(Inside Man, Doctor Who)<\/em><\/p>\n\u201cI got to be in the final night of the TV Centre, as it was, before it got regenerated. That felt like a very important night. That building has been through so much \u2013 it\u2019s basically dripped in all our cultural history. It\u2019s still there of course, and they still make shows there, but there\u2019s something about that building. We grew up watching it, it was like the backdrop to Record Breakers and Blue Peter \u2013 it\u2019s just part of the cultural furniture of the nation, as is the BBC itself.<\/p>\n
\u201cIt\u2019s one of these things that we tinker with at our peril, I would say. To me, the BBC is one of the few things that gives our nation the distinctive voice that it has once enjoyed! It\u2019s something that we have to cling onto with white knuckles to preserve.\u201d<\/p>\n
Charlotte Moore <\/strong>(Chief Content Officer, BBC)<\/em><\/p>\n\u201cLike so many of us, my world was very much shaped by watching the BBC as a kid. The films and the shows that really affected my career were watching The Trials of Life and shows like Life on Earth \u2013 The World About Us in my childhood. And it was really where there were windows into the world and there you were, in your own bubble of life. It was where I got an appetite to want to go into television in the first place.<\/p>\n
\u201cFor so many children, so many young people, I do think those shows allowed you to realise the whole world beyond your front door, and beyond the life that we all lived. Those, for me, were shows that made me want to go into television in the first place. And then of course cut to many years later, you end up finding yourself working with David Attenborough\u2026 it was like a dream come true.\u201d<\/p>\n
An Adventure in Space and Time.<\/span><\/figcaption><\/div>\nMark Gatiss <\/strong>(Sherlock, Dracula)<\/em><\/p>\n\u201cDoctor Who is my first TV memory \u2013 making An Adventure in Space and Time, nearly 10 years ago, for the 50th was a really special thing. That was also a love letter to the BBC as well, the TV Centre, and everything I\u2019ve always loved about it as an institution.<\/p>\n
\u201cThere\u2019s honestly too many [highlights] to mention. The BBC remains the most incredible thing; it\u2019s like the fabric of everyone\u2019s lives in the United Kingdom. I know it\u2019s a clich\u00e9 to say, but it\u2019s absolutely true \u2013 we turn to it in times of trouble, we turn to it for news and wisdom, and above all else, for our entertainment! It\u2019s an incredible institution, and god bless it for 100 years.\u201d<\/p>\n
Helen Daly <\/strong>(Associate Editor, RadioTimes.com)<\/em><\/p>\n\u201cIf there\u2019s one thing that\u2019s a staple in my household, it\u2019s the soaps \u2013 especially EastEnders. While the soap is full of drama and intrigue all year round, it\u2019s Christmas I always look forward to. EastEnders always goes above and beyond during the festive period to deliver explosive action \u2013 and I just love<\/i>\u00a0it. A real staple of Christmas and showcases what the\u00a0BBC<\/span> does best.\u201d<\/p>\nChris Kamara<\/strong> (Kammy & Ben\u2019s Proper Football Podcast)<\/em><\/p>\n\u201cI am old so I remember when England won the World Cup and Kenneth Wolstenholme shouted, \u2018It\u2019s you know, Geoff Hurst\u2019s third and final goal, they think is all over \u2013 it is now.\u2019 The best bit of telly ever.\u201d<\/p>\n
England win the 1966 World Cup.<\/span><\/figcaption><\/div>\nJack Thorne\u00a0<\/strong>(His Dark Materials, Then Barbara Met Alan)<\/em><\/p>\n\u201cI spent most of my childhood and teenage years trying to watch the maximum amount of television possible. For me, my BBC teachers were Jack Rosenthal, Caroline Aherne, Alan Bleasdale, Jeanette Winterson, Jean Marsh, Eileen Atkins, Peter Flannery and Tony Marchant.<\/p>\n
\u201cI know exactly where I sat watching Oranges Are Not the Only Fruit, Our Friends in the North, Goodbye Cruel World, and Boys from the Blackstuff. Growing up in a small town, the box in the corner of the room was my TARDIS and I loved it for it.\u201d<\/p>
Steven Knight\u00a0<\/strong>(Peaky Blinders)<\/em><\/p>\n\u201cThe BBC has always been very good for me. I love the way they work; I love the way they leave you alone creatively. I do a lot of work in the States and that\u2019s great, but when you work with the BBC they just let you do it, which is wonderful.<\/p>\n
\u201cI started pretty much at the BBC with Jasper Carrott and The Detectives, so The Detectives is a very fond memory for me. It\u2019s lost and forgotten now but if people ever get a chance to watch old episodes, it\u2019s really good.<\/p>\n
\u201cAnd the big moments \u2013 the 1966 World Cup final, watching on the BBC \u2013 the landmarks in one\u2019s life. I\u2019m a big supporter of it because I think people don\u2019t realise what they\u2019ve got in the BBC; it is an absolute national treasure. It\u2019s our big brand, I think. The streamers have come along quite recently but BBC is still, I think, the authority in the world of television. I just couldn\u2019t be more fond of and loyal to the BBC.\u201d<\/p>\n
Morgan Jeffery\u00a0<\/strong>(Executive Editor, RadioTimes.com)<\/em><\/p>\n\u201cThe BBC might not be a perfect institution, but in 2003, it owned one of its biggest mistakes when it green-lit new episodes of Doctor Who, 14 years after the once-legendary sci-fi series had been allowed to dematerialise from our screens.\u00a0Reviving the show, and doing so with such energy, imagination and colour that it appealed not just to the hardcore but captured the imaginations of a whole new generation, is perhaps my absolute favourite thing that the Beeb has done in its 100-year history.\u201d<\/p>\n
Ariana Grande performing at One Love Manchester.<\/span><\/figcaption> Getty<\/i><\/span><\/div>\n Ore Oduba\u00a0<\/strong>(BBC Sport, Strictly Come Dancing)<\/em><\/p>\n\u201cCreating moments of telly that go right to the heart of the nation has been the cornerstone of the BBC for the last 100 years. I\u2019ve been lucky to be part of a few but to host One Love Manchester on BBC One \u2013 a once-in-a-lifetime global concert featuring some of the biggest names in music \u2013 just days after one of the greatest tragedies in recent memory was overwhelming, heartbreaking and yet totally inspiring.<\/p>\n
\u201cI remember standing in our studio position, above 55,000 people at Old Trafford Cricket Ground, broadcasting to a TV audience of 18 million as Ariana Grande sang One Last Time to the world. It was one of the most powerful moments I\u2019ve witnessed in my life.\u201d<\/p>\n
Abby Robinson\u00a0<\/strong>(Drama Editor, RadioTimes.com)<\/em><\/p>\n\u201cFrom I May Destroy You to Happy Valley to Fleabag to Luther to Time to Normal People to The Office (I could go on and on and on), the BBC<\/span> has consistently delivered some of the very best drama and comedy in the world. The hours of storytelling I\u2019ve gobbled up across its platforms have enriched my life immensely, through both pure entertainment and a willingness to tackle challenging subjects that kickstart vital conversations and change right here in the real world. Here\u2019s to the next 100 years!\u201d<\/p>\n Michaela Coel in I May Destroy You.<\/span><\/figcaption> BBC<\/i><\/span><\/div>\n Shem Law\u00a0<\/strong>(Co-Editor, Radio Times)<\/em><\/p>\n\u201cColditz, BBC One, 1972: This was what passed for \u2018must-watch\u2019 TV back in those days. The daring escape attempts discussed in much detail in form rooms up and down the country on a Friday morning after the Thursday night airings. Doctor Who was something that you might look forward to on a Saturday but it wasn\u2019t a true story like this.<\/p>\n
\u201cI suppose a drama about being incarcerated all day, eating bad food and dreaming of escape spoke to the pupils at secondary moderns nationwide; it certainly did at mine. We even started dressing like the POW\u2019s (I bought a black civil defence blouson from the army surplus shop in town, which my mother reluctantly sewed my blazer badge onto, and a white rollneck sweater. Many detentions later, I was forced back into a tie and a shirt.) We even started a tunnel under the stage in the main hall, but we didn\u2019t get down very far before deciding it was far too much like hard work.<\/p>\n
\u201cNever before or since, I might add, has a BBC TV drama had that sort of effect on me (though I understand there was a Peaky Blinders fashion craze in schools not so long ago). Most kids in my school wanted to be Allan Clarke or Peter Osgood; I just wanted to be David McCallum.\u201d<\/p>\n
I couldn’t be more fond of and loyal to the BBC. Steven Knight, Peaky Blinders creator<\/footer><\/blockquote> <\/div> <\/div> <\/div>\n<\/div> Hamza Yassin<\/strong>\u00a0(Strictly Come Dancing, Countryfile)<\/em><\/p>\n\u201cFor me, [it\u2019s] Attenborough with the gorillas. For sure.\u201d<\/p>\n
Miranda Hart\u00a0<\/strong>(Miranda, Call the Midwife)<\/em><\/p>\n\u201cWatching Morecambe and Wise aged seven and deciding my life\u2019s aim was to \u2018be silly\u2019 like them was my most vital, joyful, and inspiring television experience. Yet I never would have believed that 30 years later I could be in the same iconic BBC studio recording my own sitcom. During one recording I had to wipe away a tear that my comedy heroes had trod the same floor. I will be forever grateful and proud to be part of BBC comedy history, particularly the sitcom tradition of recording in front of an audience.\u201d<\/p>\n
Morecambe and Wise.<\/span><\/figcaption> BBC Studios<\/i><\/span><\/div>\n Shane Richie\u00a0<\/strong>(EastEnders)<\/em><\/p>\n\u201cMy fondest memory of Saturday mornings was Noel Edmonds\u2019s Swap Shop. Every Saturday I\u2019d rush back and watch it and pray that Noel Edmonds ended up in North West London. Sadly he didn\u2019t ever come to Harlesden but I was always happy to swap an Action Man for a Six Million Dollar Man \u2013 that was one of my first memories of the BBC. Then I finally got to meet Noel Edmonds and Keith Chegwin and I asked them if I could swap an Action Man for a Six Million Dollar Man \u2013 they didn\u2019t find it funny!\u201d<\/p>\n
George Webster\u00a0<\/strong>(CBeebies)<\/em><\/p>\n\u201cWhen I was really little, I always loved watching the Tweenies and listening to the Tweenies tapes. I would listen to the tapes every afternoon and throw all my balls out of my playcot. Then I would go straight to sleep.<\/p>\n
\u201cWhen I went to CBeebies for my screen test, I walked down the corridor and I saw all the pictures of the presenters. It was so cool. One of my favourite TV shows on the BBC is Casualty. Recently, I was filming for an episode which was another dream come true. I feel very honoured and privileged to be part of the Casualty family. Afterwards, I went to the summer party to celebrate the filming and Will [Beck] who plays Dylan was being the DJ and George [Rainsford] who plays Ethan did an amazing speech.\u201d<\/p>\n
Lauren Morris\u00a0<\/strong>(Entertainment and Factual Writer, RadioTimes.com)<\/em><\/p>\n\u201cDavid Tennant\u2019s four-year stint on Doctor Who made my childhood, with the converse-wearing Time Lord becoming my first proper celebrity crush. Weeping Angels and Cybermen may have haunted my nightmares, but it was worth it. Thanks BBC<\/span> (and RTD)!\u201d<\/p>\n Stargazing Live is an example of what the BBC, and only the BBC, can do very well. Armando Iannucci, writer and director<\/footer><\/blockquote> <\/div> <\/div> <\/div>\n<\/div> Armando Iannucci<\/strong> (The Thick of It, The Day Today)<\/em><\/p>\n\u201cBBC Two\u2019s Stargazing Live always stood out for me as an example of what the BBC, and only the BBC, can do very well. 90-minute shows, scheduled live each evening across a week, getting the country involved in science and astronomy. Hosted by Dara \u00d3 Briain and Brian Cox, bringing fan bases across entertainment and factual together, utilising the BBC\u2019s Outside Broadcast units across the country, plugging in the knowledgeable presenting team from The Sky at Night, and making entertaining, thoughtful television to enthuse a national audience. Brilliant.<\/p>\n
\u201cI chose it as my example of what the BBC does best in my MacTaggart Lecture of 2015 defending the BBC against political opposition. Alas, not long after, the show was one of the first casualties of forced cuts to the BBC budget. Why successive governments attack and harry this great institution, which commands so much respect for us around the world, I struggle to understand.\u201d<\/p>\n
Rochelle Humes\u00a0<\/strong>(The Hit List, Children in Need)<\/em><\/p>\n\u201cFor me, Children in Need is such a showcase of what the BBC do so well. I\u2019ve been fortunate enough to be part of the presenting team on that show. When I think BBC, I think Children in Need \u2013 that\u2019s part of their legacy, right?\u201d<\/p>\n
Doctor Who star Jodie Whittaker meets young fan Anna on Children in Need.<\/span><\/figcaption><\/div>\nSylvester McCoy<\/strong> (Doctor Who)<\/em><\/p>\n\u201cWhen I got the [Doctor Who] job, I was travelling through Russia on the Trans-Siberian Express when the train stopped at the station in Siberia. I got out to stretch my legs and was greeted by a Dalek. If you go to Hanoi, there\u2019s a cafe there with a TARDIS on the roof. In Brazil, they know of Doctor Who \u2013 in Manaus, in the middle of the Amazon rainforest\u2026 Extraordinary.\u201d<\/p>\n
Stephen Merchant<\/strong> (The Office, The Outlaws)<\/em><\/p>\n\u201cI was a young BBC trainee and, as part of a lesson on TV directing, I had to make an instructional film about how to wash a car. The next exercise was to make a short documentary. Instead, I made a fake documentary with my friend, Ricky Gervais. I still have the tape. The label reads: 1. How to wash a car. 2. The Office.\u201d<\/p>\n
The Office stars Ricky Gervais and Mackenzie Crook.<\/span><\/figcaption> BBC<\/i><\/span><\/div>\n Gethin Jones<\/strong> (Morning Live, Blue Peter)<\/em><\/p>\n\u201cAs a Blue Peter presenter, I completed the 30-mile Royal Marine Commando Yomp, the final test standing between Royal Marine recruits and a green beret. The toughest challenge I\u2019ve ever undertaken. I finished it, in bits, just outside the eight hours. A nine-year-old viewer called Millie was so upset I didn\u2019t get my beret, she decided to knit me one. She made it to the scale of my head on her television screen, embroidered with a tiny Blue Peter badge! I still have it. A reminder of the power of television, and the effect it can have on audiences of all ages!\u201d<\/p>\n
Chris Chibnall<\/strong> (Doctor Who<\/em>, Torchwood)<\/em><\/p>\n\u201cIt\u2019s the TV comedies that got me early. First, the fizzing, endlessly inventive chaos of The Goodies. They were the gateway drug. Then, sneaking into my parents\u2019 bedroom, in the late 1970s, after my bedtime but before theirs, to watch forbidden 9 o\u2019clock BBC Two comedies on a black and white portable TV: repeats of Monty Python\u2019s Flying Circus, new episodes of Fawlty Towers, Ripping Yarns, and Not the Nine O\u2019Clock News. All of them slightly forbidden, deeply iconoclastic, unsuitable for an eight-year-old. I had to laugh quietly, so my parents downstairs didn\u2019t hear, didn\u2019t realise I was still up. God I loved them all, and still do.\u201d<\/p>\n
Blackadder 2 cemented my love of comedy, great writing and performance.