-reformation-the-seismic-event-that-brought-vivid-colours-to-church-music\/","title":{"rendered":"The Reformation: the seismic event that brought vivid colours to church music"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By <\/p><p class=\"rssbyline\">Published: Friday, 10 January 2025 at 09:40 AM<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html> <head\/> <body> <p>The Reformation was a seismic event in European religious and cultural history. The Augustinian monk Martin Luther brought about huge changes to religious and daily life. One area that saw particularly vivid change was the music being performed in churches. Read on&#8230;<\/p> <h2 class=\"wp-block-heading\">What was the Reformation?<\/h2> <p>The Reformation was a religious, political and cultural upheaval that split Catholic Europe in the 16th century. It began in the German town of Wittenberg in October 1517 with the publication of Martin Luther\u2019s \u201895 Theses\u2019 protesting at the Pope\u2019s sale of \u2018indulgences\u2019 (offering time off from penance), followed later by Luther\u2019s wholesale rejection of the power of the papacy.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/william-byrd\">William Byrd: Elizabeth I&#8217;s Catholic composer<\/a><\/strong><\/li> <\/ul> <p>Christians should, he said, be free to follow their faith through the teachings of the Gospel. This led to new forms of worship and a growing Lutheran church galvanised by Luther\u2019s writings, widely circulated through the new power of the printing press.<\/p> <p>By the second half of the 16th century, Lutheranism had become the state religion throughout much of Germany. The key ideas of the Reformation \u2013 a call to purify the church and a belief that the Bible, rather than tradition, should be the sole source of spiritual authority \u2013 inspired reforms across Europe, putting <strong><a href=\"https:\/\/www.classical-music.com\/features\/artists\/henry-viii-composer\">Henry VIII<\/a><\/strong> in a stronger position as regards the English Reformation, and encouraging the more extreme views of John Calvin in Switzerland.<\/p> <p>There were, in effect, several Reformations, triggering wars, persecutions and ultimately the so-called Counter-Reformation almost 30 years later, the Catholic Church\u2019s tardy but powerful response to the Protestants which, from the mid-16th century, saw the Catholic church grow more spiritual, literate and educated.<\/p> <div class=\"wp-block-group highlight-box is-layout-flow wp-block-group-is-layout-flow\"> <div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/how-the-king-james-bible-inspired-and-influenced-composers-and-their-music\/\">How the King James Bible inspired and influenced composers and their music<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-hymns-of-all-time\/\">Best hymns of all time<\/a><\/strong><\/li> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-are-the-different-periods-of-classical-music\/\">What are the different periods of classical music?<\/a><\/strong><\/li> <\/ul> <\/div> <\/div> <h2 class=\"wp-block-heading\">Who was Martin Luther?<\/h2> <p>Martin Luther (1483-1547) was an Augustinian monk and theologian who took a stand against the Roman Church, reputedly nailing his 95 objections to Catholic excesses to the doors of All Saints\u2019 Church in Wittenberg on 31 October 1517.<\/p> <p>After eventually breaking away from Rome, Luther created the climate within his new \u2018reformed\u2019 church for a fresh musical tradition to develop \u2013 one which found its perfect fulfilment in the music of <strong><a href=\"https:\/\/www.classical-music.com\/composers\/johann-sebastian-bach\/\">Johann Sebastian Bach<\/a><\/strong>. Some 500 years after Luther\u2019s spiritual reforms, the musical legacy of the Reformation lives on, with a wider reach and greater universal appeal than ever.<\/p> <h2 class=\"wp-block-heading\">How Luther&#8217;s Reformation influenced music<\/h2> <p>The rather bleak austerity of Protestant reformers like <strong><a href=\"https:\/\/www.britannica.com\/biography\/John-Calvin\" target=\"_blank\" rel=\"noreferrer noopener\">John Calvin<\/a><\/strong> and Huldrych Zwingli in Switzerland has rubbed off a little on Martin Luther\u2019s posthumous reputation. But while Calvin and Zwingli were suspicious of music, either banning it entirely or limiting its use in church, Luther \u2018always loved music\u2019.<\/p> <p>He was, by his own admission, an enthusiastic singer, lutenist and composer who delighted in the finest <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/polyphony-music-definition\/\">polyphonic music<\/a><\/strong> of the age. He particularly admired his contemporary <strong><a href=\"https:\/\/www.classical-music.com\/composers\/who-was-josquin-des-prez\/\">Josquin Desprez<\/a><\/strong> (c1455-1521), who \u2018preached the Gospel through music\u2019 with \u2018compositions which flow freely, gently, and cheerfully, are not cramped by the rules, and are like the song of the finch\u2019.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/was-renaissance-mass-inspired-roll-die\">Was Josquin&#8217;s Mass of the Dice inspired by the roll of a die?<\/a><\/strong><\/li> <\/ul> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Stile Antico - Josquin des Prez: Ave Maria, Virgo Serena\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/xGkb5KFwx1I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>Luther believed that \u2018he who knows music has a good nature\u2019, and was determined that music should play a central part in children\u2019s education. There\u2019s a very modern ring to his calls that \u2018Necessity demands music be kept in schools. A teacher must be able to sing \u2026 and before a young man is ordained into the ministry, he should practise music regularly\u2019.<\/p> <h3 class=\"wp-block-heading\">Best of both worlds<\/h3> <p>At a deeper level Luther saw music and theology as inextricably linked, likening the Gospel to \u2018music in performance\u2019, and acknowledging that music had often \u2018induced and inspired me to preach\u2019. It was a powerful symbiotic relationship which encouraged him to devise new services for his church with music and preaching at their heart.<\/p> <p>It\u2019s something of a surprise to discover just how musical these services were. Rather than removing the old Catholic Mass and Vespers from the liturgy, he revised them, and so was able to retain both traditional <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/plainchant\">plainchant<\/a><\/strong> and a great deal of Latin polyphonic music by composers like Josquin.<\/p> <p>But Luther\u2019s major innovation \u2013 with far-reaching consequences for Protestant church music \u2013 was the addition of an entirely new musical element. In 1523 he said he would introduce \u2018as many songs as possible in the vernacular which people could sing during Mass\u2019. With texts by Luther himself and his close colleagues, these congregational songs \u2013 or chorales \u2013 spread like wildfire, and drew congregations in ever greater numbers.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/articles\/six-of-the-best-great-works-with-chorales\">Six of the best: great works with chorales in them<\/a><\/strong><\/li> <\/ul> <p>There\u2019s nothing new under the sun, of course, and while Luther may have presented his congregational hymns as something of a novelty, many were just adaptations of music people had been singing for generations: overnight <i>Veni sancte spiritus <\/i>took on a more regular metre and became <i>Komm Heiliger Geist<\/i> (\u2018Come Holy Spirit\u2019).<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"William Porter - J.S. Bach - Komm, Heiliger Geist (Herre Gott) BWV 651 - Live in Smarano\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/vohG88Mj2f4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\">Memorable melodies were just the beginning<\/h3> <p>With no apparent misgivings Luther did the same with secular music. It says a lot about the musical tastes of early Lutherans that they should have known so silly a piece as Giovanni Gastoldi\u2019s \u2018fa-la-la\u2019 canzonet \u2018A lieta vita\u2019, but it undoubtedly provided the perfect tune for the chorale text <i>In dir ist Freude<\/i> \u2013 \u2018In Thee is gladness\u2019.<\/p> <p>The popular appeal of memorable <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-a-melody\">melodies<\/a><\/strong> was just the beginning. Luther now instructed his colleague Johann Walter to use these chorale melodies as Catholic composers did plainsong: as a scaffold around which to build more elaborate music. Walter developed two styles: chordal, easy-to-sing harmonisations of <strong><a href=\"https:\/\/www.classical-music.com\/articles\/what-is-a-hymn\">hymn<\/a><\/strong> tunes, and more ambitious pieces in which the chorale inspired complex imitative textures \u2013 like those of Josquin.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/best-hymns-of-all-time\">The best hymns of all time<\/a><\/strong><\/li> <\/ul> <h3 class=\"wp-block-heading\">Enter the Baroque<\/h3> <p>These settings of early Wittenberg hymns, alongside five Latin <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-motet\/\">motets<\/a><\/strong>, formed the first great work of Lutheran church music \u2013 the <i>Geystliches, gesangk Buchleyn<\/i> of 1524 \u2013 and thus the Lutheran tradition of combining simple congregational singing with complex choral music, in both German and Latin, was established.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/works\/christmas-choral-music\">Christmas choral music: 11 transcendentally beautiful works for the festive season<\/a><\/strong><\/li> <\/ul> <p>So far, so unexciting \u2013 musically, at least. But things began to hot up for Lutheran church music with the rise of the new <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/baroque-music-guide\/\">Baroque<\/a><\/strong> style which, with its colourful expression of the text, could not have been more favourable to the immediacy of the Lutheran message. The leading composer of the early German Baroque was Heinrich Sch\u00fctz (1585-1672), who spent much of his career as senior Kapellmeister at the Dresden Court Chapel \u2013 unrivalled in Lutheran Germany for its grandeur and thoroughly Italianate tastes.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/top-10-baroque-composers\">Top ten Baroque composers<\/a><\/strong><\/li> <\/ul> <p>Congregational singing seems to have been much less important in major court chapels like Dresden, and Sch\u00fctz, who wasn\u2019t at all interested in chorales, concentrated instead on enriching the liturgy in other ways.<\/p> <p>He was particularly proud of adapting the new operatic <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/what-is-recitative\">recitative<\/a><\/strong> style to serve a spiritual purpose in his <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/the-christmas-story-by-heinrich-schutz\/\"><i>Christmas Story<\/i><\/a><\/strong>. Performed during Vespers at the Dresden court in December 1660, the declamatory writing for all the singers \u2013 from Herod to the Evangelist \u2013 is powerfully expressive and enriched by a wide variety of instrumental colours characterising each scene of the biblical narrative.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"H.SCHUTZ WEIHNACHTSHISTORIE - CHRISTMAS STORY\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/zQQttyumdlM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/> <\/div> <\/figure> <h3 class=\"wp-block-heading\">A new age for the organ<\/h3> <p>Luther may never actually have envisaged the wholesale use of instruments in church. It was, however, a natural development of his music-friendly theology.<\/p> <p>The colourful publications of Michael Praetorius (1571-1621) supplied north German churches with all they needed, from the simplest congregational hymns to polychoral motets for massive vocal and instrumental forces. Elsewhere, in Hamburg, Thomas Selle (1599-1663) was one of several enterprising Kapellmeisters who built up enviable musical establishments with the express purpose of making church music a leading feature of the city\u2019s cultural life.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/best-german-composers\">From Bach to Hans Zimmer: the 20 best German composers of all time &#8211; and where to start with each<\/a><\/strong><\/li> <\/ul> <p>The <strong><a href=\"https:\/\/www.classical-music.com\/features\/instruments\/when-was-the-organ-invented\/\">organ<\/a><\/strong> was always at the centre of Lutheran worship, and as churches increased in size to cater for swelling congregations, so organ design advanced to create larger and more versatile instruments. Germany became the centre of organ development, putting builders like Gottfried Silbermann at the very forefront of modern technology. In the driving seat, an ambitious new generation of organists grew up to exploit these exciting new resources.<\/p> <h3 class=\"wp-block-heading\">A new generation of organ stars<\/h3> <p>At the Marienkirche in L\u00fcbeck, for example, the talented Franz Tunder (1614-67) developed a wide variety of approaches, from free, quasi-improvised pieces, to stricter <strong><a href=\"https:\/\/www.classical-music.com\/features\/musical-terms\/fugue\">fugal<\/a><\/strong> ones, but none more inventive than the <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/discovering-music-prelude\/\">preludes<\/a><\/strong> and fantasias in which he teased out the musical possibilities of the chorales sung and cherished by his congregation. Tunder\u2019s fantasia on <i>Christ lag in Todesbanden<\/i> is a masterpiece of ingenious variation technique, and one of many such works written at the time which elevate the humble Lutheran chorale to the greatest musical heights.<\/p> <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"> <div class=\"wp-block-embed__wrapper\"> <iframe loading=\"lazy\" title=\"Fantasia on Christ lag in Todesbanden, Franz Tunder Dr Paul Jessen, Organist\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/J05_cDsqm9Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\/> <\/div> <\/figure> <p>An unexpected by-product of the music-loving Lutheran Reformation was the birth of the German public concert \u2013 in church. Tunder began presenting occasional concerts of organ and sacred vocal music at the Marienkirche, which his successor, <strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/dieterich-buxtehude\">Dietrich Buxtehude<\/a><\/strong>, built up into an annual concert series.<\/p> <p>A L\u00fcbeck guidebook of 1697 tells us that these afternoon concerts, held immediately after Vespers, were relaxed affairs offering a leisurely succession of \u2018pleasant vocal and instrumental music\u2019. Admission was free and the costs were borne by local businessmen and donors who received a printed libretto and a good seat in return. The concerts became famous throughout Europe, attracting many distinguished visitors, including Bach in 1705.<\/p> <h3 class=\"wp-block-heading\">Bach: peak Lutheranism?<\/h3> <p>By the 18th century, the Reformation may have lost its pioneering zeal, but by now Lutheranism was firmly established as the state religion in Germany, Scandinavia and the Baltics. With its moral code firmly embedded in society, church and council authorities worked in consort to administer musical life. For Bach this meant that taking up his post as <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/thomaskirche-in-leipzig-and-bach-history\/\">Thomaskantor of Leipzig<\/a><\/strong> in 1723 was dependent on passing an exam in Lutheran theology; keeping his position meant submitting to supervision from the local council \u2013 an indignity he always resented.<\/p> <ul class=\"wp-block-list\"> <li><strong><a href=\"https:\/\/www.classical-music.com\/features\/composers\/bach-jail\">Why did Bach go to jail?<\/a><\/strong><\/li> <\/ul> <p>But was Bach a Lutheran by conviction or convenience? It\u2019s been argued that, since he gave up writing new church music some 20 years before his death, his religious convictions were only skin-deep. Yet the recent discovery of Bach\u2019s personal copy of the great Lutheran Bible of 1681, complete with his copious annotations, suggests the presence of a deep and intellectually rigorous faith which had always nourished his music. On one page he noted \u2013 \u2018NB. Where there is devotional music, God with his grace is always present\u2019.<\/p> <p>Bach\u2019s music is in many ways the culmination of the Lutheran tradition. The organ chorale preludes, <strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/what-is-a-cantata\/\">cantatas<\/a><\/strong>, <strong><a href=\"https:\/\/www.classical-music.com\/articles\/guide-js-bach-st-matthew-passion-best-recordings\">Passions<\/a><\/strong>, and even the <strong><a href=\"https:\/\/www.classical-music.com\/features\/recordings\/a-guide-to-bachs-mass-in-b-minor-and-its-best-recordings\/\">B minor Mass<\/a><\/strong>, were all self-consciously composed within the sphere of Lutheran theology and practice.<\/p> <h3 class=\"wp-block-heading\">A rich composing landscape<\/h3> <p>But Bach\u2019s music didn\u2019t just complement the liturgy. It surpassed its everyday needs, perhaps even with an eye consciously fixed on posterity. The close bond which Luther recognised between music and theology ultimately bore fruit in musical masterpieces which have, remarkably, transcended their original time and place to inspire and enrich the wider modern world.<\/p> <p>Some five hundred years after the Reformation there\u2019s much to celebrate. But while marvelling at the power of Bach\u2019s music, we should also keep an ear out for performances of works by minor Lutheran masters \u2013 the likes of Tunder, Kuhnau, Pachelbel and Buxtehude: composers whose rich, untapped legacy could benefit most from this year\u2019s anniversary. There\u2019ll also be a chance to get to know many more of Bach\u2019s cantatas, most of which are still never regularly performed. Perhaps we\u2019ll even get to understand more about their perplexing Lutheran texts.<\/p> <p>Bach and his contemporaries would doubtless have approved of this year\u2019s celebrations. They honoured the anniversary of the Reformation every year with a festal cantata, and there were many written for the bicentenary of 1717, including one by Johann Kuhnau, Bach\u2019s predecessor at Leipzig, and a brassy setting by <strong><a href=\"https:\/\/www.classical-music.com\/articles\/five-facts-about-composer-georg-philipp-telemann\">Telemann<\/a><\/strong>.<\/p> <p>For the 1723 festivities, Bach based his cantata on Luther\u2019s most famous hymn <i>Ein feste Burg ist unser Gott<\/i> whose ringing first line \u2013 \u2018<strong><a href=\"https:\/\/www.classical-music.com\/features\/articles\/a-mighty-fortress-is-our-god-lyrics\/\">A mighty fortress is our God<\/a><\/strong>\u2019 \u2013 exactly captures the powerful optimism of Luther\u2019s bold Reformation and the resolute spirit which has sustained it.<\/p> <p><em>This article first appeared in the April 2017 issue of<\/em> BBC Music Magazine<\/p> <\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Published: Friday, 10 January 2025 at 09:40 AM The Reformation was a seismic event in European religious and cultural history. The Augustinian monk Martin Luther brought about huge changes to religious and daily life. One area that saw particularly vivid change was the music being performed in churches. Read on&#8230; What was the Reformation? [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":51509,"template":"","categories":[1],"acf":{"readingTimeMinutes":"10"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/the-reformation-the-seismic-event-that-brought-vivid-colours-to-church-music.jpg",1200,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/the-reformation-the-seismic-event-that-brought-vivid-colours-to-church-music-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/the-reformation-the-seismic-event-that-brought-vivid-colours-to-church-music-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/the-reformation-the-seismic-event-that-brought-vivid-colours-to-church-music-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/the-reformation-the-seismic-event-that-brought-vivid-colours-to-church-music-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/the-reformation-the-seismic-event-that-brought-vivid-colours-to-church-music.jpg",1200,800,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2025\/01\/the-reformation-the-seismic-event-that-brought-vivid-colours-to-church-music.jpg",1200,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Published: Friday, 10 January 2025 at 09:40 AM The Reformation was a seismic event in European religious and cultural history. The Augustinian monk Martin Luther brought about huge changes to religious and daily life. One area that saw particularly vivid change was the music being performed in churches. Read on&#8230; What was the Reformation?&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/51508"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/51509"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=51508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=51508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}