{"id":12736,"date":"2022-03-24T01:06:44","date_gmt":"2022-03-24T00:06:44","guid":{"rendered":"https:\/\/www.radiotimes.com\/?p=1612704"},"modified":"2022-03-24T01:25:30","modified_gmt":"2022-03-24T00:25:30","slug":"ambulance-review-michael-bays-latest-is-enjoyably-intense-thrill-ride","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/radiotimes\/rss_feed\/ambulance-review-michael-bays-latest-is-enjoyably-intense-thrill-ride\/","title":{"rendered":"Ambulance review: Michael Bay\u2019s latest is enjoyably intense thrill ride"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Patrick Cremona\n                \t\t<\/p><p class=\"rssbyline\">Published: Thursday, 24 March 2022 at 12:00 am<\/p><hr class=\"wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><div class=\"&quot;editorial-rating-summary\" editorial-rating-summary--=\"\"> <div class=\"&quot;ratings-stars\"> <div class=\"&quot;ratings-stars__icons&quot;\"> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-fill=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-fill=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-fill=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <\/div> <span class=\"&quot;ratings-stars__value&quot;\"> <span class=\"&quot;sr-only&quot;\">3.0 out of 5 star rating<\/span> <\/span> <\/div> <\/div> <p>On paper, the premise of Michael Bay\u2019s latest action flick sounds pretty much indestructible: after a botched heist, two bank-robbing brothers make a getaway in a stolen ambulance while a paramedic desperately attempts to keep a police officer alive in the back of the vehicle.<\/p>\n<p>Although technically a remake of a 2005 Danish film of the same name, Bay claims he deliberately avoided watching that version in a bid to make Ambulance as distinct as possible \u2013 and indeed nobody could deny that the Transformers filmmaker\u2019s stamp is all over this rather relentless film, which proves great entertainment value in spite of a multitude of flaws.<\/p>\n<p>At the film\u2019s opening, we\u2019re introduced to Will (Yahya Abdul Mateen II) an Afghanistan war veteran desperate to earn enough money to cover his wife\u2019s dearly expensive medical bills. Despite being warned against it, Will\u2019s first port of call is to check in with his unpredictable bank robber brother Danny (Jake Gyllenhaal), whose family he was adopted by as a young child and with whom he still shares something of a fraternal relationship, even if their lives have taken them down very different paths. Naturally, this visit has barely begun before Will is roped into taking part in a huge heist \u2013 with the promise of major cash rewards when all goes according to plan.<\/p>\n<iframe title=\"&quot;Ambulance\" official=\"\" trailer=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/7NU-STboFeI?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>But of course, things don\u2019t go according to plan. The operation begins to go terribly awry when they\u2019re interrupted by a clueless police officer as he attempts to ask out a bank teller \u2013 and events eventually lead to Will shooting and severely wounding the officer. Thankfully Cam (Eiza Gonzalez), a supremely talented but somewhat closed-off paramedic who deals with all sorts of nasty accidents around LA, is on hand to attend to the injured copper. But with the authorities beginning to circle, Danny and Will are left with no choice but to commandeer her ambulance to make an escape, as she frantically attempts to keep the officer alive.<\/p>\n<p>From then on, the film essentially plays out as one extra-long car chase, with Bay\u2019s trademark bombastic direction present in all its glory. Throughout, Bay\u2019s camera rarely stays still, sweeping and swooping through the LA streets as the ambulance does its best to evade the constantly growing police presence. This kinetic camerawork, coupled with Bay\u2019s choppy editing style and an extremely foreboding score, ensure the film is so intense that it occasionally comes off as almost like a parody. There\u2019s a relentless, never-take-the-foot-off-the-pedal pace that is difficult to sustain over a two-hour runtime, and there are some inevitable lags where the adrenaline threatens to wear off.<\/p>\n<p>The writing, meanwhile, is by and large extremely cheesy, with characters <span style=\"&quot;font-weight:\">frequently uttering ridiculous lines such as: \u201cY<\/span><span style=\"&quot;font-weight:\">ou know when you\u2019re playing hide and seek, that feeling you get when you\u2019re about to get caught? I\u2019m great at making people feel that way!\u201d or <\/span><span style=\"&quot;font-weight:\">\u201cGet a pen and paper and write this on it: f**k off.\u201d<\/span><\/p>\n<p><span style=\"&quot;font-weight:\">And yet despite those flaws, the film is \u2013 for the most part \u2013 tremendously entertaining viewing. <\/span>The performances from the main cast certainly help in this regard, with Gyllenhaal looking like he\u2019s having a huge amount of fun as Danny, a career criminal who doesn\u2019t like to think of himself as the bad guy despite his increasingly unhinged behaviour. Gyllenhaal spends the majority of the runtime yelling and swearing, and it\u2019s a hugely enjoyable portrait of a descent into increasing desperation.<\/p> <p>He\u2019s paired well with Abdul-Mateen, who is an altogether more grounded presence in the driver\u2019s seat, while Gonzalez shines as the initially rather detached Cam. As the film goes on, it\u2019s the dynamic between these two characters that essentially becomes the heart and soul of the piece, and there are some well-played scenes towards the end.<\/p>\n<p>Interspersed throughout the chase are also some great set pieces, t<span style=\"&quot;font-weight:\">he highlight of which is an unbearably tense sequence in which Cam must perform surgery on the injured officer. Her job is to extract a bullet from his body while she\u2019s talked through the tricky procedure by some doctors on Zoom and the result is a gory, bloody mess that verges on full-on body horror.<\/span><\/p>\n<p>Meanwhile, there\u2019s also a strain of absurdist humour running through the film \u2013 a weird rant about flamingos here, a random appearance from a dog there \u2013 which occasionally breaks up the intensity of the endeavour, although even most of the comic relief is delivered in the form of screaming and ranting, and not all of the jokes really land. On the whole, though, this is an enjoyably intense thrill ride \u2013 complete with several fun performances from a very game A-list cast.<\/p>\n<p><strong>Ambulance is showing in UK cinemas from Friday 25th March 2022. Looking for something else to watch? Check out our <a href=\"&quot;https:\/\/www.radiotimes.com\/tv\/tv-listings\/&quot;\">TV Guide<\/a> or visit our <a href=\"&quot;https:\/\/www.radiotimes.com\/movies\/&quot;\">Movies<\/a> hub for all the latest news, interviews, and features.<\/strong><\/p>\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\">\n<section class=\"&quot;template-article__editor-content\" editor-content=\"\" ev-meter-content=\"\"><div class=\"&quot;editor-content__locked\" js-piano-locked-content=\"\">\n<div class=\"&quot;post__content-end\" row=\"\" hidden-print=\"\">\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\">\n<div class=\"&quot;post__content-end\" row=\"\" hidden-print=\"\">\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\">\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\">\n<p><strong>The latest issue of Radio Times is on sale now \u2013\u00a0<a href=\"&quot;https:\/\/www.radiotimes.com\/magazine-subscription\/&quot;\" rel=\"&quot;noopener\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-linkindex=\"&quot;0&quot;\">subscribe now<\/a>\u00a0to get each issue delivered to your door. For more from the biggest stars in TV, l<\/strong><strong>isten to the\u00a0<a href=\"&quot;https:\/\/www.radiotimes.com\/podcasts\/&quot;\" rel=\"&quot;noopener\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-linkindex=\"&quot;1&quot;\">Radio Times podcast<\/a> with Jane Garvey.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><\/div><\/body><\/html>\n<hr class=\"wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Patrick Cremona Published: Thursday, 24 March 2022 at 12:00 am 3.0 out of 5 star rating On paper, the premise of Michael Bay\u2019s latest action flick sounds pretty much indestructible: after a botched heist, two bank-robbing brothers make a getaway in a stolen ambulance while a paramedic desperately attempts to keep a police officer [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":0,"template":"","categories":[6],"acf":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Patrick Cremona Published: Thursday, 24 March 2022 at 12:00 am 3.0 out of 5 star rating On paper, the premise of Michael Bay\u2019s latest action flick sounds pretty much indestructible: after a botched heist, two bank-robbing brothers make a getaway in a stolen ambulance while a paramedic desperately attempts to keep a police officer&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/12736"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=12736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=12736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}