{"id":29302,"date":"2023-01-27T20:00:31","date_gmt":"2023-01-27T19:00:31","guid":{"rendered":"https:\/\/www.radiotimes.com\/?p=1775845"},"modified":"2023-01-27T20:29:42","modified_gmt":"2023-01-27T19:29:42","slug":"unwelcome-ending-explained-director-unpacks-final-scene","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/radiotimes\/rss_feed\/unwelcome-ending-explained-director-unpacks-final-scene\/","title":{"rendered":"Unwelcome ending explained: Director unpacks final scene"},"content":{"rendered":"<p class=\"rssexcerpt\"> Jon Wright tells RadioTimes.com that the closing sequence of his new horror film is &#8220;one of the craziest things I&#8217;ve ever shot&#8221;. **WARNING: This article contains spoilers for Unwelcome** <\/p><p class=\"rssauthor\">By Patrick Cremona\n                \t\t<\/p><p class=\"rssbyline\">Published: Friday, 27 January 2023 at 12:00 am<\/p><hr class=\"wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p>This week sees the arrival of brand new horror flick Unwelcome in UK and Irish cinemas \u2013 a film that takes inspiration from Irish folklore to create something that director Jon Wright has described as a \u201c<span class=\"&quot;searchHighlight&quot;\">Grimm<\/span> fairytale for adults\u201d.<\/p>\n<p>It tells the story of Maya (Hannah John-Kamen) and Jamie (Douglas Booth), a couple who are attacked in their own London flat shortly after they discover they are expecting a baby, leading them to move away from the city.<\/p>\n<p>Instead, they settle in a seemingly idyllic cottage in the Irish countryside formerly owned by Jamie\u2019s late aunt, only for it to emerge that they now share a garden with a bunch of mysterious \u2013 and incredibly violent \u2013 little creatures known as Red Caps.<\/p>\n<p>Over the course of the film, the Red Caps begin to increasingly interfere in their lives, leading to a shocking conclusion that Wright says is \u201cone of the craziest things I\u2019ve ever shot\u201d.<\/p>\n<p>We spoke exclusively with Wright about that ending and how the film almost closed with a couple of additional scenes \u2013 read on for everything you need to know, with the warning that there are <strong>major spoilers for Unwelcome ahead<\/strong>.<\/p>\n<h2><strong>Unwelcome ending explained<\/strong><\/h2>\n<div class=\"&quot;image-handler__container\" image-handler__container--aspect=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?webp=true&amp;quality=90&amp;resize=299%2C199,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?quality=90&amp;resize=299%2C199,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?webp=true&amp;quality=90&amp;resize=354%2C236,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?quality=90&amp;resize=354%2C236,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?webp=true&amp;quality=90&amp;resize=404%2C269,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?quality=90&amp;resize=404%2C269,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?webp=true&amp;quality=90&amp;resize=554%2C369,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?quality=90&amp;resize=554%2C369,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?webp=true&amp;quality=90&amp;resize=620%2C413,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?quality=90&amp;resize=620%2C413,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?webp=true&amp;quality=90&amp;resize=407%2C271,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?quality=90&amp;resize=407%2C271,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?webp=true&amp;quality=90&amp;resize=555%2C370,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?quality=90&amp;resize=555%2C370,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-1775513\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/01\/HIGH0768TLPDAY06LR140920R-9a3024d.jpg?quality=90&amp;resize=620%2C413&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;&quot;\" title=\"&quot;&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Unwelcome<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"> <i>WB<\/i><\/span><\/div>\n<p>During the film, Maya and Jamie find themselves increasingly at odds with the builders fixing the hole in the roof of their cottage \u2013 Daddy Whelan (Colm Meaney) and his three children Eoin (Kristian Nairn), Aisling (Jamie-Lee O\u2019Donnell) and Killian (Chris Walley).<\/p>\n<p>In one scene, after we see Eoin violently beaten by Daddy, Maya attempts to comfort him in the woods only for him to force himself on her. Thankfully, the Red Caps come to her rescue, intervening and dragging Eoin away \u2013 later depositing his decapitated head in Maya and Jamie\u2019s cottage.<\/p>\n<p>The rest of the Whelans think that Maya and Jamie must have done something with Eoin and so they break into the cottage, leading to a massive fight, exacerbated when Maya accidentally drops the severed head and it is noticed by Aisling.<\/p>\n<p>Maya then runs to the woods at the bottom of their garden and approaches the Red Caps\u2019 home, where she begs them for help. When she returns to the cottage, the Red Caps do indeed assist in fighting off the Whelans, killing each of them \u2013 and after the carnage, Maya gives birth to her child.<\/p>\n<p>Of course, it doesn\u2019t end there. The Red Caps need payment for their help and so come and steal the baby away, with Maya then chasing after them and entering their home. Inside she discovers an old woman, who turns out to be the long-lost daughter of their cottage\u2019s previous owner (Jamie\u2019s aunt), who had been taken by the Red Caps long ago and now serves as their queen.<\/p>\n<p>Maya naturally doesn\u2019t want to let the creatures keep her child, and so she begins to do battle with the Red Caps, eventually brutally killing the old woman by crushing her skull. This seems to make the Red Caps respect Maya, and they follow her back to the cottage \u2013 where the baby has now been safely returned.<\/p>\n<p>In the cottage garden, they dance around her and pour the blood of the dead woman over her, seemingly anointing her as their new Queen \u2013 while Jamie looks on in a state of shock. The film ends with a close-up of Maya\u2019s face, with it clear that she is now the leader of the Red Caps.<\/p>\n<h2><strong>Director Jon Wright unpacks the Unwelcome ending<\/strong><\/h2> <div class=\"&quot;brightcove\" embed=\"\"> <div class=\"&quot;embed__intrinsic&quot;\"> <div class=\"&quot;brightcove__player\" vjs-playlist-player-container=\"\"> <video data-video-id=\"&quot;6317596160112&quot;\" data-account=\"&quot;69912529001&quot;\" data-player=\"&quot;ByeOf0VZEl&quot;\" data-embed=\"&quot;default&quot;\" data-application-id=\"\" controls=\"\" class=\"&quot;video-js&quot;\"\/><\/div> <\/div>\n<\/div>\n<script src=\"&quot;\/\/players.brightcove.net\/69912529001\/ByeOf0VZEl_default\/index.min.js&quot;\"\/><p>Discussing the ending with <a href=\"\/\/www.radiotimes.com\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">RadioTimes.com<\/a>, Jon Wright explained that the initial idea was for the film to run on a little further after Maya has become the Red Cap Queen.<\/p>\n<p>\u201cIn the earlier drafts of the script, there was a little coda at the end so that wasn\u2019t the final scene,\u201d he said. \u201cThere was a little coda where you saw what happened in their everyday lives after that.<\/p>\n<p>\u201cBut [the actual ending] felt like such a sort of enormous, surreal, mind-boggling scene, so we didn\u2019t shoot that other final scene, we changed it and we decided let\u2019s land here, let\u2019s make this the ending of the movie and let\u2019s just make sure that we hit all the beats so that everybody understands what\u2019s happened and where we\u2019ve gotten to.\u201d<\/p>\n<p>He added that the ending was \u201cone of the craziest things I\u2019ve ever shot\u201d and revealed that he felt like he \u201cwas pushing the boat out and going to the kind of surreal edge, the psychedelic edge of what\u2019s possible in a horror film\u201d, taking inspiration from some of his heroes including David Lynch and David Cronenberg.<\/p>\n<p>\u201cI kept thinking this feels so far out that somebody\u2019s going to stop me in a minute and say, \u2018Hold on, you\u2019ve got to tone this down, and you got to rein it back,'\u201d Wright added. \u201cI was kind of expecting a little tug on my sleeve that you sometimes get when you\u2019re making a television programme and the executives think you\u2019ve kind of gone off-piste.<\/p>\n<p>\u201cBut I never got that tug \u2013 in fact, I\u2019d say a big thank you to all the people who financed the movie because they were very supportive of my out-there vision and they seemed to really like it. When the rushes came in I didn\u2019t really get any negative comments, I just got a lot of support.\u201d<\/p>\n<p>He continued that his favourite thing about the ending was just how unpredictable it is, stating that he doesn\u2019t believe many cinemagoers will be able to work out what direction it is headed in.<\/p> <p>\u201cI hope that the ending feels satisfying, and I hope it feels like it makes sense \u2013 that there was a logical progression getting there,\u201d he said. \u201cBut I kind of defy anybody to predict that ending, I don\u2019t think people will see it coming. Often I find with modern movies, particularly the more expensive blockbusters, they\u2019re quite formulaic and quite often you have a pretty good idea of where the story is going. You don\u2019t know whether it\u2019s going to be A or B, but you know it\u2019s going to be one of those two options.<\/p>\n<p>\u201cAnd I\u2019d like to think with this movie, there\u2019s no real way of predicting the ending. And I\u2019m looking forward to talking to people about the film after they\u2019ve seen it just to find out if there is anybody who did actually guess that ending, because I would be amazed. But let\u2019s see!\u201d<\/p>\n<p><strong>Unwelcome is currently showing in UK cinemas.\u00a0Check out more of our\u00a0<a href=\"\/\/www.radiotimes.com\/movies\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Film<\/a>\u00a0coverage or visit our\u00a0<a href=\"\/\/www.radiotimes.com\/tv\/tv-listings\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">TV Guide<\/a>\u00a0and\u00a0<a href=\"\/\/www.radiotimes.com\/streaming-guide\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Streaming Guide<\/a>\u00a0to see what\u2019s on tonight.<\/strong><\/p>\n<div class=\"&quot;post__content&quot;\">\n<div class=\"&quot;editor-content\" mb-lg=\"\" hidden-print=\"\" js-piano-locked-content=\"\" data-placement=\"&quot;Body&quot;\">\n<p><strong>Try Radio Times magazine today and get 12 issues for only \u00a31 with delivery to your home\u00a0<\/strong><strong>\u2013\u00a0<\/strong><a href=\"\/\/radiotimes.com\/magazine-subscription?utm_term=evergreen-article&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-safelink=\"&quot;true&quot;\" data-linkindex=\"&quot;0&quot;\"><strong>subscribe now<\/strong><\/a><strong>. For more from the biggest stars in TV, listen to the\u00a0<\/strong><a href=\"\/\/www.radiotimes.com\/audio\/podcasts\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-safelink=\"&quot;true&quot;\" data-linkindex=\"&quot;1&quot;\"><strong>Radio Times View From My Sofa podcast<\/strong><\/a><strong>.<\/strong><\/p>\n<\/div>\n<\/div> <\/body><\/html>\n<hr class=\"wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> Jon Wright tells RadioTimes.com that the closing sequence of his new horror film is &#8220;one of the craziest things I&#8217;ve ever shot&#8221;. **WARNING: This article contains spoilers for Unwelcome** <\/p>\n","protected":false},"author":24,"featured_media":29303,"template":"","categories":[1],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/unwelcome-ending-explained-director-unpacks-final-scene.jpg",1920,1280,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/unwelcome-ending-explained-director-unpacks-final-scene-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/unwelcome-ending-explained-director-unpacks-final-scene-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/unwelcome-ending-explained-director-unpacks-final-scene-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/unwelcome-ending-explained-director-unpacks-final-scene-1024x683.jpg",800,534,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/unwelcome-ending-explained-director-unpacks-final-scene-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/01\/unwelcome-ending-explained-director-unpacks-final-scene.jpg",1920,1280,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"Jon Wright tells RadioTimes.com that the closing sequence of his new horror film is \"one of the craziest things I've ever shot\". **WARNING: This article contains spoilers for Unwelcome**","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/29302"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media\/29303"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=29302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=29302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}