{"id":13135,"date":"2022-04-01T03:05:18","date_gmt":"2022-04-01T01:05:18","guid":{"rendered":"https:\/\/www.radiotimes.com\/?p=1617835"},"modified":"2022-04-01T03:36:09","modified_gmt":"2022-04-01T01:36:09","slug":"the-bubble-review-a-dreadful-pandemic-dud-from-judd-apatow","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/radiotimes\/rss_feed\/the-bubble-review-a-dreadful-pandemic-dud-from-judd-apatow\/","title":{"rendered":"The Bubble review: A dreadful pandemic dud from Judd Apatow"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Patrick Cremona\n                \t\t<\/p><p class=\"rssbyline\">Published: Friday, 01 April 2022 at 12:00 am<\/p><hr class=\"wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><div class=\"&quot;editorial-rating-summary\" editorial-rating-summary--=\"\"> <div class=\"&quot;ratings-stars\"> <div class=\"&quot;ratings-stars__icons&quot;\"> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-fill=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <\/div> <span class=\"&quot;ratings-stars__value&quot;\"> <span class=\"&quot;sr-only&quot;\">1.0 out of 5 star rating<\/span> <\/span> <\/div> <\/div> <p>Earlier this week, Judd Apatow deleted a tweet in which he made the rather outlandish claim that Will Smith \u201ccould have killed\u201d Chris Rock as a result of the now-infamous slap at Sunday night\u2019s Oscars.<\/p>\n<p>It was a pretty embarrassing overreaction to an admittedly shocking moment, but it can no longer be considered the most cringe-worthy part of the director\u2019s week \u2013 not after the release of his inept new Netflix comedy The Bubble.<\/p>\n<p>For Apatow, who has produced and directed many of the most successful studio comedies this side of the Millennium, this dreadful pandemic-themed film is the inarguable low point of his career \u2013 and one of the worst films of 2022 so far.<\/p>\n<p>The Bubble\u2019s premise is that Cliff Beasts 6 \u2013 the latest instalment of the \u201c23rd biggest action franchise of all time\u201d \u2013 is starting production at an opulent English hotel, where due to the ongoing pandemic the various cast members must bubble up for the duration of the shoot.<\/p>\n<p>The cast for the fictional film is led by Carol Cobb (Karen Gillan) a glamorous A-lister fresh from a disastrous turn in a critically-panned film called Jerusalem Rising, in which she played a half-Israeli, half Palestinian woman \u2013 despite the fact that she herself is a white American.<\/p>\n<p>Early on, we learn that Cobb had sat out the last Cliff Beasts film, but has been persuaded to return to the franchise by her agent (Rob Delaney) in a desperate bid to rescue her plummeting reputation.<\/p>\n<iframe title=\"&quot;The\" bubble=\"\" judd=\"\" apatow=\"\" comedy=\"\" official=\"\" trailer=\"\" netflix=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/ZBD8X5zLG4U?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>Her co-stars for the project include diva Lauren Van Chance (Leslie Mann) and her on-again, off-again partner Dustin (David Duchovny), comic actor Howie Frangopolous (Guz Khan), and renowned stunt performer Sean Knox (Keegan-Michael Key), as well as a couple of newcomers to the franchise: TikTok icon Krystal Kris (Iris Apatow) and \u2018serious actor\u2019 Dieter Bravo (Pedro Pascal).<\/p>\n<p>This varied crop of actors are directed by the apparently visionary filmmaker Darren Eigan (Fred Armisen) and attended to by a number of hotel staff, who range from the obsequious to the relatively unbothered<\/p>\n<p>As is to be expected from Apatow, a fine cast of comic performers has been assembled for the picture, and yet despite their presence the film musters barely a single laugh throughout its painfully bloated runtime, which seems to drag on almost as long as the disastrous shoot being depicted \u2013 with just as little momentum or direction.<\/p>\n<p>Most of the humour is ridiculously broad and awkwardly delivered, whether it be jokes about generational gaps, or cults, or cocaine binges, or the upstairs-downstairs nature of the relationship between the actors and hotel staff.<\/p>\n<p>And that\u2019s not even mentioning the glut of laboured pandemic material that would have already felt tired in late 2020, or the excruciating TikTok dance sequences that interrupt the action on more than one occasion, or the inexplicable big-name cameos (including one particularly dire scene featuring Daisy Ridley).<\/p>\n<p>Every now and again, there are a couple of decent gags sprinkled in \u2013 a fair few of which come from the actors playing the dinosaur characters in Cliff Beasts 6 \u2013 but not nearly enough to save an otherwise totally lacklustre script.<\/p> <p>As the film progresses, and the cast and crew become increasingly impatient about the regular threats to production, an assortment of competing plot strands emerge, although none of them can truly be said to be winning.<\/p>\n<p>One of them sees the arrival of a new head of security with particularly hardline methods (leading to a bizarre moment of body horror featuring Leslie Mann\u2019s character), another sees Carol Cobb strike up a brief affair with a Real Betis footballer as she deals with issues in her long-distance relationship, and the worst of all sees Pedro Pascal\u2019s character desperately attempt to find someone, anyone, to sleep with him.<\/p>\n<p>The Bubble is not the first star-studded film to tackle COVID and the resulting lockdowns in an irreverent manner \u2013 Doug Liman\u2019s Locked Down, starring Anne Hathaway and Chiwetel Ejiofor, took a similarly comedic approach to the subject matter last year, also without much success. But at least that film had the excuse of being rushed out in order to feel immediate and relevant \u2013 this one can\u2019t even be let off the hook on those grounds.<\/p>\n<p>In the film\u2019s final scene, just before the closing credits roll, one character muses: \u201cThe whole rest of the movie can be s**t, as long as the ending is good, \u2019cause that\u2019s what they\u2019ll remember, y\u2019know?\u201d Alas, The Bubble couldn\u2019t even get that much right.<\/p>\n<p><strong>The Bubble is streaming on <a href=\"\/\/www.netflix.com\/title\/81393268&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Netflix<\/a> from Friday 1st April 2022. If you\u2019re looking for something else to watch, check out our <a href=\"&quot;https:\/\/www.radiotimes.com\/tv\/tv-listings\/&quot;\">TV Guide<\/a>\u00a0or visit our\u00a0<a href=\"&quot;https:\/\/www.radiotimes.com\/movies\/&quot;\">Movies<\/a>\u00a0hub for all the latest news.<\/strong><\/p>\n<section><div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\">\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\">\n<section class=\"&quot;template-article__editor-content\" editor-content=\"\" ev-meter-content=\"\"><div class=\"&quot;editor-content__locked\" js-piano-locked-content=\"\">\n<div class=\"&quot;post__content-end\" row=\"\" hidden-print=\"\">\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\">\n<div class=\"&quot;post__content-end\" row=\"\" hidden-print=\"\">\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\">\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\">\n<p><strong>The latest issue of Radio Times is on sale now \u2013\u00a0<a href=\"&quot;https:\/\/www.radiotimes.com\/magazine-subscription\/&quot;\" rel=\"&quot;noopener\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-linkindex=\"&quot;0&quot;\">subscribe now<\/a>\u00a0to get each issue delivered to your door. For more from the biggest stars in TV, l<\/strong><strong>isten to the\u00a0<a href=\"&quot;https:\/\/www.radiotimes.com\/podcasts\/&quot;\" rel=\"&quot;noopener\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-linkindex=\"&quot;1&quot;\">Radio Times podcast<\/a>\u00a0with Jane Garvey.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section><\/div>\n<\/div>\n<\/section><\/body><\/html>\n<hr class=\"wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Patrick Cremona Published: Friday, 01 April 2022 at 12:00 am 1.0 out of 5 star rating Earlier this week, Judd Apatow deleted a tweet in which he made the rather outlandish claim that Will Smith \u201ccould have killed\u201d Chris Rock as a result of the now-infamous slap at Sunday night\u2019s Oscars. It was a [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":13136,"template":"","categories":[6],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/04\/the-bubble-review-a-dreadful-pandemic-dud-from-judd-apatow.jpg",1920,1280,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/04\/the-bubble-review-a-dreadful-pandemic-dud-from-judd-apatow-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/04\/the-bubble-review-a-dreadful-pandemic-dud-from-judd-apatow-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/04\/the-bubble-review-a-dreadful-pandemic-dud-from-judd-apatow-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/04\/the-bubble-review-a-dreadful-pandemic-dud-from-judd-apatow-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/04\/the-bubble-review-a-dreadful-pandemic-dud-from-judd-apatow-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/04\/the-bubble-review-a-dreadful-pandemic-dud-from-judd-apatow.jpg",1920,1280,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Patrick Cremona Published: Friday, 01 April 2022 at 12:00 am 1.0 out of 5 star rating Earlier this week, Judd Apatow deleted a tweet in which he made the rather outlandish claim that Will Smith \u201ccould have killed\u201d Chris Rock as a result of the now-infamous slap at Sunday night\u2019s Oscars. It was a&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/13135"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media\/13136"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=13135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=13135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}