A renovated 17th-century home in Suffolk

By kirstylyons

Published: Friday, 16 December 2022 at 12:00 am

Suffolk towns and villages have a uniquely picturesque quality, and Bildeston, where Cathy and Peter Bullen have lived for nearly 30 years, is no exception. Their house is on the high street and dates from the 17th century, ‘but at some time in the early 1800s it was given a classic Georgian façade,’ Cathy explains.

Peter was in the army when the couple got married and, over the next four years, they moved seven times from base to base. ‘I absolutely hated not having a home I could call my own, so we began the search for a house that was affordable on an army captain’s modest pay, and large enough for our growing family,’ says Cathy. At the time they had two children with a third on the way.

When the Bullens first viewed the house, it hadn’t been lived in for eight years. It had formerly been the home of the artist Elinor Bellingham-Smith, who had transformed the stable block into her makeshift studio. Elinor grew up in London, attended the Slade School of Fine Art and illustrated the latest fashions for Harper’s Bazaar. After her marriage ended, she moved to Suffolk where she painted landscapes and still lifes, and Cathy and Peter have several of her original fashion drawings, which now hang in a bedroom.

Nothing had been done to the property for years when the couple moved in, but that meant all the old fittings and fixtures were still in situ. The useful range of outbuildings and a spacious walled garden were added attractions, but six skip-loads of rubbish had to be cleared before they could think about living there. ‘Conditions were primitive, but I was just thrilled to have my own home, one that I could decorate and furnish as I wanted,’ says Cathy.

The Bullens made few structural changes to the house, partly because of its Grade II-listing, but mainly because it suited them as it was. ‘We did eventually move the kitchen back to its original location where the very useful larder and pantry still were,’ says Cathy. A local carpenter made the kitchen units to which they added old French brass handles. ‘Over the years we’ve been lucky enough to inherit family furniture and paintings, but we’ve pepped up the wall colours and reupholstered the furniture in contemporary fabrics to update the look.’

Cathy has made quite a few of the cushions in the house, along with headboards, using fabric remnants and trimmings that she’s acquired over the years. ‘I like the way an ornate braid applied along the pelmet and down the leading edge of curtains adds a flourish to plain fabric,’ she says. ‘And now that the children no longer live at home, I’ve had fun refurbishing their rooms for guests, together with a nursery for when the grandchildren stay.’

Cathy, who had trained as a classical ballet dancer, initially combined bringing up her family with teaching and working on productions for DanceEast, based in Ipswich. ‘Then Peter was offered the chance of participating in an Anglo-French officer exchange, which entailed being posted to Provence. So we rented out our house, swapping it for a similar property in a pretty Provençal village.’

To practise her French, and to give herself something to do, Cathy began exploring the local brocantes and vide-greniers. ‘It became addictive and, by the time we returned to the UK four years later, our collection of French antiques was so extensive the house and the barn were overflowing.’ So they stuck a price ticket on everything, invited their friends to bring their friends and, by the end of the weekend, they’d sold it all and a new business, The Boule-in, was born.

That was 11 years ago, and the couple continue their antiques-buying trips to France whenever time permits. ‘We only buy what we like, and fortunately our customers share our appreciation of fine craftsmanship and good design. We hold four events each year and, while we buy everything in France, we’re not purists, so if some gorgeous Murano glass or a length of Belgian linen catches our eye, we buy it.’

Once it’s all back in the UK, Cathy and Peter decide how they’re going to show it – the focus of the spring and summer fêtes is outside dining, garden furniture, planters and statuary. Then they concentrate on lighting, objets d’art and French furniture for their autumn event, while in December the focus is on all things festive, with items that would make lovely presents – ‘gifts we’d like to find at the foot of our own Christmas tree,’ says Cathy.

Each fête also includes items from Faro Home, rugs from The Rug & Carpet Studio based in Long Melford, and beautiful china by Dorset-based ceramicist Miranda Berrow. ‘It takes around a month to create what is really quite a theatrical event, attracting clients from London and all over East Anglia,’ says Cathy. ‘The hardest bit is parting with pieces I’ve fallen in love with, but there is always the next trip to France to look forward to.’

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The walls of the drawing room are an uplifting shade of pink, Angie, from Little Greene. The furniture is a mixture of pieces the couple have inherited and things – such as the piano and the sofa – which they bought at auction. Cathy is a great believer in refreshing chairs and sofas by reupholstering and giving simple furnishings, such as the curtains, a twist with the addition of a glamorous trim. The nest of tables and the coffee table are from Maison Baguès, the rug came from The Rug & Carpet Studio in Long Melford.
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The drawing room has a view into the dining room across the hall. The long cushion on the drawing room sofa is from Faro Home. Cathy had the other cushions made up from lengths of fabrics she has amassed over time – these include the central pair featuring a design by Allegra Hicks, and the black and rose-coloured cushions at either end of the sofa, which are by Kate Forman Designs.
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Cathy Bullen in the porch.
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The dining room walls are Chelsea Green from Paint & Paper Library. The Georgian dining chairs were inherited and Cathy had them reupholstered in Link Beach, a fresh and timeless fabric from Hugh St Clair. The tablecloth is from Faro Home. The dresser is filled with a collection of English stoneware plates, which are part of a huge dinner service. The large blue-and-white plate in the corner is Dutch and was a wedding present.
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Cathy and Peter’s office is just off the kitchen, screened from view by a 1950s French beaded curtain. The red beads are echoed in the decoration on the 1960s Vallauris oyster plates, which hang above the doorway.
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The industrial brass lamps above the dining table came from a French brocante and the tablecloth is from Faro Home. The chairs are French mid-century, bought with a view to selling, but the couple couldn’t part with them. The Aga was reconditioned and a local carpenter made the kitchen cabinets to which Cathy added smart brass handles.
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Cathy painted the cistern in the downstairs lavatory with the family coat of arms, the print depicting Anne Boleyn is a reference to the family name.
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The master bedroom is filled with an eclectic mix of art, antiques and furniture. Cushions are from Faro Home.
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The master bedroom, which has a seperate dressing room.
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The bathroom is lined with tongue and groove, painted in Farrow & Ball’s String, which creates a useful ledge on which to display shells and ceramics.
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In the guest bedroom a recess that was once an arch linking two halves of a larger room creates a natural headboard which has been papered with a design featuring birds and flowers. A pair of china elephants make unusual bedside tables.