RadioTimes.com<\/a> and other press, writer and executive producer Craig Mazin explained, \u201cUltimately, adaptation is all about choices. And we can talk until our faces turn blue about how we make those choices. And there\u2019s a lot of math to it. But for me, what it always came back to was, \u2018What do I love?\u2019 What, as a fan, would I be hurt if I didn\u2019t see it in the show?<\/p>\n\u201cAnd what do I think we would absolutely have to change to adapt to a medium that is passive, that isn\u2019t interactive, that doesn\u2019t require gameplay? And what are the things that we can be inspired by and adjust and just let ourselves be creative, but always within the bounds of \u2018what do we love\u2019?\u201d<\/p>\n
Mazin noted that this process \u201cwas made a lot easier by the fact that the narrative material, putting the gameplay aside, just the straight bedrock drama of the game that Neil [Druckmann] created is wonderful. There are incredibly rich characters, and most importantly rich relationships.<\/p>\n
\u201cAnd the way the plot moved was always in service of forcing those main characters and their relationship to change and grow. So everything we did, all of that adaptation process, picking and choosing, for me, came down to loving the game, and understanding the game. And then understanding this other thing we wanted to make that had to be both the same and different at the same time.\u201d<\/p>
Druckmann, having written and creative-directed both of the Last of Us games, worked with Mazin as a writer and executive producer on the TV show.<\/p>\n
He told us: \u201cI think in the past, the mistake that some adaptations make when they come from video game to a more passive medium is to hang on to the action and the superficial things and the things that player is doing. And those work magnificently as a game. And they kind of fall flat in this other medium.\u201d<\/p>\n
Of course, in this day and age, there\u2019s no shortage of TV shows or movies that are adapted from pre-existing material. But given that players of the game will already know the core beats of the story, were Mazin and Druckmann tempted to deviate from the game\u2019s plot to give the audience some more surprises?<\/p>\n
Nico Parker as Sarah and Pedro Pascal as Joel in The Last of Us.<\/span><\/figcaption> Sky Atlantic\/NOW\/HBO<\/i><\/span><\/div>\n \u201cWe did deviate, but not to surprise the audience,\u201d Druckmann answered. \u201cThat was never our goal, like, \u2018how do we surprise them?\u2019 We knew that would happen organically as we just kind of adapt this from one medium to another, and the surprises will emerge in that way. But yeah, that was never never a focus of ours.\u201d<\/p>\n
Doubling down on his belief that the show will still work even if you know how it ends, Druckmann told us, \u201cYou will be able to rewatch this multiple times and get more information, more nuances, because again, the story is all laid out in front of us, especially where it might go past a season.<\/p>\n
\u201cThere are things we\u2019d like, seeds we can plant early on and they get paid off much later. I think multiple viewings will get you to appreciate that structure more and more, that there was a lot of thought put in every episode to make it as strong as possible. But also, how does it fit in the greater whole of the entire story and arc?\u201d<\/p>\n
Bella Ramsey as Ellie and Anna Torv as Tess in The Last of Us.<\/span><\/figcaption> Sky Atlantic\/NOW\/HBO<\/i><\/span><\/div>\n \u201cThe journey is everything to me,\u201d Mazin added. \u201cWe stress endings, because we live in a spoiler culture, and there are movies with crazy twist endings that really are awesome. Like, I wouldn\u2019t have wanted to know how Fight Club ended if I hadn\u2019t seen it yet. But this isn\u2019t that. The Last of Us isn\u2019t about lots of twists and turns. The Last of Us is about the journey, and about these characters.\u201d<\/p>\n
The structure of a TV show also has its own benefits, Mazin noted. He said, \u201cOne thing that we get to do is create beginnings and endings every week. When you\u2019re playing the game, you decide where you\u2019re putting the controller down for the night, you decide how far you go. You can play it all in one crazy long session. You can do it 10 minutes at a time.<\/p>
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