{"id":4420,"date":"2021-12-20T10:00:11","date_gmt":"2021-12-20T09:00:11","guid":{"rendered":"https:\/\/www.gardensillustrated.com\/?p=14425"},"modified":"2021-12-21T13:52:13","modified_gmt":"2021-12-21T12:52:13","slug":"winter-garden-a-snowy-arts-crafts-design-in-wales","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/gardensillustrated\/rss_feed\/winter-garden-a-snowy-arts-crafts-design-in-wales\/","title":{"rendered":"Winter garden: a snowy Arts & Crafts design in Wales"},"content":{"rendered":"

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By Stephanie Mahon\n \t\t<\/p>

Published: Monday, 20 December 2021 at 12:00 am<\/p>

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A certain amount of guesswork is needed when revitalising an old private garden such as Plas Brondanw. Luckily for Kimberley Davison, the head gardener at this North Wales estate, there are some records available to help guide her, including the plans, notes and letters of late owner Sir Clough Williams-Ellis, the famous 20th-century architect. The garden surrounds his old family seat, which he inherited in his twenties, and lies in picturesque splendour between the mountains and the sea in Snowdonia National Park.<\/p>\n

IN BRIEF<\/strong><\/p>\n

What:<\/strong> Plas Brondanw<\/a>, an Arts and Crafts garden.\u00a0Where:<\/strong> Llanfrothen, Gwynedd LL48 6SW.Open:<\/strong> 10am-4pm daily throughout the year.\u00a0Size:<\/strong> Four acres.Soil:<\/strong> Heavy and acidic soil.<\/a>Hardiness zone:<\/strong> USDA 8.<\/p>\n

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Williams-Ellis designed properties all over the UK and abroad, but was best known as the creator of Portmeirion, the surreal, Riviera-style village perched on the cliffs nearby at Minffordd \u2013 the perfect setting for 1960s nightmare-fantasy TV show The Prisoner<\/em>. His work at Plas Brondanw shares the Italianate influence, but in a much more understated way.<\/p>\n

Although Williams-Ellis spent a large part of his life designing Portmeirion, it was his own garden at Plas Brondanw, created over many decades, that he was most devoted to. \u2018It was for Brondanw\u2019s sake that I worked and stinted, for its sake that I chiefly hoped to prosper,\u2019 he once wrote. \u2018A cheque of ten pounds would come in and I would order yew hedging to that extent, a cheque for twenty and I would pave a further piece of terrace.\u2019<\/p>\n

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\""Plas\"<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
The sloping garden at Plas Brondanw features a strong structure of stonework and evergreen topiary yew and box, which comes into its own in winter.<\/span><\/figcaption> \u00a9 Richard Bloom<\/i><\/span><\/div>\n

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This piecemeal approach is evident in the layout of the garden, which, apart from the terrace and lawn in front of the house, comprises many small compartments of different sizes and characters. \u201cIt\u2019s all added on,\u201d Kimberley explains. \u201cWhenever he got a bit of money, he would buy another little parcel of land, finish that, and move out again.\u201d As the garden expanded in size, he connected these rooms to each other with pathways and glimpses through small openings. He then linked everything to the surrounding countryside with framed vistas of the rolling landscape and mountain peaks.<\/p>\n

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\""Plas\"<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
There is an array of unusual topiary in the garden. Many pieces have developed their own unique shapes over the years, including the \u2018Teapot\u2019 (above left).<\/span><\/figcaption> \u00a9 Richard Bloom<\/i><\/span><\/div>\n

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The strong architectural feel is grounded with local stone, used for all the features from the Orangery to the steps, ponds, fountains and gateposts, but there are plenty of quirks and contrasts too, including the bright turquoise painted ironwork (repeated at Portmeirion and all over the local area). The statuary, which at first glance appears typically classical, includes a mini fireman with working hose and several interesting cheats and copies. For those who look, there is a sense of winking fun here and there, rounding the edges off what might otherwise seem like an ode to the Arts & Crafts style.<\/p>\n

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\""Plas\"<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
Williams-Ellis based his design on views both within the garden and without, framing vistas of the surrounding countryside, and repeating shapes to mimic the peaks of nearby mountains.<\/span><\/figcaption> \u00a9 Richard Bloom<\/i><\/span><\/div>\n

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Brondanw is also a very green garden, with a backbone of yew and box, which makes it ideal for visiting in winter, when the evergreen structure is lightly sugared with frost.<\/p>\n

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\""Plas\"<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
On the site of an old slate quarry, across the road from the garden, is a waterfall known as the Cascade. Above this is a ruined tower folly known as Pentwr, built to take advantage of the magnificent views.<\/span><\/figcaption> \u00a9 Richard Bloom<\/i><\/span><\/div>\n

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Head gardener Kimberley is determined to retain the special atmosphere of this extraordinary place, which, she says, is never what people expect. \u201cI want to develop the feeling I had when I first visited \u2013 a sort of 19th<\/sup>-century pleasure ground experience,\u201d she says. \u201cDucking under leaves, and squeezing through gaps in hedges, not knowing what\u2019s around the corner. It\u2019s like a secret garden, a little fantasy land. It\u2019s overshadowed by Portmeirion, and overlooked most of the time, but I believe it can really hold its own.\u201d<\/p>\n

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\""Plas\"<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
Plas Brondanw was created in stages as Williams-Ellis bought more land. This outer path leads down from the Orangery past stone gateposts with turquoise ironwork \u2013 an eye-catching colour repeated throughout the garden and the local area.<\/span><\/figcaption> \u00a9 Richard Bloom<\/i><\/span><\/div>\n

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