Your best photos submitted to the magazine this month
PHOTO OF THE MONTH
Aurora streamers over the White Mountains
John Chumack, Chena River Recreation Area, Alaska, 31 March 2022
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John says: “I love the dark skies here. I could easily see several deep-sky objects with the unaided eye, including the Andromeda Galaxy, M31, which you can spot just below the green ‘piano keys’ in this shot. It’s usually almost –30˚C here, but this year it was actually –8˚C. This was much better for my camera batteries, which didn’t drain as fast.”
Equipment: Canon 6D DSLR, Tokina 16-28mm lens, Bogen trip
Exposure: ISO 3200 f/2.8, 6”
Software: Adobe Camera Raw
John’s top tips: “To shoot aurorae, it’s vital to find a low, dark location with no cities directly to your north. Be sure to mount your camera stably on a tripod, especially on uneven terrain. Avoid touching the camera as this will blur your image; use a remote switch or timer. Choose a wideangle, fast lens such as 14–24mm and f/1.4, f/2.8 or f/3.5. Exposure times can be as much as 30 seconds, but 5–10 seconds will help keep details sharp. Don’t worry about noise (unwanted artefacts). You can either take a dark frame and subtract the noise later or use a ‘denoise’ tool when you are post processing.”
The Eagle Nebula
Diptiman Nandy, remotely via El Sauce Observatory, Rio Hurtado, Chile, 24 August – 19 November 2021
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Diptiman says: “I’ve been doing astrophotography for eight months now. Processing this image was a great challenge.”
Equipment: FLI ProLine PL9000 camera, PlaneWave CDK24 astrograph, Mathis Instruments MI-1000 Equatorial Fork Mount
Exposure: Ha 22x 600”, OIII 25x 600”, SII 26x 600”
Software: DeepSkyStacker, PixInsight, Photoshop
Sunspot montage
Peter Lewis, Sutton, London, 18–26 April 2022
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Peter says: “This montage captures AR2993–2996 over eight days as Earth rotated around the Sun.”
Equipment: Samsung S20 smartphone, Orion SkyQuest 8-inch Dobsonian, Orion solar filter
Exposure: ISO 50, 1/350”
Software: Google Photo Editor
Crater Plato
Alfonso Merino, Madrid, Spain, 17 April 2022
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Alfonso says: “Most of the time my targets are deep-sky objects, but sometimes it’s nice to take a moonwalk.”
Equipment: ZWO ASI120MC-S camera, Sky-Watcher Skymax 127 Maksutov-Cassegrain, Sky-Watcher NEQ6 Pro mount
Exposure: 180” video
Software: AutoStakkert!, RegiStax
Star trails over a tulip field
Dario Giannobile, Blufi, Sicily, 26 March 2021
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Dario says: “Taking advantage of the almost full Moon, I let the stars draw circles above this field of wild tulips.”
Equipment: Canon 6D DSLR camera, Canon 8–15mm lens, Manfrotto MT190XPRO4 tripod
Exposure: ISO 400 f/4, 30”
Software: Photoshop
The Whale and Hockey Stick Galaxies
Michael Clem, Waynesboro, Pennsylvania, US, 30 April & 1 May 2022
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Michael says: “This was a tough capture: I had to wait for the galaxy pair to rise high enough to clear power lines. Then I had to throw away an hour of subs due to planes and satellites. Frustrating, to say the least.”
Equipment: ZWO ASI533MC camera, Astro-Tech AT115EDT refractor, Sky-Watcher EQM-35 Pro mount
Exposure: 37x 5
Software: PixInsight
Partial solar eclipse
Tomás Andonie, Santiago, Chile, 30 April 2022
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Tomás says: “I planned ahead for the trajectory of the Sun and luckily had a clear view from my home to take a shot every 10 seconds for the whole hour. The weather was perfect too.”
Equipment: Nikon D3300 DSLR, Nikkor 55–300mm lens, Baader solar filter, Sky-Watcher Star Adventurer 2i, K&F Concept tripod
Exposure: ISO 200, f/5.6, 1/3200”
Software: Photoshop
The Milky Way
Basudeb Chakrabarti, West Bengal, India, 13 March 2022
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Basudeb says: “We reached the remote Namthing Pokhri Lake at 3:45am. It was so dark I couldn’t even see my hand. I was setting up my camera alone in that desolate place, trembling with fear that a leopard would attack me.”
Equipment: Nikon D5200 DSLR camera, Tokina 11–16mm lens, tripod
Exposure: sky: ISO 3200 f/2.8, 100x 20”; foreground: ISO 800 f/5.6, 5x 5”
Software: Sequator, PixInsight, Photoshop
The North America Nebula
Kevin Earp, Bedford, 4 May 2022
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Kevin says: “The L-eNhance filter on my one-shot colour camera gives me lots of palette options. I chose a false Hubble-style palette to emphasise the beauty of the Cygnus Wall. With only 2.5 hours of total integration, I’m pleased how it turned out.”
Equipment: ZWO ASI294MC Pro camera, Sky-Watcher Esprit 100 apo refractor, Sky-Watcher NEQ6 PRO mount, Optolong L-eNhance filter, ASIair Plus controller
Exposure: 29x 300” sub exposures; gain 120
Software: Astro Pixel Processor, Photoshop
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Whether you’re a seasoned astrophotographer or a beginner, we’d love to see your images. Email them to contactus@skyatnightmagazine.com. Ts&Cs: www.immediate.co.uk/terms-and-conditions
We’ve teamed up with Modern Astronomy to offer the winner of next month’s Gallery a Hama Lens Pen, designed for quick and easy cleaning of telescope optics, eyepieces and camera lenses. It features a retractable brush and non-liquid cleaning element. www.modernastronomy.com • 020 8763 9953