{"id":43928,"date":"2023-04-18T14:13:18","date_gmt":"2023-04-18T14:13:18","guid":{"rendered":"https:\/\/c01.purpledshub.com\/bbcskyatnight\/?post_type=purple_issue&p=43928"},"modified":"2023-04-27T14:55:41","modified_gmt":"2023-04-27T14:55:41","slug":"processing-how-to-accentuate-the-beauty-of-edge-on-galaxies","status":"publish","type":"post","link":"https:\/\/c01.purpledshub.com\/bbcskyatnight\/2023\/04\/18\/processing-how-to-accentuate-the-beauty-of-edge-on-galaxies\/","title":{"rendered":"Processing: Accentuate the beauty of edge-on galaxies"},"content":{"rendered":"\n
PROCESSING<\/span><\/h5>\n\n

How to accentuate the beauty of edge-on galaxies <\/strong><\/h2>\n\n

Tips to enhance dust lanes in your astrophotos <\/p>\n\n

\"\"
\u2018Edge-On\u2019, Jason\u2019s original shortlisted image of galaxy NGC 891, 30 million lightyears away in the Andromeda constellation, which he revisits and reprocesses here <\/figcaption><\/figure><\/div>\n\n
\"\"<\/figure><\/div>\n\n

A backyard astrophotographer will often strive for world-class results. Perhaps it is in our nature. But rising to this challenge requires continued improvement in post-processing techniques and also careful consideration of attainable goals for each project. <\/p>\n\n

In years past, I was honoured to be recognised and awarded in the annual APY exhibition. It happened again in 2022 as my image, \u2018Edge-On\u2019, was shortlisted in the \u2018Galaxies\u2019 category. It\u2019s interesting to revisit it and consider what makes this particular image stand out above thousands of other submissions. <\/p>\n\n

The target is NGC 891, a beautiful spiral galaxy 30 million lightyears distant. Our vantage point lies along the plane of its galactic disc. We are treated with a spectacular edge-on view: a diffuse stellar halo crossed with a complex, backlit dark dust lane. The contrast within these delicate and wispy features creates a visual drama that draws the eye deeper into the galaxy. Highlighting this dust was a definite goal from the beginning. <\/p>\n\n

If we consider each workflow to be a unique creative journey, that artistic vision of the end product can serve as a guide to our processing choices. The aim is to simply serve the image, assessing what is needed and continually adjusting course as necessary. A capable collection of tools can be used to steer, with subtle corrections, towards that ultimate goal. Here is a brief overview of some post-processing concepts for dust lane enhancement, widely applicable to galactic images. <\/p>\n\n

Back to the raw <\/strong><\/h4>\n\n

I started with the raw stack for the monochrome luminance filter, as this channel conveys visual details in the image (see Step 1). Deconvolution in PixInsight mathematically sharpens the image based on data contained within. When I originally processed \u2018Edge-On\u2019, I used an elaborate workflow of mask generation and deconvolution. Ultimately this can be replaced by the new BlurXTerminator plug-in from RC-Astro (www.rc-astro.com<\/a>). In reprocessing this photo, I can confirm the results to be directly comparable to my previous process, and with just a single button click! <\/p>\n\n

\"\"
STEP 1
Top: original raw image stack (top) captured with a ZWO ASI1600MM and Celestron 8-inch EdgeHD, 696x 90\u201d, 17.4h total; middle: the image after RC-Astro\u2019s BlurXTerminator one-click plug-in was applied; bottom: after NoiseXTerminator was applied<\/figcaption><\/figure><\/div>\n\n

Noise Reduction in PixInsight reduces the noise without destroying fine detail. For this demonstration, another RC-Astro tool, NoiseXTerminator, does an excellent job of protecting the details within the galaxy while effectively reducing background noise. <\/p>\n\n

After stretching and applying colour to the previous result in Photoshop (see Step 2), I turned to contrast enhancements. Several software packages are capable, but Photoshop offers the benefit of working in layers of varying opacity while still providing realtime visual feedback. Creating projects consisting of many layers using different enhancement processes, and blending them into each other in creative ways, can yield results unobtainable with single processes executed in a serial fashion. <\/p>\n\n

\"\"
STEP 2
The resulting image after stretching and applying RGB colour (left) and with high-pass filtering applied (right) at radius scales 3, 6, 12, 24 and 48 to enhance contrast before blending in \u2018Overlay\u2019 mode as layers in Photoshop<\/figcaption><\/figure><\/div>\n\n

One effective method of multi-scale contrast enhancement is high-pass filtering. Start by duplicating the original layer. With the new layer selected, navigate to Filter > Other > High pass. The \u2018Radius\u2019 slider allows you to choose the scale of the effect (smaller radii will emphasise smaller structures). Click \u2018Ok\u2019 and then change the blending mode of the layer to \u2018Overlay\u2019 (or \u2018Soft light\u2019 for less effect). The layer opacity can be lowered to provide a subtle contrast enhancement. I repeated this technique multiple times at different radius scales and layer opacities. I used masks to limit the effect to exactly where it was needed in the galactic core (see Step 2). <\/p>\n\n

Other interesting tools to try for local contrast enhancement include: Camera Raw filter (clarity\/texture\/ dehaze), Shadows\/Highlights adjustment tool in Photoshop, along with plugins from Topaz Labs. PixInsight has a DarkStructureEnhance script, LocalHistogramEqualization process and HDRMT process. <\/p>\n\n

\"\"
STEP 3
The final cropped and reprocessed image after using a combination of enhancement tools, plug-ins and scripts to bring out the beauty of the dust lanes<\/figcaption><\/figure><\/div>\n\n

It\u2019s easy to overuse these tools. The finesse of a light touch is important. Work in small, targeted and progressive changes (baby steps!) so that the results are neither harsh or unnatural. Using low-opacity layers and effective masking, multiple techniques can be combined to gradually build the desired effect, as seen in the reprocessed result (see Step 3). <\/p>\n\n

I hope this provides some insight into a useful thought process and workflow ideas. Keep an initial vision in mind. Work with purpose, but also a high degree of care, to let that natural beauty of the cosmos shine through. <\/p>\n\n

<\/div>
\n

3 QUICK TIPS <\/h4>\n\n\n\n

1. <\/strong>The goal is to simply serve the image; assess what is needed and continually adjust course as necessary. <\/p>\n\n\n\n

2. <\/strong>Layers blended together in creative ways can yield results unobtainable using single-process methods. <\/p>\n\n\n\n

3. <\/strong>It\u2019s easy to overuse these tools. Have a light touch! <\/p>\n<\/div><\/section>\n\n

\"\"<\/figure><\/div>\n\n

Jason Guenzel is an avid amateur backyard astrophotographer aiming to share the natural beauty of the night sky<\/p>\n\n

<\/p>\n\n

PHOTOS: JASON GUENZEL <\/p>\n","protected":false},"excerpt":{"rendered":"

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