{"id":28640,"date":"2023-01-13T13:30:54","date_gmt":"2023-01-13T12:30:54","guid":{"rendered":"https:\/\/www.radiotimes.com\/?p=1768390"},"modified":"2023-01-13T19:00:21","modified_gmt":"2023-01-13T18:00:21","slug":"tar-ending-explained-is-the-final-third-a-dream-sequence","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/radiotimes\/rss_feed\/tar-ending-explained-is-the-final-third-a-dream-sequence\/","title":{"rendered":"T\u00e1r ending explained: is the final third a dream sequence?"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Patrick Cremona\n                \t\t<\/p><p class=\"rssbyline\">Published: Friday, 13 January 2023 at 12:00 am<\/p><hr class=\"wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p>Months after opening to extremely strong reviews across the Atlantic, Todd Field\u2019s film T\u00e1r finally arrives in UK cinemas today.<\/p>\n<p>The psychological drama is a character study of the fictional American conductor Lydia T\u00e1r (superbly played by Cate Blanchett) following her over a three-week stretch that sees her life slowly begin to unravel due to a string of accusations.<\/p>\n<p>It all culminates in a tremendous final act \u2013 one that has already prompted much debate amongst critics and cinemagoers, with various theories having been put forward as to exactly what is going on in those last scenes.<\/p>\n<p>If you\u2019ve watched the film and still need a little help unpacking those closing moments, read on to have the T\u00e1r ending explained.<\/p>\n<p>And of course, there are <strong>major spoilers for T\u00e1r<\/strong> ahead.<\/p> <h2><strong>T\u00e1r ending explained: what happens to Lydia <\/strong><strong>T\u00e1r?<\/strong><\/h2>\n<p>When we first meet Lydia T\u00e1r \u2013 during an on-stage interview with New Yorker journalist Adam Gopnick \u2013 she cuts an imposing, formidable figure: a revered composer and conductor who is worshipped by audiences and critics alike.<\/p>\n<p>Over the course of the film, however, the problems gradually begin to pile up. First, there is Krista Taylor, a former prodigy who had become enamoured with Lydia following a sexually transactional relationship that fell apart \u2013 with Lydia then essentially blacklisting her from various orchestras by leaving a string of bad references.<\/p>\n<p>Later in the film, we learn that Krista has died of suicide, and has left a note that strongly accuses Lydia of wrongdoing.<\/p>\n<p>And that isn\u2019t the only accusation about Lydia. When he is about to be sacked from his post, assistant conductor Sebastian tells Lydia that he and others in the orchestra are aware of her favouritism, and this accusation certainly isn\u2019t without solid grounds.<\/p>\n<p>Throughout the film, we see Lydia show clear signs of preferential treatment toward a young Russian cellist named Olga, beginning when she rigs a blind audition so she can get into the orchestra in the first place.<\/p> <div class=\"&quot;brightcove\" embed=\"\"> <div class=\"&quot;embed__intrinsic&quot;\"> <div class=\"&quot;brightcove__player\" vjs-playlist-player-container=\"\"> <video data-video-id=\"6317596160112\" data-account=\"69912529001\" data-player=\"ByeOf0VZEl\" data-embed=\"&quot;default&quot;\" data-application-id=\"\" controls=\"\" class=\"&quot;video-js&quot;\"> <\/video> <\/div> <\/div>\n<\/div>\n<script src=\"&quot;\/\/players.brightcove.net\/69912529001\/ByeOf0VZEl_default\/index.min.js&quot;\"\/> <p>Lydia\u2019s clear attraction towards Olga alienates her partner and the orchestra\u2019s lead violinist Sharon as well as her assistant Francesca \u2013 who becomes especially irate when Lydia decides not to promote her to Sebastian\u2019s former position.<\/p>\n<p>Lydia appears to become increasingly disturbed by the accusations against her \u2013 hearing strange noises and experiencing mysterious pains \u2013 and one day after she has driven Olga home, she follows the cellist into an abandoned apartment complex only to be scared by a dog and fall, injuring herself in the process.<\/p>\n<p>From there, things get even worse: Francesca resigns without telling her and leaks some damaging emails, more accusations appear in the tabloid press, and an out-of-context clip of her giving a talk at Juilliard goes viral, showing her in a very bad light.<\/p>\n<p>Meanwhile, Olga begins to show a lack of interest in Lydia during a trip to New York, Sharon decides to leave her with their adopted daughter Petra in tow, and a lawsuit against Lydia from Krista Taylor\u2019s parents gathers increasing momentum. This all leads to Lydia being removed from her position as conductor.<\/p>\n<p>After attempting to storm the stage and usurping her replacement Eliot during the live recording of Mahler\u2019s 5th Symphony \u2013 what should have been her crowning moment \u2013 Lydia decides to return to her childhood home on\u00a0Staten Island, where we learn that her name is actually Linda Tarr. Here she watches an old video of her former mentor Leonard Bernstein giving a talk to children about the power of music.<\/p>\n<p>In the film\u2019s final moments sometime later, we learn that Lydia has found work conducting an orchestra in the Phillippines. In the very last scene, we see her conducting, with the camera zooming out to reveal the event her orchestra is performing at: a live performance of the score for the\u00a0Monster Hunter video game series with an audience of cosplayers.<\/p> <p>In the classical music world, of course, this would be seen as a major blow to her reputation: whereas the film opened with her speaking at an event considered widely respectable \u2013 The New Yorker Festival \u2013 this is a far less prestigious event and seems to encapsulate the fall from grace brought about by the accusations against her.<\/p>\n<p>Of course, it doesn\u2019t mean her career is over \u2013 and when we remember her expression while watching the aforementioned Lenorad Bernstein video, the ending could instead be reframed as her starting her journey again in order to rediscover her passion for music.<\/p>\n<p>Crucially, it\u2019s an ending that leaves some things open to the audience\u2019s interpretation. It doesn\u2019t make a specific judgement on whether Lydia\u2019s punishment was fair \u2013 or perhaps if it didn\u2019t go far enough \u2013 instead allowing the viewers to come to their own conclusions.<\/p>\n<p>Speaking about the ending during an exclusive interview with <a href=\"\/\/www.radiotimes.com\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">RadioTimes.com<\/a>, writer\/director Todd Field explained: \u201cI always knew where it would end \u2013 I always knew where I\u2019d start it and where it would end and I wanted to take a person and make them a vessel for having to hold power.<\/p>\n<p>\u201cAnd when does that vessel start to crack? You know, and in what manner does that vessel go from being something on a pedestal and sort of literally worshipped to being stuck in the garage?\u201d<\/p>\n<h2><strong>Is the final third a dream sequence?<\/strong><\/h2>\n<p>One other theory \u2013 that was put forward by <a href=\"\/\/slate.com\/culture\/2022\/12\/tar-cate-blanchett-movie-ending-explained-analyzed.html&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Slate<\/a> journalist Dan Kois \u2013 suggests that the aforementioned reading of the film is too literal and that in actual fact something a little more complicated is going on.<\/p>\n<p>According to this theory, the film\u2019s final act is all taking place inside Lydia T\u00e1r\u2019s head, with Kois coming to this conclusion because of the \u201cheightened and weird\u201d nature of many of the events which happen towards the end of the film, from the point at which Lydia enters an abandoned building after driving Olga home onwards.<\/p>\n<p>Instead, she is imagining a worst-case scenario having been spooked by the death of Krista \u2013 it\u2019s a long moment of introspection that sees her acknowledge that she has committed misdeeds and that perhaps her position of power won\u2019t shield her forever.<\/p>\n<p>Asked about this theory and others during a recent interview with <a href=\"\/\/www.vanityfair.com\/hollywood\/2022\/12\/todd-field-interview-tar-theories-lyrida-egot-awards-insider&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Vanity Fair<\/a>, Field answered: \u201cMy intent is completely irrelevant. The dream is that there\u2019s going to be enough room for anyone to come in and be the final filmmaker. I\u2019d love to hear when people attack the film for their own reasons. That interests me too.<\/p>\n<p>\u201cThere\u2019s no wrong way to read the film. The film is meant to inspire as ferocious or as superfluous speculation as possible, or opinions as possible because that is the only intent behind it.\u201d<\/p>\n<p><strong>T\u00e1r is now showing in UK cinemas. Check out more of our\u00a0<a href=\"\/\/www.radiotimes.com\/movies\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Film<\/a>\u00a0coverage or visit our\u00a0<a href=\"\/\/www.radiotimes.com\/tv\/tv-listings\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">TV Guide<\/a>\u00a0and\u00a0<a href=\"\/\/www.radiotimes.com\/streaming-guide\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Streaming Guide<\/a>\u00a0to see what\u2019s on tonight.<\/strong><\/p>\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\" data-placement=\"&quot;Body&quot;\">\n<p><strong>Try Radio Times magazine today and get 12 issues for only \u00a31 with delivery to your home\u00a0<\/strong><strong>\u2013\u00a0<\/strong><a href=\"\/\/radiotimes.com\/magazine-subscription?utm_term=evergreen-article&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-safelink=\"&quot;true&quot;\" data-linkindex=\"&quot;0&quot;\"><strong>subscribe now<\/strong><\/a><strong>. For more from the biggest stars in TV, listen to the\u00a0<\/strong><a href=\"\/\/www.radiotimes.com\/audio\/podcasts\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-safelink=\"&quot;true&quot;\" data-linkindex=\"&quot;1&quot;\"><strong>Radio Times View From My Sofa podcast<\/strong><\/a><strong>.<\/strong><\/p>\n<\/div> <\/body><\/html>\n<hr class=\"wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Patrick Cremona Published: Friday, 13 January 2023 at 12:00 am Months after opening to extremely strong reviews across the Atlantic, Todd Field\u2019s film T\u00e1r finally arrives in UK cinemas today. The psychological drama is a character study of the fictional American conductor Lydia T\u00e1r (superbly played by Cate Blanchett) following her over a three-week [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":28641,"template":"","categories":[1],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/tar-ending-explained-is-the-final-third-a-dream-sequence.jpg",1620,1080,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/tar-ending-explained-is-the-final-third-a-dream-sequence-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/tar-ending-explained-is-the-final-third-a-dream-sequence-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/tar-ending-explained-is-the-final-third-a-dream-sequence-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/tar-ending-explained-is-the-final-third-a-dream-sequence-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/tar-ending-explained-is-the-final-third-a-dream-sequence-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/tar-ending-explained-is-the-final-third-a-dream-sequence.jpg",1620,1080,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Patrick Cremona Published: Friday, 13 January 2023 at 12:00 am Months after opening to extremely strong reviews across the Atlantic, Todd Field\u2019s film T\u00e1r finally arrives in UK cinemas today. The psychological drama is a character study of the fictional American conductor Lydia T\u00e1r (superbly played by Cate Blanchett) following her over a three-week&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/28640"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media\/28641"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=28640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=28640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}