{"id":42677,"date":"2023-12-29T08:00:13","date_gmt":"2023-12-29T07:00:13","guid":{"rendered":"https:\/\/www.radiotimes.com\/?p=1948152"},"modified":"2023-12-29T10:43:18","modified_gmt":"2023-12-29T09:43:18","slug":"michael-mann-explains-how-he-restaged-horror-crash-in-ferrari","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/radiotimes\/rss_feed\/michael-mann-explains-how-he-restaged-horror-crash-in-ferrari\/","title":{"rendered":"Michael Mann explains how he restaged \u201chorror\u201d crash in Ferrari"},"content":{"rendered":"<p class=\"rssexcerpt\"> The 1957 Mille Miglia crash sequence is one of the film&#8217;s most impactful moments. <\/p><p class=\"rssauthor\">By Patrick Cremona\n                \t\t<\/p><p class=\"rssbyline\">Published: Friday, 29 December 2023 at 07:00 AM<\/p><hr class=\"wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p>Perhaps the most impactful moment in Michael Mann\u2019s new film Ferrari comes late in the runtime: the fatal crash at the 1957 Mille Miglia road race, which <a href=\"https:\/\/www.history.com\/news\/the-horrific-1957-ferrari-crash-that-ended-the-mille-miglia-race\" target=\"_blank\" rel=\"noopener noreferrer\">killed racer Alfonso de Portago<\/a> and 10 others.<\/p>\n<p>The crash and its aftermath are recreated in shocking, graphic detail, and prior to the film\u2019s release, Mann spoke exclusively to <a href=\"https:\/\/www.radiotimes.com\/\">RadioTimes.com<\/a> about how he approached putting the scene together.<\/p>\n<p>\u201cThe first step is\u2026 what really happened?\u201d he said. \u201cAnd I always go there, sometimes I find out what really happened [and] I reject it, [but] usually what really happens or the way people really are is very impressive and is better than stuff people make up.\u201d<\/p> <p>He went on to explain that a member of staff at Ferrari\u2019s Classiche Department \u2013 where they do restorations \u2013 had gone to the prefecture in Mantua, where the accident happened, and had pulled out the actual files from the time.<\/p>\n<p>\u201c[There were] reports, diagrams, blueprints of exactly that accident which they investigated for two years,\u201d he said. \u201cAnd so, we knew exactly the distances and we duplicated all the distances.<\/p>\n<p>\u201cWhat happened to [De Portago] historically has always been misstated, and in the forensic report we found out exactly how De Portago ended up and that\u2019s how I staged it and duplicated it.\u201d<\/p>\n<p>He added that while he was preparing for the sequence, he had also looked at another horrendous crash that had occurred at the 24 Hours of Le Mans race in 1955, which had killed 83 spectators and <a href=\"https:\/\/www.theguardian.com\/sport\/1955\/jun\/13\/motorracing\" target=\"_blank\" rel=\"noopener noreferrer\">French driver Pierre Levegh<\/a>.<\/p>\n<p><strong>Read more:<\/strong><\/p>\n<div class=\"headline post-header__title post-header__title--headline-layout\">\n<ul>\n<li class=\"heading-1\"><a href=\"https:\/\/www.radiotimes.com\/movies\/ferrari-review-michael-mann\/\">Ferrari review: Michael Mann\u2019s thrilling portrait of a man at breaking point<\/a><\/li>\n<li>\n<div class=\"headline post-header__title post-header__title--headline-layout\"><a href=\"https:\/\/www.radiotimes.com\/movies\/aaardman-animations-nick-park-peter-lord-rt-rewind\/\">Wallace &amp; Gromit creators look back on 5 decades of Aardman Animations<\/a><\/div>\n<\/li>\n<\/ul>\n<\/div>\n<p>\u201cThe way that\u2019s photographed is so\u2026 the impact, the horror of that crash is so powerful because there is no camera trickery,\u201d he said.<\/p>\n<p>\u201cIt\u2019s just some newsreel camera that\u2019s been pointed down the road and it just pans [to] this flaming Mercedes as it moves through the people.<\/p>\n<p>\u201cAnd in its ordinariness of how it\u2019s shot, the content is fully meaningful. It\u2019s a horror, and it\u2019s also real, so completely authentic. So I wanted that. I wanted to shoot this exactly the same way, which is just to let the meaningfulness in the frame.<\/p>\n<p>\u201cThere\u2019s no trickery, there\u2019s not a lot of fast cutting, [not] a lot of nifty camera angles or any of that\u2026 I think it\u2019s dramatically more powerful.\u201d<\/p>\n<p>Meanwhile, Mann also revealed that a conversation he had when he went to visit the scene of the crash in <span id=\"Guidizzolo_Tragedy\" class=\"mw-headline\">Guidizzolo persuaded him to add another angle to the sequence.\u00a0<\/span><\/p>\n<p>\u201cWhen we were at the house, this elderly gentleman with a cane came out\u2026 and we told them this is the site where the crash happened.<\/p>\n<p>\u201cAnd he said, \u2018I know, I was there.\u2019 He was three at the time and heard the first cars coming in, the neighbours were gathered on the roadside, [and] he ran out, [and] his older brother ran out and was much faster\u2026 his nine [year-old] brother got to the edge of the road\u2026 and was one of the ones who got killed.<\/p>\n<p>\u201cAnd so that\u2019s why we created the scenes with a family and a three-year-old kid who runs out and all that.\u201d<\/p> <div class=\"brightcove embed\"> <div class=\"embed__intrinsic\"> <div class=\"brightcove__player vjs-playlist-player-container\"> <video data-video-id=\"6342399167112\" data-account=\"69912529001\" data-player=\"ByeOf0VZEl\" data-embed=\"default\" data-application-id=\"\" controls=\"\" class=\"video-js\"> <\/video> <\/div> <\/div>\n<\/div>\n<script src=\"\/\/players.brightcove.net\/69912529001\/ByeOf0VZEl_default\/index.min.js\"\/> <p><strong>Ferrari was released in UK cinemas on 26th December ahead of launching on Sky Cinema in 2024. <\/strong><strong>R<\/strong><strong>ead more of our\u00a0<a href=\"https:\/\/www.radiotimes.com\/movies\/\" target=\"_blank\" rel=\"noopener noreferrer\">Film<\/a>\u00a0coverage, or visit our\u00a0<a href=\"https:\/\/www.radiotimes.com\/tv\/tv-listings\/\" rel=\"noopener\">TV Guide<\/a>\u00a0and\u00a0<a title=\"https:\/\/www.radiotimes.com\/streaming-guide\/\" href=\"https:\/\/www.radiotimes.com\/streaming-guide\/\" target=\"_blank\" rel=\"noopener noreferrer\">Streaming Guide<\/a>\u00a0to see what\u2019s on tonight.<\/strong><\/p>\n<p>[squirrel-affiliate-playlist squirrel_playlist_id=\u201d610\u2033 \/]<\/p>\n<div class=\"post__content\">\n<div class=\"editor-content mb-lg hidden-print js-piano-locked-content\" data-placement=\"Body\">\n<div>\n<p><strong>Try Radio Times magazine today and get 10 issues for only \u00a310 \u2013\u00a0<a id=\"OWAd6a6c3ba-49f5-0b08-841b-80c9962943d5\" title=\"https:\/\/www.radiotimes.com\/magazine-subscription\/?utm_term=evergreen-article\" href=\"https:\/\/www.radiotimes.com\/magazine-subscription\/?utm_term=evergreen-article\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"0\" data-loopstyle=\"linkonly\">subscribe now<\/a>. For more from the biggest stars in TV, listen to\u00a0<a id=\"OWA71a5a05f-6651-b0f3-aeda-3d3d09b909b1\" title=\"https:\/\/www.radiotimes.com\/audio\/podcasts\/\" href=\"https:\/\/www.radiotimes.com\/audio\/podcasts\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"1\">The Radio Times Podcast<\/a>.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div> <\/body><\/html>\n<hr class=\"wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> The 1957 Mille Miglia crash sequence is one of the film&#8217;s most impactful moments. <\/p>\n","protected":false},"author":24,"featured_media":0,"template":"","categories":[1],"acf":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"The 1957 Mille Miglia crash sequence is one of the film's most impactful moments.","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/42677"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=42677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=42677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}