John Rebus is back<\/a>, baby! This time, it\u2019s on the BBC<\/a>, with screenwriter Gregory Burke bringing together characters and elements from across Ian Rankin\u2019s novels for a new spin<\/a> on the troubled Scottish detective.<\/p>\n Outlander\u2019s<\/a> Richard Rankin is playing the title role, here in his early 40s, with the action unfolding in present-day Edinburgh, where you are seemingly never more than six feet away from a gangster, as the well-known saying goes.<\/p>\n Nasty b**tards are 10 a penny in the six-part reboot, in which the grisly underbelly of Edinburgh is laid bare.<\/p>\n In the opening scene, DS Rebus attempts to suffocate his arch-antagonist Cafferty in the back of an ambulance after the gangster purposely rams his mentor George Blantyre off the road, leaving him paralysed.<\/p>\n That\u2019s swiftly followed by Rebus\u2019s brother Michael carrying out not one but two armed robberies, the second of which prompts the arrival of a couple of Ulster paramilitaries. Just another day in paradise, eh?<\/p>\n And lest we forget the Tarantino-esque throat-slashing of Jimmy McJagger at the hospital, and the blowtorching of Shaun Strang as if he\u2019s a Tesco Finest cr\u00e8me br\u00fbl\u00e9e.<\/span><\/p>\n But while the series is a crime thriller \u2013 there\u2019s certainly no denying that \u2013 it\u2019s simultaneously so much more.<\/p>\n At the forefront of the narrative is the relationship between two brothers, with Burke\u00a0building upon Michael\u2019s role in the novels as a means of exploring complex family dynamics.<\/p>\n There is love there, even though their first encounter ends with the detective striking Michael, who collapses onto a coffee table following a snarling back and forth between the pair, the weight of which buckles beneath the sudden impact.<\/p>\n Rebus repeatedly strives to protect his brother, keeping key information about his criminal dealings to himself in the hope that he can covertly iron out any creases without alerting his boss DI Templar.<\/p>\n When Michael points a gun at Cafferty as revenge for the death of his former army comrade Andy, Rebus implores him not to pull the trigger because doing so would \u201cruin\u201d his life.<\/p>\n But their brotherhood is stifled by layers of unspoken resentment, some of which can be attributed to good old-fashioned sibling rivalry, which sounds juvenile, but can so often extend beyond childhood.<\/p>\n When they look at one another, they identify what the other doesn\u2019t have.<\/p>\n The male ego and the shame that comes with failing to achieve the traditional markers of manhood, such as providing for your family, another key theme, also fans the flames.<\/p>\n Read more:<\/strong><\/p>\n Michael moves back to a dilapidated estate in Fife, which is where the brothers were raised, after his business collapses due to the pandemic and the cost-of-living crisis. He takes up delivery work, but his finances continue to spiral, his low wages unable to cut it as the red refuses to turn black. And when he\u2019s fired after failing to reach his daily targets, which are laughably unattainable, he needs a solution, and fast.<\/p>\n The failure of the state to protect its citizens clearly weighs heavy on Burke, who uses Rebus as a Trojan horse to spotlight how our current systems are wilfully failing so many people. How does one fall into a life of crime? All too easily, as Michael\u2019s arc demonstrates. The correlation between poverty and criminality is undeniable.<\/p>\n We see that in Michael\u2019s teenage sons, who shoplift some noodles after sensing that money is tight. It\u2019s a minor detail, and one their dad laughs off, but the expression on his wife Chrissie\u2019s face is one of despair, which says it all.<\/p>\n Rebus, by contrast, doesn\u2019t want for money, his police salary paying as much as he needs to live a comfortable live in Edinburgh city centre, the castle on his doorstop.<\/p>\n But unlike Michael, the detective lives alone. His ex-wife Rhona has since re-married and is expecting another baby, carrying her further away from him. And Michael\u2019s comments about her new husband Lockie fathering his daughter Sammy also sting \u2013 hence the broken coffee table.<\/p>\n Lockie\u2019s extreme wealth, as a fund manager, also raises interesting questions about class and identity. Will Sammy, who\u2019s set to gain so much (a hefty trust find) lose part of herself in the process?<\/p>\n Yet, Michael\u2019s marriage, despite the challenges placed before him and Chrissie, however desperate things get, never feels at risk of collapse. If anything, hardship brings them closer together.<\/p>\n Burke also has a lot to say about our army personnel, namely the lack of support they receive from the state when transitioning back into civilian life.<\/p>\n Michael is struggling to make ends meet, while Andy is living rough. And both of them, alongside Neil and Cammy, also army veterans, become embroiled in the plot to steal from Cafferty. Yes, they have the collective skillset to make it work, which makes saying yes easier than it would do otherwise. But it\u2019s more than that, as Michael explains to Rebus before he takes a shot at the gangster.<\/p>\n \u201cThat day when I robbed those boys, the drug dealers in the flat, I felt alive again,\u201d he admits. \u201cI knew what I was for.\u201d<\/p>\n In the army, Michael had a purpose. He felt that he mattered, that he had something of value to contribute to a cause, alongside his brothers in arms. But all that fell away when he was thrust back into every day life, leaving Michael unsure of himself and unsteady on his feet.<\/p>\n Accustomed to a lifetime of not opening up and talking about the concerns and complaints plaguing him into the small hours, Michael is only able to be honest about what\u2019s really fuelling his behaviour when he has a gun in his hand.<\/p>\n This isn\u2019t Burke wanting to kickstart a moral debate about the role of the army and the ethics of what it means to serve. This is a drama about people and how, without a safety net in place, we\u2019re all capable of falling through the cracks.<\/p>\n We see that in Rebus, who is always teetering on the edge. Violence and drink offer him an easy out when he\u2019s unable or unwilling to express himself. And that push and pull between being the man he desperately wants to be, for his ex-wife and his daughter, and the darker recesses of his character, lends the drama a more intimate type of tension alongside the ongoing gang warfare.<\/p>\n He\u2019s now in therapy, fighting against his impulsivity and self-sabotage, but that\u2019s easier said than done with Cafferty on the scene, their Batman-Joker-style relationship a thorn in Rebus\u2019s side.<\/p>\n Can a leopard ever change its spots? Rebus does shows signs of change, Burke\u2019s writing not without hope. But the road to recovery is long, the route indirect.<\/p> As much as Rebus is a lean-in-to-avoid-missing-a-moment crime thriller, it\u2019s just as concerned with the nuts and bolts of the human condition, which gives the writing real heft and takes it far beyond how the show has been marketed.<\/p>\n This is a story about family, whatever form that may take, and whatever the demands our family, chosen or otherwise, place on us.<\/p>\n It\u2019s about the state of modern society and the people who have been left behind to rot, a self-serving government and capitalist greed combining in devastating fashion.<\/p>\n It\u2019s about the corrosive, far-reaching hand of toxic masculinity, a weapon of choice for some, but so often to their own detriment too.<\/p>\n Above all else, Rebus is about the choices that we make and what those decisions reveal about who we are.<\/p>\n There\u2019s no shortage of gangland peacocking here, with twists and turns aplenty, but Burke has a lot on his mind \u2013 and you bet he\u2019s going to say it.<\/p>\n![\"Richard](\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2024\/05\/rebus-richard-rankin-bbc-02a4194.jpg?quality=90&resize=620%2C413\" "\\"Richard")
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![\"Michael](\"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2024\/05\/rebus-michael-c8a5cec.jpg?quality=90&resize=620%2C413\" "\\"Rebus\\"\/")
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