Your best photos submitted to the magazine this month


PHOTO OF THE MONTH

Aurora streamers over the White Mountains

John Chumack, Chena River Recreation Area, Alaska, 31 March 2022

John says: “I love the dark skies here. I could easily see several deep-sky objects with the unaided eye, including the Andromeda Galaxy, M31, which you can spot just below the green ‘piano keys’ in this shot. It’s usually almost –30˚C here, but this year it was actually –8˚C. This was much better for my camera batteries, which didn’t drain as fast.”

Equipment: Canon 6D DSLR, Tokina 16-28mm lens, Bogen trip

Exposure: ISO 3200 f/2.8, 6”

Software: Adobe Camera Raw

John’s top tips: “To shoot aurorae, it’s vital to find a low, dark location with no cities directly to your north. Be sure to mount your camera stably on a tripod, especially on uneven terrain. Avoid touching the camera as this will blur your image; use a remote switch or timer. Choose a wideangle, fast lens such as 14–24mm and f/1.4, f/2.8 or f/3.5. Exposure times can be as much as 30 seconds, but 5–10 seconds will help keep details sharp. Don’t worry about noise (unwanted artefacts). You can either take a dark frame and subtract the noise later or use a ‘denoise’ tool when you are post processing.”

The Eagle Nebula

Diptiman Nandy, remotely via El Sauce Observatory, Rio Hurtado, Chile, 24 August – 19 November 2021

Diptiman says: “I’ve been doing astrophotography for eight months now. Processing this image was a great challenge.”

Equipment: FLI ProLine PL9000 camera, PlaneWave CDK24 astrograph, Mathis Instruments MI-1000 Equatorial Fork Mount

Exposure: Ha 22x 600”, OIII 25x 600”, SII 26x 600”

Software: DeepSkyStacker, PixInsight, Photoshop

Sunspot montage

Peter Lewis, Sutton, London, 18–26 April 2022

Peter says: “This montage captures AR2993–2996 over eight days as Earth rotated around the Sun.”

Equipment: Samsung S20 smartphone, Orion SkyQuest 8-inch Dobsonian, Orion solar filter

Exposure: ISO 50, 1/350”

Software: Google Photo Editor

Crater Plato

Alfonso Merino, Madrid, Spain, 17 April 2022

Alfonso says: “Most of the time my targets are deep-sky objects, but sometimes it’s nice to take a moonwalk.”

Equipment: ZWO ASI120MC-S camera, Sky-Watcher Skymax 127 Maksutov-Cassegrain, Sky-Watcher NEQ6 Pro mount

Exposure: 180” video

Software: AutoStakkert!, RegiStax

Star trails over a tulip field

Dario Giannobile, Blufi, Sicily, 26 March 2021

Dario says: “Taking advantage of the almost full Moon, I let the stars draw circles above this field of wild tulips.”

Equipment: Canon 6D DSLR camera, Canon 8–15mm lens, Manfrotto MT190XPRO4 tripod

Exposure: ISO 400 f/4, 30”

Software: Photoshop

The Whale and Hockey Stick Galaxies

Michael Clem, Waynesboro, Pennsylvania, US, 30 April & 1 May 2022

Michael says: “This was a tough capture: I had to wait for the galaxy pair to rise high enough to clear power lines. Then I had to throw away an hour of subs due to planes and satellites. Frustrating, to say the least.”

Equipment: ZWO ASI533MC camera, Astro-Tech AT115EDT refractor, Sky-Watcher EQM-35 Pro mount

Exposure: 37x 5

Software: PixInsight

Partial solar eclipse

Tomás Andonie, Santiago, Chile, 30 April 2022

Tomás says: “I planned ahead for the trajectory of the Sun and luckily had a clear view from my home to take a shot every 10 seconds for the whole hour. The weather was perfect too.”

Equipment: Nikon D3300 DSLR, Nikkor 55–300mm lens, Baader solar filter, Sky-Watcher Star Adventurer 2i, K&F Concept tripod

Exposure: ISO 200, f/5.6, 1/3200”

Software: Photoshop

The Milky Way

Basudeb Chakrabarti, West Bengal, India, 13 March 2022

Basudeb says: “We reached the remote Namthing Pokhri Lake at 3:45am. It was so dark I couldn’t even see my hand. I was setting up my camera alone in that desolate place, trembling with fear that a leopard would attack me.”

Equipment: Nikon D5200 DSLR camera, Tokina 11–16mm lens, tripod

Exposure: sky: ISO 3200 f/2.8, 100x 20”; foreground: ISO 800 f/5.6, 5x 5”

Software: Sequator, PixInsight, Photoshop

The North America Nebula

Kevin Earp, Bedford, 4 May 2022

Kevin says: “The L-eNhance filter on my one-shot colour camera gives me lots of palette options. I chose a false Hubble-style palette to emphasise the beauty of the Cygnus Wall. With only 2.5 hours of total integration, I’m pleased how it turned out.”

Equipment: ZWO ASI294MC Pro camera, Sky-Watcher Esprit 100 apo refractor, Sky-Watcher NEQ6 PRO mount, Optolong L-eNhance filter, ASIair Plus controller

Exposure: 29x 300” sub exposures; gain 120

Software: Astro Pixel Processor, Photoshop


ENTER TO WIN A PRIZE. HERE’S HOW

Whether you’re a seasoned astrophotographer or a beginner, we’d love to see your images. Email them to contactus@skyatnightmagazine.com. Ts&Cs: www.immediate.co.uk/terms-and-conditions

We’ve teamed up with Modern Astronomy to offer the winner of next month’s Gallery a Hama Lens Pen, designed for quick and easy cleaning of telescope optics, eyepieces and camera lenses. It features a retractable brush and non-liquid cleaning element. www.modernastronomy.com 020 8763 9953