{"id":48774,"date":"2024-03-31T04:02:56","date_gmt":"2024-03-31T03:02:56","guid":{"rendered":"https:\/\/www.radiotimes.com\/?p=2016102"},"modified":"2024-03-31T07:11:30","modified_gmt":"2024-03-31T05:11:30","slug":"how-the-matrix-created-the-modern-blockbuster","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/radiotimes\/rss_feed\/how-the-matrix-created-the-modern-blockbuster\/","title":{"rendered":"How The Matrix created the modern blockbuster"},"content":{"rendered":"<p class=\"rssexcerpt\"> As the action classic turns 25, we look back on its legacy. <\/p><p class=\"rssauthor\">By Daniel Bettridge\n                \t\t<\/p><p class=\"rssbyline\">Published: Sunday, 31 March 2024 at 02:00 AM<\/p><hr class=\"wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p><span style=\"font-weight: 400\">Twenty-five years ago, the Wachowskis gave cinemagoers a choice: They could choose the blue pill and stick with the tried and tested film formula that had come to dominate the box office, or take the red pill and follow the filmmakers down a rabbit hole towards a new era of cinema.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Inspired by comic books, Japanese anime and French philosophical musings \u2013 little was expected from <a href=\"https:\/\/www.radiotimes.com\/movies\/matrix-movies-order-chronological-release\/\">The Matrix<\/a> when it first hit theatres on 31st March 1999. <\/span><\/p>\n<p><span style=\"font-weight: 400\">The movie, however, became a critical darling and a commercial smash hit, scooping four Oscars, hauling <a href=\"https:\/\/www.boxofficemojo.com\/release\/rl2271446529\/\" target=\"_blank\" rel=\"noopener noreferrer\">$467.2 million at the box office<\/a> and spawning two sequels (a third would follow 22 years later).<\/span><\/p>\n<p><span style=\"font-weight: 400\">Beyond its success, however, the lasting impact of The Matrix<\/span> <span style=\"font-weight: 400\">was how it sparked a revolution that would ultimately come to shape the modern blockbuster.\u00a0<\/span><\/p> <p><span style=\"font-weight: 400\">Before he was \u2018The One\u2019, Keanu Reeves was a far cry from the all-action superstar we\u2019re used to seeing today. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Though he\u2019d had some success with 1994\u2019s Speed, the <a href=\"https:\/\/www.radiotimes.com\/programmes\/bill-teds-excellent-adventure\/\">Bill &amp; Ted<\/a> actor was better known for his air guitar skills than his action chops. He wasn\u2019t even the Wachowskis\u2019 first choice for the role of Neo, only landing the part after the likes of Will Smith, Brad Pitt and Leonardo DiCaprio had all turned it down.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Like those who\u2019d been considered before him, Reeves looked nothing like the leading men who fronted the box office in the \u201990s. <\/span><\/p>\n<p><span style=\"font-weight: 400\">The decade was dominated by the likes of Terminator 2: Judgement Day, Con Air and Cliffhanger \u2013 muscle-bound movies filled with vest-clad, square-jawed superstars performing physical feats in stories that were more concerned with pyrotechnics than plot devices.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Thanks to the gravity-defying physics of The Matrix, however, the likes of Schwarzenegger and Stallone would soon be obsolete. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Borrowing heavily from the choreographed kung-fu and balletic wire-work that was pioneered by Hong Kong action auteurs like John Woo \u2013 this was a new breed of film fisticuffs that demanded a new type of action hero.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">It wasn\u2019t just physiques that changed after The Matrix, though \u2013 filmmaking as we know it was forever altered after the Wachowskis\u2019 high-concept smash hit. <\/span><\/p>\n<p><span style=\"font-weight: 400\">This was on-screen action that was unlike anything audiences had ever seen before. Thanks to technical advancements like \u201cbullet time\u201d \u2013 the slow motion effect that became the film\u2019s calling card \u2013 The Matrix ushered in a new era of filmmaking where live-action and CGI could be seamlessly interwoven. And audiences lapped it up. <\/span><\/p>\n<p><span style=\"font-weight: 400\">So much so that the film\u2019s success opened the floodgates to a new wave of adaptations that studio execs had never been able to bring to the big screen, until now.\u00a0<\/span><\/p>\n<div class=\"image-handler__container image-handler__container--aspect\" style=\"padding-bottom: calc(100% \/ 1.501210653753);\"> <picture> <source media=\"(max-width: 320px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=90&amp;resize=299%2C199, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=599%2C399 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=899%2C599 3x, 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data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=90&amp;resize=354%2C236, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=708%2C472 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1064%2C709 3x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1418%2C945 4x\" type=\"image\/webp\"> <source media=\"(max-width: 375px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=90&amp;resize=354%2C236, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=708%2C472 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=1064%2C709 3x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=1418%2C945 4x\" type=\"image\/jpeg\"> <source media=\"(max-width: 425px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=90&amp;resize=404%2C269, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=809%2C539 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1214%2C809 3x, 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data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=90&amp;resize=554%2C369, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1107%2C738 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1661%2C1107 3x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=2214%2C1476 4x\" type=\"image\/webp\"> <source media=\"(max-width: 589px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=90&amp;resize=554%2C369, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=1107%2C738 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=1661%2C1107 3x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=2214%2C1476 4x\" type=\"image\/jpeg\"> <source media=\"(min-width: 992px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=90&amp;resize=620%2C413, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1239%2C826 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1859%2C1239 3x, 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data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=90&amp;resize=407%2C271, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=815%2C543 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1223%2C815 3x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1631%2C1087 4x\" type=\"image\/webp\"> <source media=\"(min-width: 768px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=90&amp;resize=407%2C271, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=815%2C543 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=1223%2C815 3x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=1631%2C1087 4x\" type=\"image\/jpeg\"> <source media=\"(min-width: 590px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=90&amp;resize=555%2C370, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1110%2C740 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=1667%2C1111 3x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?webp=true&amp;quality=45&amp;resize=2222%2C1481 4x\" type=\"image\/webp\"> <source media=\"(min-width: 590px)\" data-srcset=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=90&amp;resize=555%2C370, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=1110%2C740 2x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=1667%2C1111 3x, https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=45&amp;resize=2222%2C1481 4x\" type=\"image\/jpeg\"> <img class=\"wp-image-649476 align size-landscape_thumbnail image-handler__image image-handler__image--aspect no-wrap js-lazyload\" srcset=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2019\/08\/GettyImages-590691556-e1cf995.jpg?quality=90&amp;resize=620%2C413\" width=\"620\" height=\"413\" alt=\"Carrie-Anne Moss and Keanu Reeves in The Matrix, with Moss dabbing Reeves' chin with a cloth\" title=\"Carrie-Anne Moss and Keanu Reeves in The Matrix\"\/>\n<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture>\n<\/div><div class=\"caption-hold\"><figcaption class=\"wp-caption-text\"><span class=\"caption-copy\"><i class=\"icon-arrow icon-camera-circle\"\/> Carrie-Anne Moss and Keanu Reeves in The Matrix.<\/span><\/figcaption><span class=\"im-image-caption\"> <i>Photo by Ronald Siemoneit\/Sygma\/Sygma via Getty Images<\/i><\/span><\/div>\n<p><span style=\"font-weight: 400\">In many ways, The Matrix was Hollywood\u2019s first successful superhero movie. Hard as it may be to imagine in an era dominated by comic book films, there was once a time when Hollywood had tried (and largely failed) to bring spandex-clad heroes to the silver screen. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Films like Richard Donner\u2019s Superman<\/span><i><span style=\"font-weight: 400\">,<\/span><\/i><span style=\"font-weight: 400\"> Tim Burton\u2019s Batman and Sam Raimi\u2019s Darkman had struggled to escape their inherent implausibility, caught between the cartoonish origins of their primary-coloured protagonists and the unrelenting realism of live-action cinema.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">For all of its cyberpunk aesthetic, The Matrix<\/span> <span style=\"font-weight: 400\">was every inch a comic book movie. It may have looked cooler, but the film still followed a costumed hero engaging in gravity-defying derring-do. It even ends with Neo taking flight as Rage Against the Machine\u2019s Wake Up roars over the final credits.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">This was an evolutionary leap that showed Hollywood that cinemagoers could suspend their disbelief and invest as heavily in physics-defying special effects as they would in live-action. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Released alongside universe-expanding comic books, animated shorts and subsequent sequels, The Matrix<\/span> <span style=\"font-weight: 400\">also proved that you could maintain an audience\u2019s attention beyond the auditorium. It was the first step on a road that eventually led us to Robert Downey Jr\u2019s<\/span> <span style=\"font-weight: 400\">Iron Man and the birth of <a href=\"https:\/\/www.radiotimes.com\/movies\/marvel-movies-order\/\">Marvel\u2019s all-conquering cinematic universe<\/a>.\u00a0<\/span><\/p>\n<p><strong>Read more:<\/strong><\/p>\n<div class=\"headline post-header__title post-header__title--headline-layout\">\n<ul>\n<li class=\"heading-1\"><a href=\"https:\/\/www.radiotimes.com\/movies\/scifi\/ghostbusters-ernie-hudson-pitches-sequel-winstons-investigations-exclusive-newsupdate\/\">Ghostbusters\u2019 Ernie Hudson pitches sequel about Winston\u2019s investigations<\/a><\/li>\n<li class=\"heading-1\"><a href=\"https:\/\/www.radiotimes.com\/movies\/scifi\/benedict-wong-scope-mcu-return-exclusive-newsupdate\/\">Benedict Wong says there\u2019s scope for MCU return: \u201cMaybe Strange is the sidekick now\u201d<\/a><\/li>\n<\/ul>\n<div class=\"headline post-header__title post-header__title--headline-layout\">\n<p>The Matrix<i>, <\/i>however, wasn\u2019t just about spectacle \u2013 it was also about storyline.<\/p>\n<p>It was influenced by everything from the philosophy of Jean Baudrillard and Descartes to the learnings from Buddhism and the Bible. There are even references to Japanese anime, gender identity, self-actualisation and the intricacies of computer programming language.<\/p>\n<p>The end result was a collective \u201cwhoa\u201d from audiences, who, like Keanu Reeves\u2019s hero, had their eyes opened to a whole new world.<\/p>\n<\/div>\n<\/div>\n<p><span style=\"font-weight: 400\">This was mainstream entertainment that didn\u2019t spoon-feed us. Instead, it was complex and challenging, something that could be endlessly dissected and reinterpreted in the growing communities that were using dial-up modems to connect with like-minded fans in early online forums.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Without The Matrix, we don\u2019t get cerebral cinema like Christopher Nolan\u2019s Inception or Tenet. We don\u2019t get the kind of action that audiences loved in <a href=\"https:\/\/www.radiotimes.com\/movies\/john-wick-chapter-4-review\/\">John Wick<\/a>, or the special effects advancements that directors like Zack Snyder and Michael Bay would later hang their hats on. <\/span><\/p>\n<p><span style=\"font-weight: 400\">You could even argue that had it not been for The Matrix, we\u2019d have never got ambitious escapism on the small screen, either. Indeed, it\u2019s impossible to imagine the thought-provoking fantasy served up by shows like Lost, Westworld, Black Mirror<\/span> <span style=\"font-weight: 400\">and<\/span> <span style=\"font-weight: 400\">Severance without the Wachowskis\u2019 influence. <\/span><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">A quarter of a century later, The Matrix\u2019s influence is still being felt. It was a transformational event that, like its on-screen hero, sent ripples through reality. Like Morpheus\u2019s pill-based paradox, it offered audiences a choice to free their minds. It showed us a door to a different world and we collectively walked through it. <\/span><\/p>\n<p><span style=\"font-weight: 400\">As a result, it didn\u2019t just inspire the next generation of filmmakers, it gave them the blueprint for the modern blockbuster, one that they continue to follow to this day.\u00a0<\/span><\/p>\n<script src=\"https:\/\/cdn.greenvideo.io\/players\/gv.js\" data-license-key=\"f0cf5e3e9068d9a4affa36d5c8962eaf1a0662ba\"\/> <div style=\"width:50%;min-height:100vh;overflow:hidden;aspect-ratio:16\/9;position:relative;\"> <style><![CDATA[ .gvtext1, .gvtext2 { animation-duration: 5s; animation-iteration-count: infinite; animation-direction: alternate; width:100%; } .gvtext1 { animation-name: gvtext1; } .gvtext2 { animation-name: gvtext2; } @keyframes gvtext1 { 0% { opacity: 1 } 47% { opacity: 1 } 50% { opacity: 0 } 100% { opacity: 0 } } @keyframes gvtext2 { 0% { opacity: 0 } 50% { opacity: 0 } 53% { opacity: 1 } 100% { opacity: 1 } } ]]><\/style> <div style=\"font-family:arial;font-size:smaller;position:absolute;height:100%;width:100%;background:rgb(208, 208, 208);border-radius:30px;display:flex;text-align:center;align-items:center;\"> <div class=\"gvtext2\" style=\"position:absolute;\"> Green Video Post Element <br\/>Video ID: \"7922a6f41b7ef0391c4703f69718763588e492b4\" <br\/>Mix ID: \"\" <br\/>Player ID: \"Tw3-XowQ\" <\/div> <div class=\"gvtext1\" style=\"padding: 10px;\"> If the player doesn't appear here within a few seconds, the Player ID or Licence Key (set via IM Green Video settings) might be invalid. <\/div> <\/div> <green-video embed-id=\"Tw3-XowQ\" content-id=\"7922a6f41b7ef0391c4703f69718763588e492b4\" mix-id=\"\"\/>\n<\/div> <p><strong>Check out more of our\u00a0<a href=\"https:\/\/www.radiotimes.com\/movies\/\" target=\"_blank\" rel=\"noopener noreferrer\">Film<\/a>\u00a0coverage or visit our\u00a0<a href=\"https:\/\/www.radiotimes.com\/tv\/tv-listings\/\" target=\"_blank\" rel=\"noopener noreferrer\">TV Guide<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.radiotimes.com\/streaming-guide\/\" target=\"_blank\" rel=\"noopener noreferrer\">Streaming Guide<\/a>\u00a0to find out what\u2019s on.<\/strong><\/p>\n<p><strong>Try Radio Times magazine today and get 10 issues for only \u00a310 \u2013\u00a0<a id=\"OWAd6a6c3ba-49f5-0b08-841b-80c9962943d5\" title=\"https:\/\/www.radiotimes.com\/magazine-subscription\/?utm_term=evergreen-article\" href=\"https:\/\/www.radiotimes.com\/magazine-subscription\/?utm_term=evergreen-article\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"0\" data-loopstyle=\"linkonly\">subscribe now<\/a>. For more from the biggest stars in TV, listen to\u00a0<a id=\"OWA71a5a05f-6651-b0f3-aeda-3d3d09b909b1\" title=\"https:\/\/www.radiotimes.com\/audio\/podcasts\/\" href=\"https:\/\/www.radiotimes.com\/audio\/podcasts\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"1\">The Radio Times Podcast<\/a>.<\/strong><\/p> <\/body><\/html>\n<hr class=\"wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> As the action classic turns 25, we look back on its legacy. <\/p>\n","protected":false},"author":24,"featured_media":48775,"template":"","categories":[6],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/03\/how-the-matrix-created-the-modern-blockbuster.jpg",1901,1267,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/03\/how-the-matrix-created-the-modern-blockbuster-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/03\/how-the-matrix-created-the-modern-blockbuster-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/03\/how-the-matrix-created-the-modern-blockbuster-768x512.jpg",768,512,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/03\/how-the-matrix-created-the-modern-blockbuster-1024x682.jpg",800,533,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/03\/how-the-matrix-created-the-modern-blockbuster-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/03\/how-the-matrix-created-the-modern-blockbuster.jpg",1901,1267,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"As the action classic turns 25, we look back on its legacy.","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/48774"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media\/48775"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=48774"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=48774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}