Asked if there were any shots in particular that were difficult to put together, Ball answered that there were \u201ca bunch of those\u201d, and singled out one particular instance that took an entire year to craft.<\/p>\n<\/div>\n

\u201cThere\u2019s a ton of stuff where we invented whole scenes sometimes \u2013 where I would take a performance from one scene and put it into a shot from another because I can, because they\u2019re CG, you know,\u201d he explained.<\/p>\n

Read more:<\/strong><\/p>\n

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Love Lies Bleeding star Katy O\u2019Brian says film is a \u201cqueer fantasy\u201d<\/a><\/li>\n
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Ryan Gosling reveals how The Fall Guy incorporated real life into scenes<\/a><\/div>\n<\/li>\n<\/ul>\n<\/div>\n
\u201cBut there\u2019s like this one shot in particular in the second act where, you know, it took us a year to work on it. It\u2019s this big, long oner shot that we do, basically. And you know, we\u2019re making these choices\u2026. early on in the process.<\/p>\n
\u201cAnd you\u2019re just trusting that by the end, after almost a year of not seeing it, that by the time it gets through this whole giant process with hundreds of people touching the shot and all this artistry involved, then it comes out the other end. And it\u2019s cool.<\/p>\n
\u201cYou know what I mean? It\u2019s wild, it\u2019s fascinating.\u201d<\/p>\n