{"id":10140,"date":"2022-04-28T00:00:00","date_gmt":"2022-04-27T22:00:00","guid":{"rendered":"https:\/\/c01.purpledshub.com\/homesantiques\/?post_type=purple_issue&#038;p=10140"},"modified":"2022-05-12T10:05:24","modified_gmt":"2022-05-12T08:05:24","slug":"the-month-june","status":"publish","type":"post","link":"https:\/\/c01.purpledshub.com\/homesantiques\/2022\/04\/28\/the-month-june\/","title":{"rendered":"The Month: June"},"content":{"rendered":"\n<h2 class=\"has-text-align-center article-standfirst\"><span class=\"has-inline-color has-ccp-primary-color\">June<\/span><\/h2>\n\n<p class=\"has-text-align-center sans-serif article-full-lead\"><em>Key exhibitions including Stanley Spencer and Paula Rego, the Art &amp; Antiques Fair at Olympia, an Interiors sale at Dreweatts, plus silver rose bowls<\/em><\/p>\n\n<p class=\"has-text-align-center sans-serif article-full-byline\">EDITED BY CAROLINE WHEATER &amp; RACHEL NOTT<\/p>\n\n<p><\/p>\n\n<h4 class=\"has-text-align-center article-subhead\"><strong><span class=\"has-inline-color has-ccp-primary-color\">THE ANTIQUE <\/span><\/strong><\/h4>\n\n<h4 class=\"has-text-align-center article-subhead\">Silver Rose Bowls<\/h4>\n\n<p class=\"article-full-body sans-serif\">Out in parks and gardens, roses in wonderful hues are coming into full bloom, and now\u2019s the time to bring them indoors to enjoy. Silver rose bowls were at their zenith in the late 19th and early 20th centuries, often given as gifts and commemorative tokens. Prized blooms had their stems trimmed short so that they nestled against one another, flowerheads sitting just above the edge of the bowl to form a pool of colour. Originally they may have been used with a florist\u2019s metal grid to hold the blooms in place. They came in many different designs \u2013 chased and engraved, with handles or without \u2013 and held anything from six to 16 flowers, depending on dimensions. Placed on a coffee or dining table, they make a summery centrepiece. At auction, silver rose bowls range from around the \u00a3200 mark for a simple affair, to over \u00a31,000 for an investment piece. At a car boot sale you may find a tarnished version for much less!<\/p>\n\n<p><\/p>\n\n<ul class=\"no-tts wp-block-purple-slider is-cropped\" data-autoplay=\"true\" data-speed=\"300\" data-effect=\"fade\"><li class=\"no-tts blocks-gallery-item\"><figure><img src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/68018165-5613-41b5-8b20-2fdf2773119c.jpg\" alt=\"\" data-id=\"10130\" data-link=\"https:\/\/c01.purpledshub.com\/homesantiques\/68018165-5613-41b5-8b20-2fdf2773119c\/\"\/><figcaption>A late Victorian piece featuring cherubs, diameter 10.5in, made \u00a3910 at Woolley &amp; Wallis.<\/figcaption><\/figure><\/li><li class=\"no-tts blocks-gallery-item\"><figure><img src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/ac22661e-ccd0-4c5b-8c3c-0da8a0db114f.jpg\" alt=\"\" data-id=\"10129\" data-link=\"https:\/\/c01.purpledshub.com\/homesantiques\/ac22661e-ccd0-4c5b-8c3c-0da8a0db114f\/\"\/><figcaption>A simple bowl dating to 1897, diameter 7in, sold for \u00a3234 at Woolley &amp; Wallis.<\/figcaption><\/figure><\/li><\/ul>\n\n<p><\/p>\n\n<hr class=\"no-tts wp-block-separator is-style-wide\"\/>\n\n<h4 class=\"has-text-align-center article-subhead\"><strong><span class=\"has-inline-color has-ccp-light-gray-color\">THE EXHIBITIONS<\/span><\/strong><\/h4>\n\n<h4 class=\"has-text-align-center article-subhead\">Vivian Maier: Anthology<\/h4>\n\n<p class=\"has-text-align-center article-full-body sans-serif\"><em>11th June\u201325th September, MK Gallery<\/em><\/p>\n\n<div class=\"no-tts wp-block-image article-in-image photo\"><figure class=\"no-tts aligncenter\"><img loading=\"lazy\" width=\"1269\" height=\"866\" src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/dadafd2e-6af3-4129-b61f-2e2e12761e38.jpg\" alt=\"\" class=\"no-tts wp-image-10131\" srcset=\"https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/dadafd2e-6af3-4129-b61f-2e2e12761e38.jpg 1269w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/dadafd2e-6af3-4129-b61f-2e2e12761e38-300x205.jpg 300w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/dadafd2e-6af3-4129-b61f-2e2e12761e38-1024x699.jpg 1024w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/dadafd2e-6af3-4129-b61f-2e2e12761e38-768x524.jpg 768w\" sizes=\"(max-width: 1269px) 100vw, 1269px\" \/><figcaption>Vivian Maier\u2019s Self Portrait, not dated. \u00a9Estate of Vivian Maier and Courtesy of Maloof Collection and Howard Greenberg Gallery NY<\/figcaption><\/figure><\/div>\n\n<p class=\"article-full-body sans-serif\">One of the most significant photographers of the 20th century, Vivian Maier was an intensely private person who took thousands of photographs of places, objects and street life in Chicago, New York,<span> Los Angeles and on her travels. Her images present a wonderfully eclectic view of America.<\/span><\/p>\n\n<p class=\"article-full-body sans-serif\">Born in New York in 1926, Maier began playing with a Kodak Brownie box camera c1949, while living in France. After moving back to New York in 1952 and becoming a nanny, she bought a Rolleiflex camera and began experimenting with photography. She took over 2,000 rolls of film, 3,000 prints and more than 100,000 negatives, which she shared with virtually no one. In 2007, two years before she died, and unable to pay her rent, Maier sold the negatives at auction; they were bought by several buyers including John Maloof, who established the Maloof Collection to promote the work of Maier and safeguard it for future generations.<span> This retrospective at MK Gallery in Milton Keynes has been curated by Anne Morin and produced by diChroma Photography, and showcases Maier\u2019s immense talent. <\/span><strong><a href=\"http:\/\/mkgallery.org\">mkgallery.org<\/a><\/strong><\/p>\n\n<h4 class=\"has-text-align-center article-subhead\">Delight in Nature: Stanley Spencer\u2019s World<\/h4>\n\n<p class=\"has-text-align-center article-full-body sans-serif\"><em>Until 30th October, Stanley Spencer Gallery<\/em><\/p>\n\n<div class=\"no-tts wp-block-image article-in-image photo\"><figure class=\"no-tts aligncenter\"><img loading=\"lazy\" width=\"856\" height=\"1321\" src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/e11da209-cd1e-457c-b3aa-739f6965c84f.jpg\" alt=\"\" class=\"no-tts wp-image-10132\" srcset=\"https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/e11da209-cd1e-457c-b3aa-739f6965c84f.jpg 856w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/e11da209-cd1e-457c-b3aa-739f6965c84f-194x300.jpg 194w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/e11da209-cd1e-457c-b3aa-739f6965c84f-664x1024.jpg 664w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/e11da209-cd1e-457c-b3aa-739f6965c84f-768x1185.jpg 768w\" sizes=\"(max-width: 856px) 100vw, 856px\" \/><figcaption>The Dustbin by Stanley Spencer, 1956, oil on canvas, Royal Academy. \u00a9 Estate of Stanley Spencer<\/figcaption><\/figure><\/div>\n\n<p class=\"article-full-body sans-serif\">In this life-affirming exhibition, the influence of the natural world on Stanley Spencer\u2019s development as an artist is charted. Starting with his childhood drawings, this show reveals how the natural world became an integral part of Spencer\u2019s artistic landscape.<span> The majority of the works on display focus on the village of Cookham, Spencer\u2019s home. Visitors will be invited to consider key themes in his work: his love of dirt and the discarded; the use of boundaries to suggest other metaphysical worlds; the conflict between the sacred and the profane; and the idea of absolution through nature and place.<\/span><\/p>\n\n<p class=\"article-full-body sans-serif\">\u2018This exhibition demonstrates how the natural world and the everyday were unified with Spencer\u2019s spiritual vision: how rubbish became something beautiful; suburban spaces were considered places for mysterious, heavenly happenings; and how the sacred co-existed with the profane,\u2019 says curator Amanda Bradley. \u2018Spencer\u2019s paintings of the natural world were not just a financial necessity, but were a form of personal redemption.\u2019<\/p>\n\n<p class=\"article-full-body sans-serif\">  <strong><a href=\"http:\/\/stanleyspencer.org.uk\">stanleyspencer.org.uk<\/a><\/strong><\/p>\n\n<h4 class=\"has-text-align-center article-subhead\">Scottish Women Artists Transforming Tradition<\/h4>\n\n<p class=\"has-text-align-center article-full-body sans-serif\"><em>Until 3rd July, The Sainsbury Centre<\/em><\/p>\n\n<div class=\"no-tts wp-block-image article-in-image photo\"><figure class=\"no-tts aligncenter\"><img loading=\"lazy\" width=\"1310\" height=\"1409\" src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/da357581-2489-4b9a-a521-ce345c097644.jpg\" alt=\"\" class=\"no-tts wp-image-10133\" srcset=\"https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/da357581-2489-4b9a-a521-ce345c097644.jpg 1310w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/da357581-2489-4b9a-a521-ce345c097644-279x300.jpg 279w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/da357581-2489-4b9a-a521-ce345c097644-952x1024.jpg 952w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/da357581-2489-4b9a-a521-ce345c097644-768x826.jpg 768w\" sizes=\"(max-width: 1310px) 100vw, 1310px\" \/><figcaption>Agnes Miller Parker\u2019s The Uncivilised Cat, 1930, The Fleming Collection.  Courtesy Paula Rego and Cristea Roberts Gallery, London \u00a9 Paula Rego<\/figcaption><\/figure><\/div>\n\n<p class=\"article-full-body sans-serif\">This exhibition brings together exciting historical, modern and contemporary works from the Fleming Collection (a remarkable private collection of Scottish art) that span over 100 years of social transformation, innovation and individualism. Supplemented by further loans, the exhibition celebrates over 30 artists including Joan Eardley, Margot Sandeman and Wilhelmina Barns-Graham. By displaying their work alongside that of their peers and those they inspired, the dynamic tensions and synergies that have influenced successive generations of Scottish artists are revealed.<\/p>\n\n<p class=\"article-full-body sans-serif\">\u2018Since its inception in 1968, the Fleming Collection has been unusual in recognising the importance of women artists to the story of Scottish art, when key works by Joan Eardley, Anne Redpath and other mid-century greats were acquired,\u2019 says James Knox, director of the Fleming Collection. \u2018This groundbreaking show brings that story up to date.\u2019<\/p>\n\n<p class=\"article-full-body sans-serif\">  <strong><a href=\"http:\/\/sainsburycentre.ac.uk\">sainsburycentre.ac.uk<\/a><\/strong><\/p>\n\n<h4 class=\"has-text-align-center article-subhead\">Paula Rego Literary Inspirations<\/h4>\n\n<p class=\"has-text-align-center article-full-body sans-serif\"><em>Until 9th July, Petersfield Museum<\/em><\/p>\n\n<div class=\"no-tts wp-block-image article-in-image photo\"><figure class=\"no-tts aligncenter\"><img loading=\"lazy\" width=\"1235\" height=\"1596\" src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/d967c020-463e-446f-8568-025fbbef3da7.jpg\" alt=\"\" class=\"no-tts wp-image-10134\" srcset=\"https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/d967c020-463e-446f-8568-025fbbef3da7.jpg 1235w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/d967c020-463e-446f-8568-025fbbef3da7-232x300.jpg 232w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/d967c020-463e-446f-8568-025fbbef3da7-792x1024.jpg 792w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/d967c020-463e-446f-8568-025fbbef3da7-768x992.jpg 768w, https:\/\/c01.purpledshub.com\/uploads\/sites\/49\/2022\/04\/d967c020-463e-446f-8568-025fbbef3da7-1189x1536.jpg 1189w\" sizes=\"(max-width: 1235px) 100vw, 1235px\" \/><figcaption>CLOCKWISE FROM TOP Girl Reading at Window, 2001\u20132002; Jane Eyre, 2001\u20132002; Flood, 1996, all Dame Paula Rego. Courtesy The Fine Art Society.<\/figcaption><\/figure><\/div>\n\n<p class=\"article-full-body sans-serif\">Hot on the heels of Tate Britain\u2019s retrospective of Dame Paula Rego\u2019s work in 2021 comes this exhibition at Petersfield Museum. Curated by Sophie Yaniw, who you may remember shared some key objects in the collection at Petersfield in \u2018Behind the Scenes at the Museum\u2019 in the January issue, this show seeks to enlighten visitors about the creative process of Rego \u2013 one of the most important figurative artists of our time.<span> A key focus is on Charlotte Bronte\u2019s novel <\/span><em>Jane <\/em><em>Eyre <\/em>\u2013 six lithographs and two drawings illustrate how Rego\u2019s drawings of Jane became self-portraits. Other literary works that have inspired Rego\u2019s work in this exhibition include Blake Morrison\u2019s suite of poems <em>Pendle <\/em><em>Witches, <\/em>the folk tale <em>Stone <\/em><em>Soup, <\/em>and a short story by Martin McDonagh, which was the catalyst for Rego\u2019s triptych <em>Shakespeare\u2019s <\/em><em>Room.<\/em><\/p>\n\n<p class=\"article-full-body sans-serif\">\u2018It has been a joy and a privilege to curate this exhibition,\u2019 says Sophie. \u2018Through it we hope that visitors will better know the artist, as, inspired by her favourite works of literature, she tells a story that is authentically her own.\u2019<\/p>\n\n<p class=\"article-full-body sans-serif\">  <strong><a href=\"http:\/\/petersfieldmuseum.co.uk\">petersfieldmuseum.co.uk<\/a><\/strong><\/p>\n\n<p><\/p>\n\n<hr class=\"no-tts wp-block-separator is-style-wide\"\/>\n\n<h4 class=\"has-text-align-center article-subhead\"><strong><span class=\"has-inline-color has-ccp-purple-color\">THE FAIR<\/span><\/strong><\/h4>\n\n<h4 class=\"has-text-align-center article-subhead\">The Art &amp; Antiques Fair Olympia<\/h4>\n\n<p class=\"has-text-align-center article-full-body sans-serif\"><em>23rd\u201326th June, Olympia Grand, London<\/em><\/p>\n\n<ul class=\"no-tts wp-block-purple-slider\" data-autoplay=\"true\" data-speed=\"300\" data-effect=\"fade\"><li class=\"no-tts blocks-gallery-item\"><figure><img src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/ba46c59a-f50f-471d-85c3-4dd34824f9ce.jpg\" alt=\"\" data-id=\"10135\" data-link=\"https:\/\/c01.purpledshub.com\/homesantiques\/ba46c59a-f50f-471d-85c3-4dd34824f9ce\/\"\/><figcaption>Browse elegant furniture, ceramics, lighting, contemporary art and more.<\/figcaption><\/figure><\/li><li class=\"no-tts blocks-gallery-item\"><figure><img src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/0d69c751-6b2c-4367-a0b3-341ae3fcfb20.jpg\" alt=\"\" data-id=\"10136\" data-link=\"https:\/\/c01.purpledshub.com\/homesantiques\/0d69c751-6b2c-4367-a0b3-341ae3fcfb20\/\"\/><\/figure><\/li><\/ul>\n\n<p class=\"article-full-body sans-serif\">After a two-year hiatus, The Art &amp;<span> Antiques Fair Olympia is back with a vengeance! Visitors will be able to browse exquisite art and antiques from over 120 specialists, with prices ranging from \u00a3100 to \u00a31m. The fair takes place on the ground floor of the Victorian Olympia Grand with its impressive domed roof, flooding the vast hall with light. \u2018We are very excited to be able to run a 2022 summer fair after the necessary cancellation of the last two,\u2019 says Fair Director Mary Claire Boyd. \u2018Our dealers are true experts in their fields and are ready to inspire and excite visitors with a wealth of wonderful pieces available. From period furniture to contemporary art, the fair really has something for everyone.\u2019 The Spirit of Summer Fair is running alongside and visitors to this will also be able to visit The Art &amp; Antiques Fair. <\/span><\/p>\n\n<p class=\"article-full-body sans-serif\"><strong><a href=\"http:\/\/olympia-art-antiques.com\">olympia-art-antiques.com<\/a><\/strong><\/p>\n\n<p><\/p>\n\n<hr class=\"no-tts wp-block-separator is-style-wide\"\/>\n\n<h4 class=\"has-text-align-center article-subhead\"><strong><span class=\"has-inline-color has-ccp-secondary-light-color\">THE AUCTION <\/span><\/strong><\/h4>\n\n<h4 class=\"has-text-align-center article-subhead\">Interiors Sale, including Selected Property from the Collection of Elizabeth Gage<\/h4>\n\n<p class=\"has-text-align-center article-full-body sans-serif\"><em>14th\u201315th June, Dreweatts<\/em><\/p>\n\n<ul class=\"no-tts wp-block-purple-slider\" data-autoplay=\"true\" data-speed=\"300\" data-effect=\"fade\"><li class=\"no-tts blocks-gallery-item\"><figure><img src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/930925c1-3c4c-45df-9bc3-59eff2de8549.jpg\" alt=\"\" data-id=\"10137\" data-link=\"https:\/\/c01.purpledshub.com\/homesantiques\/930925c1-3c4c-45df-9bc3-59eff2de8549\/\"\/><figcaption>Filled with furniture, art and collectables, Elizabeth Gage\u2019s Wiltshire home, The Old Schoolhouse, is indicative of her unique style and gives buyers an idea of the pieces that will be on offer.<\/figcaption><\/figure><\/li><li class=\"no-tts blocks-gallery-item\"><figure><img src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/4db5e235-b8b5-4575-9306-44a8204d0f8f.jpg\" alt=\"\" data-id=\"10138\" data-link=\"https:\/\/c01.purpledshub.com\/homesantiques\/4db5e235-b8b5-4575-9306-44a8204d0f8f\/\"\/><figcaption>A large painted wood wall mirror, decorated by painted furniture specialist and interior designer Graham Carr, is expected to make \u00a3500\u2013\u00a3800<\/figcaption><\/figure><\/li><li class=\"no-tts blocks-gallery-item\"><figure><img src=\"https:\/\/dj9jqhxgw9833.cloudfront.net\/uploads\/sites\/49\/2022\/04\/d840e137-071c-47b8-8dcf-6ed171c56bb8.jpg\" alt=\"\" data-id=\"10139\" data-link=\"https:\/\/c01.purpledshub.com\/homesantiques\/d840e137-071c-47b8-8dcf-6ed171c56bb8\/\"\/><figcaption> A pottery armchair in the form of a Gothic throne was designed by Emma Lush in 1993 and is estimated at \u00a3500\u2013\u00a3800.<\/figcaption><\/figure><\/li><\/ul>\n\n<p class=\"article-full-body sans-serif\">For some years, the renowned jewellery designer Elizabeth Gage split her time between London, where she has her atelier, and her Grade II Wiltshire home,<span> The Old School House. Appropriately decorated in jewel colours, this historic property in the village of Mildenhall was the backdrop for an array of beautifully chosen pieces, some of which will go up for sale at Dreweatts this month, after the designer\u2019s decision to sell up. The collection of 60 lots going under the hammer carry estimates between \u00a3100 and \u00a32,000; highlights include a 1993 pottery armchair in the form of a Gothic throne and a Victorian hall bench, again in Gothic style. \u2018Immersed in the world of design, Elizabeth has an eye for the distinctive, the dramatic and the quirky, and this auction represents a great opportunity to buy into her style and sense of taste,\u2019 says Dreweatts specialist Ashley Matthews. <\/span><strong><a href=\"http:\/\/dreweatts.com\">dreweatts.com<\/a><\/strong><\/p>\n\n<p><\/p>\n\n<p><\/p>\n\n<p class=\"footer\">Photography: John McKenzie<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Key exhibitions. art &#038; antique fairs and interior 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exhibitions. art & antique fairs and interior 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