Disney<\/i> <\/span>\n<\/div>\nAvailable on Disney Plus<\/a><\/strong><\/p>\n
In one of the most welcome surprises of 2022, Rogue One writer Tony Gilroy crafted a character-driven, politically-charged epic that showed the cost of rebellion in greater depth and nuance than we\u2019ve ever seen in that galaxy far, far away. The series smartly dedicates just as much of its attention to the various branches of the Empire too, presenting the very human side of the authoritarian machine.<\/p>\n
It\u2019s exactly the kind of patient and long-form storytelling that blockbuster franchises should be exploring with their TV spin-offs, fleshing out fan-favourite characters like Mon Mothma and Cassian Andor in a way that adds to their legacy and doesn\u2019t just cash in on it. For Star Wars fans who have struggled with the varying quality of output since Disney\u2019s Lucasfilm acquisition 10 years ago, Andor ultimately offers something they weren\u2019t expecting \u2013 hope. \u2013 Christian Tobin<\/a>, Production Editor<\/strong><\/p>
9. The Lazarus Project<\/strong><\/h2>\n $\"""\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
Sky UK Limited<\/i> <\/span>\n<\/div>\nAvailable on Sky<\/a> and NOW<\/a><\/strong><\/p>\n
On the surface, Joe Barton\u2019s superior sci-fi is about a secret organisation that can turn back time to prevent global catastrophes. But it\u2019s really not about that at all. It\u2019s about memory, the importance of shared experience, the tiny moments that shape entire lives, and the lengths people would go to for those they care about. And it\u2019s a high-adrenaline action thriller to boot.<\/p>\n
Paapa Essiedu is, as ever, excellent as the new Lazarus recruit whose ultimate mission puts him in the firing line from all sides. There\u2019s also sterling work from Anjli Mohindra, Rudi Dharmalingam and Tom Burke in a supporting cast of characters with shifting moralities that force the viewer to question their own allegiances. At eight episodes long, the series could have run for another eight and it still would have had plenty of story to tell. Bring on\u00a0 season 2<\/a>! \u2013 Christian Tobin, Production Editor<\/strong><\/p>\n
8. Ozark<\/strong><\/h2>\n $\"""\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>\n
Available on Netflix<\/a><\/strong><\/p>\n
One of Netflix\u2019s crowning achievements, the operatic family crime drama\u00a0Ozark<\/span> came to a brutal and ruthless conclusion that was utterly in keeping with the show\u2019s modus operandi. Laura Linney once again offered a chilling performance as the utterly ruthless Wendy Byrde, while Julia Garner further cemented her Ruth Langmore into the pantheon of iconic television characters.<\/p>\n
The final stretch centred primarily on the existing core characters and offered them the chance to potentially change and move away from darkness, but often shows that we are doomed to repeat our own vicious cycles. Once again, Ozark<\/span> hit home the enticing pull of wealth and influence, with a darkly memorable conclusion which may upset some but feels perfectly fitting for its pitch black world. \u2013\u00a0Lewis Knight<\/a>, Trends Editor (SEO)<\/strong><\/p>\n
7. The Tourist<\/strong><\/h2>\n $\"""\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
BBC<\/i> <\/span>\n<\/div>\nAvailable on Sky<\/a> and BBC iPlayer<\/a><\/strong><\/p>\n
From that gripping yet quirkily comical opening scene,\u00a0 The\u00a0Tourist<\/span> <\/a>\u2013 and its leading man Jamie Dornan \u2013 was onto a winner. Intrigue in abundance, superb pacing and actual jokes(!) set Harry and Jack Williams\u2019s thriller apart from the pack when it came to the year in drama. While Dornan carried the title role with dexterity and Shalom Brune-Franklin cemented herself as a star, it was the spectacular Danielle Macdonald\u2019s turn as Constable Helen Chambers which was the heart of the series. Watch it (or watch it again) before season 2 arrives \u2013 who knows what it might bring. \u2013 Minnie Wright<\/a>, News Editor<\/strong><\/div>\n
6. Bad Sisters<\/strong><\/h2>\n $\"""\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
Apple TV+<\/i> <\/span>\n<\/div>\nAvailable on Apple TV+<\/a><\/strong><\/p>\n
A show about a group of\u00a0sisters<\/span> plotting to kill their brother-in-law sounds like a grim old watch, but Sharon Horgan\u2019s adaptation of Flemish series Clan was the most fun I\u2019ve had with any show in a long time.<\/p>\n
There are three strands to its brilliance: Horgan\u2019s acerbic wit, a string of top-tier performances and a TV villain from Claes Bang <\/span>that every audience member instantly despises with every fibre of their being. On paper, the premise is deranged but a millisecond spent in John Paul\u2019s company and I was willing them to do their worst, the absurd rendered plausible.<\/p>\n
Bad\u00a0Sisters<\/span><\/a>\u00a0was possibly the greatest test of Horgan\u2019s career to date given the myriad moving parts she had to juggle, but she well and truly understood the assignment.\u00a0\u2013 Abby Robinson<\/a>, Drama Editor<\/strong><\/p>\n
5. This is Going to Hurt<\/strong><\/h2>\n $\"""\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
BBC<\/i> <\/span>\n<\/div>\nAvailable on Sky<\/a> and BBC iPlayer<\/a><\/strong><\/p>\n
BBC One kicked off the year with a comedy-drama that appeared\u00a0to<\/span>\u00a0epitomise the life of a junior doctor fairly well: stressful from the get-go with both elements of comic relief and utter, heart-wrenching devastation. I\u2019m, of course, talking about\u00a0 This<\/span>\u00a0is<\/span>\u00a0Going<\/span>\u00a0to<\/span>\u00a0Hurt<\/span><\/a>\u00a0\u2013 the seven-part series based on Adam Kay\u2019s memoir of the same name<\/a>.<\/p>\n
While being transported to<\/span> the obstetrics and gynaecology ward of an NHS hospital in the mid-2000s made for anxious viewing most of the time, Ben Whishaw\u2019s electric performance as the dry-witted, obnoxious but damaged Adam was simply mesmerising. Throw in Ambika Mod, who proved herself to<\/span>\u00a0be 2022\u2019s breakout star, and a series of frank and sometimes upsetting scenarios, and you have a daring drama that hits home just how\u00a0to<\/span>ugh it can be in the medical profession. Although considering the number of skin-tearing C-sections that feature, pregnant women may want\u00a0to<\/span>\u00a0give\u00a0this<\/span> one a miss \u2013\u00a0doctor\u2019s orders. \u2013 Lauren Morris<\/a>, Entertainment and Factual Writer<\/strong><\/p>\n
4. The Responder<\/strong><\/h2>\n $\"""\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
BBC<\/i> <\/span>\n<\/div>\nAvailable on Sky<\/a> and BBC iPlayer<\/a><\/strong><\/p>\n
Martin Freeman overcame his considerable fame and decidedly un-Scouse background to effectively disappear into perhaps his most challenging role to date. Facing intense pressure with every night on the beat and a home life in tatters, Liverpudlian policeman Chris Carson is already on the brink when drawn into a cocaine theft that threatens what little he has left.<\/p>\n
You might think you\u2019ve had enough of police dramas \u2013 I certainly did \u2013 but The\u00a0Responder<\/span><\/a> proves there\u2019s life in the genre when done right. Creator Tony Schumacher makes excellent use of his personal experience in the force and in the region to inform this utterly compelling piece of work, which stunningly exposes scenarios in which the system fails its most vulnerable. \u2013 David Craig<\/a>, Drama Writer<\/strong><\/p>\n
3<\/strong>. The White Lotus<\/strong><\/h2>\n $\"""\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
SEAC<\/i> <\/span>\n<\/div>\nAvailable on Sky<\/a> and NOW<\/a><\/strong><\/p>\n
After Mike White\u2019s picturesque whodunnit became an unexpected phenomenon last year, few dared hope that the follow-up would be able to top it \u2013 but arguably, it did just that. Taking the baton from a viral moment in season 1, this instalment in the anthology series honed in on sex and desire, examining the complex viewpoints of its core characters in fascinating detail.<\/p>\n
The show might have got off to a slower start this time around, but it steadily gained momentum until the finale came hurtling towards us like a bullet train. All those weeks of simmering tension boiled over in a tense 75 minutes, permeated with an unbearable sense of dread as White gradually revealed which tourist had taken their final vacation.<\/p>\n
Among a stellar ensemble cast, Aubrey Plaza, Tom Hollander, Meghann Fahy, Jennifer Coolidge and relative unknown Adam DiMarco proved standouts.\u00a0\u2013 David Craig, Drama Writer<\/strong><\/p>\n
2. House of the Dragon<\/strong><\/h2>\n $\"""\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>\n
Available on Sky<\/a> and NOW<\/a><\/strong><\/p>\n
Well, didn\u2019t this show prove us all wrong? So many went into House of the\u00a0Dragon<\/span>\u00a0with very low expectations after the Game of Thrones finale landed like the dampest of squibs. Then this show came roaring out of the gate, with a hugely impressive premiere<\/a> which immediately cleansed fans\u2019 palates.<\/p>\n
What followed were 10 expertly crafted episodes leaning into what Thrones always did best \u2013 the politicking, the backstabbing, hushed conversations in darkened rooms. The frequent time jumps may have been too much for some, but no one could accuse the show of having \u2018filler\u2019 \u2013 everything was crucial to the story and these characters. The show\u2019s cast is an embarrassment of riches, with stars like Matt Smith, Emma D\u2019Arcy, Olivia Cooke and especially Paddy Considine lighting up the screen. As this season\u2019s closing moments set up a killer second act, it\u2019s fair to say the fire is back in Westeros. \u2013 James Hibbs<\/a>, Drama Writer<\/strong><\/p>\n
1. Severance<\/strong><\/h2>\n $\"""\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
Apple<\/i> <\/span>\n<\/div>\nAvailable on Apple TV+<\/a><\/strong><\/p>\n
Severance<\/span> puts a whole new spin on how to achieve the perfect work-life balance.<\/p>\n
The Apple TV+ drama manages to be both escapist and a possible window into the future, courtesy of our tech overlords, which makes for a uniquely singular viewing experience.<\/p>\n
More than any other title this year,\u00a0 Severance<\/span><\/a>\u00a0was master of the slow burn, teasing its audience with tantalising yet unsettling breadcrumbs, every episode better than the last as it crept towards one of the most compelling TV finales in recent memory.<\/p>\n
Dan Erickson and his writers\u2019 room also showcased an extraordinary flair for tonal acrobatics, delivering bone-chilling horror, intense intrigue, deadpan comedy and even goofball humour, with many moments playing on your mind long after.<\/p>\n
While the first season of Severance arrived with little to no fanfare, the same cannot be said for the now hotly-anticipated season 2.\u00a0\u2013 Abby Robinson, Drama Editor<\/strong><\/p>\n
If you\u2019re looking for more to watch, check out our TV Guide<\/a>\u00a0and\u00a0 Streaming Guide<\/a>.<\/strong><\/p>\n
The Christmas double issue of Radio Times magazine is on sale now<\/strong>\u00a0\u2013\u00a0<\/strong>subscribe now<\/strong><\/a>. For more from the biggest stars in TV, listen to the\u00a0<\/strong>Radio Times View From My Sofa podcast<\/strong><\/a>.<\/strong><\/p> <\/body><\/html>\n
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