{"id":7619,"date":"2021-11-23T00:03:35","date_gmt":"2021-11-22T23:03:35","guid":{"rendered":"https:\/\/www.radiotimes.com\/?p=1515949"},"modified":"2021-11-23T00:30:08","modified_gmt":"2021-11-22T23:30:08","slug":"house-of-gucci-review-an-operatic-pantomime-that-is-flawed-but-fun","status":"publish","type":"rss_feed","link":"https:\/\/c01.purpledshub.com\/radiotimes\/rss_feed\/house-of-gucci-review-an-operatic-pantomime-that-is-flawed-but-fun\/","title":{"rendered":"House of Gucci review: An operatic pantomime that is flawed but fun"},"content":{"rendered":"<p class=\"rssexcerpt\"><\/p><p class=\"rssauthor\">By Patrick Cremona\n                \t\t<\/p><p class=\"rssbyline\">Published: Tuesday, 23 November 2021 at 12:00 am<\/p><hr class=\"wp-block-separator\"\/><?xml version=\"1.0\" encoding=\"UTF-8\" standalone=\"yes\"?>\n<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p> <\/p><div class=\"&quot;editorial-rating-summary\" editorial-rating-summary--=\"\"> <div class=\"&quot;ratings-stars\"> <div class=\"&quot;ratings-stars__icons&quot;\"> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-fill=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-fill=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-fill=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <i data-grunticon-embed=\"\" class=\"&quot;icon-rating-star\" icon-star-outline=\"\"\/> <\/div> <span class=\"&quot;ratings-stars__value&quot;\"> <span class=\"&quot;sr-only&quot;\">3.0 out of 5 star rating<\/span> <\/span> <\/div> <\/div> <p>Ridley Scott is showing no signs of slowing down in old age, and barely two months after his last film \u2013 the historical epic <a href=\"&quot;https:\/\/www.radiotimes.com\/movies\/the-last-duel-release-date\/&quot;\">The Last Duel<\/a> \u2013 arrived in UK cinemas, the veteran filmmaker is already back with another new movie. <a href=\"&quot;https:\/\/www.radiotimes.com\/movies\/house-of-gucci-release-date\/#:~:text=Doors%20to%20the%20House%20of,be%20released%20exclusively%20in%20cinemas.&quot;\">House of Gucci<\/a>, which is released this Friday, is an epic of a rather different sort \u2013 telling the true story of Patrizia Reggiani, a young woman who escapes her humble beginnings by marrying into the titular family of fashion designers. Across a mammoth 2-hour-40-minute runtime, the film chronicles her whirlwind romance with high-flying Maurizio and the wide-ranging repercussions that follow as things inevitably turn sour \u2013 both in her own relationship and in the Gucci family at large.<\/p>\n<p>It\u2019s undoubtedly a fascinating tale and is told with all the resplendent grandeur you might expect here \u2013 although it sometimes seems as if it\u2019s pitched rather uncomfortably between <span style=\"&quot;font-weight:\">glossy prestige picture and high camp melodrama, when it would have done better to commit more fully to just one of those approaches. <\/span>The result is something that is at times riotously fun but also tonally all over the shop \u2013 an operatic pantomime full of dodgy accents, sumptuous costumes, and line readings that seem destined to live on as reaction gifs for many years to come.<\/p> <p>At the centre of it, are Lady Gaga and Adam Driver, who play Patrizia and Maurizio respectively. Much has already been made of Gaga\u2019s Oscar chances in only her second major screen role (after 2018\u2019s A Star Is Born) and she\u2019s certainly a magnetic presence in the lead, full of charisma and charm and \u2013 when the script demands it \u2013 menace, even if the nine months she reportedly spent perfecting her Italian accent seems to have been rather wasted. Next to her, Driver is a more understated presence, grounding the film with by far the most naturalistic turn on show, although he too tries his best to adopt an accent.<\/p>\n<p>The performances around that central pair are almost universally hammy \u2013 with Al Pacino, Salma Hayek and Jeremy Irons among those to turn in enjoyable scenery-chewing performances. By far the biggest swings, however, are taken by Jared Leto \u2013 in heavy prosthetics as Maurizio\u2019s cousin Paolo \u2013 who delivers a comically flamboyant turn that will delight some but which I found to be rather obnoxious. It\u2019s the kind of performance that might have worked had he been a comedy side-character with just a few contributions, but the more he becomes involved the more tiresome this broad stereotype becomes, and I found that initial amusement rather quickly turned to annoyance. There\u2019s absolutely nothing wrong with cartoonish, <span style=\"&quot;font-weight:\">theatrical performances \u2013 and indeed they seem well suited to the subject matter \u2013 but the problem in House of Gucci is that they don\u2019t always coalesce with each other, heightening the sense of unevenness already felt in the movie.<\/span><\/p>\n<iframe title=\"&quot;HOUSE\" of=\"\" gucci=\"\" official=\"\" trailer=\"\" mgm=\"\" studios=\"\" width=\"&quot;200&quot;\" height=\"&quot;113&quot;\" src=\"&quot;https:\/\/www.youtube.com\/embed\/eGNnpVKxV6s?feature=oembed&quot;\" frameborder=\"&quot;0&quot;\" allow=\"&quot;accelerometer;\" autoplay=\"\" clipboard-write=\"\" encrypted-media=\"\" gyroscope=\"\" picture-in-picture=\"\" allowfullscreen=\"\"\/>\n<p>From a dramatic point of view, the film is strongest in its first hour \u2013 as we are first introduced to the various players and watch Patrizia slowly ingratiate herself into the clan, while also learning of some of the many rifts in the Gucci empire. There are some great scenes in these early stages \u2013 including a magnificent encounter between senior Gucci brothers Rodolfo and Aldo (Irons and Pacino respectively) \u2013 and the stage seems to be being set for something which could be rather special.<\/p>\n<p>Unfortunately it never quite lives up to that early promise, and in its latter stages, the film is hampered by a script that seems more determined with delivering iconic lines and moments than in properly examining Patrizia\u2019s descent into revenge. The film is also overlong and suffers from some major pacing issues in its second half, often stalling when it should be at its most propulsive and subsequently lacking the requisite tension, gravitas and emotional heft for it to have the intended impact.<\/p>\n<p>But there is still enough to enjoy about the film for it to be recommended; there are allusions to The Godfather, a soundtrack that mixes pop hits of the \u201980s with Italian classical music, and the simple joy of watching performers and director alike giving it everything they\u2019ve got \u2013 even if not everything lands. It\u2019s not perfect by any means, but you\u2019d have to be pretty hard-hearted not to find at least something to relish here.<\/p>\n<section class=\"&quot;template-article__editor-content\" editor-content=\"\" ev-meter-content=\"\"><strong>House of Gucci opens in UK cinemas on 26th November 2021.\u00a0<\/strong><strong>Looking for something to watch on telly\u00a0this evening? We\u2019ve got you covered. Check out our\u00a0<a href=\"&quot;https:\/\/www.radiotimes.com\/tv\/tv-listings\/&quot;\" rel=\"&quot;noopener\" noreferrer=\"\">TV Guide<\/a>\u00a0or visit our dedicated\u00a0<a href=\"&quot;https:\/\/www.radiotimes.com\/movies\/&quot;\" rel=\"&quot;noopener\" noreferrer=\"\">Movies<\/a> hub for the latest film news and recommendations.<\/strong><\/section><\/body><\/html>\n<hr class=\"wp-block-separator\"\/>","protected":false},"excerpt":{"rendered":"<p>By Patrick Cremona Published: Tuesday, 23 November 2021 at 12:00 am 3.0 out of 5 star rating Ridley Scott is showing no signs of slowing down in old age, and barely two months after his last film \u2013 the historical epic The Last Duel \u2013 arrived in UK cinemas, the veteran filmmaker is already back [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":7620,"template":"","categories":[6],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2021\/11\/house-of-gucci-review-an-operatic-pantomime-that-is-flawed-but-fun.jpg",1914,800,false],"thumbnail":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2021\/11\/house-of-gucci-review-an-operatic-pantomime-that-is-flawed-but-fun-150x150.jpg",150,150,true],"medium":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2021\/11\/house-of-gucci-review-an-operatic-pantomime-that-is-flawed-but-fun-300x125.jpg",300,125,true],"medium_large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2021\/11\/house-of-gucci-review-an-operatic-pantomime-that-is-flawed-but-fun-768x321.jpg",768,321,true],"large":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2021\/11\/house-of-gucci-review-an-operatic-pantomime-that-is-flawed-but-fun-1024x428.jpg",800,334,true],"1536x1536":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2021\/11\/house-of-gucci-review-an-operatic-pantomime-that-is-flawed-but-fun-1536x642.jpg",1536,642,true],"2048x2048":["https:\/\/c01.purpledshub.com\/uploads\/sites\/56\/2021\/11\/house-of-gucci-review-an-operatic-pantomime-that-is-flawed-but-fun.jpg",1914,800,false]},"uagb_author_info":{"display_name":"importmanagerhub@sprylab.com","author_link":"https:\/\/c01.purpledshub.com\/radiotimes\/author\/importmanagerhubsprylab-com\/"},"uagb_comment_info":0,"uagb_excerpt":"By Patrick Cremona Published: Tuesday, 23 November 2021 at 12:00 am 3.0 out of 5 star rating Ridley Scott is showing no signs of slowing down in old age, and barely two months after his last film \u2013 the historical epic The Last Duel \u2013 arrived in UK cinemas, the veteran filmmaker is already back&hellip;","_links":{"self":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed\/7619"}],"collection":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/rss_feed"}],"about":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/types\/rss_feed"}],"author":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/users\/24"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media\/7620"}],"wp:attachment":[{"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/media?parent=7619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/c01.purpledshub.com\/radiotimes\/wp-json\/wp\/v2\/categories?post=7619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}