{"id":7629,"date":"2021-12-02T17:08:18","date_gmt":"2021-12-02T16:08:18","guid":{"rendered":"https:\/\/www.classical-music.com\/?p=5515"},"modified":"2021-12-02T17:43:09","modified_gmt":"2021-12-02T16:43:09","slug":"the-composers-behind-your-favourite-carols","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/rss_feed\/the-composers-behind-your-favourite-carols\/","title":{"rendered":"The composers behind your favourite carols\u2026"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By BBC Music Magazine\n                \t\t<\/p><p class=\"rssbyline\">Published: Thursday, 02 December 2021 at 12:00 am<\/p><hr class=\"no-tts wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p><strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/felix-mendelssohn\/&quot;\">Mendelssohn<\/a> <\/strong>and his <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/hark-herald-angels-sing-words\/&quot;\">Harked Herald Angels<\/a><\/strong> aside, the carol book is noticeably short on well-known composers. Of the really famous carol tunes, there\u2019s <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/gustav-holst\/&quot;\">Holst<\/a><\/strong>\u2019s setting of <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/in-the-bleak-midwinter-lyrics\/&quot;\"><em>In the Bleak Midwinter<\/em><\/a><\/strong> and\u2026 that\u2019s about it. Yet these are some of the most famous tunes ever written. Millions of people worldwide are more than familiar with the melodies to <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/royal-davids-city-words\/&quot;\"><em>Once in Royal David\u2019s City<\/em><\/a><\/strong> and <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/ding-dong-merrily-on-high-lyrics\/&quot;\"><em>Ding Dong! Merrily on High<\/em><\/a><\/strong>, which surely means their composers must be household names? Sadly not.<\/p>\n<section class=\"&quot;highlight\"><div class=\"&quot;highlight__content\" editor-content=\"\"> <ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/when-was-the-first-christmas-carol\/&quot;\">When was the first Christmas carol?<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/whats-the-difference-between-a-christmas-carol-and-a-hymn\/&quot;\">What\u2019s the difference between a Christmas carol and a hymn?<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/five-best-ancient-christmas-carols\/&quot;\">Five of the best ancient Christmas carols<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/five-best-modern-christmas-carols\/&quot;\">Five of the best modern Christmas carols<\/a><\/strong><\/li>\n<\/ul><p> <\/p><\/div> <\/section><p>\u00a0<\/p>\n<p>From John Henry Hopkins Junior to Thoinot Arbeau, it\u2019s time to set the record straight. Here we take a look at the composers of 11 of our best known <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-carol\/&quot;\">Christmas carol<\/a><\/strong> tunes. Some are wonderful, some a little weird, but all deserve to be better known.<\/p>\n<section class=\"&quot;highlight\"><div class=\"&quot;highlight__content\" editor-content=\"\"> <ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/25-greatest-christmas-carols-all-time\/&quot;\">The 25 greatest Christmas carols of all time<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/carol-singing-when-did-the-tradition-begin\/&quot;\">Carol singing: When did the Christmas tradition begin?<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/composers-christmas\/&quot;\">Composers at Christmas<\/a><\/strong><\/li>\n<\/ul><p> <\/p><\/div> <\/section><h2>The best Christmas carol composers<\/h2>\n<p><strong>Henry John Gauntlett, 1805-76<\/strong><\/p>\n<p><strong>Famous for: <a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/royal-davids-city-words\/&quot;\">Once in Royal David\u2019s City<\/a><\/strong><\/p>\n<p>Henry John Gauntlett wasn\u2019t an easy man to like. He once wrote a letter to the precentor of Durham Cathedral criticising one of his works, enclosing an \u2018improved\u2019 version. He was forthright from the start: his father, the vicar at a church in Olney, had decided Henry\u2019s sisters would learn to play the organ for services. Henry, though, had other ideas and learned the instrument himself, becoming organist in 1815. In the 1830s he became interested in organ design, and patented the electric action \u2013 a mechanism which was central to an (unsuccessful) attempt to play all the organs at the 1851 Great Exhibition simultaneously. He was respected both as an organist \u2013 he performed at the premiere of Mendelssohn\u2019s <em>Elijah<\/em> in Birmingham Town Hall \u2013 and as a composer. In addition to \u2018Irby\u2019, the tune to <em>Once in Royal<\/em>, Gauntlett wrote over 10,000 hymns, including \u2018St Albinus\u2019 (<em>Jesus lives! thy terrors now<\/em>) and \u2018St Fulbert\u2019 (<em>Ye choirs of new Jerusalem<\/em>).<\/p>\n<p><iframe loading=\"&quot;lazy&quot;\" title=\"&quot;King's\" college=\"\" cambridge=\"\" once=\"\" in=\"\" royal=\"\" david=\"\" city=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/NMGMV-fujUY?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<p>\u00a0<\/p>\n<p><strong>John Goss, 1800-80<\/strong><\/p>\n<p><strong>Famous for: <\/strong>See, Amid the Winter\u2019s Snow<\/p>\n<p>You don\u2019t have to be an expert in church music to be familiar with John Goss\u2019s work \u2013 the hymn <em>Praise my soul, the King of Heaven<\/em> has accompanied many a wedding since it was written in 1869, and parish choirs still sing his simple but effective anthems. Goss\u2019s lessons with <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/mozart\/&quot;\">Mozart<\/a><\/strong>\u2019s pupil Thomas Attwood no doubt gave the composer\u2019s music its classical elegance and perhaps Goss would have been more famous had he accepted a commission in 1833 from the Royal Philharmonic Society \u2013 the same body that had asked <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/ludwig-van-beethoven\/&quot;\">Beethoven<\/a><\/strong> to compose his <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/guide-beethovens-symphony-no-9\/&quot;\">Ninth Symphony<\/a><\/strong> 11 years previously \u2013 but Goss saw his talents in ecclesiastical music. As organist at St Paul\u2019s Cathedral and, later, composer to the Chapel Royal, he wrote a steady flow of motets, psalm chants and canticles, and was knighted in 1872 for the music he wrote for a service giving thanks for the recovery of a then sickly Prince of Wales.<\/p>\n<iframe title=\"&quot;See\" amid=\"\" the=\"\" winter=\"\" snow=\"\" john=\"\" goss=\"\" arr.=\"\" dan=\"\" forrest=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/Iq7DmpEMZR8?start=106&amp;feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p><strong>Robert Pearsall, 1795-1856<\/strong><\/p>\n<p><strong>Famous for: <\/strong>translating and arranging In<strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/dulci-jubilo\/&quot;\"> Dulci Jubilo<\/a><\/strong><\/p>\n<p>It was probably parental pressure that saw Pearsall called to the bar in 1821, because just four years later, the young man fled abroad to pursue interests in music, history, heraldry and genealogy. Among his more curious achievements is his contribution to research in medieval torture \u2013 a description of the rather nasty \u2018kiss of the virgin\u2019, a thick-walled sarcophagus lined with large spikes, appeared in the periodical <em>Archaeologia<\/em>. A composer of a good deal of orchestral music, his best-known work is the ravishing eight-part motet <em>Lay a garland<\/em>, among the finest of English partsongs, and his choral arrangement of <em>In Dulci Jubilo<\/em> has made the 14th-century melody a mainstay of Nine Lessons and Carols services ever since. But a more famous work perhaps lurks in the wings \u2013 strong evidence unearthed by musicologist Edgar Hunt points to Pearsall as the composer of the <em>Cat Duet<\/em>, a comic work for two sopranos long attributed to Rossini. An expert in torture, indeed.<\/p>\n<iframe title=\"&quot;King's\" college=\"\" cambridge=\"\" in=\"\" dulci=\"\" jubilo=\"\" arr=\"\" pearsall=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/bN4xsXbO-QE?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>\u00a0<\/p>\n<p><strong>William J Kirkpatrick, 1838-1921<\/strong><\/p>\n<p><strong>Famous for: <\/strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-are-the-lyrics-to-the-christmas-carol-away-in-a-manger\/&quot;\">Away in a Manger<\/a><\/p>\n<p>William J Kirkpatrick must have been a handy person to have around at Nativity Play time \u2013 should any sets need building or, say, a manger quickly knocking up, this Pennsylvania-born carpenter would have been the man for the job. What\u2019s more, he could write a fine tune, not least his \u2018Cradle Song\u2019 setting of <em>Away in a Manger<\/em>. The rapidly growing genre of Gospel music was Kirkpatrick\u2019s forte and, while his furniture-making skills sustained his lifestyle in his early years, he eventually concentrated on song writing. Teaming up with fellow composer John R Sweney in 1878, the pair went on to publish 50 collections of songs, with sales into the millions. The creative spark that brought about gospel favourites such as <em>Lord, I\u2019m coming home <\/em>was rarely at rest. In fact, it was on the night of 20 September 1921 that Kirkpatrick hopped out of bed and made his way downstairs to jot down a tune that was racing through his head. When his wife came down the next morning, she found him slumped over his desk, dead.<\/p>\n<p><iframe loading=\"&quot;lazy&quot;\" title=\"&quot;Choirs\" of=\"\" jesus=\"\" college=\"\" cambridge=\"\" away=\"\" in=\"\" a=\"\" manger=\"\" j.=\"\" kirkpatrick=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/BBKYwEFg1xw?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<p>\u00a0<\/p>\n<p><strong>Thoinot Arbeau, 1519-95<\/strong><\/p>\n<p><strong>Famous for:<\/strong>\u00a0Ding Dong! Merrily on High!<\/p>\n<p>\u2018Thoinot Arbeau\u2019 is the anagrammatic pen name of 16th-century French cleric Jehan Tabourot \u2013 with an \u2018i\u2019 instead of the \u2018j\u2019. Born in Dijon, Arbeau was based in north-eastern France and, <em>Ding Dong<\/em> aside, is best-known for <em>Orch\u00e9sographie<\/em>, his 1588 study of early French Renaissance dance, complete with woodcuts of musicians and dance tabulations. Mentioned in this study is the \u2018branle\u2019\u00a0 \u2013 a folk dance where the dancers move from side to side, performed by couples in a circle or a line \u2013\u00a0which Stravinsky includes in his 1957 ballet <em>Agon<\/em>. The tune for <em>Ding Dong! Merrily on High!<\/em>, meanwhile, is based on a folk tune from <em>Orch\u00e9sographie<\/em> entitled \u2018Branle de l\u2019Official\u2019. This was set to words by the English composer and priest George Ratcliffe Woodward and published in <em>The Cambridge Carol Book: Being Fifty-Two Songs for Christmas, Easter and Other Seasons<\/em> in 1924.<\/p>\n<p><iframe loading=\"&quot;lazy&quot;\" title=\"&quot;King's\" college=\"\" cambridge=\"\" ding=\"\" dong=\"\" merrily=\"\" on=\"\" high=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/6J_2tKCwu7Q?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<p>\u00a0<\/p>\n<p><strong>Peter Cornelius, 1824-74<\/strong><\/p>\n<p><strong>Famous for:<\/strong> <a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/three-kings\/&quot;\">The Three Kings<\/a><\/p>\n<p>Peter Cornelius is one of the onlookers of history. In this German composer\u2019s case, he was in the right place \u2013 Weimar, Vienna, Munich \u2013 at the right time, and he knew all the right people, from Wagner to Hans von B\u00fclow. And yet, for all his involvement with the New German music movement, his work has all but disappeared \u2013 only \u2018The Three Kings\u2019 (Die K\u00f6nige) from his <em>Weihnachtslieder<\/em> is still regularly heard. Cornelius met <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/richard-wagner\/&quot;\">Wagner<\/a><\/strong> in 1853, and when he moved to Weimar that year he was welcomed into <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/franz-liszt\/&quot;\">Liszt<\/a><\/strong>\u2019s circle of friends. He began working as a translator and writer for the group alongside writing music. His opera <em>Der Barbier von Bagdad<\/em> was produced by Liszt in Wiemar in 1858, but its premiere was so disastrous that Cornelius had to leave the city and Liszt resigned as court conductor. Cornelius\u2019s own works \u2013 including a Stabat Mater and a <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/what-is-a-requiem\/&quot;\">Requiem<\/a><\/strong> \u2013 may not be often performed, but his music influenced both Wagner and <strong><a href=\"&quot;https:\/\/www.classical-music.com\/features\/composers\/richard-strauss\/&quot;\">Richard Strauss<\/a><\/strong>.<\/p>\n<p><iframe loading=\"&quot;lazy&quot;\" title=\"&quot;King's\" college=\"\" cambridge=\"\" the=\"\" three=\"\" kings=\"\" peter=\"\" cornelius=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/thu3vgz5y28?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<p>\u00a0<\/p>\n<p><strong>Harold Darke, 1888-1976<\/strong><\/p>\n<p><strong>Famous for: <a href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/bleak-midwinter\/&quot;\">In the Bleak Midwinter<\/a><\/strong><\/p>\n<p>There\u2019s more to Harold Darke than just his setting of <em>In the Bleak Midwinter<\/em> \u2013 for around a century now, choristers across the land have been subjected to his setting of the Communion Service in\u00a0F and a smattering of his other choral and organ works also get the occasional outing. But it was as an organist that Darke really excelled, earning himself a worldwide reputation. The church of St Michael\u2019s Cornhill in the City of London was his patch, and it was there that he began a series of Monday lunchtime organ recitals in 1916. Those recitals carried on until he retired some 50 years later and still continue to this day, making the series the longest-running of its kind in the world. Post-retirement, he still continued to play, and marked his 85th birthday in 1973 with a recital at London\u2019s Royal Festival Hall. His <em>In the Bleak Midwinter<\/em> setting is not to be confused, incidentally, with the equally popular one by Holst.<\/p>\n<p><iframe loading=\"&quot;lazy&quot;\" title=\"&quot;In\" the=\"\" bleak=\"\" midwinter=\"\" darke=\"\" ex=\"\" cathedra=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/zaAtaSRNS0Y?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<p><strong>Richard Storrs Willis, 1819-1900<\/strong><\/p>\n<p><strong>Famous for:\u00a0<\/strong>It Came Upon the Midnight Clear<\/p>\n<p>Richard Storrs Willis might not have made it into the pantheon of American composers, but in his role as a critic and editor, he made a large impact on his country\u2019s music. His activities at Yale University included being a member of Skull and Bones \u2013 a secret society whose other members have included US presidents William Howard Taft, George HW Bush and George W Bush \u2013 before he went to study composition in Frankfurt and Leipzig, where he met Mendelssohn. He returned to New York in 1847 and established himself as a music critic at the <em>New York Tribune<\/em> and <em>The Albion<\/em>, then turned his hand to editing <em>Musical World<\/em>, whose strapline was \u2018A Weekly Journal for \u201cHeavenly Music\u2019s Earthly Friends\u201d\u2019. He went on to write the book <em>Our Church Music: a Book for Pastors and People<\/em> which rails against populist and sentimental elements in church music. His melody \u2018Carol\u2019 was first published in his volume of music, <em>Church Chorals and Choir Studies<\/em>, and it has since become the standard tune for <em>It Came Upon the Midnight Clear<\/em>.<\/p>\n<p><iframe loading=\"&quot;lazy&quot;\" title=\"&quot;Julie\" andrews=\"\" it=\"\" came=\"\" upon=\"\" a=\"\" midnight=\"\" clear=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/LwBajJ3ZFVo?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<p>\u00a0<\/p>\n<p><strong>John Henry Hopkins, 1820-91<\/strong><\/p>\n<p><strong>Famous for:<\/strong> We Three Kings<\/p>\n<p>John Henry Hopkins Junior was born into a family of 13. His father had emigrated to the US from Ireland in 1801 and had become an influential Bishop in the Episcopal Church, based in Vermont. Following in his father\u2019s footsteps, JHH Junior became an Episcopal churchman. His moment in the spotlight came when he delivered the eulogy in 1885 for the funeral of \u2018General\u2019 Ulysses S Grant, the Civil War hero and 18th US president, but his other talents included journalism (he edited <em>The Church Journal<\/em>), music teaching and hymn writing. In 1863 he published a collection entitled <em>Carols, Hymns and Songs<\/em> that included his <em>We Three Kings<\/em>, a carol that had first appeared in a Christmas pageant that he organised for the Theological Seminary in New York in 1857. This is by far his best-known carol \u2013 he wrote both the words and the music \u2013 although he also composed the somewhat lesser-known \u2018Gather around the Christmas Tree\u2019.<\/p>\n<p><iframe loading=\"&quot;lazy&quot;\" title=\"&quot;We\" three=\"\" kings=\"\" of=\"\" orient=\"\" are=\"\" :=\"\" college=\"\" cambridge=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/Lx35_DRIZ8g?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<p>\u00a0<\/p>\n<p><strong>Martin Shaw, 1875-1958<\/strong><\/p>\n<p><strong>Famous for:<\/strong> Hills of the North Rejoice<\/p>\n<p>If Martin Shaw had had his way, we might not be performing Bach, Beethoven and Brahms in the UK today \u2013 his service in World War I curtailed by ill health, Shaw channelled his energies into ultra-patriotic activities that included campaigning for a ban on German music which he thought contained too much \u2018hysterical emotionalism\u2019. Controversial, yes, but there was at least a positive flip-side in the form of Shaw\u2019s tireless efforts in digging out, arranging, publishing and promoting Britain\u2019s own musical heritage. Working with fellow enthusiasts including Vaughan Williams, he edited or co-edited <em>The English Carol Book<\/em>, <em>Songs of Praise<\/em> and <em>The Oxford Book of Carols, <\/em>the first of which contained the advent carol <em>Hills of the North Rejoice<\/em> set to his own strident melody, \u2018Little Cornard\u2019<em>. <\/em>However, it was when Shaw was doing research for the English Hymnal that he made arguably his greatest mark \u2013\u00a0his discoveries included the Gaelic hymn-tune \u2018Bunessan\u2019, now familiar as the tune to <em>Morning has broken<\/em>.<\/p>\n<p><iframe loading=\"&quot;lazy&quot;\" title=\"&quot;GORTON\" monastery-hills=\"\" of=\"\" north=\"\" rejoice=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/0FMQLLlbPh4?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<p><strong>Eric Boswell, 1921-2009<\/strong><\/p>\n<p><strong>Famous for:<\/strong> Little Donkey<\/p>\n<p>Many of us are familiar with this carol as an integral part of school nativity plays \u2013 when a child wearing donkey ears shuffles along with Mary and Joseph \u2018safely on their way\u2019 towards a stable. Its British writer, Eric Boswell, is anything but familiar, though, and also one of the carol book\u2019s least likely composers \u2013 trained in electrical engineering and physics, he worked as a radar scientist at Marconi during World War II and became a physics lecturer. Born in Sunderland, Boswell learnt the piano and later the organ before developing a part-time interest in song composition and piano music \u2013 some of his prize-winning work was performed at London\u2019s Wigmore Hall. In 1959, he struck up a deal with music publisher Chappell where singer Gracie Fields was looking for a new song. The result was <em>Little Donkey<\/em>, which Fields took to No. 20 in the UK pop charts, while the score itself shot to No. 1 in the UK sheet music chart. Boswell continued writing songs, a couple of which almost made it to the Eurovision Song Contest, and he also became known for his Geordie comedy songs. He died just days before <em>Little Donkey<\/em>\u2019s 50th anniversary<em>.\u00a0<\/em><\/p>\n<p><iframe loading=\"&quot;lazy&quot;\" title=\"&quot;Gracie\" fields=\"\" little=\"\" donkey=\"\" width=\"&quot;200&quot;\" height=\"&quot;150&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/nEbmKpXr-Uo?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/><\/p>\n<ul><li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/brief-history-christmas-music\/&quot;\">How did Christmas music start?<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/six-best-pieces-christmas-choral-music\/&quot;\">Six of the best pieces of Christmas choral music<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/works\/christmas-classical-music-and-drink-pairings\/&quot;\">Christmas classical music and drink pairings<\/a><\/strong><\/li>\n<li><strong><a class=\"&quot;standard-card-new__article-title&quot;\" href=\"&quot;https:\/\/www.classical-music.com\/features\/articles\/six-best-unknown-carols\/&quot;\">Six of the best\u2026 unknown carols<\/a><\/strong><\/li>\n<\/ul><p><strong><a href=\"&quot;https:\/\/www.classical-music.com\/tag\/christmas-carol-lyrics\/&quot;\">You can find the lyrics to some of your favourite Christmas carols here<\/a><\/strong><\/p><\/body><\/html>\n<hr class=\"no-tts wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By BBC Music Magazine Published: Thursday, 02 December 2021 at 12:00 am Mendelssohn and his Harked Herald Angels aside, the carol book is noticeably short on well-known composers. Of the really famous carol tunes, there\u2019s Holst\u2019s setting of In the Bleak Midwinter and\u2026 that\u2019s about it. Yet these are some of the most famous tunes [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":7630,"template":"","categories":[1,17],"acf":{"readingTimeMinutes":"10"},"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/12\/the-composers-behind-your-favourite-carols.jpg",625,350,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/12\/the-composers-behind-your-favourite-carols-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/12\/the-composers-behind-your-favourite-carols-300x168.jpg",300,168,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/12\/the-composers-behind-your-favourite-carols.jpg",625,350,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/12\/the-composers-behind-your-favourite-carols.jpg",625,350,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/12\/the-composers-behind-your-favourite-carols.jpg",625,350,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/37\/2021\/12\/the-composers-behind-your-favourite-carols.jpg",625,350,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By BBC Music Magazine Published: Thursday, 02 December 2021 at 12:00 am Mendelssohn and his Harked Herald Angels aside, the carol book is noticeably short on well-known composers. Of the really famous carol tunes, there\u2019s Holst\u2019s setting of In the Bleak Midwinter and\u2026 that\u2019s about it. Yet these are some of the most famous tunes&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed\/7629"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media\/7630"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/media?parent=7629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/bbcmusicmagazine\/wp-json\/wp\/v2\/categories?post=7629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}