{"id":51104,"date":"2024-05-09T18:18:21","date_gmt":"2024-05-09T16:18:21","guid":{"rendered":"https:\/\/www.radiotimes.com\/?p=2037974"},"modified":"2024-05-09T18:57:35","modified_gmt":"2024-05-09T16:57:35","slug":"rebel-wilson-robin-williams-told-me-i-should-be-doing-dramatic-roles","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/radiotimes\/rss_feed\/rebel-wilson-robin-williams-told-me-i-should-be-doing-dramatic-roles\/","title":{"rendered":"Rebel Wilson: \u2018Robin Williams told me I should be doing dramatic roles\u2019"},"content":{"rendered":"<p class=\"rssexcerpt\"> Rebel Wilson speaks exclusively to RadioTimes.com about her role in the new tear-jerking film The Almond and the Seahorse. <\/p><p class=\"rssauthor\">By James Mottram\n                \t\t<\/p><p class=\"rssbyline\">Published: Thursday, 09 May 2024 at 16:18 PM<\/p><hr class=\"wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body> <p>She\u2019s hosted the BAFTAs and starred in Hollywood comedies like Pitch Perfect and The Hustle, as well as the Oscar-winning WW2 satire Jojo Rabbit.<\/p>\n<p>But dramatic roles? That\u2019s something Rebel Wilson is far from used to. \u201cTo cry within a scene\u2026 I just hadn\u2019t done that in so long, like 20 years or something, from when I did serious stuff on stage in Australia,\u201d the Sydney-born actress muses. \u201cAnd it\u2019s really challenging\u2026 but the writing was so good.\u201d<\/p>\n<p>Sitting in the plush library of a Zurich hotel, Wilson is talking about her time on British movie The Almond and the Seahorse, a tear-jerking drama that sees her play Sarah, an archaeologist whose husband, Joe (Celyn Jones, who also co-directs with Tom Stern), is unable to form new memories after he endured surgery to remove a brain tumour.<\/p>\n<p>A film that co-stars heavyweight performers like Charlotte Gainsbourg and Trine Dyrholm, it\u2019s been a powerful \u2013 and taxing \u2013 experience for Wilson. \u201cIt\u2019s hard to play the partner of the person that\u2019s had the traumatic injury,\u201d she says.<\/p>\n<p>Her comment stems from personal experience. For a while, Wilson dated someone who had previously sustained a brain injury after a fall. \u201cI didn\u2019t know him before the injury. So I didn\u2019t know [what he was like before],\u201d she recalls. \u201cSometimes, he\u2019d tell me something, and then he\u2019d tell me again an hour later.\u201d<\/p>\n<p>Thankfully, the injury wasn\u2019t as severe as the one seen in the film, but Wilson still drew from her time with this ex. \u201cI used a little bit of that for the character.\u201d<\/p>\n<p>With the film adapted by Jones and Kaite O\u2019Reilly from her own 2008 novel, Wilson credits Jones, as her main scene partner, for helping her through the more dramatic moments. \u201cYou just try not to bring the comedic timing into it,\u201d she says. \u201cBut you try to be open and play off the other actor.<\/p>\n<p>\u201cAnd with Celyn and I, each scene was pretty different. And there were long scenes\u2026 so it felt improvised, in a way. But it was drama, so you\u2019ve got to bring that same kind of fun and spontaneity \u2013 just not in a comic way. It felt very fresh.\u201d<\/p> <p>Curiously, Wilson\u2019s move into drama was inspired by a very famous former co-star: the late Robin Williams. \u201cWe were working on Night of the Museum 3 and it was a month or two before he passed,\u201d she remembers.<\/p>\n<p>At the time, she was improvising a scene with Ben Stiller, and Williams was watching on the sidelines intently. \u201cIt was three in the morning. And he\u2019s like, \u2018Can I talk to you?\u2019 And I\u2019m like, \u2018Hell, yeah,\u2019 because it\u2019s Robin Williams. And he\u2019s a legend.\u201d<\/p>\n<p>Williams sat her down. \u201cAnd he goes, \u2018You should be doing drama. I can see it in you.&#8217;\u201d The iconic comedian, who had made his own switch to dramatic roles in films like Insomnia and One Hour Photo, even told his daughter Zelda about his conversation with Wilson.<\/p>\n<p>\u201cAnd then, after his death, Zelda said, \u2018I just wanted you to know my dad said such great things [about you].\u2019 After that, I was thinking, \u2018It would be good to do something,\u2019 but because the comedy stuff was going so well, I didn\u2019t really get any opportunities.\u201d<\/p>\n<p>Fortunately, Celyn Jones spotted Wilson\u2019s dramatic potential and offered her the role of Sarah in The Almond and the Seahorse. \u201cThis script came along after I did something at the BAFTAs in 2020. And then I was like, \u2018Okay, this could be a stepping stone into more serious stuff.&#8217;\u201d<\/p>\n<p>In retrospect, she felt hugely grateful to Williams. \u201cIt was one of those chats where I was so glad that I was there on that freezing cold night in London and got to sit with him for 45 minutes and just chat about life. I feel like very lucky that I had that experience.\u201d<\/p>\n<iframe title=\"The Almond and the Seahorse - Official Trailer ft. Rebel Wilson | HD | IFC Films\" width=\"200\" height=\"113\" src=\"https:\/\/www.youtube.com\/embed\/r8YN0kgCgY8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\/>\n<p>Typified by her move from comedy into drama, it\u2019s been a period of transition for Wilson, who lost 35 kilos before she shot The Almond and the Seahorse. \u201cWeirdly, losing weight makes me a better actress,\u201d she claims. \u201cBecause the weight, in a way, is like a barrier\u2026 you can kind of hide behind it.<\/p>\n<p>\u201cAnd then, doing The Almond and The Seahorse, which is the first movie I shot after losing weight, I felt I was much more vulnerable and raw. I couldn\u2019t hide behind anything. Which was an added benefit, I guess, from losing weight, but I think maybe I\u2019d become a better actress. Hopefully.\u201d<\/p>\n<p>She was also forced to go public about her first same-sex relationship (with fashion designer Ramona Agruma) when Australian newspaper <a href=\"https:\/\/www.smh.com.au\/culture\/celebrity\/i-made-mistakes-over-rebel-wilson-and-will-learn-from-them-20220613-p5at9e.html\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney Morning Herald<\/a> said it was about reveal all.<\/p>\n<p>Being \u2018outed\u2019 like that did not sit well. \u201cI wouldn\u2019t have thought, in 2022, that that would have happened,\u201d she comments. \u201cBut it was something that I was close to sharing anyway. I just had to have some very quick conversations with family members that didn\u2019t know! \u2018Hey, so an article\u2019s gonna come out and be about this!\u2019<\/p>\n<p>\u201cBut my girlfriend is from Latvia. They\u2019re very conservative. So her journey has been a bit more difficult.\u201d<\/p>\n<p>Strangely, Wilson\u2019s journey is echoed in The Almond and the Seahorse, with Sarah growing closer to Gainsbourg\u2019s character, whose partner also has a traumatic brain injury.<\/p>\n<p>\u201cCharlotte was the first woman I\u2019ve ever kissed,\u201d she reveals. \u201cI think it\u2019s pretty cool that she was the first ever woman I kissed. She\u2019s an amazing actress and such a cool lady. I was very nervous\u2026 but then I wanted it to go way racier, and I wish [the directors had] done that. They were being too respectful. They kept yelling \u2018cut!\u2019 just when it was getting good!\u201d<\/p>\n<p><strong>Read more Big RT Interviews:<\/strong><\/p>\n<div class=\"headline post-header__title post-header__title--headline-layout\">\n<ul>\n<li class=\"heading-1\"><a href=\"https:\/\/www.radiotimes.com\/movies\/dan-stevens-big-rt-interview-abigail\/\">Dan Stevens on Abigail: \u201cWe exhausted Ireland of its supply of movie blood!\u201d<\/a><\/li>\n<li class=\"heading-1\"><a href=\"https:\/\/www.radiotimes.com\/tv\/drama\/martin-freeman-tony-schumacher-responder-office-big-rt-interview\/\">Martin Freeman and Tony Schumacher compare The Responder to The Office<\/a><\/li>\n<\/ul>\n<\/div>\n<p>More recently, Wilson\u2019s been in the news for her just-published memoir Rebel Rising, in particular a chapter about her time working with Sacha Baron Cohen on the 2016 comedy Grimsby.<\/p>\n<p>\u201cEntitled Sacha Baron Cohen and Other A**holes, the chapter detailed her fraught time with Cohen on the film \u2013 but after a legal battle, the book is now being published in the UK <a href=\"https:\/\/www.vanityfair.com\/hollywood\/story\/sacha-baron-cohen-passages-to-be-redacted-from-rebel-wilsons-memoir-in-uk#:~:text=from%20this%20narrative-,Sacha%20Baron%20Cohen%20Passages%20to%20Be%20Redacted%20From%20Rebel%20Wilson's,failed%20effort%20to%20sell%20books.%E2%80%9D\" target=\"_blank\" rel=\"noopener noreferrer\">with those passages redacted<\/a>. Despite this, Wilson remains proud of the book, stating on Instagram, \u2018This is my full story \u2013 from my childhood to the birth of my beautiful daughter [Royce Lillian, born in 2022 via surrogacy].&#8217;\u201d<\/p>\n<p>It shows that Wilson is as outspoken as ever, despite the dangers. \u201cIt\u2019s definitely been a weird time, I would say, in the last four or five years, [it\u2019s] been a very weird time to make jokes,\u201d she says.<\/p>\n<p>\u201cBut comedy is always cyclical\u2026 the different types of comedy. The gross-out comedy, or the really extreme offensive type of humour\u2026 there\u2019s always been comedians who come up and who are like that, and then that trend falls away. Or really extreme character comedy or naturalistic comedy, it always goes. But it has been pretty hard.\u201d<\/p>\n<p>Wilson points out that comedy often becomes more popular in times of trouble. \u201cTraditionally, say, the \u201930s, with the Depression, comedy starts getting real popular again. So, the one positive for someone like me is that with the downturn in the economic climate, comedy is going to come back up.\u201d<\/p>\n<p>What about the woke brigade? Is it an issue back home? \u201cAustralia is probably less woke,\u201d she smiles. \u201cThat\u2019s why some of my jokes are a bit cheeky. We\u2019re not on the forefront of wokeness. We\u2019re so far away.\u201d<\/p>\n<p>That was never more apparent than when Wilson hosted the BAFTAs in 2022, making digs at JK Rowling, Harry and Meghan and Benedict Cumberbatch.<\/p>\n<p>\u201cI think all my jokes were justified,\u201d she says. \u201cThere was an Armie Hammer joke, a Will Smith joke. I don\u2019t know\u2026 I guess knowing insider information, stuff like that, the jokes are valid.<\/p>\n<p>\u201cIf I got up there and said no jokes, people would be like, \u2018That\u2019s weak.\u2019 I could have just done that and just been like, \u2018Hi, good evening everyone,\u2019 and not said anything. But they wanted jokes and the BBC wanted a younger, more diverse audience, and that\u2019s what they got. So they were really, really happy with that.\u201d<\/p>\n<p>Wilson admits it was \u201ca really hard job\u201d to take on. \u201cI talked to some of my other friends. I said, \u2018Would you do it?\u2019 And they\u2019re like, \u2018No, I wouldn\u2019t do it!\u2019 It\u2019s very challenging. A lot changes on the day.\u201d<\/p>\n<p>Was she writing all the jokes? \u201cI was the head writer, and then had a couple of friends helping, but basically half of it changed right before. Which is terrifying, because as a performer, you like to know what you\u2019re doing. And a lot of it was winged on the night.<\/p>\n<p>\u201cBut I don\u2019t know, it\u2019s a really hard job, especially with the state of comedy. You say one thing and it could be a headline or taken the wrong way with the woke culture of diversity, inclusion, respect. Obviously, I am that as a human being, but sometimes as a comedian, you got to point things out.\u201d<\/p>\n<script src=\"https:\/\/cdn.greenvideo.io\/players\/gv.js\" data-license-key=\"f0cf5e3e9068d9a4affa36d5c8962eaf1a0662ba\"\/> <div style=\"width:50%;min-height:100vh;overflow:hidden;aspect-ratio:16\/9;position:relative;\"> <style><![CDATA[ .gvtext1, .gvtext2 { animation-duration: 5s; animation-iteration-count: infinite; animation-direction: alternate; width:100%; } .gvtext1 { animation-name: gvtext1; } .gvtext2 { animation-name: gvtext2; } @keyframes gvtext1 { 0% { opacity: 1 } 47% { opacity: 1 } 50% { opacity: 0 } 100% { opacity: 0 } } @keyframes gvtext2 { 0% { opacity: 0 } 50% { opacity: 0 } 53% { opacity: 1 } 100% { opacity: 1 } } ]]><\/style> <div style=\"font-family:arial;font-size:smaller;position:absolute;height:100%;width:100%;background:rgb(208, 208, 208);border-radius:30px;display:flex;text-align:center;align-items:center;\"> <div class=\"gvtext2\" style=\"position:absolute;\"> Green Video Post Element <br\/>Video ID: \"2977fec74d9208307c2b655b7d500c2a86d5f471\" <br\/>Mix ID: \"\" <br\/>Player ID: \"Tw3-XowQ\" <\/div> <div class=\"gvtext1\" style=\"padding: 10px;\"> If the player doesn't appear here within a few seconds, the Player ID or Licence Key (set via IM Green Video settings) might be invalid. <\/div> <\/div> <green-video embed-id=\"Tw3-XowQ\" content-id=\"2977fec74d9208307c2b655b7d500c2a86d5f471\" mix-id=\"\"\/>\n<\/div> <p><strong>The Almond and the Seahorse is released in UK cinemas on Friday 10th May 2024.<\/strong><\/p>\n<div class=\"post__content\">\n<div class=\"editor-content mb-lg hidden-print js-piano-locked-content\" data-placement=\"Body\">\n<div>\n<p><strong>Check out more of our\u00a0<a href=\"https:\/\/www.radiotimes.com\/movies\/\">Film<\/a>\u00a0coverage or visit our\u00a0<a href=\"https:\/\/www.radiotimes.com\/tv\/tv-listings\/\">TV Guide<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.radiotimes.com\/streaming-guide\/\">Streaming Guide<\/a>\u00a0to find out what\u2019s on. For more from the biggest stars in TV, listen to\u00a0<a href=\"https:\/\/www.radiotimes.com\/audio\/podcasts\/\">The Radio Times Podcast<\/a>.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div> <\/body><\/html>\n<hr class=\"wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p> Rebel Wilson speaks exclusively to RadioTimes.com about her role in the new tear-jerking film The Almond and the Seahorse. <\/p>\n","protected":false},"author":24,"featured_media":51105,"template":"","categories":[1],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/05\/rebel-wilson-robin-williams-told-me-i-should-be-doing-dramatic-roles.jpg",620,413,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/05\/rebel-wilson-robin-williams-told-me-i-should-be-doing-dramatic-roles-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/05\/rebel-wilson-robin-williams-told-me-i-should-be-doing-dramatic-roles-300x200.jpg",300,200,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/05\/rebel-wilson-robin-williams-told-me-i-should-be-doing-dramatic-roles.jpg",620,413,false],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/05\/rebel-wilson-robin-williams-told-me-i-should-be-doing-dramatic-roles.jpg",620,413,false],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/05\/rebel-wilson-robin-williams-told-me-i-should-be-doing-dramatic-roles.jpg",620,413,false],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2024\/05\/rebel-wilson-robin-williams-told-me-i-should-be-doing-dramatic-roles.jpg",620,413,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"Rebel Wilson speaks exclusively to RadioTimes.com about her role in the new tear-jerking film The Almond and the Seahorse.","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/51104"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media\/51105"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=51104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=51104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}