{"id":21667,"date":"2022-09-08T09:01:53","date_gmt":"2022-09-08T07:01:53","guid":{"rendered":"https:\/\/www.radiotimes.com\/?p=1703131"},"modified":"2022-09-08T09:28:33","modified_gmt":"2022-09-08T07:28:33","slug":"pinocchio-2022-review-disney-remake-pales-in-comparison-to-original","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/radiotimes\/rss_feed\/pinocchio-2022-review-disney-remake-pales-in-comparison-to-original\/","title":{"rendered":"Pinocchio 2022 review: Disney remake pales in comparison to original"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Patrick Cremona\n                \t\t<\/p><p class=\"rssbyline\">Published: Thursday, 08 September 2022 at 12:00 am<\/p><hr class=\"wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><div class=\"&quot;editorial-rating-summary\" editorial-rating-summary--=\"\"> <div class=\"&quot;ratings-stars\"> <div class=\"&quot;ratings-stars__icons&quot;\"> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-fill=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-fill=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <\/div> <span class=\"&quot;ratings-stars__value&quot;\"> <span class=\"&quot;sr-only&quot;\">2.0 out of 5 star rating<\/span> <\/span> <\/div> <\/div> <p>All of a sudden, Pinocchio is absolutely everywhere. Three years on from the release of Matteo Garrone\u2019s Italian-language version, not one but two new adaptations of the tale of the wooden boy are scheduled for release in the latter half of 2022.<\/p>\n<p>In November, The Shape of Water and Pan\u2019s Labyrinth director Guillermo del Toro will provide his hotly-anticipated take on the classic fairytale, but first up is this Disney Plus version \u2013 which sees the House of Mouse continue its recent <span style=\"&quot;font-weight:\">fascination with remaking its own animated classics as live-action\/CGI hybrids.<\/span><\/p>\n<p>As has been the case with most of these remakes \u2013 such as Dumbo, Aladdin, and The Lion King \u2013 the film boasts a starry cast and big name director. Tom Hanks, Luke Evans and Joseph Gordon-Levitt are among those to take on iconic roles, while Robert Zemeckis \u2013 whose 1988 classic Who Framed Roger Rabbit remains perhaps the best example of mixing live action with animation \u2013 is the man behind the camera.<\/p>\n<p>Despite that pedigree, however, this film never does enough to justify its own existence, failing to improve on the tremendous 1940 animation in any meaningful way.<\/p>\n<iframe title=\"&quot;Pinocchio\" new=\"\" trailer=\"\" disney=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/pNEO2e-OFu4?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p><span style=\"&quot;font-weight:\">The screenplay from Zemeckis and Chris Weitz is largely faithful to the narrative of the previous film, which itself differs a great deal from the original Italian source material.<\/span><\/p>\n<p><span style=\"&quot;font-weight:\">As in the 1940 version, Jiminy Cricket (Gordon-Levitt) is our way into the story, guiding us from the early appearance of the Blue Fairy (Cynthia Erivo) \u2013 who first brings the titular puppet to life \u2013 to the almost surrealist trip to Pleasure Island in the final act, complete with donkey transformations, whale swallowing, and all the rest of it.<\/span><\/p>\n<p><span style=\"&quot;font-weight:\">There are, however, a couple of updates, including the addition of a new female puppet named Sabina and her owner Fabiana, as well as a slightly more ambiguous ending.\u00a0<\/span><\/p>\n<p><span style=\"&quot;font-weight:\">Meanwhile, songwriting duo <\/span>Alan Silvestri and Glen Ballard have provided four new musical numbers for this production, including one sung by Hanks\u2019 Geppetto and another by Evans\u2019 Coachman.<\/p>\n<p>These new tracks are fine but fairly forgettable, and certainly can\u2019t live up to the songs that are brought over from the previous film, including Hi-Diddle-Dee-Dee and When You Wish Upon a Star \u2013 although perhaps that\u2019s no great surprise given the latter remains Disney\u2019s theme song all these years later.<\/p> <p><span style=\"&quot;font-weight:\">As for the script, there are numerous attempts to update the dialogue for a 21st-century audience \u2013 including references to influencers and a name drop for Chris Pine \u2013 but these largely come across as pretty cringeworthy. And it doesn\u2019t help that many of the hyperactive voice performances are quite grating, a far cry from the gentle charm of the previous film.\u00a0<\/span><\/p>\n<p><span style=\"&quot;font-weight:\">It would probably be unfair to say that the film is completely devoid of merit. The story itself, for example, is timeless and should keep young audiences engaged \u2013 particularly those who aren\u2019t already familiar with the story. And there is also some impressive production design, especially in Geppetto\u2019s workshop \u2013 which includes several cuckoo clocks containing references to other Disney films. <\/span><\/p>\n<p><span style=\"&quot;font-weight:\">But all too often the film is hampered by ugly CGI that makes the whole movie something of an eyesore, especially compared to the original, which remains such a tremendous feat of animation more than 80 years after its release. This CGI Pinocchio, for example, never feels as expressive as the 1940 version, nor does Jiminy Cricket seem as warm and likeable.\u00a0<\/span><\/p>\n<p>The final act of the 1940 film is perhaps one of the most nightmarish things Disney has ever released \u2013 and even though this version follows roughly the same plot, it\u2019s unable to recreate the same disturbing tone. Frankly, the whole production just doesn\u2019t contain the same magic \u2013 it isn\u2019t <span style=\"&quot;font-weight:\">whimsical or macabre enough to be a worthwhile remake.<\/span><\/p>\n<p><strong>Pinocchio is streaming now on Disney Plus \u2013 <a href=\"\/\/disneyplus.bn5x.net\/c\/1236178\/564546\/9358?subId1=radiotimes-0&amp;u=https%3A%2F%2Fwww.disneyplus.com%2Fen-gb&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">sign up to Disney Plus for \u00a37.99 a month or \u00a379.90 for a year<\/a>. Check out more of our <a href=\"\/\/www.radiotimes.com\/movies\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Film<\/a>\u00a0coverage or visit our\u00a0<a href=\"\/\/www.radiotimes.com\/tv\/tv-listings\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">TV Guide<\/a>\u00a0to see what\u2019s on tonight.<\/strong><\/p>\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\" data-placement=\"&quot;Body&quot;\">\n<p><strong>The latest issue of Radio Times magazine is on sale now \u2013\u00a0<a href=\"\/\/radiotimes.com\/magazine-subscription?utm_term=evergreen-article&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-linkindex=\"&quot;0&quot;\">subscribe now<\/a>\u00a0and get the next 12 issues for only \u00a31. For more from the biggest stars in TV, listen to the\u00a0<a href=\"\/\/www.radiotimes.com\/podcasts\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-linkindex=\"&quot;1&quot;\">Radio Times podcast<\/a> with Jane Garvey.<\/strong><\/p>\n<\/div><\/body><\/html>\n<hr class=\"wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Patrick Cremona Published: Thursday, 08 September 2022 at 12:00 am 2.0 out of 5 star rating All of a sudden, Pinocchio is absolutely everywhere. Three years on from the release of Matteo Garrone\u2019s Italian-language version, not one but two new adaptations of the tale of the wooden boy are scheduled for release in the [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":21668,"template":"","categories":[1],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/09\/pinocchio-2022-review-disney-remake-pales-in-comparison-to-original.jpg",1920,1279,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/09\/pinocchio-2022-review-disney-remake-pales-in-comparison-to-original-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/09\/pinocchio-2022-review-disney-remake-pales-in-comparison-to-original-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/09\/pinocchio-2022-review-disney-remake-pales-in-comparison-to-original-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/09\/pinocchio-2022-review-disney-remake-pales-in-comparison-to-original-1024x682.jpg",800,533,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/09\/pinocchio-2022-review-disney-remake-pales-in-comparison-to-original-1536x1023.jpg",1536,1023,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2022\/09\/pinocchio-2022-review-disney-remake-pales-in-comparison-to-original.jpg",1920,1279,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Patrick Cremona Published: Thursday, 08 September 2022 at 12:00 am 2.0 out of 5 star rating All of a sudden, Pinocchio is absolutely everywhere. Three years on from the release of Matteo Garrone\u2019s Italian-language version, not one but two new adaptations of the tale of the wooden boy are scheduled for release in the&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/21667"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media\/21668"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=21667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=21667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}