Although it essentially paved the way for the McConaissance, 2011\u2019s The Lincoln Lawyer<\/a> was still only a moderate hit, which left few clamouring for a small-screen continuation. Nevertheless, David E Kelley, who knows a thing or two about legal thrillers, has spent the last few years trying to rescue it from development hell.<\/p>\n Now, just a month after his first Netflix<\/a> original Anatomy of a Scandal<\/a>\u00a0went viral for all the wrong reasons, Kelley has the chance to restore his reputation with a new outing for the slick, sharp-suited, SUV-inhabiting defence attorney. But while 10-part series The Lincoln Lawyer shares its name with the Matthew McConaughey vehicle, it\u2019s far from a retread.<\/p> It\u2019s based on an entirely different Michael Connelly novel, for one thing \u2013 The Brass Verdict \u2013 with the action picking up a year on from the events of its predecessor, with a new leading man and supporting cast. Perhaps best-known for being one of The Magnificent Seven, Manuel Garcia-Rulfo assumes the role of Mickey Haller, while Neve Campbell brings the star power as his no-nonsense district attorney ex-wife Maggie.<\/p>\n Connelly, who also serves as executive producer, has hailed Rulfo for adding \u201ca powerful dynamic and dimension to the role\u201d, and he\u2019s not wrong. The brooding Mexican is undoubtedly the most compelling aspect of the show, imbuing a character that could scream \u2018smug jackass\u2019 (he\u2019s prone to spouting cliches such as \u201cfake it \u2019til you make it\u201d while his license plate reads NTGUILTY) with far more charm than McConaughey.<\/p>\n Campbell, on the other hand, is disappointingly sidelined for most of the series, only intermittently popping up to pass judgement over Mickey\u2019s skills as both a lawyer and father to their precocious teenage daughter Hayley (Krista Warner).<\/p>\n Apart from Mickey\u2019s second ex-wife Lorna (Becki Newton), the other key players are new on-screen additions including gruff-voiced investigator Cisco (Angus Sampson), defendant-turned-chauffeur Izzy (Jazz Raycole) and disgraced tech mogul Trevor Elliott (Christopher Gorham) \u2013 and it\u2019s the latter\u2019s murder trial that informs much of the drama.<\/p>\n As with the film\u2019s main suspect, Ryan Phillippe\u2019s playboy Louis, Trevor is a member of high society whose switches between over-confidence and vulnerability keep you guessing about his culpability: could he really have brutally killed his wife and her lover in a jealous fit of rage? But while this case would probably succeed in retaining your attention across a two-hour movie, here it struggles to sustain enough interest, which is no surprise given the series totals approximately 500 minutes of TV.<\/p>\n The same can also be said for the ruthless killing of a former colleague \u2013 which may or may not be linked \u2013 that brings Mickey out of his self-imposed semi-retirement.<\/p>\n You get the feeling Kelley would have been far more comfortable spinning this into a procedural \u2013 a format that he perfected back in the 90s. There are traces of L.A. Law and Ally McBeal in the minor cases, which offer crucial respite from all the doom and gloom: the woman charged with indecency for going topless on a beach, for example, or the man accused of embezzling a charity.<\/p>\n And with its jazzy music cues, soapy relationship drama and glossy cinematography, you can see how The Lincoln Lawyer was initially primed for CBS.<\/p>\n While the show stays relatively faithful to its source material\u2019s central narrative, readers will notice several changes in its televised transfer, from the act of vengeance that brings one case to a grisly close to the change in driving personnel, which allows Mickey to show off his softer side. The biggest difference, however, centres on the detective who helps piece the puzzles together.<\/p>\n Towards the book\u2019s conclusion, Mickey discovers that LAPD maverick Harry Bosch is, in fact, his half-brother. But with the latter having fronted his own eponymous Amazon<\/a> original and the rival networks unwilling to forge their own multiverse of madness, a brand-new and completely unrelated sleuth (played by Ntare Guma Mbaho Mwine, who confusingly also guested on Bosch<\/a>) shows up instead. Although Mwine stamps his authority whenever he features, the lack of family connection robs The Lincoln Lawyer of a more emotional denouement.<\/p>\n We\u2019re left in no doubt that Mickey has now got his mojo back, but should he avoid Netflix\u2019s increasingly swift axe and live to see another season of defending criminals from the backseat of his beloved Lincoln Town Car, there\u2019s little to whet the appetite.<\/p>\n Sure, the show just about does enough to justify its existence and separate itself from the novel and same-named film, and it\u2019s certainly a step up from the preposterous antics of Kelley\u2019s last effort. But why he was so determined to take such a relatively generic potboiler off the page is arguably The Lincoln Lawyer\u2019s most intriguing mystery.<\/p>\n The Lincoln Lawyer premieres on Netflix<\/a> on Friday 13th May \u2013 check out our <\/strong>Drama<\/strong><\/a> hub for all the latest news. <\/strong>If you\u2019re looking for something to watch tonight, check out our <\/strong>TV Guide<\/strong><\/a>.<\/strong><\/p>\n The latest issue of Radio Times magazine is on sale now \u2013\u00a0subscribe now<\/a>\u00a0and get the next 12 issues for only \u00a31. For more from the biggest stars in TV, listen to the\u00a0Radio Times podcast<\/a> with Jane Garvey.<\/b><\/p>\n<\/div><\/body><\/html>\n By Jon O’Brien Published: Friday, 13 May 2022 at 12:00 am 2.0 out of 5 star rating Although it essentially paved the way for the McConaissance, 2011\u2019s The Lincoln Lawyer was still only a moderate hit, which left few clamouring for a small-screen continuation. Nevertheless, David E Kelley, who knows a thing or two about […]<\/p>\n","protected":false},"author":24,"featured_media":15349,"template":"","categories":[5],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/05\/the-lincoln-lawyer-review-how-netflix-series-differs-to-matthew-mcconaughey-film.png",1742,1192,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/05\/the-lincoln-lawyer-review-how-netflix-series-differs-to-matthew-mcconaughey-film-150x150.png",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/05\/the-lincoln-lawyer-review-how-netflix-series-differs-to-matthew-mcconaughey-film-300x205.png",300,205,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/05\/the-lincoln-lawyer-review-how-netflix-series-differs-to-matthew-mcconaughey-film-768x526.png",768,526,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/05\/the-lincoln-lawyer-review-how-netflix-series-differs-to-matthew-mcconaughey-film-1024x701.png",800,548,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/05\/the-lincoln-lawyer-review-how-netflix-series-differs-to-matthew-mcconaughey-film-1536x1051.png",1536,1051,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/05\/the-lincoln-lawyer-review-how-netflix-series-differs-to-matthew-mcconaughey-film.png",1742,1192,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Jon O’Brien Published: Friday, 13 May 2022 at 12:00 am 2.0 out of 5 star rating Although it essentially paved the way for the McConaissance, 2011\u2019s The Lincoln Lawyer was still only a moderate hit, which left few clamouring for a small-screen continuation. Nevertheless, David E Kelley, who knows a thing or two about…","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/15348"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media\/15349"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=15348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=15348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"""\"](\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2022\/05\/TLL107Unit01433RC-27228f0.jpg?quality=90&resize=620%2C413"\" "\\"\"\"\\"\/")
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