{"id":32835,"date":"2023-05-16T18:05:50","date_gmt":"2023-05-16T16:05:50","guid":{"rendered":"https:\/\/www.radiotimes.com\/?p=1831635"},"modified":"2023-05-17T04:42:15","modified_gmt":"2023-05-17T02:42:15","slug":"colin-morgan-on-sky-thriller-dead-shot-contradictions-are-what-i-look-for","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/radiotimes\/rss_feed\/colin-morgan-on-sky-thriller-dead-shot-contradictions-are-what-i-look-for\/","title":{"rendered":"Colin Morgan on Sky thriller Dead Shot: \u2018Contradictions are what I look for\u2019"},"content":{"rendered":"<p class=\"rssexcerpt\"> The Merlin star speaks to RadioTimes.com about his role in the new Sky Cinema thriller set against the backdrop of the Troubles. <\/p><p class=\"rssauthor\">By Patrick Cremona\n                \t\t<\/p><p class=\"rssbyline\">Published: Tuesday, 16 May 2023 at 12:00 am<\/p><hr class=\"wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p>In brand new thriller <a href=\"&quot;https:\/\/www.radiotimes.com\/movies\/dead-shot-colin-morgan-teaser-exclusive-newsupdate\/&quot;\">Dead Shot<\/a> \u2013 which arrived on Sky Cinema and NOW last week \u2013 former Merlin star Colin Morgan stars as Irish paramilitary Michael, who is on the verge of retirement when his pregnant wife is brutally murdered by a British army soldier.<\/p>\n<p>Based on an original screenplay by Top Boy creator Ronan Bennett and directed by brothers Tom and Charles Guard, it\u2019s a harrowing film that takes place during the height of the Troubles in 1975, following Michael as he embarks on a revenge mission that sends him to the heart of IRA operations in London.<\/p>\n<p>When Morgan first got his hands on the \u201cpage-turning\u201d script, he was struck by a number of things, not least the contradictions inherent in his character, and he was especially won over by a certain ambiguity regarding who the audience should be rooting for.<\/p>\n<p>\u201cAs a Northern Irish guy, you think I\u2019d be biased to one side, but it\u2019s absolutely seeing both sides of this tale and this drama,\u201d he tells <a href=\"&quot;https:\/\/www.radiotimes.com\/&quot;\">RadioTimes.com<\/a> in an exclusive interview. \u201cAnd so it says quite a lot that I was kind of on both camps, I think that\u2019s quite an achievement.<\/p>\n<p>\u201cContradictions are the main thing I look for,\u201d he adds. \u201cYou see somebody in a cause that some men were drawn into in the late \u201960s and early \u201970s in Northern Ireland, particularly in the border counties. And I\u2019m wondering, if I was born around that time would I have been any different? Might the times have dictated what I needed to do to survive as a man?<\/p>\n<p>\u201cThose are the things that are compelling to me\u2026 he wants to be a dad, he wants to survive his future. At the very beginning of the film it feels like he\u2019s just about to begin the rest of his life, he\u2019s left the cause behind, and it just gets taken away from him in a second.\u201d<\/p> <div class=\"&quot;brightcove\" embed=\"\"> <div class=\"&quot;embed__intrinsic&quot;\"> <div class=\"&quot;brightcove__player\" vjs-playlist-player-container=\"\"> <video data-video-id=\"&quot;6327295107112&quot;\" data-account=\"&quot;69912529001&quot;\" data-player=\"&quot;ByeOf0VZEl&quot;\" data-embed=\"&quot;default&quot;\" data-application-id=\"\" controls=\"\" class=\"&quot;video-js&quot;\"\/><\/div> <\/div>\n<\/div>\n<script src=\"&quot;\/\/players.brightcove.net\/69912529001\/ByeOf0VZEl_default\/index.min.js&quot;\"\/><p>In preparing for the film, it helped a great deal that Morgan himself grew up in Armagh, the same town that Michael is from. Despite growing up in a different era, the star was very much able to draw on his own personal experiences when it came to getting a handle on the character.<\/p>\n<p>\u201cOne thing I said to the Guard brothers before I started was I\u2019m gonna bring everything I bring to the character from my point of view, but also the stuff of just being someone who grew up in Armagh,\u201d he says.<\/p>\n<p>\u201cYou get that for free, because that\u2019s the complication of living in a place like that, even though I grew up in the tail end of things \u2013 it is just part of your culture and in your blood. You see all those things growing up, and they\u2019re just in my own kind of memory bank. So while I didn\u2019t go through the times, I was certainly surrounded by adults who did.\u201d<\/p>\n<p><strong>Read more <a href=\"\/\/www.radiotimes.com\/tag\/the-big-rt-interview\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Big RT Interviews<\/a>:<\/strong><\/p>\n<ul><li><a href=\"\/\/www.radiotimes.com\/tv\/sci-fi\/joe-russo-marvel-citadel-big-rt\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Joe Russo: \u2018Be patient with Marvel\u2019s Phase 5\u2019<\/a><\/li>\n<li><a href=\"\/\/www.radiotimes.com\/movies\/john-boyega-big-rt-interview\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">John Boyega on new film Breaking and returning to Attack the Block<\/a><\/li>\n<li><a href=\"\/\/www.radiotimes.com\/movies\/ian-mcshane-big-rt-interview\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Ian McShane on John Wick Chapter 4: \u2018Winston\u2019s world has been turned upside down\u2019<\/a><\/li>\n<\/ul><p>Dead Shot isn\u2019t Morgan\u2019s first project in recent years to be set against the backdrop of the Troubles. In 2021, he had a key role in Sir Kenneth Branagh\u2019s Oscar-winning coming-of-age film Belfast, and the actor has clearly found it an immensely rewarding experience to see audiences drawn in by these stories.<\/p>\n<p>\u201cParticularly with Belfast, there\u2019s something kind of amazing about seeing something that\u2019s such a part of you reach the world and resonate with people in a universal way,\u201d he says. \u201cWhen you see your story, or you hear your accent, there\u2019s just something about you that connects with that.<\/p>\n<p>\u201cAnd then when you hear other people the world over do that as well, you can\u2019t help but feel a sense of pride that your identity is being recognised.\u201d<\/p>\n<p>In addition to the knowledge of the conflict he had accumulated while growing up in Northern Ireland, Morgan did plenty of research into the Troubles to prepare for his role in Belfast. He says this came in handy once again for the new film, but stresses that Dead Shot itself is not necessarily \u201cconcerned about trying to educate people about the times in Northern Ireland\u201d.<\/p>\n<p>\u201cNot every film that deals with the Northern Irish issue has to go into all those details,\u201d he says. \u201cThat\u2019s what I thought was refreshing about this. But it\u2019s important as an actor just to be familiar with those things, whatever period that \u2013 it\u2019s always worth doing, and I always do it.\u201d<\/p>\n<div class=\"&quot;image-handler__container\" image-handler__container--full=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?webp=true&amp;quality=90&amp;resize=300%2C200,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?quality=90&amp;resize=300%2C200,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?webp=true&amp;quality=90&amp;resize=355%2C236,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?quality=90&amp;resize=355%2C236,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?webp=true&amp;quality=90&amp;resize=405%2C270,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?quality=90&amp;resize=405%2C270,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?webp=true&amp;quality=90&amp;resize=554%2C369,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?quality=90&amp;resize=554%2C369,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?webp=true&amp;quality=90&amp;resize=620%2C413,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?quality=90&amp;resize=620%2C413,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?webp=true&amp;quality=90&amp;resize=408%2C272,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?quality=90&amp;resize=408%2C272,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?webp=true&amp;quality=90&amp;resize=556%2C370,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?quality=90&amp;resize=556%2C370,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-1831936\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--full=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2023\/05\/Dead-Shot-e375004-1.jpg?quality=90&amp;resize=620%2C413&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;Dead\" shot=\"\" title=\"&quot;Dead\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Colin Morgan in Belfast.<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"> <i>SEAC<\/i><\/span><\/div>\n<p>One of the most intriguing aspects of the film is the complexity regarding Michael\u2019s adversary Tempest, played by Aml Ameen. Although by no means portrayed in a straight-forwardly sympathetic light, the character is not presented as an out-and-out villain either \u2013 but rather a vulnerable person who has been thrown into a horrible circumstance by odious bosses. Meanwhile, the fact that Tempest is a Black man living in a time when racism was commonplace undoubtedly adds to this complexity.<\/p>\n<p>\u201cOne of the things I said to the directors right from the start was that there was a lot more that bound these two guys than divided them,\u201d Morgan says of the relationship between Michael and Tempest. \u201cThey\u2019re both in London, which was a place at the time that had [signs saying], \u2018No dogs, no Blacks, no Irish\u2019.<\/p>\n<p>\u201cSo these are actually both very outsider characters who were treated differently \u2013 when an Irish man went to London in those times there was complete shunning of them as well. So they\u2019re guys who know what it is to be shunned, rejected, and treated as the other. And the fact that they find themselves caught in this tragedy against each other, it\u2019s a shame in a way.<\/p>\n<p>\u201cThe sad thing about that particular time in Northern Ireland was that so much division between religions and nationality prevented so much integration,\u201d he adds. \u201cAnd it\u2019s still unfortunately very present in Northern Ireland to this day \u2013 it\u2019s getting less so, but it\u2019s hard to think it\u2019ll ever go away.<\/p>\n<p>\u201cIt\u2019s terrible to think that people connecting on a human level is prevented by something like a label or identity or nationality, whatever it is. Your best friend could have been the one that was serving in the army except you were just on the other end of the lines.\u201d<\/p> <p>Although the film is set primarily in London, the shoot itself actually took place in Glasgow \u2013 with a number of London buses and other identifying features brought in to help transform the Scottish city into something resembling the UK capital. This was an interesting experience for Morgan, especially considering he has his own history with the city.<\/p>\n<p>\u201cI actually went to drama school in Glasgow, I went to the Royal Scottish [Conservatoire],\u201d he says. \u201cAnd the odd thing was that I hadn\u2019t really been there since I graduated and I found myself staying in an apartment that was right opposite the apartment I stayed in in my second year at drama school.<\/p>\n<p>\u201cIt was this weird kind of full circle moment of suddenly there I was, like 15\/20 years later. I could practically still see through the window of that apartment and see the 20-year-old me wondering, \u2018Oh, I wonder if this whole acting thing will ever work?'\u201d<\/p>\n<p>Of course, it wasn\u2019t long after graduating before Morgan\u2019s acting career very much did work. Following a number of early roles on stage and screen, including the <a href=\"\/\/www.radiotimes.com\/tv\/sci-fi\/doctor-who-season-14-release-date\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Doctor Who<\/a> episode Midnight, his big breakthrough came in 2008 when he was cast as the title character of BBC One\u2019s fantasy series Merlin \u2013 a show that went on to run for five highly successful seasons.<\/p>\n<p>The series has retained a cult following since it ended in 2012, and some fans have long clamoured for some sort of reunion or reboot. But although Morgan thinks back fondly on his time on the show, returning to the role doesn\u2019t appear to be something he\u2019s considering any time soon.<\/p>\n<p>\u201cI think most actors are more about progression and moving forward and don\u2019t often look back,\u201d he explains. \u201cEven on stage, sometimes plays I\u2019ve done have wanted to remount and come back again, and I often found I don\u2019t take up those opportunities because I\u2019ve wrung the towel dry and I\u2019ve rinsed what I could out of it.<\/p>\n<p>\u201cThat\u2019s certainly what I\u2019ve tried to do with every project, it\u2019s like I invest every 110% into it so hopefully by the end of it, I feel like I\u2019ve done all I could. And certainly on projects like Merlin, I felt like yeah, we definitely did that together as a team and it\u2019s certainly [something I] look back on and feel very proud of the work that I and everyone did.\u201d<\/p>\n<div class=\"&quot;image-handler__container\" image-handler__container--aspect=\"\" style=\"&quot;padding-bottom:\" calc=\"\"> <picture><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?webp=true&amp;quality=90&amp;resize=299%2C199,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?quality=90&amp;resize=299%2C199,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?webp=true&amp;quality=90&amp;resize=354%2C236,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?quality=90&amp;resize=354%2C236,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?webp=true&amp;quality=90&amp;resize=404%2C269,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?quality=90&amp;resize=404%2C269,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?webp=true&amp;quality=90&amp;resize=554%2C369,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(max-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?quality=90&amp;resize=554%2C369,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?webp=true&amp;quality=90&amp;resize=620%2C413&quot;\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?quality=90&amp;resize=620%2C413&quot;\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?webp=true&amp;quality=90&amp;resize=407%2C271,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?quality=90&amp;resize=407%2C271,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?webp=true&amp;quality=90&amp;resize=555%2C370,\" https:=\"\" type=\"&quot;image\/webp&quot;\"><source media=\"&quot;(min-width:\" data-srcset=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?quality=90&amp;resize=555%2C370,\" https:=\"\" type=\"&quot;image\/jpeg&quot;\"><img class=\"&quot;wp-image-540688\" align=\"\" size-landscape_thumbnail=\"\" image-handler__image=\"\" image-handler__image--aspect=\"\" no-wrap=\"\" js-lazyload=\"\" data-src=\"&quot;https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2018\/09\/merlin-series-5-behind-the-scenes-5.2-d9fb2b1.jpg?quality=90&amp;resize=620%2C413&quot;\" width=\"&quot;620&quot;\" height=\"&quot;413&quot;\" alt=\"&quot;Colin\" morgan=\"\" and=\"\" bradley=\"\" james=\"\" in=\"\" merlin=\"\" hf=\"\" title=\"&quot;merlin-series-5-behind-the-scenes-5.2&quot;\"\/><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div><div class=\"&quot;caption-hold&quot;\"><figcaption class=\"&quot;wp-caption-text&quot;\"><span class=\"&quot;caption-copy&quot;\"><i class=\"&quot;icon-arrow\" icon-camera-circle=\"\"\/> Colin Morgan and Bradley James in Merlin.<\/span><\/figcaption><span class=\"&quot;im-image-caption&quot;\"\/><\/div>\n<p>On the subject of moving forward, Morgan has a number of other imminent projects in the pipeline. He has a key role alongside Jessica Lange, Ed Harris and Ben Foster in a new film adaptation of Eugene O\u2019Neill\u2019s classic play Long Day\u2019s Journey Into Night; he will star opposite Emma Appleton in the upcoming Paramount Plus legal thriller The Killing Kind; and he is currently filming a project which he can\u2019t yet disclose. The keys to the roles he\u2019s been looking for in recent times, he says, are variety and collaboration.<\/p>\n<p>\u201cI look for things I haven\u2019t done before, I look for challenges, I look for versatility, I look for passionate people,\u201d he explains. \u201cI think more so than anything, what seems to be top of my list now is collaborators \u2013 people who have this kind of notion of bringing you into the fold and wanting to work with you not just to deliver the acting goods, but to know what you feel about the scripts and the story and have your input.<\/p>\n<p>\u201cAnd that\u2019s my background. My first jobs were all new writing in theatre and working with writers and developing and progressing and shaping things together. And that\u2019s what I thrive on more than anything in the world.<\/p>\n<p>\u201cThat seems to be what people are wanting these days, I think the landscape has changed. People are really wanting multidisciplinary actors, and that\u2019s worth knowing for anybody wanting to come into the business: don\u2019t just be thinking about the acting, think about 360 degrees of everything.\u201d<\/p>\n<p><strong>Dead Shot is now available to watch on Sky Cinema and streaming service\u00a0<a href=\"\/\/www.nowtv.com\/gb\/watch\/home\/asset\/dead-shot-2023\/A5EK6sKrAaydQhdXRzsd9?DCMP=WA&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">NOW<\/a>\u00a0\u2013\u00a0<a href=\"\/\/www.awin1.com\/cread.php?id=489797&amp;clickref=radiotimes-0&amp;awinmid=11005&amp;p=https%3A%2F%2Fwww.sky.com%2Fshop%2Ftv&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;sponsored&quot; noopener noreferrer\">sign up for Sky TV here<\/a>.<\/strong><\/p>\n<p><strong>Check out more of our\u00a0<a href=\"\/\/www.radiotimes.com\/movies&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Film<\/a>\u00a0coverage or visit our\u00a0<a href=\"\/\/www.radiotimes.com\/tv\/tv-listings\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">TV Guide<\/a>\u00a0and\u00a0<a href=\"\/\/www.radiotimes.com\/streaming-guide\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener&quot; noopener noreferrer\">Streaming Guide<\/a>\u00a0to see what\u2019s on tonight.<\/strong><\/p>\n<p><strong>Try Radio Times magazine today and get 12 issues for only \u00a31 with delivery to your home \u2013\u00a0<\/strong><a title=\"&quot;http:\/\/radiotimes.com\/magazine-subscription?utm_term=evergreen-article&quot;\" href=\"\/\/radiotimes.com\/magazine-subscription?utm_term=evergreen-article&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-linkindex=\"&quot;0&quot;\"><strong>subscribe now<\/strong><\/a><strong>. For more from the biggest stars in TV, listen to\u00a0<\/strong><a title=\"&quot;https:\/\/www.radiotimes.com\/audio\/podcasts\/&quot;\" href=\"\/\/www.radiotimes.com\/audio\/podcasts\/&quot;\" target=\"&quot;_blank&quot;\" rel=\"&quot;noopener noopener noreferrer\" noreferrer=\"\" data-auth=\"&quot;NotApplicable&quot;\" data-linkindex=\"&quot;1&quot;\"><strong>The Radio Times Podcast<\/strong><\/a><strong>.<\/strong><\/p> <\/body><\/html>\n<hr class=\"wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> The Merlin star speaks to RadioTimes.com about his role in the new Sky Cinema thriller set against the backdrop of the Troubles. <\/p>\n","protected":false},"author":24,"featured_media":32836,"template":"","categories":[1],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/05\/colin-morgan-on-sky-thriller-dead-shot-contradictions-are-what-i-look-for.jpg",620,413,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/05\/colin-morgan-on-sky-thriller-dead-shot-contradictions-are-what-i-look-for-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/05\/colin-morgan-on-sky-thriller-dead-shot-contradictions-are-what-i-look-for-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/05\/colin-morgan-on-sky-thriller-dead-shot-contradictions-are-what-i-look-for.jpg",620,413,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/05\/colin-morgan-on-sky-thriller-dead-shot-contradictions-are-what-i-look-for.jpg",620,413,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/05\/colin-morgan-on-sky-thriller-dead-shot-contradictions-are-what-i-look-for.jpg",620,413,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2023\/05\/colin-morgan-on-sky-thriller-dead-shot-contradictions-are-what-i-look-for.jpg",620,413,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"The Merlin star speaks to RadioTimes.com about his role in the new Sky Cinema thriller set against the backdrop of the Troubles.","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/32835"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media\/32836"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=32835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=32835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}