Disney<\/i> <\/span>\n<\/div>\n
Available on Disney Plus<\/strong><\/p>\n
Marvel\u2019s third Disney Plus<\/a> series had one glorious purpose \u2013 provide a passable spin-off vehicle for Tom Hiddleston\u2019s God of Mischief \u2013 but managed to give us so, so much more over the course of its six episodes.<\/p>\n
Introducing the Multiverse long before we were debating the arrivals of Andrew Garfield and Tobey Maguire, forging a bromance for the ages between Hiddles and Owen Wilson, introducing the world at large to Sophia Di Martino\u2019s Sylvie (aka Lady Loki) and a host of other variants (including Richard E Grant, stealing the show in just one episode), there was more content than could fit on just one Sacred Timeline. Luckily, by the end we had a few more to play with\u2026<\/p>\n
Loki<\/a> was Marvel\u2019s biggest, weirdest and most exciting series yet \u2013 and with season two already on the cards (picking up from season one\u2019s big cliffhanger) fans around the world will soon once more be staying up all night to get Loki. Or watch it whenever it comes out in their country on Disney Plus, anyway. \u2013 Huw Fullerton, Sci-Fi and Fantasy Editor<\/strong><\/p>
9. Lupin<\/strong><\/h2>\n $\""Lupin"\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
Netflix<\/i> <\/span>\n<\/div>\nAvailable on Netflix<\/a><\/strong><\/p>\n
2021 has been something of a breakout year for foreign language drama on Netflix \u2013 and the release of this stylish thriller in January rather set the tone. A modern day update of the classic French book series of the same name, about the misadventures of gentleman thief Ars\u00e8ne Lupin, this was an extremely entertaining crime caper with a thoroughly likeable lead performance from Omar Sy at its centre.<\/p>\n
Rather than playing Lupin<\/a> himself, Sy\u2019s character is a man named Assane Diop who is inspired by the stories of the fictional thief. Across two five-episode stretches (the second of which arrived on the streamer in June) he skilfully manages to outsmart an assortment of nemeses \u2013 with the main target of his crafty schemes an elderly man who had previously wronged his family.<\/p>\n
We\u2019re also treated to regular flashbacks that offer us some background as to Diop\u2019s criminal beginnings \u2013 with the actors brought in to play younger versions of the main characters having been especially well cast. Pacy, tense and full of excellently executed set pieces, this is a show that it\u2019s almost impossible not to enjoy \u2013 an exhilarating blend of Sherlock and Oceans 11. \u2013 Patrick Cremona, Writer<\/strong><\/p>\n
8. Line of Duty<\/strong><\/h2>\n $\""Line\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>\n
Available on BBC iPlayer, Sky Go and to buy on Amazon<\/a><\/strong><\/p>\n
Jed Mercurio did it again, with another fantastic instalment\u00a0of<\/span>\u00a0 Line<\/span>\u00a0of<\/span>\u00a0Duty<\/span><\/a>. Season six was centred around the could-be-dodgy DCI Jo Davidson (played by Kelly MacDonald) and an alleged incident she had planned as a distraction to an investigation, meaning a suspect could escape. All seems fairly routine at first, until Ted Hastings (Adrian Dunbar) and Steve Arnott (Martin Compston) get on the case and discover Jo and members\u00a0of<\/span>\u00a0her team all link back to illusive H\u2026 And with Kate Fleming (Vicky McClure) also working for Jo, it\u2019s safe to say you feel like you can\u2019t trust anyone.<\/p>\n
It all culminates in an epic finale, largely set in one room in true\u00a0Line<\/span>\u00a0of<\/span>\u00a0Duty<\/span>\u00a0style, with Ted and Steve tasked with unravelling their H suspect in a cat and mouse interrogation scene. The result? Devious H is finally unmasked. And while it wasn\u2019t a massive surprise to those who\u2019d paid close attention, it was certainly satisfactory to see the work\u00a0of<\/span>\u00a0six instalments wrap up quite neatly with a little bow.<\/p>\n
It\u2019s uncertain just yet whether\u00a0Line<\/span>\u00a0of<\/span>\u00a0Duty<\/span> will return for season seven, but with an open-ended conclusion suggesting there\u2019s simply more corruption in the fictional police, we wouldn\u2019t be surprised if the BBC manage to twist Mercurio\u2019s arm just one more time at least.\u00a0\u2013 Helen Daly, Associate Editor<\/strong><\/p>\n
7. Vigil<\/strong><\/h2>\n $\""Vigil"\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
BBC<\/i> <\/span>\n<\/div>\nAvailable on BBC iPlayer, Sky Go and to buy on Amazon<\/a><\/strong><\/p>\n
Setting a murder mystery crime drama on a Vanguard-class submarine always looked like an inspired idea, and the latest thriller from World Productions very much lived up to its promise. From the shock death inside the opening 10 minutes of episode one<\/a> to the thrillingly tense climax in the final instalment, this was a terrifically gripping and propulsive affair that proved a huge hit with the viewing public.<\/p>\n
The story revolved around Surrane Jones\u2019 DCI Amy Silva, who was placed on the titular submarine to solve a murder and quickly found that not all of the military personal on board were too happy about her presence \u2013 with the inhospitable conditions adding a sense of urgency to her already challenging mission.<\/p>\n
The cast list read rather like a who\u2019s who of British TV drama \u2013 with performances from Jones, Shaun Evans and Anjli Mohindra particularly worth a mention \u2013 while the scripts from Tom Edge and his team were expertly crafted, even if the love story was a little less convincing that the main whodunnit conspiracy plot. There\u2019s no doubt about it: Vigil<\/a> was Sunday night drama at its very best. \u2013 Patrick Cremona, Writer<\/strong><\/p>\n
6. WandaVision<\/strong><\/h2>\n $\""WandaVision"\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
Disney<\/i> <\/span>\n<\/div>\n
Available on Disney Plus<\/strong><\/p>\n
When Marvel Studios announced that it would be making the inevitable leap to the small screen on Disney Plus, there was some concern that the MCU\u2019s TV offerings might somehow feel like \u2018lesser\u2019 entries. Why would it want to tell its best stories on a streaming service when it could be giving them pride of place alongside the Civil Wars and the Endgames of this world?<\/p>\n
Well, in one fell swoosh of a scarlet cape,\u00a0WandaVision<\/span><\/a>\u00a0proved that not only could Marvel magic up something very different from its cinematic blockbusters, but TV was the only place it could be done. Part-comedy, part-mystery, part-sci-fi thriller \u2013 the show worked not least of all as an homage to the medium of television itself, utilising the considerable talents of Elizabeth Olsen and Paul Bettany to better effect than any previous Avengers movies.<\/p>\n
It wasn\u2019t afraid to examine the trauma at the heart of it all either, with the exploration of grief in penultimate episode Previously On containing some of the most devastatingly emotional moments in the whole of the MCU. We all wondered what project would shake up the tried-and-tested Marvel format the most this year \u2013 turns out it was\u00a0WandaVision<\/span> all along.\u00a0\u2013 Christian Tobin, Production Editor<\/strong><\/p>\n
5. Succession<\/strong><\/h2>\n $\""Succession"\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
HBO<\/i> <\/span>\n<\/div>\n
Available on Sky Go and NOW<\/strong><\/p>\n
How do you follow up a perfect season of television? The third run of HBO comedy-drama\u00a0Succession<\/span><\/a>\u00a0had a hard task following up its stellar preceding season but managed to pull it off with plenty of cringe-worthy moments, nail-biting twists and some of the wittiest lines on television.<\/p>\n
Initially hingeing on the attempts of Kendall Roy (an ever masterful Jeremy Strong) to destroy his father Logan (the fiery Brian Cox), the series expands to capture the various hopeless but hilarious attempts of the rest of the Roy family to advance their positions in business and in the family.<\/p>\n
New guest stars, gorgeous locations and the most painful birthday party ever build to one of the best finales in recent years. Someone must have made a deal with the devil to bring us\u00a0Succession<\/span>. \u2013 Lewis Knight, Trends (SEO) Editor<\/strong><\/p>\n
4. Mare of Easttown<\/strong><\/h2>\n $\""Mare\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
HBO<\/i> <\/span>\n<\/div>\nAvailable on Sky Go, NOW and to buy on Amazon<\/a><\/strong><\/p>\n
Brad Inglesby\u2019s Mare of\u00a0Easttown<\/span><\/a>\u00a0is a remarkable piece of television. In the opening episode, a young woman is murdered and her body is dumped in a creek. We learn that another young woman disappeared a number of years ago and the police are yet to uncover what happened to her. Drug abuse, alcoholism and depression are par for the course, the weight of which is worn on the faces of the townsfolk. And yet, in spite of that, humour and humanity somehow find a way to claw through the grief and grime, which is no small achievement, but Inglesby succeeds where so many have failed.\u00a0That is complemented by a raft of heavyweight performances, with Kate Winslet, Jean Smart and Julianne Nicholson delivering some of their very best work.<\/p>\n
Mare of\u00a0Easttown<\/span>\u2019s central premise is nothing new and the setting is one we\u2019ve encountered countless times before but Inglesby\u2019s writing, coupled with a cast at the top of their game, demonstrates that a tried and tested formula is no barrier to success when it\u2019s executed to perfection. \u2013 Abby Robinson, Drama Editor<\/strong><\/p>\n
3. Squid Game<\/strong><\/h2>\n $\""SquidGame_Unit_103_1280"\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>\n
Available on Netflix<\/strong><\/p>\n
Squid<\/span>\u00a0Game<\/a> didn\u2019t just shake up the way Netflix views its non-English language offerings,\u00a0it shook up viewers. One of the most disquieting dramas released in 2021, the Korean series is genre-bending at its most uncomfortable: darkly comedic and intensely violent with a not-so-dystopian surreality that rarely achieves blockbuster levels of popularity. And yet everyone was talking about it.<\/p>\n
Created by Hwang Dong-hyuk, marking his first international success,\u00a0Squid<\/span>\u00a0Game obliterated Netflix records and expectations, ranking number one in 97 countries and becoming the streamer\u2019s biggest show ever, watched by over 140 million subscriber households in its first month on the service.<\/p>\n
The statistics speak for themselves, but the viral character of\u00a0Squid<\/span> Game\u2019s success is backed up by a gripping plot, outstanding writing and accomplished acting, in addition to its much-praised visual aesthetic. Though you might be sick of hearing it, this one\u2019s a must watch.\u00a0\u2013 Minnie Wright, News Editor<\/strong><\/p>\n
2. Sex Education<\/strong><\/h2>\n $\""Sex\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
Netflix<\/i> <\/span>\n<\/div>\n
Available on Netflix<\/strong><\/p>\n
After facing over a year of COVID-related delays, Sex Education<\/a> made a triumphant return to our screens with its third season in September, giving fans of the Netflix comedy-drama all the coming-of-age awkwardness we\u2019d been missing over the pandemic.<\/p>\n
While the show initially began back in 2019 with Asa Butterfield\u2019s Otis Milburn handing out sex advice at school with Moordale\u2019s resident rebel Maeve Wiley (Emma Mackey), season three saw a moustachioed Otis retire his unofficial clinic, with Maeve having seemingly ignored his confession of love, and focus on his own love life. Enter mean girl Ruby (Mimi Keene), whose new relationship with Otis soon had many viewers switching over from Team Maeve to campaign for this unlikely romance.<\/p>\n
As always, Sex Education delivered another thoughtful, hearty and often hilarious dive into the themes surrounding sex, gender identity and general teen issues with season three, however this time the show shifted the spotlight onto supporting characters we hadn\u2019t had a chance to get to know.<\/p>\n
From storylines involving new non-binary student Cal Bowman (Dua Saleh) and Jackson Marchetti (Kedar Williams-Sterling), to the blossoming of a friendship between Adam Groff (Connor Swindells) and Eric\u2019s ex Rahim (Sami Outalbali), season three introduced some exciting new dynamics whilst still providing plenty of Jean Milburn (Gillian Anderson) content to get us through another year without our favourite Moordale students. \u2013 Lauren Morris, Writer<\/strong><\/p>\n
1. It\u2019s A Sin<\/strong><\/h2>\n $\""It's\"$ <\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/div>
Channel 4<\/i> <\/span>\n<\/div>\nAvailable on All 4, BritBox<\/a> and to buy on Amazon<\/a><\/strong><\/p>\n
It\u2019s A\u00a0Sin<\/span><\/a>\u00a0is one of those rare shows that ascends above mere excellence to the status of essential viewing. From a narrative perspective, Russell T Davies crafted a truly harrowing story about five friends living in London during the AIDS epidemic, which destroyed each of their lives in the cruellest possible way. But while the hard-hitting script and knockout performances will leave you in floods of tears \u2013 I\u2019m barely fighting them back just writing this refresher \u2013 there\u2019s so much more behind why it sits atop our best shows of the year.<\/p>\n
It\u2019s A\u00a0Sin<\/span>\u00a0is a devastating tribute to those who lost their lives at the height of the epidemic and weren\u2019t afforded the dignity or compassion that they deserved. It\u2019s a powerful educational resource for anyone unaware of the immeasurable suffering and stigmatisation that occurred at that time. It\u2019s a stark reminder that the work isn\u2019t over yet, as we must continue to fight discrimination against people living with HIV, and testing ourselves regularly as we work towards the goal of eradicating the illness altogether.\u00a0<\/p>\n
Achieving so much in a mere five episodes, It\u2019s A\u00a0Sin<\/span> will be remembered for many years to come.\u00a0\u2013 David Craig, Writer<\/strong><\/p>\n
Find something to watch now with our TV Guide<\/a>.<\/strong><\/p><\/body><\/html>\n
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