{"id":6894,"date":"2021-10-22T10:11:00","date_gmt":"2021-10-22T08:11:00","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=5596"},"modified":"2021-10-25T16:52:15","modified_gmt":"2021-10-25T14:52:15","slug":"the-20-greatest-conductors-of-all-time","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/the-20-greatest-conductors-of-all-time\/","title":{"rendered":"The 20 Greatest Conductors of All Time"},"content":{"rendered":"\n<p class=\"rssexcerpt\"><\/p>\n\n\n\n<p class=\"rssauthor\">By BBC Music Magazine\n                \t\t<\/p>\n\n\n\n<p class=\"rssbyline\">Published: Friday, 22 October 2021 at 12:00 am<\/p>\n\n\n\n<hr class=\"no-tts wp-block-separator\"\/>\n\n\n<p><!--?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?--><\/p>\n<p><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/most-memorable-proms-history-our-top-picks\/&quot;\">https:\/\/www.classical-music.com\/features\/articles\/most-memorable-proms-history-our-top-picks\/<\/a>Who needs <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-does-a-conductor-do\/&quot;\">conductors<\/a><\/strong>? The question is not quite as fatuous as it might seem.<\/p>\n<p>Many <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/worlds-best-orchestras\/&quot;\">leading orchestras<\/a><\/strong> or <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/worlds-best-choirs\/&quot;\">choirs<\/a><\/strong>, and a fair number of less accomplished ones too, can quite easily navigate their way through even the most complex works without anyone waving a baton in front of them. Where the maestros earn their corn is in turning a workaday performance into something potentially special. Their knowledge, preparation, artistic vision and leadership are all important, but above all, they are there to inspire.<\/p>\n<ul>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/best-female-conductors\/&quot;\">The best living female conductors<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/who-are-berlin-philharmonics-past-chief-conductors\/&quot;\">Who are the Berlin Philharmonic\u2019s past chief conductors?<\/a><\/strong><\/li>\n<\/ul>\n<p>But which of their peers and forebears are the conductors themselves inspired by? We put this question to 100 of today\u2019s best, inviting them to name three each.<\/p>\n<p>Of the names that emerged, some are the great pioneers whose research into and championship of their chosen field, notably early and contemporary music, has opened up whole new worlds of both repertoire and performance style.<\/p>\n<p>Then there are those who have built up great orchestras over the years, winning admiration and fondness in equal measure.<\/p>\n<p>Others still are great communicators, while some simply make one go \u2018wow\u2019 with their insight of interpretation and power of performance. We counted up the <a href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/who-are-maestros-who-inspired-todays-greatest-conductors\/&quot;\"><strong>votes of our 100 conductors<\/strong><\/a>, and present the Top 20. The results are fascinating\u2026<\/p>\n<h3 style=\"&quot;text-align:\" center=\"\"><strong>Listen to tracks from the winning conductors here:<\/strong><\/h3>\n<p style=\"&quot;text-align:\" center=\"\"><iframe loading=\"&quot;lazy&quot;\" src=\"&quot;https:\/\/embed.music.apple.com\/gb\/playlist\/the-greatest-conductors-of-all-time\/pl.f4d92a4284444888b449c3dc0938afef?app=music&quot;\" width=\"&quot;660&quot;\" height=\"&quot;450&quot;\" frameborder=\"&quot;0&quot;\" sandbox=\"&quot;allow-forms\" allow-popups=\"\" allow-same-origin=\"\" allow-scripts=\"\" allow-top-navigation-by-user-activation=\"\"><\/p>\n<\/p>\n<h2><strong>20. Sir Charles Mackerras\u00a0<\/strong>(1925-2010), Australian<\/h2>\n<p>Born in New York, brought up in Australia, it was after moving to Prague to study with V\u00e1clav Talich that <strong><a href=\"&quot;https:\/\/www.classical-music.com\/news\/sir-charles-mackerras-1925-2010\/&quot;\">Charles Mackerras<\/a><\/strong> fell in love with Czech music. In particular, he became a lifelong advocate of <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/leos-janacek\/&quot;\">Jan\u00e1\u010dek<\/a><\/strong>, conducting the UK premiere of K\u00e1tya Kabanov\u00e1 in 1951.<\/p>\n<ul>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/recordings\/five-landmark-recordings-sir-charles-mackerras\/&quot;\">Five landmark recordings from Sir Charles Mackerras<\/a><\/strong><\/li>\n<\/ul>\n<p>Known for his eye for detail, exuberance and phenomenal musical memory, Mackerras was also at the forefront of the authentic performance movement. Equally at home conducting <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/george-frideric-handel\/&quot;\">Handel<\/a><\/strong> as <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/richard-wagner\/&quot;\">Wagner<\/a><\/strong>, other musical enthusiasms close to his heart included <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/mozart\/&quot;\">Mozart<\/a><\/strong> and Sullivan.<\/p>\n<p><em>\u2018I owe\u00a0Sir Charles Mackerras\u00a0a huge debt. He was one of the very few conductors generous enough to treat his colleagues not as rivals, but as co-interpreters, with whom to impart and exchange personal findings, hints, tricks, or shared enthusiasms.<\/em><\/p>\n<p><em>\u2018Over the years he would often invite me to his home in St John\u2019s Wood to discuss scores (Handel, Mozart, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\/&quot;\">Beethoven<\/a><\/strong>, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/hector-berlioz\/&quot;\">Berlioz<\/a><\/strong>, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/robert-schumann\/&quot;\">Schumann<\/a><\/strong>, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/antonin-dvorak\/&quot;\">D<\/a><\/strong><\/em><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/antonin-dvorak\/&quot;\">vor\u00e1k<\/a><\/strong><em><strong>,<\/strong><\/em><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/bohuslav-martinu\/&quot;\">Martinu<\/a><\/strong><em>) or to give me a \u2018driving lesson\u2019 in whichever Jan\u00e1cek opera I was conducting at the time. A great guy who is only just beginning to get posthumous recognition.\u2019 <\/em>\u2013 Sir John Eliot Gardiner<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Jan\u00e1\u010dek <em>Jen\u016ffa<\/em><br \/>\nElisabeth S\u00f6derstr\u00f6m etc, Vienna PO (Decca 475 8227)<\/p>\n<ul>\n<li><strong><a href=\"&quot;http:\/\/www.arkivmusic.com\/classical\/album.jsp?album_id=168715&quot;\">Buy from ArkivMusic<\/a><\/strong><\/li>\n<li><a href=\"\/\/www.amazon.co.uk\/Janacek-Originals-Elisabeth-S%C3%AF%C2%BF%C2%BDderstr%C3%AF%C2%BF%C2%BDm-Randov%C3%AF%C2%BF%C2%BD\/dp\/B00PO5C324?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">\u00a0<strong> Buy from Amazon<\/strong><\/a><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Sir\" charles=\"\" mackerras=\"\" conducts=\"\" mozart=\"\" video=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/VoIej_0jgts?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/six-best-orchestral-players&quot;\"><strong>Six of the best orchestral players<\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>19. Sir Thomas Beecham<\/strong> (1879-1961) British<\/h2>\n<p>Thomas Beecham is widely remembered for his acidic wit, which belies his importance to Britain\u2019s musical scene.<\/p>\n<p>Though essentially self-taught, he founded two major orchestras \u2013 the London Philharmonic and the Royal Philharmonic \u2013 vastly raised the standard of British opera productions, and as a great lover of French repertory championed Berlioz, and (stylistically not quite unconnected) Delius.<\/p>\n<ul>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/five-best-recordings-sir-thomas-beecham\/&quot;\">Five of the best recordings by Sir Thomas Beecham<\/a><\/strong><\/li>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/6-best-beethovens-overlooked-works&quot;\"><strong>Six of the best: Beethoven\u2019s overlooked works<\/strong><\/a><\/li>\n<\/ul>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Grieg <em>Peer Gynt<\/em><br \/>\nRoyal Philharmonic Orchestra (EMI 965 9342)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Grieg-Peer-Gynt-Edvard\/dp\/B00000DOHG?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Sir\" thomas=\"\" beecham=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/HFZzG3z5XTA?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<h2><strong>18. Sir Colin Davis\u00a0<\/strong>(1927-2013), British<\/h2>\n<p>In some ways, it\u2019s hard to reconcile the admired, avuncular Sir Colin Davis we know today with the brilliant but difficult firebrand who first came to notice in the late 1950s \u2013 but then come moments such as the recent live recordings of <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/carl-nielsen\/&quot;\">Nielsen<\/a><\/strong>\u2019s Fourth and Fifth Symphonies to remind us that, on stage at least, the fire and passion have never really disappeared.<\/p>\n<p>In the many years between, Sir Colin has enjoyed a string of important posts, not least as principal conductor of the LSO for 11 years, excelling in composers such as Mozart, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/edward-elgar\/&quot;\">Elgar<\/a><\/strong>, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/top-5-sibelius-works\/&quot;\">Sibelius<\/a><\/strong> and, most outstandingly of all, Berlioz.<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Berlioz <em>The Trojans<\/em><br \/>\nBen Heppner, Michelle DeYoung etc, London Symphony Orchestra (LSO Live LSO 0010)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Berlioz-Symphony-Orchestra-Michelle-DeYoung\/dp\/B07DMGJWBL?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<li><strong><a href=\"\/\/www.arkivmusic.com\/classical\/album.jsp?album_id=420&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;nofollownoopener noopener noreferrer\" noreferrer=\"\" noopener=\"\">Buy from ArkivMusic<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Weber's\" der=\"\" freisch=\"\" sir=\"\" colin=\"\" davis=\"\" lso=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/7ZQwJjTVpvk?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/best-contemporary-female-composers&quot;\"><strong>9 of the best contemporary female composers<\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>17. Yevgeny Mravinsky<\/strong> (1903-1988), Russian<\/h2>\n<p>Mravinsky inherited the Leningrad Philharmonic Orchestra in 1938 from the Austrian conductor Fritz Stiedry, and was largely responsible for maintaining the Austro-German tradition through the fraught years of Stalin\u2019s Terror.<\/p>\n<p>He also conducted the hugely successful 1937 premiere of <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/introduction-shostakovichs-symphony-no-5\/&quot;\">Shostakovich\u2019s Fifth Symphony<\/a><\/strong>, a performance that almost certainly saved the composer\u2019s life, and went on to premiere five more of his symphonies. We named Mravinsky one of the <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/five-best-shostakovich-conductors\/&quot;\">best Shostakovich composers ever<\/a><\/strong><\/p>\n<p>Mravinsky\u2019s interpretation of <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/pyotr-ilyich-tchaikovsky\/&quot;\">Tchaikovsky<\/a><\/strong>\u2019s work \u2013 powerfully expressive yet with a masterful sense of structure \u2013 was legendary.<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Tchaikovsky <em>Symphonies Nos 4-6<\/em><br \/>\nLeningrad PO (DG 477 5911)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Tchaikovsky-Symphonies-Nos-4-Pathetique-Originals\/dp\/B000E0W24S?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Evgeny\" mravinsky=\"\" conducts=\"\" shostakovich=\"\" symphony=\"\" no.=\"\" video=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/eQOMsLmzJ8c?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/six-best%E2%80%A6-baritones&quot;\"><strong>Six of the best baritones<\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>16. Pierre Monteux <\/strong>(1875-1964), French<\/h2>\n<p>Early in his career Monteux conducted several premieres for Diaghilev\u2019s Ballets Russes including the Rite of Spring: while the audience rioted, Monteux coolly conducted that complex score to the end.<\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/20-greatest-sopranos-all-time&quot;\"><strong>The 20 Greatest Sopranos of all time<\/strong><\/a><\/li>\n<\/ul>\n<p>Toscanini considered his baton technique the best he had ever seen, and Monteux shared with the Italian the belief that the composer\u2019s score was sacrosanct \u2013 with the difference that Monteux was dearly loved by his players. His conducting pupils include Sir Neville Marriner, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/news\/andr-previn-1929-2019\/&quot;\">Andr\u00e9 Previn<\/a><\/strong> and David Zinman.<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Debussy <em>Images<\/em><br \/>\nLondon Symphony Orchestra (Eloquence 476 8472)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Debussy-Images-Sebastien-London-Monteux\/dp\/B078SV9R1V?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Pierre\" monteux=\"\" conducts=\"\" the=\"\" sorcerer=\"\" apprentice=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/NjyI_kVsCdY?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<h2><strong>15. Bernard Haitink<\/strong> (1929 \u2013 2021), Dutch<\/h2>\n<p><strong><a href=\"&quot;https:\/\/www.classical-music.com\/news\/conductor-bernard-haitink-dies-aged-92\/&quot;\">Bernard Haitink<\/a><\/strong>\u2019s career was launched in 1956 when he stepped in for an indisposed Carlo Maria Giulini and conducted the Royal Concertgebouw Orchestra. Just five years later he became the orchestra\u2019s youngest-ever principal conductor.<\/p>\n<p>A believer in close collaboration with few ensembles rather than fleeting appearances with many, Haitink\u2019s lengthy stints with the London Philharmonic Orchestra and at Glyndebourne and Covent Garden have made him a firm fixture in the UK\u2019s musical life.<\/p>\n<ul>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/recordings\/nine-unmissable-recordings-bernard-haitink\/&quot;\">Nine unmissable recordings by Bernard Haitink<\/a><\/strong><\/li>\n<\/ul>\n<p>A master of symphonic architecture, he is perhaps best known for his Mahler and Bruckner, though he has won plaudits for much beyond.<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Beethoven<em> Symphonies Nos 4 &amp; 8<\/em><br \/>\nLondon Symphony Orchestra (LSO Live LSO087)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Beethoven-Symphonies-Nos-LSO-Haitink\/dp\/B000JGW91S\/ref=asc_df_B000JGW91S\/?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Bernard\" haitink=\"\" wiener=\"\" philharmoniker=\"\" farewell=\"\" concert=\"\" at=\"\" salzburg=\"\" festival=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/96YRTgqIrec?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<h2><strong>14. George<\/strong> <strong>Szell\u00a0<\/strong>(1897-1970), Hungarian<\/h2>\n<p>Famously dictatorial and autocratic, Hungarian \u00e9migr\u00e9 George Szell bullied, cajoled and coached the Cleveland Orchestra from post-war provincial obscurity to one of the world\u2019s great virtuoso bodies.<\/p>\n<ul>\n<li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/six-best-cellists\/&quot;\"><strong>Six of the best cellists<\/strong><\/a><\/li>\n<\/ul>\n<p>A formidable orchestral trainer with a clear, incisive stick technique and what some judged the best left hand in the business, Szell was also respected for his cultured musicality, though he was undoubtedly objectivist in his musical inclinations. Rare recordings with European orchestras show him at his most spontaneously expressive.<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Brahms <em>Piano Concerto No. 1<\/em><br \/>\nClifford Curzon, LSO (Decca 478 1386)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Brahms-Concerto-Variations-Symphoniques-Litolff\/dp\/B004IY60IA?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;George\" szell=\"\" beethoven=\"\" symphony=\"\" no.=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/YlyUti7BbCY?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/quick-guide-verdis-requiem&quot;\"><strong>A quick guide to Verdi\u2019s\u00a0<em>Requiem<\/em><\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>13. Ferenc Fricsay\u00a0<\/strong>(1914-1963), Hungarian<\/h2>\n<p>Had he lived to become a \u2018Grand Old Man\u2019 among conductors, Hungarian-born Ferenc Fricsay, who died of cancer aged just 48, would surely be mentioned in the same breath as, say, Arturo Toscanini.<\/p>\n<p>A superb orchestral trainer and musician of great integrity, who himself studied under <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/bela-bartok\/&quot;\">Bart\u00f3k<\/a><\/strong>, he was at the height of his powers in the mid-1950s when he forged his reputation with a number of German orchestras.<\/p>\n<p>Masterful in the music of his teacher, and also Beethoven and Mozart, his Berlin Phil recording of <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/pyotr-ilyich-tchaikovsky\/&quot;\">Tchaikovsky\u2019<\/a><\/strong>s Sixth is outstandingly blazing and dramatic.<\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Tchaikovsky <em>Symphony No. 6\u00a0<\/em><br \/>\nBerlin Philharmonic Orchestra (Archipel ARPCD0200)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Tchaikovsky-Ferenc-Fricsay-Berliner-Philharmoniker\/dp\/B007HUGC4Y?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Ferenc\" fricsay=\"\" rehearses=\"\" and=\"\" conducts=\"\" smetana=\"\" moldau=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/bky5FHEKZjk?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/best-recordings-gershwins-rhapsody-blue&quot;\"><strong>The best recordings of Gershwin\u2019s\u00a0<em>Rhapsody in Blue<\/em><\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>12. Sir John Barbirolli<\/strong> (1899-1970), British<\/h2>\n<p>\u2018Glorious John\u2019. <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/ralph-vaughan-williams\/&quot;\">Vaughan Williams<\/a><\/strong> called Barbirolli that, and although Sir John successfully conducted the great orchestras of London, New York, Berlin and Vienna, it\u2019s an appellation merited mainly for his work with Manchester\u2019s Hall\u00e9 Orchestra, which he rebuilt from wartime decimation to international stature.<\/p>\n<p>String phrasing of great warmth and expressivity was a particular hallmark, Barbirolli himself being originally a cellist. He always conducted \u2018con amore\u2019, not least in British music, which he championed indefatigably.<\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Elgar\u00a0<em>Symphony No. 2<\/em><br \/>\nHall\u00e9 Orchestra (EMI 968 9242)<\/p>\n<p><strong><a href=\"\/\/www.amazon.co.uk\/Symphony-No-Edward-Barbirolli-Orchestra\/dp\/B07RC25GCF?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/p>\n<p><iframe title=\"&quot;Classic\" archive=\"\" john=\"\" barbirolli=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/Q6ETmnoI168?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/who-are-berlin-philharmonics-past-chief-conductors&quot;\"><strong>Who are the Berlin Philharmonic\u2019s past chief conductors?<\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>11. Sir John Eliot Gardiner\u00a0<\/strong>(b1943), British<\/h2>\n<p>Any conductor who can persuade players and singers to join him on a year-long, 40,000-mile tour performing just one composer \u2013 as \u2018<strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/sir-john-eliot-gardiner\/&quot;\">John Eliot Gardiner did with his Bach Pilgrimage<\/a><\/strong> in 2000 \u2013 must have a certain something.<\/p>\n<p>Long before that epic journey, Gardiner had established himself as one of the leading pioneers of the period instrument movement, founding three ensembles in his drive towards presenting the music of the Baroque period in a new light.<\/p>\n<ul>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/top-10-baroque-composers\/&quot;\">Top 10 Baroque composers<\/a><\/strong><\/li>\n<\/ul>\n<p>Best known for <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/johann-sebastian-bach\/&quot;\">Bach<\/a><\/strong> and his contemporaries, he has also made acclaimed discs of repertoire reaching well into the 20th century.<\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>JS Bach <em>Christmas and New Year Cantatas<\/em><br \/>\nMonteverdi Choir and Orchestra (Soli Deo Gloria SDG 137)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Bach-J-S-Cantatas-Christmas-Gardiner\/dp\/B000VR0548?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Sir\" john=\"\" eliot=\"\" gardiner:=\"\" perspectives=\"\" artist=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/pREEl1MXqt4?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/best-recordings-bachs-brandenburg-concertos&quot;\"><strong>The best recordings of\u00a0Bach\u2019s Brandenburg Concertos<\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>10. Carlo Maria Giulini\u00a0<\/strong>(1914-2005), Italian<\/h2>\n<p>With a naturally aristocratic sense of style, Carlo Maria Giulini also brought to the works of composers he loved a sense of refinement, and even spirituality, that raised him above other conductors of his time.<\/p>\n<p>Starting out as an orchestral violist, he played in the Accademia di Santa Cecilia under many leading conductors before transferring to the baton following the liberation of Italy during World War II.<\/p>\n<p>After the war he worked regularly with Italian radio; then, encouraged both by Toscanini and Victor de Sabata, he succeeded the latter as <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/when-was-milans-la-scala-built\/&quot;\">La Scala<\/a><\/strong>\u2019s principal conductor in 1953.<\/p>\n<p>He remained there only three years, leaving because of audience behaviour, but maintained important relationships with Maria Callas and directors Luchino Visconti and Franco Zeffirelli, whose integrity and sense of artistic vision he shared.<\/p>\n<p>Created in close harness with Visconti, the production of Verdi\u2019s Don Carlos he conducted at Covent Garden in 1958 instantly passed into operatic legend as an ideal collaboration that enhanced the work\u2019s status.<\/p>\n<p>A strong association with the Philharmonia Orchestra and appointments with the Chicago Symphony (1969-72) and Los Angeles Philharmonic (1978-84) proved memorable, though it is arguable that Giulini was temperamentally unsuited to formal positions.<\/p>\n<p>In 1968 he abandoned opera, feeling unable to maintain the standards he aspired to in the rough and tumble world of the theatre, though he returned to the form in 1982 with Falstaff, both in Los Angeles and London. His finest work, both in symphonic works and opera, forms a shining beacon of authority without ego.<\/p>\n<p><em>\u2018As apprentice conductor at the Paris Conservatoire in the early \u201990s, I had the privilege to play <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/verdis-requiem-guide\/&quot;\">Verdi\u2019s Requiem<\/a><\/strong> at the piano for Carlo Maria Giulini during his rehearsals with soloists and chorus. I remember vividly his clear eyes, which seemed to have seen the most beautiful sunrises, and also his amazingly soft old-man hand-shake.<\/em><\/p>\n<p><em>\u2018Breathing music with him, I received the most important lesson I ever had: to believe in the miracle of sharing music together! In his apparently very simple gestures, there was not even an atom of doubt, he was fundamentally sure that everybody would give him the best they ever did.\u2019 \u2013 St\u00e9phane Den\u00e8ve<\/em><\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p><strong>Mozart <em>Don Giovanni<\/em><\/strong><br \/><strong>Eberhard W\u00e4chter etc, Philharmonia (EMI 966 7992)<\/strong><\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Mozart-Don-Giovanni-Wolfgang-Amadeus\/dp\/B000002RXD?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Classic\" archive=\"\" carlo-maria=\"\" giulini=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/3YEf9YNiHSY?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<h2><strong>9. Pierre Boulez <\/strong>(1925-2016), French<\/h2>\n<p>Return to the pounding rhythms of the Cleveland Orchestra\u2019s 1969 Stravinsky Rite of Spring recording, and you begin to hear why <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/pierre-boulez\/&quot;\">Boulez<\/a><\/strong> was renowned for combining intensity with pinpoint precision. On the podium he shunned flamboyance in favour of a cool, analytical conducting style, in which minimal gestures get straight to the sound he wants.<\/p>\n<p>Historically, too, no one has done more to simultaneously promote and determine the direction of music: after World War II, he organised concerts in Paris with Domaine Musicale concert society; he was a hugely influential voice of the avant-garde movement of the 1950s and \u201960s, and a leader at Darmstadt; in the \u201970s, he opened new music up to wider audiences as chief conductor of the BBC Symphony Orchestra and music director of the New York Philharmonic, with informal concerts in London and New York; he also set up IRCAM (Institut de Recherche et Coordination Acoustique\/Musique) in Paris, unveiling the science of music with his Ensemble InterContemporain.<\/p>\n<p>As a conductor, Boulez explored and inspired in equal measures, teaching leading orchestras around the world about 20th-century music and building audiences for works by the Second Viennese School, Bart\u00f3k, Stravinsky and Mahler.<\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p><strong>Ravel <em>Piano Concertos<\/em><\/strong><br \/><strong>Krystian Zimerman, Cleveland Orchestra (DG 449 2132)<\/strong><\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Ravel-Concertos-Valses-nobles-sentimentales\/dp\/B000009MF7?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<li><strong><a href=\"\/\/www.arkivmusic.com\/classical\/album.jsp?album_id=2237&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;nofollow noopener noreferrer\" noopener=\"\" noreferrer=\"\">Buy from ArkivMusic<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Pierre\" boulez=\"\" berliner=\"\" philharmoniker=\"\" debussy:=\"\" trois=\"\" nocturnes=\"\" l.=\"\" ii.=\"\" f=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/EZVh0U746Jk?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/guide-shostakovichs-symphony-no-7\/&quot;\"><strong>A guide to Shostakovich\u2019s Symphony No. 7<\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>8. Arturo Toscanini <\/strong>(1867-1957), Italian<\/h2>\n<p>Through his much vaunted attention to the composer\u2019s score \u2013 which he considered sacrosanct \u2013 his single-mindedness in pursuing seriousness and high standards, his strength of personality, and not least his status as a US national figure as conductor of the NBC SO (1937-54), Toscanini became one of the musical legends of the 20th century.<\/p>\n<p>A consistently hard worker, and fierce with musicians who gave less than 100 per cent, he rose to prominence in Italy with premieres of works by Puccini and his contemporaries (notably La boh\u00e8me), as well as championing <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/richard-wagner\/&quot;\">Wagner<\/a><\/strong>, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/giuseppe-verdi\/&quot;\">Verdi<\/a><\/strong> and <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/claude-debussy\/&quot;\">Debussy<\/a><\/strong>.<\/p>\n<p>Given the top job at Italy\u2019s leading opera house at 31, he swept like a whirlwind through La Scala, revolutionising its operation much as Mahler was doing for the Vienna Opera. He resigned from La Scala twice, both times on matters of principle \u2013 one artistic, the other political. His opposition to Fascism, not only in his homeland but also in Germany and Austria, was vocal and unswerving.<\/p>\n<p>America beckoned, first in the case of the Metropolitan Opera (1908-15, where he initially shared conducting duties, uncomfortably, with <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/gustav-mahler\/&quot;\">Mahler<\/a><\/strong>), then at the New York Philharmonic (1928-36), and latterly (1937-54) with the NBC Symphony, formed especially for him and giving him a national platform.<\/p>\n<p>His performances of Beethoven, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/johannes-brahms\/&quot;\">Brahms<\/a><\/strong> and <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/quick-guide-debussys-la-mer\/&quot;\">Debussy\u2019s La mer<\/a><\/strong> were regularly considered definitive, while his view of the <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-does-a-conductor-do\/&quot;\">conductor\u2019s role<\/a><\/strong> and responsibilities influenced a generation.<\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p><strong>Debussy<em> La <\/em><em>mer<\/em> etc;<\/strong><br \/><strong>NBC Symphony Orchestra (Guild Historical GHCD 2271-2)<\/strong><\/p>\n<ul>\n<li><strong><a href=\"\/\/www.arkivmusic.com\/classical\/album.jsp?album_id=93974&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;nofollow noopener noreferrer\" noopener=\"\" noreferrer=\"\">Buy from ArkivMusic<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Arturo\" toscanini=\"\" wagner:=\"\" ride=\"\" of=\"\" the=\"\" valkyries=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/gJ3GvutirCQ?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/best-recordings-holsts-planets&quot;\"><strong>The best recordings of Holst\u2019s\u00a0<em>The Planets<\/em><\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>7. Wilhelm Furtw\u00e4ngler<\/strong> (1896-1954), German<\/h2>\n<p style=\"&quot;text-align:\" center=\"\">,<\/p>\n<p>\u2018He was the opposite of a gramophone record\u2019. Hans Keller\u2019s typically provocative epitaph on Furtw\u00e4ngler pithily encapsulates why, in an age obsessed with technology and the instantly gratifying soundbite, the great German conductor remains a crucially important figure in the history of music-making.<\/p>\n<p>Furtw\u00e4ngler hated the artificiality of recording, preferring visceral contact with a live, flesh-and-blood audience. If his conducting technique was often imprecise (as many claimed it was), it was deliberately so, as he sought to elicit from his players not clinical precision but the \u2018melos\u2019, or specific emotional atmosphere, of a particular work or passage.<\/p>\n<p>Footage of him on the podium reveals a figure totally immersed in music, conjuring sounds rather than conducting them, twitching, swaying, hovering and convulsing, not for personal effect, but in unselfconscious response to the narrative drama unfolding in the orchestra. Frequently branded a subjectivist, he understood and articulated the formal structures of the great 19th-century Austro-Germanic repertoire as no other conductor, shaping works with an utterly compelling architectural logic.<\/p>\n<p>For Furtw\u00e4ngler, music had the power to challenge, invigorate and spiritually change the individual listener. That is why he stayed in Nazi Germany conducting his beloved Berlin Philharmonic when many say he should have departed: he thought his fellow-Germans needed the civilising influence of great music more than ever.<\/p>\n<p>Many have imitated him (Daniel Barenboim in particular), but few if any have matched his extraordinary combination of intellectual grip and emotional intensity.<\/p>\n<p><strong>We named Wilhelm Furtw\u00e4ngler one of the<\/strong> <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/artists\/10-great-beethoven-performers\/&quot;\">greatest Beethoven performers ever<\/a><\/strong><\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p><strong>Wagner <em>Tristan und Isolde<\/em><\/strong><br \/><strong>Kirsten Flagstad, Ludwig Suthaus etc, Philharmonia (EMI 585 8732)<\/strong><\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Wagner-Tristan-Isolde-Richard\/dp\/B000002RXM?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Furtw\u00e4ngler\" conducting=\"\" mozart=\"\" don=\"\" giovanni=\"\" overture=\"\" salzburg=\"\" colour=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/4s1OFwAlMMw?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/most-memorable-proms-history-our-top-picks&quot;\"><strong>The best Proms in history: our top picks<\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>6. Sir Simon Rattle<\/strong> (b1955), British<\/h2>\n<p>The City of Birmingham Symphony Orchestra was a decent band when Simon Rattle became chief conductor in 1980. When he left 18 years later, it had become a world-class orchestra.<\/p>\n<p>Rattle\u2019s stringent standards combined with his irrepressible energy and sheer enthusiasm for the repertoire he championed (he never seems to conduct anything unless he is fully convinced of its worth) not only won over the critics but also persuaded Birmingham\u2019s council to provide the orchestra with a world-class concert hall, so making the city a major cultural centre.<\/p>\n<p>Rattle had been talent-spotted early, even before he graduated from the Royal Academy of Music, when he organised a student performance of Mahler\u2019s Symphony No. 2. He has since been most closely associated with Mahler, yet he has demonstrated a wide-ranging grasp of repertoire, from stage works by Rameau and Mozart (he has often conducted the Orchestra of the Age of Enlightenment) through to modern repertoire.<\/p>\n<ul>\n<li><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/which-is-the-best-mahler-symphony\/&quot;\"><strong>Which is the best Mahler Symphony<\/strong>?<\/a><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/recordings\/five-best-recordings-simon-rattle-and-magdalena-kozena\/&quot;\">Five of the best recordings of Simon Rattle and Magdalena Ko\u017een\u00e1<\/a><\/strong><\/li>\n<\/ul>\n<p>Rattle has been a staunch champion of contemporary composers, most famously Nicholas Maw (whose Odyssey he made a precondition of signing to EMI), while also raising the profile of such underestimated composers as Szymanowski, Grainger and <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/george-gershwin\/&quot;\">Gershwin<\/a><\/strong>.<\/p>\n<p>It is a measure of his rapport with the musicians he works with that in 1999 he was elected by the members of the Berlin Philharmonic to succeed <strong><a href=\"&quot;https:\/\/www.classical-music.com\/news\/claudio-abbado-1933-2014\/&quot;\">Claudio Abbado<\/a><\/strong> as their chief conductor in 2002. In 2008 they voted to keep Sir Simon Rattle for a further decade, but in 2015 the London Symphony Orchestra announced that the maestro would be returning to Britain as their music director in 2017.<\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p><strong>Mahler <em>Symphony No. 2<\/em><\/strong><br \/><strong>City of Birmingham Symphony Orchestra (EMI 345 7942)<\/strong><\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Mahler-Symphony-No-2-Resurrection\/dp\/B000002RPF?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Stravinsky\" the=\"\" rite=\"\" of=\"\" spring=\"\" london=\"\" symphony=\"\" orchestra=\"\" simon=\"\" rattle=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/EkwqPJZe8ms?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<h2><strong>5. Nikolaus Harnoncourt\u00a0<\/strong>(1929-2016), Austrian<\/h2>\n<p>One-time cellist with the Vienna Symphony Orchestra, pioneering Baroque specialist and renowned conductor in just about every musical style, including Johann Strauss operetta and George Gershwin\u2019s Porgy and Bess, <strong><a href=\"&quot;https:\/\/www.classical-music.com\/news\/musical-world-pays-tribute-nikolaus-harnoncourt\/&quot;\">Harnoncourt<\/a><\/strong> was a musician who refused to be pigeon-holed. He was an ace of all trades, the sworn enemy of routine and provocative to the last.<\/p>\n<p>In the musical world he was much admired both by peers and disciples for his fearless quest for musical truth \u2013 his founding, in 1953, of the period-instrument ensemble Concentus Musicus Wien and his lengthy project with Gustav Leonhardt to record all of JS Bach\u2019s <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-is-a-cantata\/&quot;\">cantatas<\/a><\/strong>, begun in 1971, were both moments of fundamental importance in inspiring a generation of historically informed performance scholars and enthusiasts.<\/p>\n<p>But Harnoncourt was no zealot. In fact, he proved to be the most pragmatic of conductors. Who would have guessed, listening to those early Telefunken discs of orchestral Bach on authentic instruments, with their unvarnished, vibrato-free sound that Harnoncourt would fully embrace the sonority of the modern symphony orchestra? But a late Harnoncourt performance does not go in for luxuriant string tone, so honeyed warmth is not on the agenda in his interpretations of the <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/fifteen-best-romantic-composers\/&quot;\">Romantics<\/a><\/strong>.<\/p>\n<ul>\n<li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/top-10-brahms-works\/&quot;\"><strong>The Top 10 Brahms works<\/strong><\/a><\/li>\n<\/ul>\n<p>This certainly pays off in his Beethoven performances, which have a refreshingly lean sound, while Brahms, Dvo\u0159\u00e1k and <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/anton-bruckner\/&quot;\">Bruckner<\/a><\/strong>, too, appear with greater transparency.<\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Dvo\u0159\u00e1k <em>Symphony No.\u00a09<\/em><br \/>\nRoyal Concertgebouw Orchestra (Warner 3984 25254-2)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Dvorak-Symphony-No-9-Water-Goblin\/dp\/B00004S1EG?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<li><strong><a href=\"\/\/www.arkivmusic.com\/classical\/album.jsp?album_id=4019&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\">Buy from ArkivMusic<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Johann\" sebastian=\"\" bach:=\"\" kantata=\"\" bwv=\"\" nikolaus=\"\" harnoncourt=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/38TS7EOGo9A?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<h2><strong>4. Herbert von Karajan\u00a0<\/strong>(1908-1989), Austrian<\/h2>\n<p>Karajan was unquestionably the most famous conductor of the second half of the 20th century. Even those of a non-musical bent recognised his name. For many, he ruled the classical music world and his concerts and recordings represented the peak of excellence.<\/p>\n<p>Also never to be forgotten was his directorship of the Salzburg Festival, often controversial but always imaginative. Karajan has been accused of megalomania, with justification, but he knew what he wanted and how to get it, and his cunning at internal politics was second only to his musical skills.<\/p>\n<p>Although he embraced new technology and, on hearing digital recording for the first time, famously proclaimed that \u2018everything else is gaslight\u2019, his Beethoven recordings with the Philharmonia from the 1950s are both fiery and noble whereas his final ones, although pristine, are comparatively bland.<\/p>\n<p>Whatever one feels about <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/trouble-karajan\/&quot;\">Karajan<\/a><\/strong>\u2019s ultimate status in musical history, there is no denying that, at his best, he was a phenomenal musician, not only on his home turf with Wagner, Bruckner and Richard Strauss but also with the orchestral works of Sibelius and Tchaikovsky, the operas of Verdi and <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/giacomo-puccini\/&quot;\">Puccini<\/a><\/strong> and much else.<\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/six-best-productions-wagners-tristan-und-isolde&quot;\"><strong>Six of the best productions of Wagner\u2019s\u00a0<em>Tristan und Isolde<\/em><\/strong><\/a><\/li>\n<\/ul>\n<p>He left a vast recorded legacy to be wondered at and argued over. Though he conducted little \u2018modern\u2019 music\u2019, his set of recordings of the Second Viennese School is a thing of wonder, both awesomely powerful and astonishingly beautiful, while he was also rather good at \u2018lollipops\u2019: listening to his Philharmonia recording of Waldteufel\u2019s Skaters\u2019 Waltz one witnesses a little miracle.<\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Sibelius <em>Symphony No.\u00a04<\/em><br \/>\nBerlin Philharmonic (DG 457 7482)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Sibelius-Symphonies-Nos-4-7-Originals\/dp\/B00000J9HE?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe loading=\"&quot;lazy&quot;\" title=\"&quot;Beethoven\" symphony=\"\" no=\"\" herbert=\"\" von=\"\" karajan=\"\" width=\"&quot;960&quot;\" height=\"&quot;720&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/oCZeSmY62Sk?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<h2><strong>3. Claudio Abbado\u00a0<\/strong>(1933-2014), Italian<\/h2>\n<p>Taciturn, placid, shy and private, Claudio Abbado was an unlikely Italian and an even less likely great conductor. He detested overt shows of power. He mumbled in rehearsal. And he never lost his rag. Taken as a boy in Milan to watch Toscanini rehearse, he remembered thinking how \u2018horrible\u2019 it was when the maestro screamed at the orchestra.<\/p>\n<ul>\n<li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/six-best-contraltos-all-time\/&quot;\"><strong>Six of the best contraltos<\/strong><\/a><\/li>\n<\/ul>\n<p>Yet this gentle, self-effacing man held the most important conducting positions in Europe. Early in his career he was made music director of La Scala, where he mixed scintillating <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/gioachino-rossini\/&quot;\">Rossini<\/a><\/strong> with boldly revived rarities.<\/p>\n<p>Then came memorable stints at the helms of the LSO, Vienna State Opera and Berlin Philharmonic, in between which he founded two of the world\u2019s finest youth orchestras.<\/p>\n<p>Cancer struck in 2000 and after half his stomach was removed his days seemed numbered. What followed, however, was arguably his finest achievement: the formation of the Lucerne Festival Orchestra.<\/p>\n<p>Handpicked from his friends in top orchestras, it has given a series of performances and live recordings that many music-lovers rank as the most sublime they have ever heard.<\/p>\n<p>Abbado\u2019s interpretations of Mahler and Bruckner symphonies, or epic operatic explorations of spirituality such as Fidelio or Parsifal, now seem to reach far beyond the realms of music. They are journeys of the soul and affirmations of humanity. Abbado was a subtle and sophisticated conductor, but can also be counted as one of the most profound visionaries of our age.<\/p>\n<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Mahler <em>Symphony No.\u00a03<\/em><br \/>\nLucerne Festival Orchestra (Medici Arts DVD 205 6338)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Symphony-Lucerne-Festival-Orchestra-Claudio\/dp\/B001BBICBG?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Claudio\" abbado=\"\" in=\"\" rehearsal=\"\" with=\"\" the=\"\" berliner=\"\" philharmoniker=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/4YcmIohczpQ?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<h2><strong>2. Leonard Bernstein<\/strong> (1918-1990), American<\/h2>\n<p>Perhaps no one has possessed a more comprehensive collection of the traits conductors view as assets in their profession: <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/timeline-leonard-bernstein\/&quot;\">Leonard Bernstein<\/a><\/strong> was almost impossibly musical, talented, versatile, creative, handsome, energetic, inquisitive, intelligent, charismatic and articulate.<\/p>\n<p>Those who encountered him knew they were in the presence of a force of nature; love him or hate him, Lenny was difficult to ignore.<\/p>\n<ul>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/five-essential-works-leonard-bernstein\/&quot;\">Five essential works by Leonard Bernstein<\/a><\/strong><\/li>\n<\/ul>\n<p>His celebrated last-minute debut with the New York Philharmonic (1943) ultimately resulted in a tenure there (1958-69) during which he championed the work of American and avant-garde composers, reached out to audiences through the televised Young People\u2019s Concerts, and helped a troubled decade to find itself in the music of Gustav Mahler.<\/p>\n<p>Before this stint his life involved composing (Candide, West Side Story), to which he later added mentoring young conductors and cultivating an international reputation (Vienna became a second home).<\/p>\n<p>Bernstein\u2019s strength was his emotional connection with the music he led; given his larger-than-life personality, his performances often contained exaggerations that perturbed critics (toward the end, his tempos could become indulgently lethargic), and one seldom came away from a Bernstein performance with the impression that he had polished the orchestral textures and sonorities to the extent that many of his colleagues considered desirable.<\/p>\n<p>Instead, his was a flamboyant, sincere, persuasive style. Others might offer more scintillating detail and specifically musical insight, but Bernstein energised his listeners, prompting them to revel in the sheer joy of being alive.<\/p>\n<p><em>\u2018Leonard Bernstein\u00a0made music accessible to so many young people, and I myself used to be besotted with his Harvard Lectures. They were fascinating and eye-opening for me as an aspiring musician. Then I later came full circle and had lessons with him at Tanglewood: what an inspiration! <\/em><\/p>\n<p><em>\u2018But for me, it also has to do with what he achieved with regards to Mahler. For him to bring about a formidable revival in this such important music is absolutely epic \u2013 that was the milestone that Bernstein was able to give us.\u2019 \u2013\u00a0<\/em>Markus Stenz<\/p>\n<p><strong>Essential Recording:<\/strong><\/p>\n<p>Shostakovich <em>Symphonies Nos 1 &amp; 7<\/em><br \/>\nChicago SO; (DG 477 7587)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Shostakovich-Symphonies-Nos-1-7-Leningrad\/dp\/B0013816GU?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;Candide\" overture:=\"\" leonard=\"\" bernstein=\"\" conducting=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/422-yb8TXj8?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;http:\/\/www.classical-music.com\/article\/six-best-schubert-songs&quot;\"><strong>Six of the best Schubert songs<\/strong><\/a><\/li>\n<\/ul>\n<h2><strong>1. Carlos Kleiber <\/strong>(1930-2004), Austrian<\/h2>\n<p>To hear or, far better, to see (there are quite a few DVDs) Carlos Kleiber conducting is always an exciting, inspiring, moving experience. It makes you want to find out how many recordings of him there are.<\/p>\n<p>And you immediately get a shock. In his 74 years, he conducted one <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/joseph-haydn\/&quot;\">Haydn<\/a><\/strong> symphony, two by Mozart, four by Beethoven, two by Schubert, one by <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/alexander-borodin\/&quot;\">Borodin<\/a><\/strong>, and two by Brahms. And he accompanied a concerto on only one occasion, performing Dvo\u03c0\u00e1k with pianist Sviatoslav Richter. In the opera house Kleiber conducted two operas by Richard Strauss, one by <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/carl-maria-von-weber\/&quot;\">Weber<\/a><\/strong>, one by Wagner, one by Berg and three by Verdi.<\/p>\n<p>Like all great musicians, he adored the music of the Strauss family (Johann and relations), and conducted Die Fledermaus and many waltzes, polkas and marches. Apart from a very few other pieces that he had a fleeting relationship with, that was it. Yet Claudio Abbado called him \u2018the most important conductor of the 20th century\u2019, and it seems that many of his colleagues agree.<\/p>\n<p>The decisive factor in Carlos Kleiber\u2019s life was his being the son of a great conductor, Erich, whose repertoire was far larger than his son\u2019s, and included almost all the works the latter performed. Erich left recordings of them, which Carlos listened to obsessively, convinced that he could never do as well.<\/p>\n<p>Erich was strongly opposed to his son becoming a musician, so Carlos tried studying chemistry, loathed it, and turned to music early on. He followed the traditional path of the great German conductors, working in small opera houses and learning his trade out of the limelight.<\/p>\n<p>When he moved to Stuttgart in 1964 he had his breakthrough. There is a wonderful DVD of him rehearsing the Stuttgart Radio Symphony in two overtures (see top right), turning a collection of bored musicians into smiling collaborators: he seduces everyone by his boyish manner and his almost continuous commentary on the music as he rehearses it; and he looks happy and intense throughout. At the end we see the overtures \u2013 to Der Freisch\u00fctz and Die Fledermaus \u2013 played to an ecstatic audience.<\/p>\n<p>During the late 1960s, the 1970s and \u201980s, all the videos of him are like that. He rarely conducts in the ordinary sense at all. What he does is much more choreographic, though it is his arms rather than his legs that dance.<\/p>\n<p>He swoops, sometimes stands motionless in a dandyish pose, even laughs, sometimes closes his eyes and listens in rapture. To see him conduct Brahms\u2019s Second Symphony or Beethoven\u2019s Fourth is enough to make you levitate. Pl\u00e1cido Domingo, who regards him as the most musical person he has ever met, says that when Kleiber was conducting an opera everyone was looking at the pit, not at the stage.<\/p>\n<p>Yet he conducted just 96 concerts in his life, and about 400 operatic performances. Many conductors would notch up those totals in less than a couple of years. He rehearsed so exhaustively that at the performance he could improvise, but with precise effect. That is his unique secret \u2013 the music really does seem as if it is being composed as it is played, and played immaculately.<\/p>\n<p>The only trouble with such perfectionism is that there is the constant fear that you can\u2019t keep it up, and Kleiber\u2019s joy in music-making soon turned to continuous anxiety, so that he cancelled many concerts, and only gave one or two a year in the decade before his last one, in 1999. The trajectory of his career is similar to Maria Callas\u2019s.<\/p>\n<p>They both concentrated on a small number of works of which they gave performances which will almost certainly never\u00a0be equalled. Their dedication to music became a torture, their fame something to be looked on almost with horror. Thank heavens they left such incomparable legacies.<\/p>\n<\/p>\n<p><strong>Essential Recordings:<\/strong><\/p>\n<p>Brahms <em>Symphony No. 4<\/em><br \/>\nVienna Philharmonic (DG 457 7062)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Brahms-Symphony-No-DG-Originals\/dp\/B000006NXP?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p>R Strauss <em>Der Rosenkavalier<\/em> (DVD);<br \/>\nGwyneth Jones etc; Bayerischen Staatsoper (DG 073 4072)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Rosenkavalier-Richard-Strauss-DVD\/dp\/B0009I8PHI?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p>Rehearsal and Performance (DVD);<br \/>\nStuttgart Radio Symphony Orchestra (Arthaus Musik 101 062)<\/p>\n<ul>\n<li><strong><a href=\"\/\/www.amazon.co.uk\/Kleiber-Rehearsal-Performance-Carlos-EUROARTS\/dp\/B00NPG7B4E?tag=classicalm05c-21&amp;ascsubtag=classicalmusic-0&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">Buy from Amazon<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"&quot;In\" rehearsal=\"\" performance=\"\" carlos=\"\" kleiber=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/MquJL4vrWnc?list=PLBjoEdEVMABKrtT2MhzSNM6COENxeln5o&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul>\n<li><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/six-best-viola-players\/&quot;\"><strong>Six of the best viola players<\/strong><\/a><\/li>\n<\/ul>\n<p><em>This article first appeared in the April 2011 issue of BBC Music Magazine.<\/em><\/p>\n<p><\/body><\/html><\/p>\n<p><\/iframe><\/p>\n\n\n<hr class=\"no-tts wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"<p>By BBC Music Magazine Published: Friday, 22 October 2021 at 12:00 am https:\/\/www.classical-music.com\/features\/articles\/most-memorable-proms-history-our-top-picks\/Who needs conductors? The question is not quite as fatuous as it might seem. Many leading orchestras or choirs, and a fair number of less accomplished ones too, can quite easily navigate their way through even the most complex works without anyone waving [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":6895,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"22"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/10\/the-20-greatest-conductors-of-all-time.jpg",625,350,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/10\/the-20-greatest-conductors-of-all-time-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/10\/the-20-greatest-conductors-of-all-time-300x168.jpg",300,168,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/10\/the-20-greatest-conductors-of-all-time.jpg",625,350,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/10\/the-20-greatest-conductors-of-all-time.jpg",625,350,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/10\/the-20-greatest-conductors-of-all-time.jpg",625,350,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/10\/the-20-greatest-conductors-of-all-time.jpg",625,350,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By BBC Music Magazine Published: Friday, 22 October 2021 at 12:00 am https:\/\/www.classical-music.com\/features\/articles\/most-memorable-proms-history-our-top-picks\/Who needs conductors? The question is not quite as fatuous as it might seem. Many leading orchestras or choirs, and a fair number of less accomplished ones too, can quite easily navigate their way through even the most complex works without anyone waving&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/6894"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/6895"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=6894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=6894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}