The five nominees for Best Film are: The Banshees of Inisherin<\/a>, Elvis, Everything Everywhere All At Once, T\u00e1r, and perhaps most unexpectedly All Quiet On The Western Front (whose total of 14 nominations is the most one film has achieved since The King\u2019s Speech managed the same amount in 2011.) While the inclusion of these films in itself isn\u2019t necessarily a shock \u2013 the first four at least are all considered to be pretty much locks for Best Picture nods \u2013 what is surprising is a couple of the films that have missed out.<\/p> Perhaps the most notable omission is Steven Spielberg\u2019s semi-autobiographical The Fabelmans, a film that has wowed critics since it first debuted at Toronto Film Festival in September 2022 \u2013 and which we called \u201ca dazzling and bittersweet movie memoir\u201d in our own five star review<\/a>. The film has been seen as a frontrunner in the Best Picture race since then, a position only strengthened by its recent victory in the Best Motion Picture \u2013 Drama category<\/a> at the Golden Globes. Its absence from this list, then, comes as something of a shock, especially coupled with the fact it only received a single nomination in any category, for Best Original Screenplay.<\/p>\n Also rather conspicuous by its absence is Top Gun: Maverick<\/a> \u2013 a sequel that outperformed pretty much everyone\u2019s expectations at the box office and received consistently glowing reviews, and which has since emerged as a major player in the awards conversation<\/a>. Joseph Kosinski\u2019s film has<\/em> picked up four nods in the technical categories, but its absence from the Best Film list could be seen as the death knell for any outside chance it had of picking up the top Academy Award in March \u2013 even if a nomination still seems pretty much a certainty.<\/p>\n But what does this all really<\/em> mean for the Oscars race? Well, even if the BAFTAs have regularly picked a different Best Film winner than the Oscars in recent times (the winners have only matched three times in the last 10 years) it\u2019s far less common for the eventual Best Picture winner not to make it onto the BAFTA shortlist at all, something which has happened just twice in the last two decades. But both The Fabelmans and Top Gun: Maverick can take heart from the fact that one of those anomalies came just last year, when CODA emerged as a surprise Oscar winner despite having been similarly absent from the BAFTA nominations list.<\/p>\n And so perhaps rather than looking at this BAFTAs list as a barometer of what we might expect to win the main prize at an entirely different awards ceremony in two months\u2019 time, we should celebrate the fact that these awards bodies aren\u2019t simply regurgitating the same predictable lists. Since the BAFTAs switched to a new nomination process in most categories in 2021, there\u2019s been a feeling that the awards have started gaining back their own identity, becoming something more than just a dress rehearsal for the Oscars.<\/p>\n These changes to the process haven\u2019t actually extended to the Best Film category so far \u2013 in which further diversification would still be welcome \u2013 but perhaps the fact that two films considered major Oscar favourites have missed out on a nomination should be seen as a sign that BAFTA voters are thinking a little differently than Oscar voters, rather than spelling the end of those films\u2019 chances.<\/p>\n Heading into the Oscars, there\u2019s a genuine sense that about five or six different films have a chance of picking up the top prize \u2013 and given just how close the race is this year, The Fabelmans shouldn\u2019t be ruled out just because of its omission here.<\/p> ![\"""\"](\""https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/top-gun-maverick-fd1fe84.jpg?quality=90&resize=620%2C413"\" "\\"\"\"\\"\/")
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