The six-part BBC comedy takes us back to ’90s Manchester.

By Abby Robinson

Published: Friday, 28 July 2023 at 09:00 AM


3.0 out of 5 star rating

The year: 1990. The place: Stockport, Greater Manchester. The man: Martin Parker (Conleth Hill), an entrepreneur and local Z-lister who is about to get his comeuppance.

BBC comedy The Power of Parker, created by Car Share’s Sian Gibson and Paul Coleman, takes its title from Martin’s advertising slogan for his chain of electrical goods stores. From the outside looking in, he appears to have it all – a successful business, a solid family unit, a fancy car and lovely big house – but his financial situation is “badder than bad” and after turning to loan sharks to stay afloat – his house of cards is on the verge of collapse.

And to make matters even worse, Martin’s long-suffering wife Diane (Rosie Cavaliero) and his perky mistress of 25 years Kath (Gibson) have also grown weary of his bad behaviour and team up to teach him a lesson.

Diane, Martin and Kath stood in front of the Parker's shop
Diane Parker (ROSIE CAVALIERO), Martin Parker (CONLETH HILL), Kath (SIAN GIBSON). Boffola Pictures/Lookout Point/Jack Barnes

The Power of Parker is an amalgam of premises we’ve seen before, but that didn’t dampen my enjoyment. There are a number of laugh out loud moments scattered throughout and a string of committed performances from a cast who are clearly having a ball.

Hill is excellent as the egocentric, smug and vain cowboy boot-wearing businessman at the heart of the high jinks. He embraces everything that’s required of him, including a toe-curlingly hideous dance with Gibson’s character that you’ll desperately want to tear your eyes away from, but won’t be able to, such is the weird magnetism it wields. His Mancunian accent, which is a deceptively tricky one to master, also gets a thumbs up from this Stockport native.

Diane and Kath are chalk and cheese – the former dresses “like Maggie Thatcher”, while Kath prefers double denim – which makes their scenes together a particular highlight. Watching them flip flop between hurling barbs at one another and slowly but surely finding common ground as they reevaluate Martin’s gross misconduct makes for a satisfying watch.

A hat tip must also go Abigail McGibbon, a Northern Irish actor best known for her theatre work. Her no nonsense delivery, particularly when talking about a bean toastie, elevates her dialogue from mundane observations to comedy gold.