George Miller’s latest not only fires up its motor, but slams its foot on the accelerator and rarely lets up.

By James Mottram

Published: Wednesday, 15 May 2024 at 19:30 PM


5.0 out of 5 star rating

“Start your engines.” So goes the cry in George Miller’s Furiosa: A Mad Max Saga, a film that not only fires up its motor, but slams its foot on the accelerator and rarely lets up.

The fifth film in Miller’s long-running post-apocalyptic saga, it’s the first without Max Rockatansky, the Road Warrior played by Mel Gibson in the original trilogy and Tom Hardy in 2015’s Mad Max: Fury Road.

Instead, the focus is Furiosa, Fury Road’s badass female (originally played by Charlize Theron) who masterminded an escape from the Citadel for her and a posse of women belonging to the foul ruler Immortan Joe.

Divided into five chapters, Furiosa: A Mad Max Saga spans the 15 years before Fury Road, bringing us the titular heroine’s origin story.

Played by Alyla Browne in these early scenes, the young Furiosa is captured and taken to Dementus (Chris Hemsworth), a man as demented as his name suggests.

After torturing and killing her mother in front of her, he wants Furiosa to lead him to her home, an idyllic land of plenty far from the Wasteland, the parched wilderness where inhabitants fight for the precious little food, water and petrol that exists.

Refusing to speak, Furiosa stays mute, although things change when Dementus and his men rock up to the Citadel in the hope of toppling Immortan Joe (Lachy Hulme).

After a stand-off, Dementus is forced to give over Furiosa to prevent all-out war. From here, Miller shifts the action on a good few years – with one of the most brilliant ‘passing of time’ transitions you’ll ever see, involving a branch and a discarded hairpiece – with Furiosa now a young woman (with Last Night in Soho’s Anya Taylor-Joy replacing Browne).